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How Anthony Edwards built that new ‘super pretty’ jumper: ‘Make ’em respect it’

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How Anthony Edwards built that new ‘super pretty’ jumper: ‘Make ’em respect it’

SAN FRANCISCO — If shooting is an art form, then Chris Hines is a sculptor of gilded frames. A basketball craftsman. A steward of strokes.

As an assistant coach for the Minnesota Timberwolves, he watches his latest masterpiece from the sideline: the shooting of Anthony Edwards.

“The crazy thing now, and it sucks for me,” Hines said, “I know when it’s not going in. So I’m watching from the bench like, ‘Damn it!’ as soon as it leaves his hands.”

His pupil doesn’t have such issues.

“I think I’ma make that b—- every time. I’m not gon’ lie,” Edwards said, flashing that soda-commercial smile from the visitors locker room at Chase Center on Sunday.

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Embedded in the braggadocio is evidence of his sophistication. To be clear, Edwards can feel when his form goes awry and a miss is likely. But he’s gotten his mechanics to a point where he doesn’t feel that often.

“The majority of the time,” he said, “when it leaves my hand, I’m like, ‘Damn, that b—- felt good.’ Because I’ve been working on it, man. I’m not even being funny. I’ve been working on my trey ball so much. … I’m happy where it’s at.”

Behind all of his flair, Edwards’ diligence is visible in his form. Though his magnetism suggests superstardom comes easy, his vastly improved shooting underscores a maniacal work ethic.

This art has functionality. Edwards left the Bay Area this week — after splitting a two-game series at the Golden State Warriors — with the most made 3-pointers in the NBA at 103, and his 241 attempts were one behind the Boston Celtics’ Jayson Tatum for the most 3s taken as of Tuesday morning. Just over a quarter of the way through the season, Edwards is one of the best 3-point shooters in the league — a potent counter to his reputation for attacking the rim.

But do not miss the aesthetics of his polished jumper. Appreciate the artistry of Edwards, the engineering of Hines.

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It perhaps goes missed because of Edwards’ highlight dunks and viral quotes. But he has developed quite the picturesque shot.

“Hell yeah,” Edwards said. “Super pretty. Shout out to C. Hines.”

The springs hidden in his legs are already alluring. He just floats, or so it seems, as if time slows when he’s in the air. Edwards rising for a jumper looks as if something cool is unfolding. He has already developed a classically attractive midrange.

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The mechanics of his jumper have gotten much cleaner. It’s an efficient transition from pickup to release. Smooth. Effortless. Contrary to the shot of typical leapers, who reach the peak of their jump before unfurling something clunky. Edwards has worked on his form until it’s one fluid motion, consistently replicated, capped with a portrait-worthy follow-through and a snap of the net.

Ant-Man has authored another avenue for awe. One of the league’s most captivating players added to a bag of brilliance already brimming with personality.

“It’s not the prettiest,” he declared, giving the nod to Kevin Durant, Steph Curry and Klay Thompson. “They’ve got some pretty-ass jumpers. I’m not trying to have the prettiest jumper. I just want it to go in. Yeah, it looks good. But as long as it goes in, it looks better.”

However, beauty comes with a cost. For Edwards, it was paid through a process as methodical as it has been relentless.

Hines and Edwards pieced it together as a long-term project. Like so much with Edwards, his capacity was obvious. The talent drips off him like Jheri curl juice. The last four years were dedicated to harnessing his all-world abilities, as will be the next 10 years.

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Edwards resisted at first. Some days, he would despise Hines, the torturous teacher.

“He hated me,” Hines said with a proud smile. “From the beginning. He’s like, ‘C. Hines, you not finna change my game.’ I’m not trying to change your game. Let me fine-tune it, and you’ll be fine.”


Chris Hines looks on while Anthony Edwards warms up before a November game against the Phoenix Suns. Edwards credits Hines for the improvement in his shooting form. (David Sherman / NBAE via Getty Images)

Hines earned Edwards’ trust by not changing the canvas but appreciating it. Edwards often heard what he couldn’t do, how he had to change — people steadily telling him how to paint his game. Hines instead affirmed Edwards only needed refinement, not reconstruction. They went to work on the structure, framing his shot around the game that made him special.

Hines began by cleaning up Edwards’ strengths. His handle. His finishing packages. His footwork. His touch at the rim. Those were foundational elements on which to build.

“He already had a pretty decent, solid, strong shot,” Hines said. “We just wanted to tighten up everything around his shot. Small stuff. … How is he picking up into his pocket? Is it clean? How do you find the laces without looking for ’em? Small things of that nature. So tightening all that stuff up, it’s been really fun to watch the process.”

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The shots are too incessant to be counted, the hours too blurred to be logged. Shooting is a meticulous craft. It’s feel and form. Technical and creative. It remains true to the uniqueness of the shooter while beholding universal laws.

Hines went to work simplifying Edwards’ shooting stroke. First, they had to break his habit of dropping the ball too low. Now, by sheer muscle memory, his process begins with the ball near his navel.

Then they amended his high release. Edwards had a long range of motion, lifting the ball from his crotch to behind his head, creating plenty of opportunity to disrupt the result. The longer one’s form, the harder to replicate.

So by raising the starting point and bringing forward the release point, his motion became more efficient.

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Another thing Hines fixed: Edwards’ habit of bringing the ball close to his body, restricting his range of motion. Hines drilled him to keep his elbows L-shaped instead of V-shaped so as not to lose power and flow. Hines ingrained in Edwards the need to keep his elbow over his eyebrows at the top of his form.

The follow-through was another significant component. Edwards now has a pronounced snap of his wrist, as if he’s dipping his hand into the rim. It gives his ball an emphatic spin that splashes the net.

“We be in the gym four or five times a day just shooting,” Edwards said. “Just shooting. Just shooting. So I’ve been trying — trying to perfect it. Because when I came in the league, the main thing was, ‘He could get downhill, but he can’t shoot. He can’t shoot. He can’t shoot.’ So I’ve been trying to knock that off my name for a long time. It’s still kind of on it a little bit, but I feel like I’m trending in the right direction.”

Last month, Edwards sent a voice message to Curry, seeking to glean some off-the-ball wisdom from his Team USA homie. This was after a summer of picking the brain of Durant, his favorite player.

The threat of Edwards’ aggressive drives, which have produced a montage of highlights, prompted defenders to back off him, conceding the jumper to prevent the poster. His rise to an MVP candidate increased the amount of double-teams he faces.

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Thus, his next level of growth is being a threat off the ball. The cadence of dribbling into a shot is much different without the rock. Keeping the same form while catching and shooting requires repetition and precision drilling.

Edwards said he wants to shoot well enough for long enough that his pump-fakes get defenders in the air, opening lanes for his drives.

“In order for me to be able to score without the ball,” Edwards said, “I’ve got to be able to shoot. You know what I’m saying? Make ’em respect it. … Just being ready to shoot on the catch, that makes you another threat on the offensive end. Because guys gotta respect it now because I want to catch and shoot. So now if you run me off the line, now I’ma get to where I really want to go, which is downhill.”

This takes thousands of shots, hours and hours, for years and years. Hines didn’t want to rush the process. He was intentional about not skipping steps, mastering a skill before advancing to the next one.

The pursuit of grandeur is antithetical to haste. A masterpiece transcends time by being committed to quality.

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A player has to want this. Really want it. For this level of improvement, the grind is inescapable. The amount of work Edwards invests is illustrated when he pulls up. Suspended in air. Fluid mechanics. Pretty rotation. Silky splash. His weakness has become a work of art. You can tell by how it was framed.

(Top illustration: Meech Robinson / The Athletic; photo: Adam Pantozzi / NBAE via Getty Images)

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US Olympic hockey hero Jack Hughes opens up about support for women’s team amid backlash over Trump’s joke

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US Olympic hockey hero Jack Hughes opens up about support for women’s team amid backlash over Trump’s joke

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Team USA Olympic hockey hero Jack Hughes spoke about his support for his country’s women’s hockey team after his team was the subject of backlash for laughing at a joke by President Donald Trump about the women’s team. 

During an interview on ESPN’s “The Pat McAfee Show” Friday, Hughes opened up about his respect for the women’s team after McAfee appeared to reference the controversy by joking that Hughes and his teammates “hate” the women players. 

“We are hanging out with them so much, the women’s team. We were supporting them. Like, we were at their games, they were at our games,” Hughes said. 

 

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Jack Hughes of the United States celebrates after a gold medal win during against Canadaat Milano Santagiulia Ice Hockey Arena during the Milano Cortina 2026 Winter Olympic games Feb. 22, 2026, in Milan, Italy.  (Elsa/Getty Images)

Hughes then appeared to address the recent criticism of his team for its response to Trump’s joke.

“Like all these people talking, how many of them watched their gold medal game? Me and Quinn Hughes were at the game. We were at the game until like overtime ended on the glass, and we were jumping up and down so excited for these girls, so excited they won,” Hughes said. 

“And how many of these people watched the gold medal game, watched their semifinals game? Like 10 of the 10 of our players went to their game in the round-robin. Like, we supported them so much, and we’re so proud of them. We’re so happy that they won, and they brought a gold medal back and that, you know, I said it, the men’s and women’s team both brought gold medals back. So, just unbelievable for USA hockey.”

Hughes, who scored the game-winning overtime goal against Canada to win gold, reflected on his interaction with the player on the U.S. women’s team who did the same, Megan Keller.

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“Me and her had a great moment in the cafeteria after her gold medal game. We played Slovakia the next night, and it was like a late game. And we were in the pasta line — me and Megan. They were just getting ready to go out again, and I just gave her a massive hug, and I said, ‘I’m so happy for you. I’m so proud of you,’” Hughes said. 

“A couple nights later, saw her again in the [cafeteria], and we took a great picture and, uh, she just gave me a big hug and was so pumped for me as well.” 

Hughes told reporters after the game the first thing he thought about when the puck went in was Keller, who scored the golden goal for the United States women’s team against Canada three days earlier.

US WOMEN’S HOCKEY GOLD MEDALIST SAYS IT’S ‘SAD’ MEN’S TEAM HAD TO APOLOGIZE FOR OLYMPICS CONTROVERSY

The controversy surrounding the men’s team stemmed from a locker room phone call between the players and Trump right after their gold medal win over Canada. 

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Trump told the men’s team after inviting them to Tuesday’s State of the Union address that he’d “have” to invite the women’s team, otherwise “I probably would be impeached.” The team laughed in response, prompting immense backlash. 

Several mainstream media outlets penned op-eds condemning the men’s team for laughing at the joke and then visiting the White House to celebrate and Trump’s State of the Union address. 

The United States’ Jack Hughes (86), who scored the winning overtime goal, celebrates after defeating Canada in the men’s ice hockey gold medal game at the 2026 Winter Olympics in Milan, Italy Feb. 22, 2026.  (AP Photo/Carolyn Kaster)

U.S. women’s hockey captain Hilary Knight said on Wednesday’s edition of ESPN’s “SportsCenter” that Trump’s “distasteful joke” has “overshadow[ed]” the women’s success.

“I thought it was sort of a distasteful joke, and, unfortunately, that is overshadowing a lot of the success, the success of just women at the Olympics carrying for Team USA and having amazing gold medal feats,” Knight said.

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“We’re just focusing on celebrating the women in our room, the extraordinary efforts, and continue to celebrate three gold medals in program history as well as the double gold for both men’s and women’s at the same time. And really not detract from that with a distasteful joke.”

Hughes’ mother, Ellen, a former Team USA player and current player development staff member, said the players only cared about “bring[ing] so much unity to a group and to a country.”

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USC men routed by Nebraska after building halftime lead

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USC men routed by Nebraska after building halftime lead

Another winnable game was slipping away, another frustrating performance by USC unraveling in painfully familiar fashion, when Jaden Brownell lifted up from the corner for a wide-open three-pointer, offering a split-second of hope in an otherwise hopeless second half.

But the shot clanked away. A collective sigh from the cardinal-and-gold faithful rippled through Galen Center, only to be swallowed up seconds later when Nebraska’s Pryce Sandfort, who finished with 32 points, knocked down a three-pointer of his own. That’s when USC’s own arena exploded with a deafening Big Red roar, loud enough to make you forget you were in Los Angeles — or that these lifeless Trojans had once looked like a real NCAA tournament team.

There were still more than nine minutes remaining after that in Saturday’s brutal 82-67 loss, though that roar from the Nebraska faithful might as well have been the exclamation point. Whether it becomes the punctuation mark on a frustrating second season for USC under coach Eric Musselman was still to be determined.

The Trojans have lost five consecutive games as of Saturday and sit in a tie for 11th in the Big Ten. They still have two regular-season games remaining to bolster their middling tournament resume, both of which they can ill afford to lose.

A midweek matchup at Washington looms especially large. A loss to the Huskies, who are 14-15, would make climbing back from the bubble brink especially harrowing. A rivalry rematch awaits after that against UCLA.

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Nebraska forward Pryce Sandfort (21) drives past USC forward Terrance Williams II (5) during the first half Saturday.

(William Liang / Associated Press)

“I still think we could have a successful season,” forward Terrance Williams II said Saturday . “I had that positive mindset coming into the season. I still have that positive mindset. The season’s not over. … We can change the trajectory of the season very quickly.”

Nothing, though, about Saturday’s second half suggested USC was poised for positive change.

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The Trojans positioned themselves in the first half to make a very different statement Saturday. They took advantage of foul trouble from Nebraska point guard Sam Hoiberg and led by five points at halftime. Chad Baker-Mazara had already poured in 14 points, and they barely needed freshman Alijah Arenas, who was left out of the starting lineup and played only nine minutes.
“They had belief,” Musselman said.

Yet after shooting 52% from the field in the first half, the Trojans were suddenly unable to find the target in the second. For the first five minutes of the half, a dunk from Jacob Cofie was USC’s only basket. During another five-minute stretch in the second half, USC couldn’t even manage a dunk.

Its issues only got worse when Baker-Mazara fell hard trying to block a lay-in. He didn’t play the rest of the game, as Musselman said Baker-Mazara told the staff he was unable to go.

“They played great in the second half,” Musselman said, “and we did not play very good.”

The Trojans didn’t fare much better on the glass, either, as Nebraska more than doubled USC’s total rebounds (22 to 10) after halftime.

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The defense followed suit, with Nebraska piling up points in the paint at will. Sixteen of the Huskers’ first 20 points in the second half came on either dunks or lay-ins as USC’s defense lacked any semblance of urgency.

“I feel like they came out with more energy to be honest,” Williams said. “The first couple possessions, you could see it. They wanted it more than we did.”

How that’s still the case, after several similarly frustrating second halves this season, is still unclear.

“Second halves, they’re hard,” Brownell said. “We have to accept that and get ready quicker in the locker room, get our mental right and then come in and be ready.”

But with the Trojans on the very brink of the tournament bubble, time is quickly running out on that possibility.

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MLB pitcher Merrill Kelly says California tax rate swayed decision to reject Padres’ free agency offer

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MLB pitcher Merrill Kelly says California tax rate swayed decision to reject Padres’ free agency offer

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Merrill Kelly will once again be wearing an Arizona Diamondbacks uniform when the 2026 regular season gets underway. 

Kelly, who entered the free agent market after pitching in 10 games with the Texas Rangers in 2025, agreed to a deal to return to the Diamondbacks.

Kelly spent the first seven years of his professional career with the Diamondbacks but revealed that he received an offer from the San Diego Padres this offseason. Kelly said his decision to turn down the Padres during free agency centered on California’s higher income tax rate compared to Arizona’s.

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Merrill Kelly (23) of the Texas Rangers pitches during a game against the Miami Marlins at Globe Life Field on Sept. 21, 2025 in Arlington, Texas. (Gunnar Word/Texas Rangers/Getty Images)

Kelly agreed to a two-year contract worth an estimated $40 million with the Diamondbacks, according to ESPN. Although the Padres offered a comparable deal at three years instead of two, California’s 13% tax rate on income above $1 million proved a key difference.

“I don’t think it’s any secret on how much money you get taken out of your pocket when you go to California,” the right-hander told “Foul Territory.”

Kelly also has deep ties to Arizona, where he attended high school and played college baseball at Arizona State. He said finding a way back to Arizona “was always the priority.”

Merrill Kelly (29) of the Arizona Diamondbacks looks on before Game Six of the Championship Series against the Philadelphia Phillies at Citizens Bank Park on Oct. 23, 2023 in Philadelphia, Pennsylvania.  (Rich Schultz/Getty Images)

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While Kelly said he is fond of San Diego, he was unwilling to sacrifice a significant portion of his salary to taxes. “I love San Diego,” Kelly said. “It’s just, like I said, they take too much money out of my pocket, man. The taxes over there are a different level.

“We had my numbers guy run the numbers, and it just made more sense to come home.”

Merrill Kelly (23) of the Texas Rangers looks on during a game against the Philadelphia Phillies at Globe Life Field on Aug. 8, 2025 in Arlington, Texas. (Bailey Orr/Texas Rangers/Getty Images)

Arizona’s state income tax rate is roughly 2.5%. Kelly also joked that he prefers the desert landscape to San Diego’s coastal setting.

“It worked out best for us because that was honestly our second choice,” Kelly said. “It was between here and San Diego going into the offseason. San Diego was really the only place that, if we did go somewhere, that was probably high on our list if we weren’t in Arizona. It’s like, ‘All right, let’s just hop over and take a short, six-hour drive to San Diego.’

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“But, yeah, the desert is home. I guess we’re not ocean people.”

In a statement to The California Post, the Padres said the team does “not comment on contract negotiations.”

Acquired by the Rangers in July 2025, Kelly went 12-9 while splitting the season between Texas and Arizona.

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