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Wonder women in Washington DC

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Wonder women in Washington DC


Dressed in a cotton and silk tutu with linen slippers, Belgian dancer Marie van Goethem stands proud, face upturned, and feet in classic ballerina pose. She’s been immortalised for eternity as Little Fourteen-Year-Old Dancer, a wax sculpture by Edgar Degas. Today revered for being one of his greatest works, Little Dancer wasn’t warmly received by critics and French bourgeois society who called it “ugly”, “repulsive” and oddly, a “threat to society”. All because Marie didn’t fit the society ideal—she was, after all, an “opera rat”, a term given to working-class young dancers with the Paris Opera ballet.

Today, a recast of Marie is one of the highlights at Washington DC’s National Gallery of Art.

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Little Fourteen-Year-Old Dancer. (courtesy National Gallery of Art)

It speaks volumes that even today women are still often lambasted for not fitting a perfect society ideal. As Marie shows us, it is absolutely alright to stand out from the crowd because history will remember you.

It is my maiden visit to Washington DC, the capital of a country that could soon be electing its first woman President. There, I find many other powerful women, like Marie, whose stories fascinate and delight.

At The National Museum of Women in the Arts, I am reacquainted with that legendary feminist painter, Frida Kahlo. It’s a self-portrait painted for her lover, Russian revolutionary leader Leon Trotsky, during their brief affair. She’s dressed in a pink embroidered skirt, gold jewellery and honey-hued shawl, black hair woven with flowers.

Frida Kahlo, a self-portrait.

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Frida Kahlo, a self-portrait. (courtesy National Museum of Women in the Arts)

The revolutionary artist and feminist may be the most famous woman in the museum but hers isn’t the only inspiring work. The museum is the first of its kind dedicated only to women (or those identifying as women) artists, with paintings and sculptures that are big, bold and powerful.

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Take Lalla Essaydi’s Bullets Revisited #3, a staged photo where a henna-d model sleeps on bullet casings. “This photograph is to showcase the role of women in revolutions, which often gets ignored. It’s also a way of talking about how the white gaze has impacted perceptions of Arab women,” says our guide, Micah Koppl.

There’s a floor dedicated to heavier work, sculptures in iron and wood because “work by women are thought to be delicate and small”.

The beauty of this museum is that it is all inclusive—there are non-binary artists’ work on display, it features transgender artists during exhibitions, there’s a nursing lounge for mothers, and all-gender bathrooms.

Interestingly, its grandeur is owed to the fact that it sits in what was once a Masonic temple. Elsewhere, on a visit to a functioning Masonic temple, Scottish Rite House of the Temple, what stands out in this all-male bastion is the fact that my guide is a woman. She has no connection to the freemasons and yet, conducts a tour that is informative, knowledgeable and extremely witty.

While on the subject of women breaking the mould, there’s aviation pioneer Amelia Earhart at the Smithsonian’s National Air and Space Museum, which deservedly pays tribute to this record-setting aviator and pilot. I learn that Earhart was also a trendsetter when on the ground. She designed and wore her own clothes. The line, Amelia Fashions, released in 1933, was revolutionary for its time, being practical, fuss-free and meant for “active women”.

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America’s many women icons can be found in museums and institutions across Washington DC.

A tour of the US Capitol takes me to the rotunda with its paintings and heavily decorated ceiling, and the National Statuary Hall. There, the newest statue is of civil rights leader and journalist Daisy Lee Bates. In the rotunda, a white marble sculpture honours three prominent Suffrage pioneers, Lucretia Mott, Elizabeth Cady Stanton and Susan B. Anthony.

Tour guide Ann mentions that Rosa Parks (also in the hall) was the first woman to lie in honour in the Capitol when she passed in 2005; her statue was the first full-length statue of an African American.

Rosa Parks' statue at Capitol.

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Rosa Parks’ statue at Capitol. (courtesy Architect of the Capitol )

Helen Keller is here too, captured as a seven-year-old showing her expression the first time she touched water. The disability rights advocate’s ashes are interred at the Washington National Cathedral.

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The Neo-Gothic structure is the second largest church building in the country but perhaps best known for possessing a gargoyle of Darth Vader.

The Episcopal cathedral looks like a traditional religious structure, but offers much for those with a keen eye. In the section titled the “Human Rights Porch”, are small sculptural heads of Mother Teresa, Rosa Parks and Eleanor Roosevelt. This year is important to the cathedral—it marks the 50th anniversary of the first ordination of women as priests in the Episcopal Church, and they hired their first woman stonemason.

As religious structures go, it certainly is unique.

Museums and their food

One of my favourite finds in the city is the Mitsitam Native Foods Café in the Smithsonian’s National Museum of the American Indian, which showcases native foods. Mitsitam offers a taste of native foods, some in new avatars. There is frybread, manoomin (wild cakes) with smoked salmon, bison burgers and hotdogs, wild rice salad and corn pudding. This kitchen is pathbreaking also because it is led by chef Alexandra Strong and sous chef Toshiba Veney—the first all-female team at a Smithsonian museum café.

Right outside the museum I find presidential candidate Kamala Harris staring at me. Given that it is election time, she and Donald Trump are everywhere.

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The stretch of road in front of many Smithsonian museums is parked with vans dishing out hotdogs, pretzels and souvenirs. Harris’ face adorns many of the vans, and you can also find it on tees, caps and magnets. Her famous “I’m Speaking” phrase (from the 2020 vice-presidential debate with Mike Pence) is a particular favourite. It may seem like just a cheap souvenir but it is a sign of the time, or possibly of history in the making.

At the Made in Washington store promoting black artists, it is easy to see whom they support—Harris shows up on candles, magnets, coasters, and tea towels.

Like many of the other iconic women in Washington DC, Harris seems set to become a part of the country’s history.

Joanna Lobo is a Goa-based journalist.

 

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Washington, D.C

LIST: Free, engaging options in DC for your kids, families during Winter break

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LIST: Free, engaging options in DC for your kids, families during Winter break


Mayor Muriel Bowser, along with the Department of Parks and Recreation (DPR), is offering dozens of activities for kids and families during the 2024-2025 Winter break.

“These initiatives provide young people with safe and engaging activities from Dec. 21 through Dec. 31. While many events are designed for all age groups, DPR is also hosting specialized programming for teenagers, creating dedicated spaces for them to connect, socialize, and have fun,” the Mayor said in a press release.

READ MORE | Man killed in Walker Mill shooting, marks 100th murder in Prince George’s County this year

Here are a list of the activities:

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Community Toy Giveaway: Toy distribution and cocoa for children in the community

  • When: Saturday, Dec. 21, 9 a.m. – 12 p.m.
  • Where: Fort Stevens Recreation Center, 1327 Van Buren Street, NW

Movie Field Trip: Sonic 3: Young people can enjoy a field trip to see Sonic 3, with multiple pickup locations

  • When: Saturday, Dec. 21, 10 a.m. – 3 p.m.
  • Register HERE

Grinchmas at Kenilworth: Join us for a community holiday Grinch-themed party

  • When: Saturday, Dec. 21, 10 a.m. – 1 p.m.
  • Where: Kenilworth Recreation Center, 4321 Ord Street, NE

Community Christmas Extravaganza: An event for the distribution of toys, hygiene products, coats, and used clothing to those in need

  • When: Saturday, Dec. 21, 10 a.m. – 4 p.m.
  • Where: Rosedale Community Center, 1701 Gales Street, NE

Holiday Hype: A festive gathering at the MLK Library for all ages

  • When: Saturday, Dec. 21, 2 p.m. – 6 p.m.
  • Where: MLK Library, 901 G Street NW
  • Register HERE

SEE ALSO | Crews, carjackings and youth crime: 7News speaks with US Attorney Matthew Graves

Just Cares Toys for Tots Youth Basketball Tournament: This holiday basketball tournament and charity event will include Santa picture booth, entertainment, toy giveaways, and adult and kids basketball games!

  • When: Sunday, Dec. 22, 9 a.m. – 5 p.m.
  • Where: Deanwood Community Center, 1350 49th Street, NE

Water Cycle and Aqua Fitness: Water-based activities and fitness sessions

  • Where: Ferebee-Hope Aquatic Center, 700 Yuma Street SE
  • Water Cycle: Dec. 24 and 26, 3 p.m. – 3:45 p.m.
  • Aqua Fitness: Dec. 24 and 26, 6 p.m. – 6:45 p.m.

eSports and Gaming Tournaments

  • eSports Throwback & Brawlhalla Tournament: Columbia Heights Community Center, Dec. 23, 11 a.m. – 3 p.m.
  • eSports 2K24 Tournament: Turkey Thicket Recreation Center, Dec. 26, 11 a.m. – 3 p.m.
  • Winter E-Gaming Tournament: Hillcrest Recreation Center, Dec. 27, 2 p.m. – 6 p.m.
  • eSports Madden Tournament: Deanwood Community Center, Dec. 27, 11 a.m. – 3 p.m.

Holiday Drip: Celebrate the season with music and water-based fun

  • When: Dec. 27, 3 p.m. – 5 p.m.
  • Where: Barry Farm Aquatic Center, 1230 Sumner Road SE

Holiday Sing-Along: Come out to sing your favorite holiday carols

  • When: Monday, Dec. 30, 3 p.m. – 5 p.m.
  • Where: Kennedy Recreation Center, 1401 7th Street, NW

Holiday Movie Night: Come out to the Joseph Cole Recreation Center for a holiday movie

  • Where: Joseph Cole Recreation Center, 1299 Neal Street, NE
  • When: Monday, Dec. 23 and Dec. 30, 4 p.m. – 6 p.m.

Teen Time: Teens will have the chance to play minute-to-win-it games, board games, art activities, and basketball!

  • When: Friday, Dec. 27, 5 p.m. – 6 p.m.
  • Where: Ridge Road Community Center, 830 Ridge Road, SE,

Teen Time: Teens will have the chance to play minute-to-win games, board games, art activities, and basketball!

  • When: Monday, Dec. 23, Tuesday, Dec. 24, Monday, Dec. 30, and Tuesday, Dec. 31, 5 p.m. – 6 p.m.
  • Where: Rosedale Community Center, 1701 Gales Street, NE

High School Lifeguard Training: Comprehensive lifeguard training for high school students at multiple locations

  • Ballou HS Aquatic Center, 3401 4th Street SE: Dec. 22 – 24, 10 a.m. – 6 p.m.
  • Dunbar HS Aquatic Center, 101 N Street NW: Dec. 26 – 28, 10 a.m. – 6 p.m.
  • Roosevelt HS Aquatic Center, 4301 13th Street NW: Dec. 29 – 31, 10 a.m. – 6 p.m.
  • Rumsey Aquatic Center, 635 North Carolina Avenue SE: Dec. 29 – 31, 10 a.m. – 6 p.m.

Junior Lifeguard Academy: A training program for youth ages 9 to 15 interested in lifeguarding, with sessions offered at various aquatic centers

  • When: Dec. 23 through 31
  • Locations:
  • Barry Farm Aquatic Center, 1230 Sumner Road SE: 2 p.m. – 3 p.m.
  • Turkey Thicket Aquatic Center, 1100 Michigan Avenue NE: 2 p.m. – 3 p.m.
  • Ferebee-Hope Aquatic Center, 700 Yuma Street SE: 12 p.m. – 1 p.m.
  • Deanwood Aquatic Center, 1350 49th Street NE: 12 p.m. – 1 p.m.
  • Takoma Aquatic Center, 300 Van Buren Street NW: 12 p.m. – 1 p.m.
  • Reservoir Park Aquatic Center, 10 Lower Service Court NW: 1 p.m. – 2 p.m.



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An 'Ode to the Women in D.C': 'THROUGHLINE VOL. II' Honors Local Changemakers With Multidisciplinary Art Exhibit

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An 'Ode to the Women in D.C': 'THROUGHLINE VOL. II' Honors Local Changemakers With Multidisciplinary Art Exhibit


If a picture is worth a thousand words, how much would it amount to when fused with original poetry, vibrant artwork, and themed cuisine?

California natives Xavier Renard Cunningham and Taylor Smalls offer insight to this question in Northwest D.C., with “THROUGHLINE: VOLUME II (VOL. II),” an exclusive multisensory art exhibition that leverages photography, painting, performance art, and culinary craft to champion 16 of the District’s Black unsung heroines. 

“[‘THROUGHLINE’] was always about, how do we celebrate something, and how do you do that through art,” said Cunningham, creative producer of “THROUGHLINE.” “The cheeky answer is, why not Black women, who are – for us – the foundation, not only of what runs our [cities], but we think the world.”

Through Dec. 22, art connoisseurs can indulge in an immersive experience of culture and ambiguity, as Autoshop at Union Market hosts “THROUGHLINE’S” second iteration and first-ever in D.C.

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Ashley Etienne, renowned communications strategist and CBS political commentator stands next to her mocha-based portrait with exhibit painter, Taylor Smalls (right) on Sunday, Dec. 15. (Jada Ingleton/The Washington Informer)

The interdisciplinary exhibit combines poetry, music, and visual and culinary art to honor the breadth of women trailblazers across various platforms, from education and activism to entrepreneurship and wellness.  

“[This] was created deeply starting with that fundamental purpose of unearthing those change makers, those change agents who are sometimes and more often than not, uncelebrated … even though they are shifting and shaping culture as we know in every city,” Cunningham explained.

District honorees such as Ashley Etienne and Alencia Johnson have fearlessly shaped the local political landscape, while other heavy-hitters like Kelsye Adams, Sister Mary Brown and Chloe Dulce Louvouezo — the latter two present for a “VOL. II” display on Dec. 15 — redefine social narratives and advocate for underserved groups locally and nationally. 

Other celebrated recipients include: Ayo Tometi; Dionna Dorsey; Christine Platt; Rhea Combs; and Carla L. Sims, to name a few. 

“Too often, we walk through this life doing extraordinary things, but going unseen,” Etienne, who was also in attendance on Sunday, told The Informer. “So to be seen and then to have it … for people like my daughter and others to see it and to admire the beauty, the essence and the work of Black women is just incredible.” 

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Imitation: The Sincerest Form of Flattery

Dozens of spectators gathered on Dec. 15 to witness the virtuosity and impact of “THROUGHLINE VOL. II,” which features breakout artists: Adedayo Kosoko (photographer); Gabrielle Hights (musician); Smalls (painter); as well as Chef Keem Hughley of Bronze DC, and award-winning poet Michael Wayne Turner III. 

The collaborative exhibit is a powerful demonstration of nesting beauty in the eye of the beholder, with two levels of subject-based illustrations and individualized food dishes contingent on artistic ambiguity and perception. 

As the lamented poetry explores themes of introspection and endurance, the visuals emulate the honorees’ pride and potency; Meanwhile, Chef Hughley’s paired custom entrees provide flavor to the textures and colors of the distinct images, culminating in a celebration for all the senses. 

“Sitting with each of these women, taking time to really respect who they are, what they have come to be and how they stand in this exact moment … this is an ode. It’s a love letter to the women in D.C.,” said Smalls.

Turner brought the stilled images and deep-colored portraits to life as the classically trained thespian led guests on a theatrical tour through Autoshop — his voice commanding the room with a spiritual cadence as he recited each of his poems to the soulful refrain:Maybe, you’ll join me down by the river, so I may wash away all of my pride. 

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Darlene Brown, CEO of Divine Empowerment, appreciated the reflective aspect of the interdisciplinary exhibition, which she described as: “cathartic,” “inspirational,” and “a catapult” to empowerment. 

“As I walked through, reading the poetry, examining the photos, the entire experience, I felt seen as a Black woman in America,” Brown told The Informer. “I felt validated, I felt heard, I felt valued … in a way that I can’t say that I’ve ever experienced coming to [an] exhibit [for] art and poetry.” 

According to Smalls, who crafted all 18 paintings in the exhibit, the collaborative approach of artistic practices serves as what she calls a throughline to creatively “pass the baton” of culture preservation and diasporic solidarity. 

The Oakland-based painter boasted one particular example: “Young Saffron,” a canvas painting of local entrepreneur and honoree Angel Gregorio with a saffron-colored base. 

Since Gregorio travels internationally, particularly to Africa, to collect unique spices, Hughley made her personal dish a wagyu hot dog topped with Mambo Sauce — a D.C. speciality — and infused it with saffron spices from her spice boutique, The Spice Suite, located in the city’s Langdon Park community.

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“It’s this really beautiful storytelling working together on so many different levels of artistry, but also across the diaspora … to hold what we know culturally, and specifically, in this city,” Smalls told The Informer. 

But, the power of artistic exploration shone beyond connections to D.C. culture. 

For Felicia Allen, a Florida-based grief counselor who flew to D.C. for the Dec. 15 showcase, the artists proved to encapsulate not only the spirit of the champions on the walls, but the resilience of Black women throughout African American history.

“This show is a culmination of who [Black women] are as people. Our strength, our intellect, our creativity, our innovation,” Allen told The Informer. “There is truth in these writings, in these pictures. We know who we are and what we’ve done, and this is a space of empowerment.”

Championing Prosperity, Representation Through the Arts

The shared project upholds a deeper purpose of centering what Cunningham considers “the core and foundation” of the Black community: mutual support and collaboration.

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“[‘THROUGHLINE’] is about fighting against that notion that everything we do must be in silence, that we must pull ourselves up by our own bootstraps,” said Cunningham. “We truly believe it’s through community that you get ahead, that each person in this room has their own throughlines and connective tissue that can unlock their deepest dream.”  

In addition to championing local changemaking, creative spaces like “THROUGHLINE” act to preserve the future of cultural arts–an industry where Black people are disproportionately outnumbered.  

Data from a Burns Halperin Report shows that between 2008 and 2020, Black American artists only represented approximately 2% of museum acquisitions and 6% of exhibits, despite Black Americans making up 13.6% of the entire United States population. 

With the methodic integration of various modalities, Allen said “THROUGHLINE” underscores the value of diversity in the arts and opens doors that could catapult creativity and innovation.

“We speak through the arts. [It’s] deeply rooted in our culture…[and] opens up that venue for us to be demonstrative, to have exploration and teach at the same time,” she explained. “I think now more than ever, that’s what we need.” 

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As “THROUGHLINE VOL. III” prepares to host its third installation in Detroit, Michigan, honoree Etienne commends the institute’s commitment to Black women inclusion, emphasizing the gravity of uplifting vulnerable communities–especially given recent political cycles.

“There are a lot of Black women that are feeling dejected, betrayed and undervalued after the election,” said the CBS News political contributor. “An exhibit like this that puts on display the finest of Black women and the humanity of Black women, I think, is not only timely, but it is priceless, and it is invaluable to our spirits right now.”

This story is part of the Digital Equity Local Voices Fellowship Lab. The Lab initiative is made possible with support from Comcast NBCUniversal.



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Senate passes separate RFK stadium site bill after removal from federal spending bill

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Senate passes separate RFK stadium site bill after removal from federal spending bill


The U.S. Senate has passed a bill granting control of the old RFK Stadium site to the District of Columbia, a last-minute passage that helps clear the way for the Washington Commanders to potentially move back to the city.

The passage early Saturday comes after a provision to transfer control of the land from the federal government to D.C. was removed from Congress’ slimmed-down, short-term spending bill as lawmakers raced to pass it before a government shutdown.

Washington Commanders owner Josh Harris praised the passage, saying in a statement: “We are extremely grateful that our elected officials have come together on a bipartisan basis to give Washington D.C. the opportunity to decide on the future of the RFK stadium site. This bill will create an even playing field so that all potential future locations for the home of the Washington Commanders can be fairly considered and give our franchise the opportunity to provide the best experience for all of our fans.”

The Commanders are considering locations in the District, Maryland and Virginia to build a stadium in the coming years. Their lease at Northwest Stadium in Landover, Maryland, runs through 2027, and Harris called 2030 a “reasonable target” for a new one.

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The team played at RFK Stadium two miles east of the Capitol from 1961 to 1996 before moving to Maryland. Harris and several co-owners, including Mitch Rales and Mark Ein, grew up as Washington football fans during that era, which included the glory days of three Super Bowl championships between 1982 and 1991.

The bill will transfer administrative jurisdiction of the RFK site from the Secretary of the Interior to the D.C. government. While the federal government will still own the land, D.C. will be able to redevelop the land for a stadium, commercial and residential development and other public purposes, according to the office of U.S. Rep. James Comer, R-Kentucky, who introduced the bill.

“The Senate’s passage of the D.C. RFK Stadium Campus Revitalization Act is a historic moment for our nation’s capital,” Comer said in a statement Saturday. “If Congress failed to act today, this decaying land in Washington would continue to cost taxpayers a fortune to maintain. Revitalizing this RFK Memorial Stadium site has been a top economic priority for the city, and I am proud to have partnered with D.C. Mayor Muriel Bowser to get this bill across the finish line and to the President’s desk.”

The U.S. House passed the bill in February. With the bill’s passage in the Senate as well, it now heads to President Joe Biden to be signed into law.

“This is a win for DC, for our region, and for America,” Bowser wrote in a social media post Saturday morning. “Everybody loves a good comeback story — and that’s DC’s story.”

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News4 is awaiting comment from D.C. Del. Eleanor Holmes Norton.



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