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Review | In the galleries: Solo shows convert art into energy

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Review | In the galleries: Solo shows convert art into energy


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Private id is a masks, however for Ju Yun it’s one she stitches herself, utilizing supplies she makes and finds. Her “East Meets West,” certainly one of six exhibits in Arlington Arts Heart’s “Solos 2022,” collages gadgets and pictures to symbolically (and playfully) signify the South Korea-raised Virginia artist. A few of her work and wall sculptures invoke masks utilized in conventional Korean dance, whereas hanging ribbons and strands of costume jewels yield swaying shadows.

Work that Ju has proven elsewhere is wildly colourful, and there are brilliant reds and oranges in these works. However the emphasis is on shades of blue, which gleam in opposition to the white partitions just like the cobalt-pigmented ornaments of East Asian ceramics. Different conventional components embody Korean and Chinese language textual content and a practical rendering of a tile roof contained in a culture-hopping bigger piece. What distinguishes Ju’s fashion, nonetheless, is much less Korean mementos than freewheeling vitality.

One other of the solos, Sharon Shapiro’s “Then the Dream Modified,” presents a harder-edged form of montage. The massive-scale collages are primarily based on aspirational pictures of prosperous, mid-Twentieth-century American suburbia, into which the artist inserts incongruous components. This displays “the complexities of rising up feminine within the American South,” notes Shapiro’s assertion. The ensuing photos additionally spotlight contrasts between wealthy and poor, chaos and stability, settled and itinerant. Within the vivid “Crossing,” three migrants wrestle throughout not the Rio Grande, however a yard swimming pool. Numerous American desires, pressing in addition to complacent, splash collectively within the spliced picture.

Upstairs within the resident artist’s gallery, Stephanie Lane demonstrates a number of types of gestural abstraction. Her massive “Thresholds” work embody one during which a multicolored, torso-like form emerges from darkness and three drawing-like photos rendered principally in black asphaltum (a carbon-heavy pure substance) on whiteboard. Though solely a few of Lane’s spiraling, spontaneous photos embody hints of human kinds, all of them recommend our bodies in movement.

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Ju Yun: East Meets West; Sharon Shapiro: Then the Dream Modified; and Stephanie Lane: Thresholds By way of June 18 at Arlington Arts Heart, 3550 Wilson Blvd., Arlington.

At this time’s close to ubiquity of digital imagery has impressed a number of artists to retreat into pictures’s previous. Certainly one of these technological escapees is Elena Volkova, a Ukrainian-born Baltimorean with an experience in tintype, a mid-Nineteenth-century course of. It captures direct positives on skinny sheets of metallic, yielding small however shimmering black-on-silver photos. Volkova used the archaic approach to make the up to date “Anacostia Portraits” on exhibit at Honfleur Gallery.

The aim isn’t precisely documentary. The themes of those formal but empathetic head pictures are recognized solely by first names, though a number of pictures embody visible clues. A number of of the persons are artists, certainly one of whom was photographed with paintbrushes in hand. Many of the sitters are African Individuals whose pores and skin tones are rendered wealthy and luminous by the high-contrast technique.

The metallic miniatures require shut inspection, however Volkova just isn’t such an antiquarian as to insist on that. She additionally supplies digital enlargements on white paper which can be simpler to discern, and show that tintypes blow up fairly nicely. With their slim depth-of-field, the pictures do resemble historic artifacts. But the poses and expressions seem fully updated.

Elena Volkova: Anacostia Portraits By way of June 18 at Honfleur Gallery, 1241 Good Hope Rd. SE.

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The work in MasPaz’s “Peace Is Each Step” are so intently linked by design and coloration scheme that the distinctions amongst them aren’t instantly apparent. A number of the items within the Fred Schnider Gallery of Artwork present are on paper, others on canvas and a 3rd group — essentially the most distinctive — on formed wood panels. All are linked by the identical pictorial format: daring black outlines of streamlined pure kinds, crammed with blocks of tan and metallic gold.

Born in Colombia and raised in Arlington, the place he’s primarily based, MasPaz is a graffiti veteran whose nom de aerosol means “extra peace” in Spanish. Impressed by sojourns in New York Metropolis and South America, the painter developed a method that’s as indebted to avenue tagging as to pre-Columbian sculpture and ceramics. Amongst these artworks’ motifs are flowers and the solar, whereas patches of gold spray-paint signify the dear mineral that drew Europeans to what they got here to name the Americas.

The wood-panel items are essentially the most dynamic, partly as a result of their minimize outlines comply with the shapes painted on them. Additionally, MasPaz leaves some areas naked, calling consideration to the wooden grain and including a barely completely different hue to the slim vary of beiges and golds. In photos that distill pure objects to graphic archetypes, the unadorned wood surfaces are a remnant of the true factor.

MasPaz: Peace Is Each Step By way of June 19 at Fred Schnider Gallery of Artwork, 888 N. Quincy St., Arlington.

Technically, Robert C. Jackson’s hyper-realist work are nonetheless lifes, since they hardly ever depict animate life-forms. But the Pennsylvania artist’s humorous situations are well-populated with stand-ins for residing creatures. Balloon animals, corporate-mascot collectible figurines and a windup chick are among the many inhabitants of the images in “Again to the Future,” Jackson’s Zenith Gallery present.

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The most typical components within the artist’s compositions are toys, meals and classic crates, typically emblazoned with soft-drink logos. Typically a single form of edible is juxtaposed with an apt plaything, equivalent to bananas piled beneath a toy gorilla or doughnut holes heaped beneath a miniature police officer. Jackson sometimes dabbles in artwork criticism, as when he portrays a balloon animal taped to an summary portray — each rendered with exact realism, in fact.

The artist has been known as an inheritor to Pop Artwork, and he does meticulously copy business imagery a lot as Andy Warhol and Roy Lichtenstein did. However the place these precursors reproduced labels, pictures and comics, Jackson prefers three-dimensional gadgets. Fairly than a field of Cap’n Crunch, for instance, he repeatedly portrays a figurine of the cereal-shilling mariner. Specializing in 3D gadgets permits the artist to show his spectacular conventional portray expertise, but additionally to yank them out of context. The place Pop Artwork commented on mid-Twentieth-century society, Jackson’s work conjure his personal little universe, rooted in shopper tradition but additionally indifferent from it.

Robert C. Jackson: Again to the Future By way of June 25 at Zenith Gallery, 1429 Iris St. NW.



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Washington, D.C

Jimmy Carter’s life honored at funeral in Washington, DC

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Jimmy Carter’s life honored at funeral in Washington, DC


Former President Jimmy Carter’s life and legacy will be honored with a national day of mourning and a state funeral at the National Cathedral Thursday where family, friends and fellow leaders will pay their respects. TODAY’s Craig Melvin reports from Washington, D.C.



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Capitol Police arrest man attempting to set his car on fire amid Trump DC visit with GOP senators

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Capitol Police arrest man attempting to set his car on fire amid Trump DC visit with GOP senators


The U.S. Capitol Police (USCP) said that they arrested a person who attempted to set his car ablaze near the U.S. Capitol building during President-elect Trump’s visit late Wednesday.

“Twice today our officers stopped a man who could have been a danger to the Capitol Hill community,” U.S. Capitol Police Chief J. Thomas Manger said. “This vigilance is critical during this time of heightened security.”

The agency said that during Trump’s visit with Republican senators and his time paying respect to President Carter, a 35-year-old man from Virginia attempted to set his car on fire.

POLICE ARREST MAN AFTER ATTEMPTING TO CARRY MACHETE, 3 KNIVES INTO US CAPITOL, HOURS BEFORE TRUMP ARRIVES

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A general view of the U.S. Capitol Dome in Washington, D.C. (Reuters/Jonathan Ernst )

Police said that just before 5:30 p.m., USCP officers were alerted to a man who had parked on First Street, NW, near the Grant Memorial, and had lit a bag on fire atop his vehicle. 

POLICE ARREST MAN AT US CAPITOL WHO HAD BOTTLES OF FUEL, FLARE GUN, BLOW TORCH

When officers ran over to the man, the bag extinguished on its own. 

A general view of the U.S. Capitol building in Washington February 28, 2013. REUTERS/Jason Reed

The U.S. Capitol building in Washington, D.C. (Reuters/Jason Reed)

Out of an abundance of caution, the USCP said that the vehicle was declared suspicious, and the agency’s Hazardous Incident Response Division cleared the vehicle. 

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Officials determined that the car was not a danger at approximately 7 p.m.

The car had been spray-painted. Investigators determined that accelerants were in the bag. The driver was arrested for unlawful activities.

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The U.S. Capitol Police stopped a man from entering the Capitol at a security checkpoint, after he was found to allegedly have a machete and three knives in his bag. (U.S. Capitol Police)

Hours prior to this arrest, the USCP detained a man who attempted to carry a machete into the Capitol Visitor Center (CVC). 

The Capitol Police said in a social media post that the incident happened just after 2 p.m., when officers working at a security screening at the CVC’s north doors spotted a machete in the man’s bag.

The X-ray machine was stopped as the bag went through, then police arrested 44-year-old Mel J. Horne, of Washington, D.C., before securing the machete.

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Police said Horne was arrested for multiple counts of carrying a dangerous weapon and will be interviewed by investigators to determine his motive.

Fox News Digital’s Greg Wehner contributed to this report.





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Still need help shoveling? DC's ‘Snow Heroes' are a phone call away

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Still need help shoveling? DC's ‘Snow Heroes' are a phone call away


As D.C. continues to dig out of Monday’s snow storm, there are many residents who need help clearing their sidewalks, walkways and driveways.

Even a little snow can be problematic for seniors and people with disabilities.

That’s where D.C.’s “Snow Hero” program comes in.

More than 200 volunteers from all walks of life signed up with the D.C. government to lend a hand.

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Nigle Brake and his team with the environmental organization Ward 8 Woods are some of them.

“Well, it’s about taking care of your community and giving back when you can,” Brake said.

Brake and his team were called to shovel at one home in Southeast D.C. Wednesday morning, but noticed the neighbors’ sidewalks also needed shoveling.

“We noticed that next door there were two houses, and that house had a veteran sign on it. So we looked at that house, knocked on the door. But then we saw the elevator lift, and saw that the individual is possibly in a wheelchair. So, we took the opportunity to knock on the door,” Brake said.

Hundreds of residents called the city for help clearing their steps and walkways after Monday’s snow storm dumped several inches on the city.

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“So far, over a thousand D.C. residents have been matched with volunteers to shovel their driveways and walkways, but we still have hundreds more that need help,” Serve D.C. Director Dominique A. Scott told News4.

“I think it shows the resilience of the community, of people giving back and caring about those in need,” Brake said.

“They’re amazing. We couldn’t do this without them. The engagement of the residents makes all the difference, and when people see that their community members are showing up for them, it warms their heart,” Scott said.

Any D.C. residents who need help shoveling their snow, or who want to volunteer, can call 311.

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