Virginia
Virginia MOCA exhibit showcases sculptor’s bird-inspired creations
Spencer Tinkham’s artwork is for the birds. He encourages viewers to look at all the birds around us. He said we take them for granted because we see them every day.
“Their beauty and physiology have inspired people for thousands of years,” Tinkham said. “The work I do is for the people, so they can slow down, appreciate and investigate nature.”
Since childhood, Tinkham has been fascinated with their colors and freedom of flight. Birds migrated through his backyard, which was near a creek by the Elizabeth River. He started to observe and study them, and said birds were a means of vicariously traveling the world.
At 8 years old, Tinkham began carving and whittling sticks on the back porch with his grandfather. Shortly after, his grandfather died and Tinkham continued to carve to maintain a connection with him and their mutual love for the outdoors.
Tinkham, a wildlife sculptor, crafts his artworks from wood. His technique, macrosculptures, consists of hundreds of grooves. Each one is sketched on the wood in pencil, and it takes at least six different angled cuts with a box cutter to sculpt each individual groove. Once they’re carved, he hand sands each groove before sealing the artwork with marine varnish and painting it in oils.
“The heightened texture conceals or reveals colors,” Tinkham said. “It creates an exciting optical illusion as the viewer’s perspective shifts.”

Tinkham’s work is exhibited internationally and is currently on display at Virginia MOCA in his show titled “Witness.” The exhibit runs through June 9. It showcases the minute beauty of birds by magnifying the details of their feathers into creative carvings.
Featured birds include native, non-native, extinct and threatened bird species. “I look for interesting patterns and textures in the feathers,” Tinkham said. “My sculptures are inspired by dime-sized areas on the actual birds.”

On May 11, Tinkham will offer a master art class at the Virginia MOCA. Students will get a personal walk-through of the exhibition and then a behind-the-scenes demonstration of the artist’s sculptural techniques. Participants will sculpt and paint their own wooden bird silhouette to take home. Tinkham’s workshop will give students a better understanding of wood grain, wood species, sculpting tools, safety and wildlife.
Lee Belote, jlbelote@verizon.net
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If you go
What: Master class with Spencer Tinkham: Intro to sculpting with wood
When: May 11
Time: 10 a.m. to 3:30 p.m.
Where: Virginia Museum of Contemporary Art, 2200 Parks Ave, Virginia Beach
Cost: $75 for members; $90 for nonmembers
Info: VirginiaMOCA.org
Virginia
The Virginia International Tattoo: Where 250 Years of Freedom Takes the Stage – VisitNorfolk
If you’re uncertain what the words “Tattoo” and “Hullabaloo” mean in the context of Norfolk, Virginia’s largest annual event, Scott Jackson is happy to explain.
“About 15 years ago, I took a trip to Edinburgh, Scotland, to see the Edinburgh tattoo, which is the biggest tattoo in the world and the most famous,” says Jackson, Producer/Director of the military-themed spectacle known as the Virginia International Tattoo. “My hotel was at the bottom of a road called the Royal Mile… and when you walk up this mile on the night of a tattoo performance, it’s totally vibrant. It’s so exciting. There’s music on every corner. There’s street performers. There’s food, there’s beer. When I got to the castle, I already felt great. I was already in a great mood.”
The annual Virginia International Tattoo runs April 16–19, 2026, and this year it carries the theme of America’s 250th anniversary. The timing is not lost on Jackson, a student of military history who discovered, in preparing for this year, that George Washington himself called for the first tattoo in American history.
“At that time, a tattoo was a small military ceremony,” Jackson explains. “It was basically a time each night when soldiers were called back to a base, and there was a roll call, and a military ceremony, sometimes called a beating retreat.”
From that origin story, Jackson has built a show that threads 1776 through every act. The Old Guard Fife and Drum Corps, performing in 1776 uniforms, will demonstrate how fifes, drums and bugles once served as battlefield communication, the original radio operators of the Continental Army. The French Navy Band and a Royal Air Force rifle display team called the King’s Color Squadron represent the allies who stood with the colonies.
“There’s a great line from the musical Hamilton,” Jackson says, “‘I want to be in the room where it happened.’ Well, these were the countries that were in the room where it happened.”
South Korea’s Army Band provides a “a giant umbrella of Korean culture,” with traditional dance and costumes, a taekwondo display team, and two K-pop stars currently serving their mandatory military service.
“In the U.S. in the ’50s, Elvis Presley was drafted into the Army, who felt like it was a distraction, so they actually staged him in Germany. He basically had a desk job,” Jackson says. “Well, the South Koreans said, ‘Oh, you’re a K-pop star, we’re drafting you. We’re sending you to Virginia Tattoo to represent.’”
More than 800 civilian and military performers from six nations will fill Scope’s arena floor. For those making the drive from the Richmond region and beyond, the experience begins well before curtain. According to Jackson, that is precisely what you don’t want to miss.
The festivities aren’t just inside the arena, Jackson notes. For several hours before each performance, the exterior Scope Plaza comes alive with brass quintets, traditional Celtic dancers, beer tastings, festival food and a market of makers selling Tattoo-related merchandise. This is the Hullabaloo, a free pre-show open to the public and Jackson’s answer to Edinburgh’s Royal Mile.
“When you can, come early and relax, because then when the show starts, you’re already in a great place,” he says. “If you haven’t gone yet, this is the year to go.”
Tickets are available at vafest.org or by calling (757) 282-2822. Show times are Thursday–Saturday at 7:30 p.m. and Sunday at 2:30 p.m.
Virginia
Virginia civil rights leaders decry ‘misinformation’ in redistricting fight
Virginia
Con artists stole jewelry worn by women in Northern Virginia. Police are asking for help finding them – WTOP News
Several people used sleight of hand to steal jewelry worn by women in Northern Virginia, and police in Fairfax County are asking for the public’s help to find the suspects.
Several people used sleight of hand to steal jewelry worn by women in Northern Virginia, and police in Fairfax County are asking for the public’s help in finding the suspects.
The robberies began at 1:30 p.m. on March 20 and followed a similar pattern. According to police, suspects described as women in SUVs would approach other women in parking lots, start conversations and offer them jewelry.
As the suspects placed costume jewelry on the women, they would use sleight of hand to remove the women’s real jewelry, driving off before the victims knew what happened, police said.
Troopers in Delaware detained and identified those inside the Toyota, including Cristina Milhaela Paun, 21, of Baltimore. She was then let go.
Detectives in Fairfax County said they have since identified Paun as a suspect in two of the March 20 thefts and obtained warrants for felony pickpocketing and robbery. She is wanted, and police are asking the public for information regarding her whereabouts.
The exact times and locations of each theft are listed below:
- 1:30 p.m., 6900 block of Hechinger Drive in Springfield (white SUV, Paun identified as a suspect)
- 1:30 p.m., 13900 block of Metrotech Drive in Chantilly (black SUV)
- 3:30 p.m., 12900 block of Wood Crescent Circle near Herndon (white SUV, Paun identified as a suspect)
- 3:55 p.m., 6800 block of Commerce Street in Franconia (black SUV, two suspects, described as a 50-year-old woman with red hair and gold teeth and a 25-year-old woman wearing a headscarf). Video of this incident can be seen below.
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