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Your votes are in. The Week 9 SportsDayHS Texas high school football Hero is …
The Texas heat didn’t phase Waxahachie quarterback Jerry Meyer III, a newcomer to the Lone Star State this year.
“I could come out here in some sweats and a sweatshirt and I’d be fine,” the sophomore said.
Meyer transferred to Waxahachie from Lake Mead Christian Academy in the Las Vegas area, where as a freshman in 2023 he won a 2A state championship and set the Nevada single-season record for touchdowns with 58.
Las Vegas, located in the Mojave Desert, experiences high temperatures rivaling even the most miserable Texas summers.
“It doesn’t compare at all,” Meyer said. “Vegas is hot.”
But Meyer admits Texas has the hotter high school football scene.
To Texans, large stadiums, pageantry and top-tier talent are typical aspects of high school football. But to outsiders, the frenzy is quite unique.
Dallas-Fort Worth grew by more than 152,000 residents, the size of a large suburb, last year. The migration to North Texas has continued, introducing fresh faces to the area’s booming high school sports landscape. Meyer and other out-of-state newcomers are playing their first Texas high school football seasons, and so far, the experience has lived up to the hype.
“It’s been a blessing playing with the top talent in America,” said Meyer, who has passed for 2,092 yards and 15 touchdowns this season and holds 10 college offers, among them Ole Miss, Nebraska and UNLV.
Meyer and Waxahachie compete in District 11-6A, also known as the “District of Doom.” It includes two defending state champions in Duncanville and DeSoto, a storied program in Cedar Hill and an area power in Lancaster, which Waxahachie must beat Friday to clinch 11-6A’s final playoff spot.
Duncanville and DeSoto, in particular, are nationally ranked and brimming with four- and five-star talent. A combined 32 players from Duncanville and DeSoto have made it to the NFL.
“Texas football is the talk across the country. It’s the biggest stage to play on,” Meyer said. “It’s just so highly talked about. They back it up. It’s highly competitive over here in this district and Texas in general.”
Melissa quarterback Noah Schuback, a three-star junior from Alabama, is also getting a taste of competitive Texas high school football in District 4-5AII with Anna, Frisco Emerson, Lovejoy and Prosper Walnut Grove, all teams ranked in The Dallas Morning News’ Dallas-area 5A poll.
Only one team in the district, Lovejoy, has clinched a playoff berth, in part because of the high degree of parity.
“Our district’s really hard and we play a top playoff team each week, so it’s almost like the playoffs in our district, which is really good,” said Schuback, who has passed for 1,788 yards and 23 touchdowns and rushed for 282 yards and five scores this season.
But facing talented football teams isn’t new to Schuback, who played for Hoover High School, which competes in Alabama’s Class 7A.
“It’s very well-known throughout the country,” Schuback said. “The district that we were in was really hard, and we played a top team every week.”
Although Hoover played its games at the 11,000-seat Hoover Met, where the Southeastern Conference baseball tournament is held, Schuback was still impressed with how fans fill Melissa’s $35 million Coach Kenny Deel Stadium, which opened last season and has a capacity of 10,000.
“They say high school football is life here, and now I really see it,” Schuback said. “[The stadium] almost gets packed every game, even if we’re not playing a top opponent.”
In Vegas, Meyer went to a smaller school that didn’t have a band or compete against quite the level of talent he faces now, but “people sleep on Nevada,” he said. “There’s some players down there.”
He echoed Schuback’s sentiment about the impressive Texas crowds.
“There’s so many people that show up to the games and it makes you feel special,” Meyer said.
And the stadiums are sights to behold.
“It feels like you’re in a small college out here,” Meyer said. “It’s completely different.”
Before becoming Waxahachie’s QB1, Meyer had been to Texas previously for football camps and 7 on 7 tournaments.
“It’s huge,” Meyer said of his impressions of Texas in general. “And it’s a football state.”
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When it comes to passing the “eye test,” so much of it starts in the weight room. Few coaches in college football have a more proven track record of developing NFL‑ready players than Tommy Moffitt, the longtime strength‑and‑conditioning guru and now Texas A&M’s Director of Football Strength & Conditioning.
When Mike Elko took over at Texas A&M, he needed someone who could set the tone physically and culturally. His S&C coach at Duke chose not to follow him to College Station, and the search began. The coach they ultimately landed on was Moffitt, fresh off running his private training program after his legendary run at LSU ended. And as Moffitt has said many times, he already had his eye on Texas A&M well before the job officially opened.
Now entering his third offseason in Aggieland, the program is fully in his hands. The combination of Elko’s culture shift and Moffitt’s physical development plan has positioned the Aggies for a noticeable jump in toughness and consistency. And Moffitt’s return to the college ranks wasn’t guaranteed. In a recent conversation with Chris Low of On3, he detailed how some in the industry doubted he’d ever coach at the SEC level again.
“He gave me a list of agents, and I left a lot of messages. One guy calls me back and says, ‘Coach, I think you’re past your prime. I don’t see you ever getting another job like this one (LSU), He told me he thought the best I was going to do was maybe an FCS job, maybe something in the Group of Five and that he didn’t ever see me coaching in the SEC again. “That motivated me more than anything.”
For someone with Moffitt’s résumé that includes multiple national championships and decades of elite development, that kind of dismissal was surprising. But instead of stepping back, he doubled down. He already had Texas A&M circled as the place he wanted to be, thanks in part to conversations with former A&M staffer Jeremy Jacobs, who spoke highly of Elko’s vision, discipline, and training philosophy.
“That was the reason why I sought out this job so hard. Jeremy and I stayed in contact, and he loved Coach Elko, “He talked about his plan and his vision, how his teams practice and the emphasis he puts on training and discipline. I remember telling my friends in Baton Rouge, ‘Hey, look out for this Duke team,’ and they started rolling with some wins.”
“I called so many times that they told Jeremy to tell me to stop calling, that as soon as (Elko) got a break that he would call me”
Moffitt was so persistent that the staff eventually told Jacobs to ask him to stop calling; Elko would get back to him when he had a moment. When that call finally came, it became one of the most impactful decisions of Elko’s early tenure.
Players rave about Moffitt’s energy. Recruits notice the physical transformation. And the program’s identity—tough, disciplined, accountable—mirrors the man running the weight room.
For the full interview with Chris Low, check it out here (subscription required).
Contact/Follow us @AggiesWire on X and like our page on Facebook to follow ongoing coverage of Texas A&M news, notes, and opinions. Follow Jarrett Johnson on X: @whosnextsports1.
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Target is spending billions to remodel more than 100 stores across the country, including a dozen in Texas.
The retail chain announced that it would invest about $5 billion in 2026 toward remodels and new stores, as well as technology upgrades to “create more personalized, joyful experiences for guests.” Stores will have updated floor plans, and hundreds of millions of dollars will also go towards store payroll and training, according to a March 3 news release.
Customers can expect to see new home displays showcasing on-trend decor, the Target Beauty Studio featuring more than 60 new-to-Target beauty brands, and an expanded assortment of food and beverage brands.
“This new chapter of growth at Target is defined by clear choices and rooted in a deeper understanding of our unique lane in retail, the guests we serve and the areas where we’re distinctly positioned to win,” said Target Chief Executive Officer Michael Fiddelke.
Here’s where the remodeled stores in Texas will be, according to USA TODAY:
USA TODAY contributed to this story.
Natassia Paloma may be reached at npaloma@gannett.com, @NatassiaPaloma on x; natassia_paloma on Instagram, and Natassia Paloma Thompson on Facebook.
It’s Ella Langley and Texas for the win in 2026, as Academy of Country Music voters chose Texas artists, and Ella Langley’s “Choosin’ Texas” as the top winners. You could also say the ACMs chose authenticity and twang along the way. Though much of the presentation failed to represent the best in popular country music, many of the awards did, even with performers like Zach Top and Megan Moroney walking away empty handed.
It was a clean sweep for Ella Langley and all the awards she was up for. She won both Single and Song of the Year for “Choosin’ Texas,” which actually doubles her take on both since she was also a co-producer and songwriter on the tracks. She also won Female Artist of the Year, Artist-Songwriter of the Year, and Music Event of the Year for “Don’t Mind If I Do” with Riley Green.
Those seven wins mean that Ella Langley had a historic night, with the most wins ever accrued by an artist in one ACM year. Three artists have won six total over the years: Garth Brooks (1991), Faith Hill (1999) and Chris Stapleton (2016). Ella Langley probably would have won Album of the Year and Entertainer of the Year if she’d been nominated for them. Next year she will be, and will go in as a front runner for both.
Ella Langley is from Alabama, not Texas. So are The Red Clay Strays, who walked away with Group of the Year, breaking Old Dominion’s dominant (and rather ridiculous) 8-year winning streak for the award. The Red Clay Strays won New Duo or Group of the Year in 2025, and now up their game with the big boys in the mainstream with the win.
But it’s two artists who started in the Texas scene that scored the rest of the evening’s top prizes. Parker McCollum’s self-titled album might have not come with massive hits, or been a critical favorite of the Americana crowd. But it was clearly deeply personal to him, and illustrated how a mainstream album could still hit a bit left of center and with a deeper tone, and still be successful, including winning Album of the Year.
Parker McCollum mentioned Koe Wetzel, Wade Bowen, Randy Rogers Band, and “all my Texas country and Red Dirt family” in his acceptance speech. Winning Album of the Year is a career-defining moment for Parker, and a moment the entire State of Texas can be proud of.
Same goes for Cody Johnson, who except for Langley, was the big winner of the night. After taking home his first ACM for Male Vocalist of the Year, he walked away with the evening’s top prize of Entertainer of the Year. Though Morgan Wallen fans will rightfully argue that their boy is multipliers bigger than Cody Johnson, the Texas native is no slouch. He’s been tearing it up as an entertainer (the award is considered just as much about live performance as anything), and unlike Wallen, Cody’s kept his nose clean over the years.
If Luke Combs or Chris Stapleton would have won Entertainer, it would have felt like the safe pick. If Lainey Wilson won for a third straight year—especially with Ella Langley’s big night—it would have illustrated how the industry has really overextended for Lainey, even if she’s one of the better voices in the mainstream. It was too early for Megan Moroney to win, and she’ll have more opportunities. Cody Johnson might not, but he cashed in this year, and will forever be the 2026 ACM Entertainer of the Year.
What does all of this mean? Well first, you always have to remind yourself that it’s “just the ACM Awards.” As an example, only three of the seven artists up for Entertainer of the Year were even present in the building (Cody Johnson, Chris Stapleton, Lainey Wilson). Streaming on Amazon as opposed to being broadcast on TV, and conducted on a Sunday, the social media chatter for the awards was incredibly low.
The energy level was also low throughout the entire presentation, and host Shania Twain brought nothing but slurred words and awkward moments to the table. Carter Faith distinguished herself with her performance, and so did Ella Langley by performing “Be Her” acoustically. Cody Johnson’s “Traveling Soldier” (written by Bruce Robison and originally recorded by the [Dixie] Chicks) was a sincere gesture as opposed to performing his current single.
It was a little awkward when New Female Artist of the Year winner Avery Anna started her performance off with “Bang, Bang”—something written by Sonny Bono, but a song Kaitlin Butts has been featuring for the last few years. Kaitlin felt like she was overlooked for ACM New Female Artist consideration, but maybe the imitation by Avery is the greatest form of flattery.
Again, it’s just the ACM Awards. But the 2026 wins do seem to validate the moment we’re enjoying in country music. As silly songs from folks like Kane Brown and Thomas Rhett fell flat, it felt like the future is with artists, songs, and albums with integrity. “Texas” might not be a perfect synonym for authenticity and integrity, but it tends to hit closer to that than Nashville. And in the neutral setting of Las Vegas, Texas and top performers from Alabama won out.
There was plenty to criticize from the 2026 ACM Awards. But ultimately, the good guys won.
For a full blow by blow of the presentation, check out Saving Country Music’s 2026 ACM Awards LIVE Blog.
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