You may not know the name Leslie Bricusse (pronounced Brick’-us), but you very likely hum some of the songs he’s written: “Pure Imagination,” “What Kind of Fool Am I?,” “Talk to the Animals,” Superman’s theme “Can You Read My Mind,” “Goldfinger.”
And remarkably, some 60 years after his heyday, the composer-lyricist is having a moment.
In A Quiet Place: Day One, a woman who may be the last human survivor on a Manhattan infested with aliens checks her iPod and pulls up Nina Simone singing “Feeling Good.” She needs a song to express defiance and how, as her world lies in ruins, she exults in being alive. Sentiments Bricusse put to music six decades ago seem perfect.
That same song popped up on the premiere of the Netflix series Obliterated to help a bomb defuser steady his hand. And family audiences spent last Christmas singing along with “Pure Imagination,” crooned by Timothée Chalamet’s Willy Wonka to tie him firmly with the Gene Wilder original.
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Bricusse often wrote lyrics for other composers’ music. He wrote “Pure Imagination” and “Feeling Good” with Anthony Newley. At other times, he wrote both music and lyrics. He was a master of many styles, all of them entertaining, and it turns out that’s every bit as true of the papers his widow, actress Yvonne “Evie” Romain Bricusse, best known for co-starring with Elvis Presley in Double Trouble, donated recently to the Library of Congress.
Mark Eden Horowitz, a senior music specialist at the Library of Congress, where the Bricusse papers join those of Leonard Bernstein, Richard Rodgers, the Gershwins and others, says that in addition to the scripts, musical scores, notes for ideas on shows that never came together, recordings and other items, what’s remarkable about this particular collection is Bricusse’s notebooks.
“Just sort of drugstore notebooks,” he says, holding one out, “but he lived his life in these things.
“They’re beautifully calligraphed, most pages are numbered and often dated and indicate where he was in the world at the time, Acapulco on November third, 1986.” And then he does these amazing calendars.”
Calendars rendered in five or six colors, and necessary because “he’s constantly working on 10 or 12 projects at a time.”
Some of those, no one’s heard of. “For a long time, chuckles Horowitz, “he was working on a musical version of Henry VIII. I swear he considered 30 different titles, one of which was The King & I & I & I & I & I.”
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There are lots of fun discoveries. Bricusse’s lyrics sound so natural that it’s hard to imagine they didn’t just spring from him that way, but the notebooks are where he polished them. Take page 58 in the one where he’s working on “Goldfinger.” He has heart of gold/this heart is cold….web of sin but don’t come in. But he has too many “golden”s, so in the notebook, he’s slashed through golden, in “the man with the golden touch” and replaced it with “Midas.”
/ Library of Congress
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Library of Congress
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A sneak peek into Bricusse’s creative process as he worked on “Goldfinger.”
That turned an OK line into a classic and goes much better with the next line that he already had: “A spider’s touch.”
That’ll be a fun find for somebody’s dissertation. Mixed in with that sort of thing is marginalia about theater, movies, budgets, life … seemingly whatever was on his mind.
“He asks himself questions,” says Horowitz, “he puts down what he’s thinking, asks himself should he be thinking that? Why is he thinking this? What should he do about it?” It’s his thoughts about everything that is ideal for researchers.
Asked whether George Gershwin did something similar, Horowitz almost laughs. “No. I’ve never seen a collection with this much-organized detail.”
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/ The Library of Congress
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The Library of Congress
A page from Leslie Bricusse’s notebooks.
So, it is a treasure trove, but also one in which those details are sometimes puzzling — blocks of letters, say, in some of the margins. It turns out that’s how Bricusse wrote out the melodies — not with musical notes on sheet music as most composers do, but using the alphabetical letters that represented the notes. C, A, B-flat, and so on. Horowitz figured out how to read them and how to play the melodies if asked.
These pop songs were Leslie Bricusse’s life work. The notebooks, decorated, colorized, wildly ornate, feel — perhaps inadvertently — like art, themselves.
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Horowitz, noting that Bricusse’s widow is an artist and that they collaborated on some things together, agrees. “Clearly, yes, he has a sense of design, and color, and he seems to want to keep things lively and interesting and attractive.
“I think he’s an entertainer in every sense. He wants people to be bubbling joyous; I think he’s always looking for the rainbow, for the magic.”
Judging from the notebooks that have found a new home in the Leslie Bricusse Collection at the Library of Congress, he found it.
Clemson football looks to win its second straight Palmetto Bowl.
The No. 12 Tigers (9-2) faces in-state rival No. 14 South Carolina (8-3) on Saturday (noon ET, ESPN) at Memorial Stadium. This will be the 121st meeting between these two programs and one of the highest-ranked rivalry games in Week 14.
There are still tickets available for Clemson’s last game in Death Valley in the regular season. Here are the best prices for remaining seats.
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See Clemson ticket prices for every game this season
Clemson tickets vs South Carolina
Ticket prices for Clemson’s final home game against South Carolina on Saturday start at $175 on StubHub and at $167 on VividSeats. Prices in the lower bowl range from $224 to over $1000 on both sites.
To see a full list of ticket prices, visit StubHub or VividSeats.
MORE: Why Clemson showcases patriotism before football games at Memorial Stadium
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Clemson football schedule 2024
Aug. 31: Georgia 34, Clemson 3
Sept. 7: Clemson 66, Appalachian State 20
Sept. 21: Clemson 59, NC State 35
Sept. 28: Clemson 40, Stanford 14
Oct. 5: Clemson 29, Florida State 13
Oct. 12: Clemson 49, Wake Forest 14
Oct. 19: Clemson 48, Virginia 31
Nov. 2: Louisville 33, Clemson 21
Nov. 9: Clemson 24, Virginia Tech 14
Nov. 16: Clemson 24, Pitt 20
Nov. 23: Clemson 51, The Citadel 14
Nov. 30: vs. No. 14 South Carolina, noon ET (ESPN)
South Carolina football 2024 schedule
Aug. 31: South Carolina 23, Old Dominion 19
Sept. 7: South Carolina 31, Kentucky 6
Sept. 14: LSU 36, South Carolina 33
Sept. 21: South Carolina 50, Akron 7
Oct. 5: Ole Miss 27, South Carolina 3
Oct. 12: Alabama 27, South Carolina 25
Oct. 19: South Carolina 35, Oklahoma 9
Nov. 2: South Carolina 44, Texas A&M 20
Nov. 9: South Carolina 28, Vanderbilt 7
Nov. 16: South Carolina 34, Missouri 30
Nov. 23: South Carolina 56, Wofford 12
Nov. 30: at No. 12 Clemson, noon ET (ESPN)
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The UCLA women’s basketball put the country on notice, defeating the #1 South Carolina Gamecocks 77-62 at home on Sunday.
The sold out crowd at Pauley Pavilion was engaged all night, with UCLA never trailing in the win, a signature victory for Cori Close’s program. South Carolina entered Sunday’s game winners of 43 in a row, including an undefeated season last year that ended with a national title.
UCLA took a 43-22 lead into halftime, taking an early first quarter lead and never looking back. UCLA didn’t allow a South Carolina basket in the game’s first five minutes, holding the Gamecocks for the first half of the first quarter. A three by junior guard Londynn Jones gave the Bruins a 15-2 lead with 2:36 to play in the opening quarter.
Junior guard Kiki Rice was a full-go for UCLA for the first time all season, with Rice scoring 11 points on 5-11 shooting in 28 minutes. It was a modest scoring night for junior center Lauren Betts, finishing with 11 points, 14 rebounds and four blocks while playing 37 minutes. Jones led the Bruins with 15 points, as UCLA had five players with double figures.
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South Carolina shot the three ball well, going 8-12 from deep but just 29.6% on two point shots. The Gamecocks would win the second half 40-34 but after the dominant first half by the Bruins, it was too late.
The #5 Bruins are due to climb in the rankings after doing what no other women’s college basketball team has done since April of 2023, beat the South Carolina Gamecocks.
No. 5 UCLA pulled off something no team has been able to do since the 2023 NCAA Tournament — it defeated No. 1 South Carolina. And soundly.
The Bruins downed the Gamecocks, 77-62, at Pauley Pavilion on Sunday, ending South Carolina’s 43-game win streak,
The defending national champions, who went undefeated last season, hadn’t lost a game since the 2023 Final Four when they fell to Caitlyn Clark and the Iowa Hawkeyes. Ironically, the Gamecocks had defeated UCLA in the Sweet 16 of that tournament.
The Bruins were led by five double-digit scorers in Sunday’s win, including junior guard Londynn Jones, who led all Bruins with 15 points.
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Junior center Lauren Betts recorded yet another double-double, posting 11 points while grabbing 14 boards.
Freshman guard Elina Aarnisalo tallied 13 points, and junior guards Kiki Rice and Gabriela Jaquez each finished with 11 points.
UCLA shot 47.5& from the field, including 47.6% from distance, as the Bruins made 10 3-pointers in the win.
They were able to come away with a double-digit victory despite turning the ball over 16 times. Meanwhile, they forced 11 turnovers, eight of which were steals. UCLA also recorded five blocks.
The Bruins won the battle of the boards, out-rebounding South Carolina 43 to 35. They also bested the Gamecocks in the assists department, 16-13.
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UCLA never trailed and, at one point, held a 23-point lead.
With the win, the Bruins improve to a perfect 5-0 start. They will next face UT Martin on the road on Friday at 3 p.m. PST, 6 p.m. EST.
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