• The two have spent a lifetime documenting the world around them.

Watching documentaries and reading memoirs and other works of creative nonfiction has become almost an obsession with me. My fascination is probably due to the fact that the stories being told are real and true. Learning how people overcome obstacles or create a life for themselves that is vastly different from the expected trajectory ignites my own imagination. That is especially true of creative endeavors or lives that are rooted in the pursuit of creative storytelling in one way or another. 

In Mississippi, a couple living in Sumner, Mississippi, has created a life that is full, and rich, and filled with stories they’ve collected in their forty-plus years of marriage. Langdon and Maude Schuyler Clay are professional photographers who have spent a lifetime documenting the world around them, whether in an ancient cemetery in the middle of Paris or a dog on a log in a cypress swamp deep in the Mississippi Delta. 

Thanks to mindless scrolling on Facebook recently, I came across a post by Maude where she mentioned that several people had asked her where they could watch Thad Lee’s documentary about them called “Two Lives in Photography.” It seems Thad is set to get a special award from the Mississippi Institute of Arts and Letters for the film on June 14. Maude also included a link to the documentary, which can be viewed on YouTube. 

I have been a fan of Maude Schuyler Clay since I interviewed her years ago for an article I wrote on photographer William “Bill” Eggleston. I was somewhat familiar with Eggleston’s work. My editor gave me a list of contacts, and Maude was on that list. During our conversation, she realized I had no idea she and Eggleston were first cousins – their mothers were sisters. She explained their relationship and gave me wonderful insight for my article. 

Curious, I clicked the link to the documentary and spent the next hour and a half transfixed. “Two Lives in Photography” showcases not only the work of Langdon and Maude but also the love of place that is reflected in their work as well as their love for each other. 

Oxford Film Festival veteran Thad Lee directed the film, which focuses on a photography retrospective by the same name at the Mary Buie Museum on the campus of the University of Mississippi in Oxford. The exhibit was curated by Melanie Munns Antonelli. The pieces in the exhibit feature photographs taken by the couple over a span of decades, including some taken before they married. 

In the film, Langdon says the couple met in 1976 at the Museum of Modern Art in New York.

“We were at a show for Bill Eggleston – his first ever color photography show.”

Maude had spent time in New York interning for Eggleston.

Lee spent three years producing the film. It begins in 2020, with Landon and Maude walking through the gallery, each relaying the stories behind the photographs, as well as describing how they, as photographers, were able to capture the photos with their respective cameras.

“Somehow you see something and you snap it, and you know you’ve got the prize,” says Langdon. “Other times you’re on a hunt. It could be for months or even years. Then you’ll see a special thing.”

Langdon is a master at seeing the symbolism in seemingly ordinary things, and that adds an interesting dynamic to his work. Maude says she has always been a proponent of photography being very much connected to literature.

“All these photos are stories,” she says in the film. “I like the idea of marrying words and images.”

She had three prominent Mississippi writers write the foreword to her books. Lewis Nordan wrote the foreword to Delta Land, Brad Watson wrote the foreword to Delta Dogs, and for Maude’s portrait book called Mississippi History, the foreword was written by Richard Ford. 

The film was artfully shot by cinematographer Gregory Gray, and the hauntingly beautiful score was by Delta native Jim “Fish” Michie, best known in these parts for being one of the founders of The Tangents. 

At the end of the film, Maude says, “As freelance photographers and artists, we set out without any real guarantee that our work was ever going to be shown or any of it was ever gonna be published. I think one of the commonalities that Langdon and I have is that we believed that was what we were going to do, no matter what. It has paid off, because, you know, it’s kept us occupied for the past forty years.”

For a teaser to the film, take a moment to watch this trailer. If you’re a person who enjoys learning about the stories behind the artist and their work, you will probably enjoy “Two Lives in Photography” as much as I did.

STARKVILLE — Another player from Virginia is transferring to Mississippi State baseball.

Aidan Teel, who was a Third Team All-ACC selection in 2025 as an outfielder, committed to the Bulldogs on June 7, according to his Instagram bio.

Teel, who’ll be a senior next season, started all 50 games in center field with a .317 batting average, seven home runs, 51 runs and 40 RBIs.

He’s following new MSU coach Brian O’Connor, who was hired on June 1 after 22 seasons at Virginia. O’Connor was formally introduced on June 5 at Dudy Noble Field.

Teel is the fourth Virginia player to transfer to Mississippi State, joining All-ACC Freshman Team pitcher Tomas Valincius, outfielder James Nunnallee and designated hitter Chone James. MSU also landed Illinois Second Team All-Big Ten outfielder Vytas Valincius in the transfer portal. All four of them committed on June 6.

Teel has played his entire career at Virginia. The Mahwah, New Jersey, native missed the 2023 season with an injury, but returned in 2024 as an outfielder and pitcher. He did not pitch during the 2025 season. MLB.com has Teel ranked as the No. 177 prospect in the 2025 MLB draft.

Teel’s older brother, Kyle, made his MLB debut on June 6 with the Chicago White Sox.

Twelve Mississippi State players have entered the transfer portal as of June 7, with freshman infielder Lukas Buckner the latest to do so.

MORE: Ace Reese returning to Mississippi State baseball, new coach Brian O’Connor after All-SEC season

Sam Sklar is the Mississippi State beat reporter for the Clarion Ledger. Email him at ssklar@gannett.com and follow him on X @sklarsam_.

CHOCTAW, Miss. (AP) — It’s a small part in a big movie, but for the Mississippi Band of Choctaw Indians, their scene in “Sinners” is a huge deal.

The horror movie blockbuster, starring Michael B. Jordan as a gangster turned vampire slayer, paints a brief but impactful portrait of the tribe using Choctaw actors and cultural experts. For some, it’s the first time they’ve seen the Choctaw way of life accurately portrayed on the big screen.

In the scene, a posse of Choctaw, riding on horseback and in an old truck, arrives at a small farmhouse to warn the couple that lives there of coming danger. When the couple refuses their help, a Choctaw man wishes them luck in his native language before riding off.

“I’ve not seen another movie that has our language spoken correctly,” said Cynthia Massey, a cultural consultant for “Sinners.”

Massey runs the tribe’s Chahta Immi Cultural Center alongside Sherrill Nickey and department director Jay Wesley. All three were hired as cultural consultants to ensure a genuine depiction of the tribe in the film. Together, they sifted through archives, researching how their ancestors would have dressed, spoken and acted in the 1930s, when “Sinners” takes place.

“I was honored and humbled by the fact that they wanted a true representation,” said Wesley, who also acted in the movie.

Wesley connected the filmmakers to Choctaw actors and artifacts like the beaded sashes the Choctaw characters wear in the movie. Those sashes are now part of a “Sinners” display at the cultural center.

The movie’s introduction also features a short snippet of a Choctaw war chant, performed by Wesley’s daughter, Jaeden Wesley, who is a student at the University of California, Los Angeles. While recording, Jaeden Wesley said the filmmakers told her they wanted the Choctaw people to hear their music in the movie.

“We were catering to our own people, even in that short little second,” Jaeden Wesley said.

Shining a spotlight on often overlooked cultures and topics, like the Choctaw people, is part of the mission at Proximity Media, which produced “Sinners.” The company was founded by “Sinners” director Ryan Coogler, his wife and film producer, Zinzi Coogler, and producer Sev Ohanian.

“It was never a question for us that if we were going to portray the Mississippi Choctaw, we got to have the right people who can tell us, who can tell Ryan, what we’re not knowing, what we’re not thinking,” Ohanian said. “It was all because we’re trying to serve Ryan’s story of like putting truth on screen.”

Ohanian and his co-founders didn’t stop with Choctaw consultants; they enlisted a small army of experts who advised on the confluence of cultures mingling in the Mississippi Delta, where the film is set. The resulting cinematic world was so well received, community organizers penned an open letter, inviting Coogler and his fellow filmmakers to visit the Delta. Last week, the Cooglers, Ohanian and others took up the offer, attending a “Sinners” screening in Clarksdale, Mississippi. Clarksdale is where the film’s events unfold.

“I hope this encourages other filmmakers to find opportunities to be authentic in their storytelling and to look at this rich tapestry of culture that’s right here in America,” Ohanian said, noting the film industry has historically misrepresented nonwhite groups.

Wesley and his fellow consultants hope the film will cultivate curiosity in audiences, encourage them to learn more about Choctaw culture and visit the Chahta Immi Cultural Center.

“It’s important to be connected to this culture because this was here before the public was here,” Massey said. “Probably three-quarters of Mississippi was Choctaw land, and now we only have 350,000 acres.”

They say Choctaw participation in the film has cultivated a sense of pride among tribe members. Nickey hopes it will encourage a sort of cultural renaissance at a time when she says fewer and fewer Choctaw speak their native language.

“I know for a fact that there are a lot of kids out there that don’t even know how to speak our language. They only speak English,” Nickey said. “I hope they know it’s okay to speak our language.”

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