Louisiana
Black Woman Tech Entrepreneur From Louisiana Defies The Odds With $35 Million Venture Capital Funding

Sevetri Wilson, founder and CEO of software program firm Resilia, raised $35 million in enterprise funding.
Akasha Rabut
Sevetri Wilson isn’t your common tech firm founder. She’s a Black lady, she has no coding expertise, no cofounders and he or she’s based in Louisiana, a state that enterprise capitalists evidently have a tough time discovering on a map.
Most people with such a profile have very lengthy odds of elevating significant enterprise capital cash as VC buyers have lengthy struggled to spend money on various leaders. Black founders raised $187 million in enterprise capital within the third quarter, which is simply 0.43% of the whole $43 billion deployed within the three months that resulted in September, in response to TechCrunch. The annual pattern is down. 12 months thus far, funding is barely greater than $2 billion for Black founders, in contrast with the $4.72 billion they raised within the record-setting 12 months of 2021.
Even so, Wilson’s software program startup, Resilia, has raised $35 million in a Collection B enterprise funding spherical, the corporate informed Forbes. Wilson, 35, not solely defied the percentages, she turned one of many top-funded Black lady founders in tech.
“Solo founders do go on to be grossly profitable, and you may take a look at that throughout the board,” Wilson, who lives in New Orleans, informed Forbes. “However for some motive, a Black lady solo founder can’t achieve success? Make it make sense to me.”
Resilia sells software program that helps nonprofit organizations handle their operations, and it contains instruments for worker coaching, board administration and donor reporting. It additionally permits main donors to subscribe and supply these instruments to grant recipients. The aim is to “modernize philanthropy for nonprofits and funders,” Wilson mentioned. Earlier than Resilia, Wilson ran a consulting service for nonprofits for eight years and began the software program firm to “productize and scale” a few of these companies with know-how.
Resilia has raised almost $50 million since its founding in 2017. The latest funding spherical was co-led by Panoramic Ventures and Framework Enterprise Companions and included participation from Mucker Capital, SoftBank Group’s SB Alternative Fund, Goldman Sachs Asset Administration Fund and Chloe Capital.
“She’s been on a decade-long journey of impacting this world of nonprofits,” mentioned Paul Decide, managing companion at Panoramic Ventures, an Atlanta-based agency that invested $11 million within the spherical and customarily focuses on underrepresented founders and areas. “Whenever you uncover an issue that exists that different folks have ignored, and you’ve got determined to make it a part of your life’s work to be wonderful at that, that’s what we’ve seen with Resilia.”
Wilson mentioned she grew up close to Baton Rouge, Louisiana, with three siblings and a single mom who was an assistant supervisor at Ok-Mart. She knew early on that she must work to seek out exterior assets to afford faculty and was in a position to get a full journey to Louisiana State College because of a Invoice & Melinda Gates Basis scholarship. She mentioned a retreat with that basis helped expose her to philanthropy and he or she determined to enter the sphere as a guide after she graduated.
“I used to be first made conscious of philanthropy, and the ability of philanthropy, after I gained that award,” Wilson mentioned.
In beginning Resilia, Wilson mentioned she was launched to a software program engineer who helped “wireframe” her imaginative and prescient and counsel different engineering expertise she might rent. Wilson raised about $400,000 in pre-seed cash primarily inside Louisiana, however the course of acquired more durable when she needed to look out of state for her seed spherical. She finally landed Mucker Capital—which prides itself on investing exterior of Silicon Valley—as the most important investor in that roughly $2 million seed spherical.
Different Black woman-led startups have been profitable fundraisers. One of many largest rounds was by Unbelievable Well being, cofounded by Iman Abuzeid and Rome Portlock. The healthcare firm raised $80 million in a collection B spherical this summer time and has been valued at greater than $1 billion.
Jamison Hill, managing companion at Base10 Companions, led the Unbelievable Well being funding spherical. He mentioned he’s proud that Abuzeid is the primary Black lady to discovered a tech unicorn, and mentioned it’s “distinctive” for Wilson to carry that type of development capital to Louisiana. He hopes their examples will help enterprise cash movement extra simply to underrepresented founders.
“It’s profoundly harder for Black ladies to boost enterprise capital,” Hill mentioned. “Past being, in my view, morally unsuitable, I feel that it is also only a humongous missed alternative.”

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Federal cuts halt landmark status for Louisiana plantation that teaches slavery’s history

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Louisiana
Letters: La. Ten Commandments law should be upheld

The Supreme Court will have an important decision in regards to the Ten Commandments in Louisiana public schools.
The U.S. Constitution’s First Amendment prohibits the government from establishing a religion or favoring one religion over another.” I submit that the Ten Commandments are not a religion, which is prohibited by the Constitution. The Commandments set out core principles of behavior for individuals and society, conduct which has been adopted by religions for thousands of years. Even the Quran adopts many of the core principles of the 10 Commandments. I do not know of any religion, per se, that believes the Commandments are a religion. They merely enumerate a code of conduct.
All religions have their own dogma, interpretations, rules, etc. It is that which designates them as religions, not the Ten Commandments.
It should be emphasized that the Ten Commandments are not the essence of, but an integral part of, the history of Western civilization lasting over 3,000 years. They have shaped moral and legal foundations with prohibitions on core crimes; laws against murder, theft and perjury are found in every legal code. Additionally, the Commandments protect the rights of private property and give us a civil understanding of ownership, as well as respect for parents.
Remember the Sabbath day has influenced the creation of Sabbatarian laws.
Without the Ten Commandments, we would have no Magna Carta, no Constitution of the United States or numerous other codes, including the French “Rights of Man.” They provide a moral framework with God and fellow human beings. They provide a guide to individual conduct, fostering virtues of integrity and respect. They also are the sin qua non of social order by encouraging actions of trust and cooperation. Without them, we would be savages.
Louisiana
Baton Rouge's Sullivan Theatre brings “Oklahoma!” to Louisiana – Reveille

Cowboys, farmers and wide, beautiful fields of grass and cattle. With there being so much to love about Oklahoma, how does one choose their future?
Starting on June 13, The Sullivan Theater will be performing the Rodgers and Hammerstein classic, “Oklahoma!”
The story follows Laurey Williams and Curly McLain and their community full of a loving and rowdy cast of characters. Taking place in the early 20th century, “Oklahoma!” gives a glance into rural life in the territory before it became an American state. Full of lovers’ quarrels, dancing and a little bit of horseplay, the show is the perfect way to spend the summer.
“Oklahoma!” was Rodgers and Hammerstein’s first collaboration, not only setting the stage for their body of work but influencing musical history.
Recent LSU graduate Callie Ancelet plays Williams in the show. She found out about it while performing in “Xanadu,” Theatre Baton Rouge’s last show.
Ancelet said a lot of her experience with golden age musicals came from LSU. In 2023, LSU Opera produced “Carousel,” another Rodgers and Hammerstein musical, which Ancelet took inspiration from.
Ancelet, who now works as a music teacher, talked about how she prepared for the “Oklahoma!” auditions while already being in “Xanadu.”
“I would go to work from 8 to 4, then drive straight to the School of Music and practice my audition songs from like 4:30 to 5. Then I would go straight to Theatre Baton Rouge for a dress rehearsal or to perform in Xanadu.”
For those who may not be acquainted with “Oklahoma!”, Ancelet detailed what the show is about.
“It very much centers on love, and the simplicity of how things just always work out in the end,” Ancelet said.
Ancelet went on to explain why “Oklahoma!” is seen as an important point in musical history.
“When ‘Oklahoma!’ came out, that’s when we started straying away from super classical opera and really getting into musical theater,” Ancelet said. “That different style of singing and composing musical theater.”
The conversation shifted to talking about Ancelet’s character Laurey, and the influences on her portrayal as a character.
For Ancelet, Laurey is “on this pendulum of swinging back and forth between having to face reality” while also being a “dreamer” who “dreams with her whole heart.”
“I love when we finish off the show, and she’s just this wholehearted, well-rounded young woman, and I really loved doing a deep dive on her character,” Ancelet said.
To prepare for her role, Ancelet started by watching as many versions of Laurey as she could, and reading the script repeatedly.
During her time researching, Ancelet also took inspiration from other musical women, like Jenna from “Waitress,” Julie from “Carousel” and Elizabeth Swan from “Pirates of the Caribbean.”
She also studied Tiana and Naveen’s relationship from “Princess and the Frog,” hoping to use that in portraying her character’s relationship with Curly.
Ancelet said she particularly enjoyed working with her fellow cast members, many past castmates and Baton Rouge theater veterans. She called them excellent collaborators that she has a lot of respect for.
“When the cast list came out, and I saw all these hard hitters in our musical theater community, all these people that are so talented and I have much respect for, I was so excited,” Ancelet said.
For anyone thinking about seeing “Oklahoma!”, she has a message.
“Just sit back, relax, I’m really excited for us to immerse you in our little romantic cowboy western world,” Ancelet said.
In “Oklahoma!”, Thomas Jackson plays Curly McLain, a bright eyed, hardworking, All-American cowboy.
Jackson most recently performed in Theatre Baton Rouge’s “Waitress” and “Xanadu” with Ancelet. He has also previously worked with the Sullivan, playing Kodaly in “She Loves Me.”
In playing McLain, Jackson wanted to make sure he was “a product of his circumstances” and “super honest to the times and who he would be.”
Jackson also brought up the main conflict for Curly. Like many of the young characters in the show, he’s at the point where they have to define who they are as a person and what they want with the future, as Oklahoma as a territory is also defining itself as a part of the United States.
“I’m approaching him as somebody that knows how to take care of themselves,” Jackson said. “And because of growing up on this land, he knows how to take care of others in turn… a lot of living in this time is a marriage of survival and thriving and trying to romanticize your life to where it feels enjoyable.”
The conversation shifted to talking about the cast, specifically Jackson’s co-star Ancelet. As he was talking, Jackson told a backstage story from “Xanadu.”
“I remember we were getting ready to audition, and me and Callie sat with each other,” Jackson said. “We held each other’s hands and we said, ‘Can you imagine? What if.’”
When talking about each of their favorite parts of the show, both Ancelet and Jackson said the song “Surrey with the Fringe on the Top” was their favorite.
“It’s so precious,” Ancelet said. “We see two sides of Curly’s and Laurey’s relationship where it’s so cat and mouse. Then we center back towards the end of the song where there’s such a realness and authenticity to their relationship.”
Mentioning the Sullivan cast, Jackson called them hilarious..
“It is a group of comedians, through and through,” Jackson said.
Jackson began to talk about the theme of community throughout the show.
“I think it’s an important show to recognize right now and to remind people of their humanity,” Jackson said. “In this show we see different examples of what it’s like to be in a community.”
He talked about the character Jud who longs for community, and Curly and Laurey who “take strides into not just being part of community, but having a life of their own.”
Tickets for “Oklahoma!” are available on the Sullivan Theater’s website. Tickets are $25 for students and $35 for adults. The show opens June 13 and closes June 29.
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