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4 young, endangered whooping cranes are ready for the Louisiana wild. See their journey.

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4 young, endangered whooping cranes are ready for the Louisiana wild. See their journey.


A rare bird species that once vanished from Louisiana is making a steady comeback as four more whooping cranes were released into the wild last month.

The release of the young birds, which were raised at a facility on the Westbank, is part of a years-long effort to bring the endangered species back to Louisiana.

The whooping crane is one of the rarest bird species in the world, according to the Louisiana Department of Wildlife and Fisheries. They are large-bodied birds that can grow up to five feet tall with wingspans of up to eight feet, and can live up to 30 years in the wild.

Over the past seven years, the Audubon Nature Institute and the Louisiana Department of Wildlife and Fisheries has released over 50 cranes into the White Lake Westland Conservation Area in Vermillion Parish. Many of the birds, including the four released last month, were hatched and raised at Audubon’s facility.

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“We’re making great strides,” said Richard Dunn, the facility’s assistant curator, “and we’re starting to see the results of what we’re doing.”

Every year, staffers name the baby cranes according to a theme, Dunn added. This year’s theme was pasta shapes, so the four released cranes were named Gigli, Vermicelli, Fiori and Gemelli.






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Lafayette-based professional photographer Kelly Morvant spotted a family of whooping cranes in a field in rural Acadia Parish — note the juvenile crane visible in the grass.




Whooping cranes, which are white with distinctive red heads and black facial markings, once roamed the state as both non-migratory and migratory species. But their numbers began to dwindle as humans converted their habitat into farmland and hunted the birds, whose feathers became popular clothing accessories.

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By 1950, the last living whooping crane in Louisiana was transported to a wildlife refuge on the Texas coast.

But in 2011, the state started an effort to reintroduce the birds into the wild. That first year, ten young cranes entered the conservation area in Vermillion Parish. 

Since 2017, when Audubon joined the effort, the environmental organization has released 55 cranes, 31 of which were hatched at the Freeport-McMoRan Audubon Species Survival Center. With the addition of the four new birds, there are now 77 whooping cranes across the state and over 700 nationwide, Dunn said. 







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Skylar McMillan with the Audubon Nature Institute boards a boat with the four juvenile Whooping Cranes after they were tagged Tuesday, Nov. 7, at White Lake Wetlands Conservation Area. The birds were taken to a holding pen pending their release into the wild.




“The addition of these young cranes is another important step in restoring a once-thriving species to the Louisiana landscape,” Louisiana Department of Wildlife and Fisheries Secretary Madison Sheahan said in a statement. 

Staff from the Audubon Institute and the state wildlife department raised the baby birds at the Westbank facility. This year, most of the young cranes, called “colts,” were hatched from eggs that came from a migratory flock in Wisconsin, but one chick came from an egg laid by Louisiana cranes. Two unreleased birds were kept at the facility for future breeding. 

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The goal of the program is to create a self-sustaining population of non-migratory whooping cranes in the state, part of a national push to move the birds from endangered to threatened. In Louisiana, a self-sustaining population of whooping cranes would require about 120 birds with 30 reproducing pairs to survive in the wild for a decade.

“This is the point of what we do,” Dunn said, “see the birds increase in the wild.”



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Louisiana

Tech companies could receive large tax breaks in Louisiana as data centers begin construction

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Tech companies could receive large tax breaks in Louisiana as data centers begin construction


RICHLAND — Tech companies could receive significant tax breaks in Louisiana as data centers break ground in the state. 

According to a report by The Advocate, Meta officials told state officials in 2024 that they would need significant tax breaks while negotiating the $27 billion data center project currently being built in North Louisiana. 

Based on projections of Louisiana’s tax exemptions and the expected expenditures of the companies, state and local governments could potentially give billions in tax breaks to the tech giants. 

Several states, including Louisiana, have seen backlash to data centers as residents worry about potential rising electric costs and strain on water systems.

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Virginia is currently debating whether or not to repeal tax exemptions for the tech companies, as it has cost state and local governments in Virginia $1.9 billion in 2024 alone. 

The tax break exempts data centers from state and local taxes for multiple things data centers require, including servers, chillers, electric infrastructure and construction costs. 

The scale of the data center projects, which include tens of billions in spending, coupled with Louisiana’s sales tax of 10%, means tax breaks could be worth huge amounts. 



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Why tech giants could reap massive tax breaks in Louisiana as data centers break ground

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Why tech giants could reap massive tax breaks in Louisiana as data centers break ground


Gov. Jeff Landry speaks at an event Monday, Feb. 23, 2026, at Shreveport Municipal Auditorium in Shreveport, La., held to announce that Amazon plans to build data centers in Caddo and Bossier Parishes. He is joined by Roger Wehner, left, vice president of Economic Development for Amazon, and Matt Vanderzanden, CEO of STACK Infrastructure.



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‘Sinners’ shines light on blues legends from Louisiana. See who, how they contributed.

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‘Sinners’ shines light on blues legends from Louisiana. See who, how they contributed.


Hopefully Ryan Coogler has a U-Haul on standby. The 39-year-old movie director may need a moving van March 15 to bring the Oscars home for his horror film, “Sinners.”

The movie, which grossed $369 million in worldwide box office receipts, is up for a record 16 Academy Awards, including Best Picture, Best Director, Best Actor and Best Original Song.







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This image released by CBS Broadcasting shows Ryan Coogler, center, accepting the award for cinematic and box office achievement for “Sinners” during the 83rd Golden Globes on Sunday, Jan. 11, 2026, at the Beverly Hilton in Beverly Hills, Calif. 




“Sinners” is already a winner for putting the spotlight on the blues and at least three Louisiana musicians who shaped the sound. Much of the vampire thriller is set in Southern juke joints of the 1930s, makeshift dancehalls that shook with sounds that poured the foundation for rock ‘n’ roll, soul, R&B, rap, country and more.

Coogler illustrates that past and future in a scene with the original song, “I Lied to You.” The 1930s scene drifts to visions of the coming decades of rock, rap, break dancing and funk.

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Buddy Guy uses a drum stick to play a Jimi Hendrix tune at the New Orleans Jazz & Heritage Festival on May 4, 2023.



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Buddy Guy, an 89-year-old native of Pointe Coupee Parish, appears briefly in the movie as an aging version of the character Sammie “Preacher Boy” Moore. Born in 1936 in Lettsworth, Guy was a product of this “Sinners” era with skills that heavily influenced Jimi Hendrix, Eric Clapton, Stevie Ray Vaughan and others considered guitar gods.

A Grammy Lifetime Achievement Award winner and Kennedy Center honoree, Guy is still going strong with a tour of Australia set for April.

Fellow blues senior and Homer native Bobby Rush has also enjoyed “Sinners” notoriety, along with the late harmonica legend Little Walter of Marksville. Rush, 92, wasn’t seen in the movie, but his harmonica was used for the character “Delta Slim.”







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Bluesman Bobby Rush, 92, right, performs with Kenny Wayne Shepherd in the Blues Tent during the New Orleans Jazz and Heritage Festival at the Fair Grounds Race Course in New Orleans, Saturday, May 3, 2025. (Staff photo by Scott Threlkeld, The Times-Picayune)




Guy and actor Miles Caton performed the Little Walter original, “Juke.” The song has more than 2.2 million streams on Spotify and nearly 750,000 plays on YouTube.

Like Guy, Rush is not resting in his senior years. Between now and end of May, Rush has gigs stretching from the French Quarter Festival in New Orleans to the Ribs & Blues Festival in the Netherlands.

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Similar to Guy, Little Walter, born Marion Walter Jacobs in 1930, left Louisiana for Chicago, where he recorded “Juke,” “My Babe” and more groundbreaking harmonica blues. Renowned as an alcoholic with a short fuse and numerous fight injuries, Walter only lived to the age of 37.







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Art director Tim Davis helped create the church in “Sinners,” and fans have analyzed its design. Miles Caton plays preacher boy Sammie in the film. 

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Yet the blues of Walter, Rush and Guy live on, thanks to “Sinners,” introducing a new generation to the foundation of American music.

Herman Fuselier is executive director of the St. Landry Parish Tourist Commission. A longtime journalist covering Louisiana music and culture, he lives in Opelousas. His “Zydeco Stomp” show airs at noon Saturdays on KRVS Public Media.



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