Dallas, TX
What If… Tony Romo had stayed healthy in 2016?
It’s possible that 2024 will be Dak Prescott’s last season as quarterback of the Dallas Cowboys. If so, he’ll have had a nine-year run that only a few in franchise history have bettered or even matched. Given that, it’s amazing to think about how improbable Prescott’s career has been. What if his predecessor, Tony Romo, hadn’t been injured during that 2016 preseason?
Prescott was famously taken with a fourth-round pick in that year’s NFL Draft. He didn’t arrive with fanfare; more focus was put on Dallas getting leapfrogged for Paxton Lynch in the first round or their reported interest in Connor Cook before the Raiders snatched him ahead of Dallas in the fourth round. Coming out of the draft, Prescott felt more like a runner-up and a career backup at best; another Stephen McGee to help fill the QB depth chart for a while.
Indeed, Prescott wasn’t even the primary backup upon arrival. Dallas had added Kellen Moore, a favorite of then-offensive coordinator Scott Linehan, the year before and he was the presumptive QB2. On top of that, Prescott did not have a great summer in practice and there was talk of undrafted rookie Jameill Showers outshining him. Even after Moore broke his leg early in training camp, the Cowboys tried to swing a trade for veteran Josh McCown rather than entrust backup duty to one of their rookies.
But then, once preseason action started, Prescott got the hype train rolling. In three games he went 39/50 for 454 yards, five touchdowns, and no interceptions with a 137.8 passer rating. Prescott also showed off his running ability with 53 yards and two more scores on just seven carries.
Prescott didn’t play in the final preseason game because, the week before, Tony Romo was injured against the Seahawks and ruled out for at least two months. Thanks to his hot August, Prescott was named the starter and helped lead the team to a remarkable 13-3 season. Even when Romo was medically cleared to return, the team stuck with their rookie sensation and embraced a new era for the franchise.
So again, what if Romo doesn’t suffer that back injury? What if he waltzes into 2016 still the starting quarterback? How might Cowboys history have changed?
The biggest question of all is if Romo would’ve made the 2016 Cowboys a better team, and that’s a tough one given what they accomplished without him. 13 regular season wins, a division title, and a competitive showing in their playoff loss to the Packers; there were all about the peak of what Romo did in his best seasons with Dallas.
Even in the playoffs, the rookie Prescott had a strong game going head-to-head with Aaron Rodgers and helped Dallas take it down the final ticks. The Cowboys rallied from a 28-13 deficit going into the fourth quarter to tie it up late, and only a final drive and a 51-yard field goal from Mason Crosby lifted Green Bay to the win that day. Prescott looked the part of a championship-level quarterback that day.
Still, there’s no denying Romo’s experience would have served the team well in moments. He was also a more fearless type of QB, and perhaps some of that moxie would have led to big plays when the more conservative Prescott played it safe. But on the other hand, with only four total picks thrown that year, Prescott’s style might have helped the Cowboys avoid some of the pitfalls that Romo’s risk-taking occasionally led to. Their differences probably balanced out over the season as a whole.
Now this is where it really gets interesting. If Romo had remained the starter, how long would that have continued beyond 2016? And would that have affected Prescott’s career?
One reason that Dallas chose Prescott over Romo was that the veteran was already 36 and decidedly injury-prone. If he’d had a healthy and productive 2016 season, would Romo have moved into broadcasting the following year or given it another go? That’s hard to say without seeing how he would’ve performed the season before, nor can we assume that avoiding that preseason injury means he wouldn’t have been hurt at some other point in 2016. One thing that we do know about Romo, even before that final injury, was that his body was breaking down.
Still, let’s pretend that Romo stays healthy in 2016 and decides to give it one more go in 2017. Maybe he makes it through that year, maybe he doesn’t. Maybe the scenario we saw play out the year before then comes to fruition; Prescott gets his shot and shows he’s a gamer. But if Romo hangs on another two years and then retires, Dallas would’ve gone into the 2018 offseason with a big question mark at quarterback.
True, Prescott would’ve had his big preseason performances to entice the team. But that 2018 QB class of Baker Mayfield, Sam Darnold, Josh Allen, Josh Rosen, and Lamar Jackson would’ve been tough for the Cowboys to ignore. Depending on how Dallas performed the year before and where their first-round pick might have fallen, could they have chosen their next starting QB here and left Prescott resigned to backup duty?
Or what if Romo makes it through 2016 but then either retires or gets hurt early? Remember, the 2017 season wasn’t a fun one for Dallas. That was the year of Elliott’s suspension, Dez Bryant’s declining play as WR1, the infamous Chaz Green debacle in Atlanta, and a suspect defense incapable of causing turnovers. If this had been Prescott’s entry to the NFL, without that year of experience under his belt, how badly might it have hurt his stock going forward?
One thing is clear; 2016 was the best point possible for Prescott to get his opportunity to start. Elliott was the freshest and most dynamic version of himself, the offensive line was humming behind Tyron Smith, Zack Martin, and Travis Frederick, and other veteran pieces like Bryant and Jason Witten were still viable for a contending team. Even with a relatively poor defense that year, Prescott was able to help lead the other side of the ball to overcome that and post one of the team’s most impressive seasons of the modern era.
If that shot hadn’t come when it did, Prescott may have never been given the reins. He could have stayed on the bench behind Romo for a few years, then been leapfrogged by a high pick in the 2018 draft. Or if he’d had to play in 2017 in less ideal circumstances, it could’ve prompted the team to start looking elsewhere. After all, he was only a former fourth-rounder anyway. It’s not like they saw him as their QB of the future when they took him.
So if 2024 does prove to be Dak Prescott’s finale with the Dallas Cowboys, it will cap nearly a decade of quarterback play that could’ve easily never happened. Prescott wasn’t brought in as the heir apparent to Tony Romo, but circumstances opened the door and his performance forced that transition to occur. It’s amazing how a franchise’s fate can alter on such a narrow margin, but that’s what makes Prescott’s run one of the great “What Ifs” in Cowboys history.
Dallas, TX
The Stewpot artists find healing, purpose and income through art in Dallas
The Stewpot, a Dallas-based homeless services organization, is helping people who have experienced homelessness be seen in a new light.
During a special art exhibit Thursday night, paintings filled the walls, but it was artists like Darrell Plunkett who were the real focus.
When Plunkett first discovered The Stewpot’s art program more than a decade ago, he was at one of the lowest points in his life. He was struggling with alcoholism.
“I was staying in a shelter and I was waiting for them to take us back downtown, and I saw a gentleman with sketches and a bag full of art supplies,” he said.
Immediately, he wanted to learn more.
“He told me about the program, and back then, there was an interview process to get in, and so I went through that,” he said.
Plunkett was accepted and quickly discovered a love for painting, especially sunflowers and roosters. More importantly, he found an escape from the struggles he was facing.
“It kept me out of trouble and give me a safe place to come and create instead of running the streets,” he said.
He said many artists in the program have found that same sense of purpose.
“It gives me peace and quiet and comfort,” Luis Arispe said. “People who buy my work love the way I talk to them and speak to them.”
Every painting sold directly benefits the artists. They receive 90% of each sale, while the remaining 10% goes back into the program to help pay for art supplies.”
“It’s a nice little boost if you get a little more pocket change.. to get paid for your work and to be acknowledged as an artist,” The Stewpot Director of Enrichment Programs, Betty Heckman, said.
“The recognition that someone actually likes what I created it just gives me joy,” Plunkett said.
Since joining the program, Plunkett has remained sober. He now has his own apartment and works at the Dallas Arboretum, where he finds constant inspiration.
“I’ll just stop and take a quick snapshot and go home and create,” he said.
He estimates he’s created hundreds of paintings over the years, and some of his work has even been featured in murals across Dallas.
Looking back, he says he’s forever grateful for this program that changed the course of his life.
“I don’t know what I would do without it,” he said. “It’s been a blessing.”
Dallas, TX
How to buy France World Cup semifinal soccer tickets in Dallas
Editor’s note: Follow LIVE World Cup quarterfinal coverage today
France and its dynamic duo of Kylian Mbappé and Ousmane Dembélé appear practically unstoppable.
France is advancing to the World Cup semifinals after a 2-0 victory over Morocco on Thursday afternoon thanks to goals from both players in the second half as Mbappé has tied Lionel Messi for the Golden Boot lead with hist eighth goals of the tournament.
SHOP: France semifinal World Cup tickets
Now, France will await the winner of Friday’s Spain vs. Belgium match. The semifinal will be held on Tuesday, July 14 in Dallas, when the team will look to secure its third-consecutive World Cup Final.
With the electrifying play of Mbappé and Dembélé, it’s hard to pass up the opportunity to buy tickets to the team’s next match at AT&T Stadium.
Here’s everything you need to know to buy France semifinal World Cup tickets:
Shop France semifinal tickets
France semifinal World Cup tickets
As of publication, get-in ticket prices for France’s semifinals match in Dallas start at $2,066.
If you’re looking to see Mbappé and the entire France team up close, the cheapest lower level Hall of Fame ticket starts at $3,571 in Section 121.
France quarterfinals game information
- When: Tuesday, July 14
- Where: AT&T Stadium in Arlington, Texas
- What time: 3 p.m. ET
- TV – English : FOX – Fubo
- TV – Spanish: Telemundo – Fubo
- Tickets: Starting at $2,066
France 2026 FIFA World Cup schedule, results
IMAGE
- France vs. Senegal – WIN 3-1
- France vs. Iraq – WIN 3-0
- France vs. Norway – WIN 4-1
- France vs. Sweden – WIN 3-0
- France vs. Paraguay – WIN 1-0
- France vs. Morocco (quarterfinals) – WIN 2-0
- July 14 (semifinals) – France vs. Belgium/Spain at AT&T Stadium in Arlington, Texas – Shop tickets
When are the semifinals for the FIFA World Cup?
The semifinals will take place on Tuesday, July 14 and Wednesday, July 15. The two games will take place at AT&T Stadium in Arlington, Texas and Mercedes-Benz Stadium in Atlanta.
We don’t know which teams will face off in the semifinals just yet, but the bracket is set so once the quarterfinal matchups are set, we will have a clearer picture. Until then, you can shop the semifinal game tickets below:
- Tuesday, July 14 – Winner of France/Morocco vs. Spain/Belgium/at 3 p.m. ET in Arlington, Texas – Get tickets
- Wednesday, July 15 – Winner of Norway/England vs. Argentina/Switzerland at 3 p.m. ET in Atlanta – Get tickets
When is the 2026 FIFA World Cup Final?
The final match of the 2026 FIFA World Cup will take place on Sunday, July 19 at MetLife Stadium just outside of New York City.
As of publication, the cheapest available tickets for the 2026 FIFA World Cup Final start at $8,404. If you want to get closer to the action, lower-level (category 1) tickets are starting at $21,783.
Shop France World Cup tickets
Dallas, TX
Dallas’ digital creator economy is booming. Burnout is too.
The glitz. The glam. The parties. The trips. The allure of high fashion bedazzled with a life of luxury. As with much of the filter-polished nature of social media, all is not as it appears.
For Shaun Balkum, he was living a dream as a high-fashion model with ties to New York and as one of Dallas’ most recognizable faces. The statuesque king of pose was living the high life — or so it seemed. Gracing the runways and booked for Dallas’ marquee fashion shows like DIFFA, Balkum appeared to have it all. Behind closed doors, though, was a past riddled with pain, trauma, suicide ideation and repeated bouts with homelessness. With nowhere to turn and little help, he internalized in the dark, not knowing that many of his peers were also struggling in the same deafening silence.
“Being in the industry for about 15 years now, I’ve been through a lot,” the 34-year-old father of two tells the Observer. “Working in New York at a young age and seeing so many people going down different, dark paths, and the industry just eating them up, was eye-opening for me. A lot of people on the outside will wonder ‘why is this actor on drugs’ or ‘why is there so much suicide within these careers?’ What they don’t realize are the things that these individuals put themselves through. They don’t express or talk about it because they feel like they’re going to be judged at the end of the day by their peers and family.”
Going digital-second
With the dominance of a digital-first culture, creatives today face unprecedented pressure, from constant content demands, online comparison, scrutiny, burnout and isolation. According to a recent study conducted by Creators for Mental Health, an organization that aims to provide resources to digital creators, approximately 1 out of 10 creators say that they’ve experienced suicidal thoughts, with nearly 2 out of 3 creators admitting to mental health challenges such as anxiety and depression. Higher incidence rates rank even more among tenured creators.
According to the National Institute of Health (NIH), suicide continues to be one of the leading causes of death in the U.S. The rate observed among influencers is nearly double the NIH’s reported national average.
And, as online content creation has become an increasingly lucrative path, market oversaturation has fueled added stressors of competition and gig instability.
“There’s an influx of constant competition,” says Jessica Serna, a veteran influencer behind My Curly Adventures. “People don’t realize that it’s not enough just to take good pictures and videos. A lot of times there’s way more going on [behind the scenes] so that you can stand out amongst 100,000 other influencers and creators. I think that’s where the burnout comes – it’s the pressure to stay above in such a competitive field.”
In videos captured across the country, the Dallas-based Serna is all smiles and full of vibrancy as she and her husband traverse turquoise Caribbean waters and dive deep into the ocean blue. Posting daily, she has amassed an audience of over 300,000 Instagram followers sourcing tips on travel, lifestyle and food. Over on TikTok, her reach extends even further with 571,000 followers.
While Serna admits that all that glitters can be gold in the influencer lifestyle, there can also be a dullness when creators face the not-so-glamorous business side of being a creative in order to stand out among a sea of others.
“This has been the most stressful job I’ve ever [had],” Serna says. “I go to sleep thinking about things. I wake up and there’s the pressure of… so many businesses that don’t value your time, or wait two weeks to issue you a paycheck, and then want something the next day, only to ghost you again for another three weeks. Or, a paycheck that you were supposed to get three months ago is now taking its time because it got caught up in something corporate.”
Late paychecks and the pressure to be perfect are only the tip of the iceberg of what creatives experience.
In a recent Youtube confessional titled “being a full time influencer ruined my life,” Dallas creator Ashley Devonna candidly detailed what life was really like for her behind the filters, hashtags and sponsorships. After a 4-year hiatus to recover, the Texas Woman’s University graduate is back, but now on her own terms. Many others are still stuck in the cycle.
Finding community on and offline
Balkum cites a lack of community and safe spaces for honest reflection, as well as a shortage of affordable mental health resources, as inspiring him to launch his House of Balkum Foundation, a 501(c)(3) initiative stemming from the inadequacies of the fashion industry, and now offering emergency relief assistance, emotional support, community gatherings and mental health and wellness resources. His upcoming event, Saving the Creatives —dubbed the “church for creatives” — will feature an all-star panel of Dallas’ top talent including Celebrity Stylist KJ Moody, Actor and Model Kamen Casey, Photographer Jamie House and others, to discuss the challenges suffocating the industry, but also to provide solutions and support.
“We’re all intertwined in a way, and we all need each other,” Balkum says. “You know, the models need the photographers, and the photographers need the makeup artists, and the makeup artists need the models. At the end of the day, I want creatives to understand that they finally have somebody here for them, and that’s looking after them. For all of the creatives that have felt alone, that have struggled in silence – we hear you. You can talk to us and we’ll provide whatever help that we can for you.”
Dallas startup RM11 is on a similar mission. The creator-first platform was founded by Natasha August and boasts numerous perks that allow creators to own their relationships with their followers, receive fair monetization and build a sustainable business – and, hopefully, a less stressful one.
“Creators are entrepreneurs in every sense of the word,” August says. “They’re building brands, communities, revenue streams and entire businesses around their voice and audience. The more I learned about the creator economy, the more I realized how underserved creators really are. They’re expected to be talent, a marketer, customer support, content strategist, community manager and business owner all at once. I saw an opportunity to build something that gave creators more control, better tools and a more supportive way to monetize directly from their audience.”
Recently, RM11 strategically partnered with both Revive Health Therapy and Creators 4 Mental Health – a major step in its mission to support creator well-being, reduce burnout and build a healthier creator ecosystem through its CreatorCare approach. RM11 creators have access to licensed mental health professionals who specialize in creator-specific stressors, as well as affordable, flexible therapy options, community support and wellness tools to help manage burnout and emotional fatigue.
“One of the biggest misconceptions that the general public has is that creating content is easy or not a ‘real job.’ In reality, creators are running small businesses, often by themselves, while also putting their personality, image and personal life in front of the public,” August says. “There’s also a misconception that if someone has followers or makes money online, they must be confident, happy or unaffected by negative comments and pressure. But creators can experience burnout, isolation, anxiety and emotional exhaustion just like anyone else, sometimes even more intensely because their work is so personal and public.”
According to a 2026 study with data from Social Blade, Texas ranks fourth among the nation’s largest hubs for online influencers, accounting for roughly 8% of the most-followed creators. The state is also home to 1 out of 10 creators ranked in the top 500 of the creator ecosystem. If you want to make it to the top of the creator economy, Dallas is where you come. Therefore, Dallas-based businesses like House of Balkum and RM11 are not only essential but necessary with growing demand.
“Being an influencer is easy, but when something’s easy, and you actually want to be successful in it, that’s when it gets harder than people even realize. I’m extremely grateful for it though,” Serna says. “It’s so funny how something can be so simultaneously amazing and so draining at the same time.”
Saving the Creatives will be hosted by The House of Balkum on Sunday, July 12, at 6:00 p.m. at Four Day Weekend, 5601 Sears Street. Tickets are available for $35.
If you or someone you know is struggling with suicidal thoughts, help is available. You can call or text 988 to reach the Suicide & Crisis Lifeline, or chat via 988lifeline.org for free, confidential support 24/7.
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