Dallas, TX
Dallas’ poverty-fighting CitySquare out of funding and will close at year’s end
Dallas nonprofit CitySquare — for decades a leader in the battle against poverty and homelessness — has run out of money to do its work and will go out of business at year’s end.
In an interview Friday with its leaders, I learned CitySquare will devote the rest of 2024 to transferring its many programs, which serve 27,000 people annually, to other neighborhood providers.
CitySquare also expects to turn over its Opportunity Center campus, across Interstate 30 from downtown, to another operator as a hub for poverty-fighting organizations.
“We didn’t have the time we needed to really right the ship,” said CEO Annam Manthiram, who arrived in late August in hopes of creating a new identity for CitySquare. “We kept thinking fundraising would come back early this year and thought the brand was stronger than it was.”
CitySquare’s long-time visionary was Larry James, a champion of the poor who in 1994 became head of the fledgling Central Dallas Ministries, as the nonprofit was originally known.
James grew the operation into a powerhouse responsible for many good works in Dallas — permanent and temporary housing, food resources, health care and job creation. He also educated policymakers and led anti-poverty efforts at the behest of elected officials.
CitySquare was synonymous with James, perhaps too much so. Once he moved from his CEO job to a board seat in 2021, community members who long supported his work also began to move on.
Ongoing cuts in operating costs, staff and programming in the last year or so haven’t kept up with the “millions of dollars decline” in giving, said board chair Lewis Weinger.
Weinger and Manthiram told me CitySquare’s prospects were further hurt by a lack of financial transparency to the board and donors after James’ retirement and by “culture-workplace issues.” They said they could not provide details of those issues because of HR considerations.
This month, the leadership team and board decided the best outcome for the neighbors who rely on CitySquare’s services was to go public with plans to cease operations and enlist partners to take over the work at year’s end.
CitySquare’s main campus, on Malcolm X Boulevard just south of Interstate 30, provides services such as a food pantry, workforce training and a community resource center. Also on the site are 50 cottages that shelter a fraction of the 500 neighbors in its housing programs.
The best news in this grim moment is that local philanthropic foundations have CitySquare’s back and will provide funds to carry the nonprofit and its programs through the year.
Wayne White, president and CEO of the Communities Foundation of Texas, told me Friday he and others have met with CitySquare leaders to determine how best to ensure neighbors don’t lose services. He said his team “is committed to working with funders and nonprofits to address the gap that will exist once CitySquare winds down their work.”
When I profiled Manthiram in February, she had a sense of the financial problems, but she believed she would have three years to turn things around. “I didn’t anticipate as big of a budget shortfall as actually existed,” Manthiram said, “and the board didn’t know the budget deficit was as large as it was.”
For example, the board had been told the shortfall in CitySquare’s $39 million budget for 2022 was $1.6 million. Manthiram discovered the deficit was $3.2 million. Despite her cost-cutting after arriving in the last quarter of 2023, the nonprofit expects final numbers to show it finished last year with a $2 million deficit.
The previous CEO, John Siburt, took the job in January 2021 after serving as CitySquare president for five years. He left in December 2022 and is now president of Timberview Farmstead in Fort Worth. CitySquare’s chief financial officer and chief development officer at the time, both of whom had been on staff for only a couple of years, also left in 2022.
“There was no intentional hiding of the financial situation,” Siburt told me Saturday. He did not comment on the workplace-culture issues beyond saying “the need to change the CitySquare model created tension at times.”
In separate interviews, Siburt and James said CitySquare’s aggressive attempts to keep people housed during the pandemic triggered an unsustainable financial picture. “I took responsibility for overextending us during COVID,” Siburt said. He later chose to leave the organization “out of a belief that both CitySquare and I could benefit from a fresh start.”
James said the nonprofit many times tried to do too much. “We would see the need and we were sure filling that gap was the right thing to do.”
For example, with struggling residents further crippled by COVID, CitySquare paid the rents and mortgages of hundreds of people and operated 1,000 apartments as permanent supportive housing. Once pandemic-related funding dried up, the nonprofit continued the program with the misguided belief fundraising would catch up.
Weinger described it like this: “Larry could pick up the phone to a few very generous donors and say, ‘This is the check I need each of you to write.’ We didn’t have that path forward any more.”
After James’ departure, Weinger said, a lack of faith and mistrust developed. “It became sort of a Catch-22 that, once Annam was on board, didn’t give her the time to show what we could do.”
Manthiram didn’t uproot her two school-age sons and leave a good job running an Albuquerque homeless services agency to be part of closing down a venerable nonprofit in Dallas.
But with no other apparent choice, she is determined CitySquare’s programs stay in place and its 85-member staff continues its work — eventually under other nonprofits. “My goal now is putting together a transition team to figure out which community-based groups are the best for the neighbors,” Manthiram said. ”Perhaps community partners will even more effectively lift neighbors out of poverty and homelessness than we’ve been able to do in the last few years.”
The Opportunity Center property likely will become even more valuable once the proposed redesign and expansion of I-30 is complete. CitySquare leadership is adamant any new owner maintain the programming without gentrifying the neighborhood.
CitySquare could have sold the building and land to provide funding to get through this year, Weinger said. “But then what about next year?”
Manthiram is heartened that this transition will put neighbors first and avoid gaps in services. “A favorite verse of mine is ‘With God all things are possible,’” she said. “Right now this feels like the right decision.”
Dallas, TX
The Stewpot artists find healing, purpose and income through art in Dallas
The Stewpot, a Dallas-based homeless services organization, is helping people who have experienced homelessness be seen in a new light.
During a special art exhibit Thursday night, paintings filled the walls, but it was artists like Darrell Plunkett who were the real focus.
When Plunkett first discovered The Stewpot’s art program more than a decade ago, he was at one of the lowest points in his life. He was struggling with alcoholism.
“I was staying in a shelter and I was waiting for them to take us back downtown, and I saw a gentleman with sketches and a bag full of art supplies,” he said.
Immediately, he wanted to learn more.
“He told me about the program, and back then, there was an interview process to get in, and so I went through that,” he said.
Plunkett was accepted and quickly discovered a love for painting, especially sunflowers and roosters. More importantly, he found an escape from the struggles he was facing.
“It kept me out of trouble and give me a safe place to come and create instead of running the streets,” he said.
He said many artists in the program have found that same sense of purpose.
“It gives me peace and quiet and comfort,” Luis Arispe said. “People who buy my work love the way I talk to them and speak to them.”
Every painting sold directly benefits the artists. They receive 90% of each sale, while the remaining 10% goes back into the program to help pay for art supplies.”
“It’s a nice little boost if you get a little more pocket change.. to get paid for your work and to be acknowledged as an artist,” The Stewpot Director of Enrichment Programs, Betty Heckman, said.
“The recognition that someone actually likes what I created it just gives me joy,” Plunkett said.
Since joining the program, Plunkett has remained sober. He now has his own apartment and works at the Dallas Arboretum, where he finds constant inspiration.
“I’ll just stop and take a quick snapshot and go home and create,” he said.
He estimates he’s created hundreds of paintings over the years, and some of his work has even been featured in murals across Dallas.
Looking back, he says he’s forever grateful for this program that changed the course of his life.
“I don’t know what I would do without it,” he said. “It’s been a blessing.”
Dallas, TX
How to buy France World Cup semifinal soccer tickets in Dallas
Editor’s note: Follow LIVE World Cup quarterfinal coverage today
France and its dynamic duo of Kylian Mbappé and Ousmane Dembélé appear practically unstoppable.
France is advancing to the World Cup semifinals after a 2-0 victory over Morocco on Thursday afternoon thanks to goals from both players in the second half as Mbappé has tied Lionel Messi for the Golden Boot lead with hist eighth goals of the tournament.
SHOP: France semifinal World Cup tickets
Now, France will await the winner of Friday’s Spain vs. Belgium match. The semifinal will be held on Tuesday, July 14 in Dallas, when the team will look to secure its third-consecutive World Cup Final.
With the electrifying play of Mbappé and Dembélé, it’s hard to pass up the opportunity to buy tickets to the team’s next match at AT&T Stadium.
Here’s everything you need to know to buy France semifinal World Cup tickets:
Shop France semifinal tickets
France semifinal World Cup tickets
As of publication, get-in ticket prices for France’s semifinals match in Dallas start at $2,066.
If you’re looking to see Mbappé and the entire France team up close, the cheapest lower level Hall of Fame ticket starts at $3,571 in Section 121.
France quarterfinals game information
- When: Tuesday, July 14
- Where: AT&T Stadium in Arlington, Texas
- What time: 3 p.m. ET
- TV – English : FOX – Fubo
- TV – Spanish: Telemundo – Fubo
- Tickets: Starting at $2,066
France 2026 FIFA World Cup schedule, results
IMAGE
- France vs. Senegal – WIN 3-1
- France vs. Iraq – WIN 3-0
- France vs. Norway – WIN 4-1
- France vs. Sweden – WIN 3-0
- France vs. Paraguay – WIN 1-0
- France vs. Morocco (quarterfinals) – WIN 2-0
- July 14 (semifinals) – France vs. Belgium/Spain at AT&T Stadium in Arlington, Texas – Shop tickets
When are the semifinals for the FIFA World Cup?
The semifinals will take place on Tuesday, July 14 and Wednesday, July 15. The two games will take place at AT&T Stadium in Arlington, Texas and Mercedes-Benz Stadium in Atlanta.
We don’t know which teams will face off in the semifinals just yet, but the bracket is set so once the quarterfinal matchups are set, we will have a clearer picture. Until then, you can shop the semifinal game tickets below:
- Tuesday, July 14 – Winner of France/Morocco vs. Spain/Belgium/at 3 p.m. ET in Arlington, Texas – Get tickets
- Wednesday, July 15 – Winner of Norway/England vs. Argentina/Switzerland at 3 p.m. ET in Atlanta – Get tickets
When is the 2026 FIFA World Cup Final?
The final match of the 2026 FIFA World Cup will take place on Sunday, July 19 at MetLife Stadium just outside of New York City.
As of publication, the cheapest available tickets for the 2026 FIFA World Cup Final start at $8,404. If you want to get closer to the action, lower-level (category 1) tickets are starting at $21,783.
Shop France World Cup tickets
Dallas, TX
Dallas’ digital creator economy is booming. Burnout is too.
The glitz. The glam. The parties. The trips. The allure of high fashion bedazzled with a life of luxury. As with much of the filter-polished nature of social media, all is not as it appears.
For Shaun Balkum, he was living a dream as a high-fashion model with ties to New York and as one of Dallas’ most recognizable faces. The statuesque king of pose was living the high life — or so it seemed. Gracing the runways and booked for Dallas’ marquee fashion shows like DIFFA, Balkum appeared to have it all. Behind closed doors, though, was a past riddled with pain, trauma, suicide ideation and repeated bouts with homelessness. With nowhere to turn and little help, he internalized in the dark, not knowing that many of his peers were also struggling in the same deafening silence.
“Being in the industry for about 15 years now, I’ve been through a lot,” the 34-year-old father of two tells the Observer. “Working in New York at a young age and seeing so many people going down different, dark paths, and the industry just eating them up, was eye-opening for me. A lot of people on the outside will wonder ‘why is this actor on drugs’ or ‘why is there so much suicide within these careers?’ What they don’t realize are the things that these individuals put themselves through. They don’t express or talk about it because they feel like they’re going to be judged at the end of the day by their peers and family.”
Going digital-second
With the dominance of a digital-first culture, creatives today face unprecedented pressure, from constant content demands, online comparison, scrutiny, burnout and isolation. According to a recent study conducted by Creators for Mental Health, an organization that aims to provide resources to digital creators, approximately 1 out of 10 creators say that they’ve experienced suicidal thoughts, with nearly 2 out of 3 creators admitting to mental health challenges such as anxiety and depression. Higher incidence rates rank even more among tenured creators.
According to the National Institute of Health (NIH), suicide continues to be one of the leading causes of death in the U.S. The rate observed among influencers is nearly double the NIH’s reported national average.
And, as online content creation has become an increasingly lucrative path, market oversaturation has fueled added stressors of competition and gig instability.
“There’s an influx of constant competition,” says Jessica Serna, a veteran influencer behind My Curly Adventures. “People don’t realize that it’s not enough just to take good pictures and videos. A lot of times there’s way more going on [behind the scenes] so that you can stand out amongst 100,000 other influencers and creators. I think that’s where the burnout comes – it’s the pressure to stay above in such a competitive field.”
In videos captured across the country, the Dallas-based Serna is all smiles and full of vibrancy as she and her husband traverse turquoise Caribbean waters and dive deep into the ocean blue. Posting daily, she has amassed an audience of over 300,000 Instagram followers sourcing tips on travel, lifestyle and food. Over on TikTok, her reach extends even further with 571,000 followers.
While Serna admits that all that glitters can be gold in the influencer lifestyle, there can also be a dullness when creators face the not-so-glamorous business side of being a creative in order to stand out among a sea of others.
“This has been the most stressful job I’ve ever [had],” Serna says. “I go to sleep thinking about things. I wake up and there’s the pressure of… so many businesses that don’t value your time, or wait two weeks to issue you a paycheck, and then want something the next day, only to ghost you again for another three weeks. Or, a paycheck that you were supposed to get three months ago is now taking its time because it got caught up in something corporate.”
Late paychecks and the pressure to be perfect are only the tip of the iceberg of what creatives experience.
In a recent Youtube confessional titled “being a full time influencer ruined my life,” Dallas creator Ashley Devonna candidly detailed what life was really like for her behind the filters, hashtags and sponsorships. After a 4-year hiatus to recover, the Texas Woman’s University graduate is back, but now on her own terms. Many others are still stuck in the cycle.
Finding community on and offline
Balkum cites a lack of community and safe spaces for honest reflection, as well as a shortage of affordable mental health resources, as inspiring him to launch his House of Balkum Foundation, a 501(c)(3) initiative stemming from the inadequacies of the fashion industry, and now offering emergency relief assistance, emotional support, community gatherings and mental health and wellness resources. His upcoming event, Saving the Creatives —dubbed the “church for creatives” — will feature an all-star panel of Dallas’ top talent including Celebrity Stylist KJ Moody, Actor and Model Kamen Casey, Photographer Jamie House and others, to discuss the challenges suffocating the industry, but also to provide solutions and support.
“We’re all intertwined in a way, and we all need each other,” Balkum says. “You know, the models need the photographers, and the photographers need the makeup artists, and the makeup artists need the models. At the end of the day, I want creatives to understand that they finally have somebody here for them, and that’s looking after them. For all of the creatives that have felt alone, that have struggled in silence – we hear you. You can talk to us and we’ll provide whatever help that we can for you.”
Dallas startup RM11 is on a similar mission. The creator-first platform was founded by Natasha August and boasts numerous perks that allow creators to own their relationships with their followers, receive fair monetization and build a sustainable business – and, hopefully, a less stressful one.
“Creators are entrepreneurs in every sense of the word,” August says. “They’re building brands, communities, revenue streams and entire businesses around their voice and audience. The more I learned about the creator economy, the more I realized how underserved creators really are. They’re expected to be talent, a marketer, customer support, content strategist, community manager and business owner all at once. I saw an opportunity to build something that gave creators more control, better tools and a more supportive way to monetize directly from their audience.”
Recently, RM11 strategically partnered with both Revive Health Therapy and Creators 4 Mental Health – a major step in its mission to support creator well-being, reduce burnout and build a healthier creator ecosystem through its CreatorCare approach. RM11 creators have access to licensed mental health professionals who specialize in creator-specific stressors, as well as affordable, flexible therapy options, community support and wellness tools to help manage burnout and emotional fatigue.
“One of the biggest misconceptions that the general public has is that creating content is easy or not a ‘real job.’ In reality, creators are running small businesses, often by themselves, while also putting their personality, image and personal life in front of the public,” August says. “There’s also a misconception that if someone has followers or makes money online, they must be confident, happy or unaffected by negative comments and pressure. But creators can experience burnout, isolation, anxiety and emotional exhaustion just like anyone else, sometimes even more intensely because their work is so personal and public.”
According to a 2026 study with data from Social Blade, Texas ranks fourth among the nation’s largest hubs for online influencers, accounting for roughly 8% of the most-followed creators. The state is also home to 1 out of 10 creators ranked in the top 500 of the creator ecosystem. If you want to make it to the top of the creator economy, Dallas is where you come. Therefore, Dallas-based businesses like House of Balkum and RM11 are not only essential but necessary with growing demand.
“Being an influencer is easy, but when something’s easy, and you actually want to be successful in it, that’s when it gets harder than people even realize. I’m extremely grateful for it though,” Serna says. “It’s so funny how something can be so simultaneously amazing and so draining at the same time.”
Saving the Creatives will be hosted by The House of Balkum on Sunday, July 12, at 6:00 p.m. at Four Day Weekend, 5601 Sears Street. Tickets are available for $35.
If you or someone you know is struggling with suicidal thoughts, help is available. You can call or text 988 to reach the Suicide & Crisis Lifeline, or chat via 988lifeline.org for free, confidential support 24/7.
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