Former Auburn wide receiver Seth Williams will be at practice on Wednesday with the Dallas Cowboys, according to the NFL team’s official website.
The Cowboys have signed Williams for their practice squad after he caught passes at a workout for the team with a handful of other free-agent wide receivers on Tuesday.
Williams joins Dallas after the Cowboys placed wide receiver Brandin Cooks on injured reserve last week with a knee injury.
Williams has been out of football since the Jacksonville Jaguars waived him on Aug. 25.
The Denver Broncos selected Williams in the sixth round of the 2021 NFL Draft after he had 132 receptions for 2,214 yards and 17 touchdowns in three seasons at Auburn.
The former Paul Bryant High School standout had a 34-yard reception in two games as a rookie for the Broncos, but he has not appeared in an NFL regular-season game since.
Williams has spent the past two seasons on the Jaguars’ practice squad.
Each NFL team can have a 16-player practice squad. The members of the practice squad do everything that the members of the active roster do, but they are not eligible to play in games – with one exception. Each team is allowed to elevate up to two practice-squad members to active status for each game.
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Mark Inabinett is a sports reporter for Alabama Media Group. Follow him on Twitter at @AMarkG1.
The Memphis Grizzlies are hoping to bounce back as they take Cooper Flagg and the Dallas Mavericks.
To learn more about Flagg and the Mavs, we spoke with Dallas Mavericks On SI contributor Austin Veazey.
He’s been… fine? Jason Kidd tried rolling him out at point guard to start the season, which was leading to poor results for the entire offense, but specifically Flagg. He just isn’t a point guard. He may have good playmaking instincts, but he’s best as a secondary playmaker. It’s no surprise that he then turned in arguably his best performance on Wednesday night against the New Orleans Pelicans, because Kidd didn’t start him at point guard.
The question isn’t how much they miss Kyrie Irving, it’s how much do they miss Luka Doncic. And it’s a lot. Even Kyrie Irving has been at his best in his career when he has a better playmaker on the roster, and he can do what he does best: score. Even if Irving were here, there’s no guarantee this would even be a league-average offense, because the offense has no spacing as it’s designed right now.
I kind of doubt it, unless they were to move Irving as well. Doncic and Irving worked so well together because Doncic was a bigger body and could guard other teams’ power forwards. A backcourt of Morant and Irving probably wouldn’t work well, but that wouldn’t stop Nico Harrison from trying something crazy.
Maybe not being the worst offense in the NBA? Just an idea. But how they go about doing that is beyond me. This team just lacks the natural playmakers and shooters to survive in this era of the NBA.
The vibes around both of these teams are horrendous right now. Between the Ja Morant suspension, Anthony Davis’ calf strain, and the Mavs losing to teams such as the Pelicans and Wizards, I think most Mavs fans want a close loss with Cooper Flagg developing so it gets one step closer to firing Nico Harrison.
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In the hands of Chris Wolston, even the most ordinary object — a chair, lamp or credenza — becomes something more whimsical, playful and quirky.
The artist has built a stellar reputation in the design world for his anthropomorphic rattan chairs (complete with bums and feet). Yet the array of pieces on display in his first solo museum show at Dallas Contemporary reveals there’s much more to his oeuvre.
Displayed across four catwalks, reminiscent of a fashion show or drag ball, are sculpted chairs in terra-cotta adorned with metal insects, a bronze coffee table cast from leaves found in the artist’s garden and chairs inspired by the gestural limbs of supermodels. Handwoven carpets from Morocco on the walls are interspersed with video works highlighting Wolston’s process filmed by his husband, the filmmaker David Sierra. Together, they recall a fantasy world of objects both functional and sculptural.
“I always find that through humor, there’s an interesting entry point for people — it breaks down a barrier,” says artist Chris Wolston. “And I was always drawn to furniture as a medium because it’s accessible, it’s egalitarian.” Dallas Contemporary
Wolston has been walking the tightrope between craft and art with a humorous twist since he made his first terra-cotta chairs in 2014. Drawn to the relationship between materiality and everyday life, he naturally embraced furniture as his medium.
“I started working with the (contemporary design gallery) The Future Perfect, and then we started doing these body chairs for a chair show,” he says. “I always find that through humor, there’s an interesting entry point for people — it breaks down a barrier. And I was always drawn to furniture as a medium because it’s accessible, it’s egalitarian.”
Having initially studied glassmaking at the Rhode Island School of Design, Wolston earned a Fulbright to study pre-Columbian ceramics in Colombia, prompting him to settle his studio in the city of Medellín. He found his entry point into raw ingredients by working with natural terra-cotta clay found in the mountains surrounding the city, and has since cycled through bronze, rattan, anodized aluminum and shearling.
Curated by Glenn Adamson, former director of the Museum of Arts and Design in New York, Profile in Ecstasy highlights a decade-plus of work that led Wolston to discover the throughlines behind his various collections, whether they be nods to fashion and nature, Spanish modernism or subtle surrealism.
“These themes that exist in an artist’s practice emerge when a new collection emerges,” Wolston says. “It’s interesting to see how collections made at different times with totally different materials and thought processes at play resonate with one another.”
Chris Wolston: Profile in Ecstasy is on view at Dallas Contemporary from Nov. 7 through Feb. 1, 2026.
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