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The National Center for Civil and Human Rights expands at a critical moment in U.S. history

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The National Center for Civil and Human Rights expands at a critical moment in U.S. history


ATLANTA (AP) — A popular museum in Atlanta is expanding at a critical moment in the United States — and unlike the Smithsonian Institution, the National Center for Civil and Human Rights is privately funded, putting it beyond the immediate reach of Trump administration efforts to control what Americans learn about their history.

The monthslong renovation, which cost nearly $60 million, adds six new galleries as well as classrooms and interactive experiences, changing a relatively static museum into a dynamic place where people are encouraged to take action supporting civil and human rights, racial justice and the future of democracy, said Jill Savitt, the center’s president and CEO.

The center has stayed active ahead of its Nov. 8 reopening through K-12 education programs that include more than 300 online lesson plans; a LGBTQ+ Institute; training in diversity, equity and inclusion; human rights training for law enforcement; and its Truth & Transformation Initiative to spread awareness about forced labor, racial terror and other historic injustices.

These are the same aspects of American history, culture and society that the Trump administration is seeking to dismantle.

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Inspiring children to become ‘change agents’

Dreamed up by civil rights icons Evelyn Lowery and Andrew Young, the center opened in 2014 on land donated by the Coca-Cola Company, next to the Georgia Aquarium and The World of Coca-Cola, and became a major tourist attraction. But ticket sales declined after the pandemic.

Now the center hopes to attract more repeat visitors with immersive experiences like “Change Agent Adventure,” aimed at children under 12. These “change agents” will be asked to pledge to something — no matter how small — that “reflects the responsibility of each of us to play a role in the world: To have empathy. To call for justice. To be fair, be kind. And that’s the ethos of this gallery,” Savitt said. It opens next April.

“I think advocacy and change-making is kind of addictive. It’s contagious,” Savitt explained. “When you do something, you see the success of it, you really want to do more. And our desire here is to whet the appetite of kids to see that they can be involved. They can do it.”

This ethos is sharply different from the idea that young people can’t handle the truth and must be protected from unpleasant challenges but, Savitt said, “the history that we tell here is the most inspirational history.”

“In fact, I think it’s what makes America great. It is something to be patriotically proud of. The way activists over time have worked together through nonviolence and changed democracy to expand human freedom — there’s nothing more American and nothing greater than that. That is the lesson that we teach here,” she said.

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Encouraging visitors to be hopeful

“Broken Promises,” opening in December, includes exhibits from the post-Civil War Reconstruction era, cut short when white mobs sought to brutally reverse advances by formerly enslaved people. “We want to start orienting you in the conversation that we believe we all kind of see, but we don’t say it outright: Progress. Backlash. Progress. Backlash. And that pattern that has been in our country since enslavement,” said its curator, Kama Pierce.

On display will be a Georgia historical marker from the site of the 1918 lynching of Mary Turner, pockmarked repeatedly with bullets, that Turner descendants donated to keep it from being vandalized again.

“There are 11 bullet holes and 11 grandchildren living,” and the family’s words will be incorporated into the exhibit to show their resilience, Pierce said.

Items from the Morehouse College Martin Luther King Jr. collection will have a much more prominent place, in a room that recreates King’s home office, with family photos contributed by the center’s first guest curator: his daughter, the Rev. Bernice King. “We wanted to lift up King’s role as a man, as a human being, not just as an icon,” Savitt explained.

Gone are the huge images of the world’s most genocidal leaders — Hitler, Stalin and Mao among others — with explanatory text about the millions of people killed under their orders. In their place will be examples of human rights victories by groups working around the world.

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“The research says that if you tell people things are really bad and how awful they are, you motivate people for a minute, and then apathy sets in because it’s too hard to do anything,” Savitt said. “But if you give people something to hope for that’s positive, that they can see themselves doing, you’re more likely to cultivate a sense of agency in people.”

Fostering a healthy democracy

And doubling in capacity is an experience many can’t forget: Joining a 1960s sit-in against segregation. Wearing headphones as they take a lunch-counter stool, visitors can both hear and feel an angry, segregationist mob shouting they don’t belong. Because this is “heavy content,” Savitt says, a new “reflection area” will allow people to pause afterward on a couch, with tissues if they need them, to consider what they’ve just been through.

The center’s expansion was seeded by Home Depot co-founder and Atlanta philanthropist Arthur M. Blank, the Mellon Foundation and many other donors, for which Savitt expressed gratitude: “The corporate community is in a defensive crouch right now — they could get targeted,” she said.

But she said donors shared concerns about people’s understanding of citizenship, so supporting the teaching of civil and human rights makes a good investment.

“It is the story of democracy — Who gets to participate? Who has a say? Who gets to have a voice?” she said. “So our donors are very interested in a healthy, safe, vibrant, prosperous America, which you need a healthy democracy to have.”

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Atlanta sees great value in Swain at No. 23,

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I’ve also heard that Atlanta sees great value in Swain at No. 23, but the Hawks have been signaling for some time that they are prepared (and perhaps even prefer) to trade their second pick in the first round after No. 8 for future draft capital. It sounds as though Atlanta will invite external trade interest for that pick until it is actually on the clock to make the selection Tuesday night.

marcstein.substack.com



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Caitlin Clark’s stats Saturday in Indiana Fever vs Atlanta game

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Caitlin Clark’s stats Saturday in Indiana Fever vs Atlanta game


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Caitlin Clark and the Indiana Fever continued their 2026 WNBA regular season with a 113-96 loss against the Atlanta Dream on Saturday, June 20.

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Clark, a former Iowa women’s basketball star, and the Fever are 9-7 after the first 16 games of the regular season.

Here’s a look at how Clark fared in Saturday’s game in Atlanta:

Caitlin Clark stats today in Indiana Fever vs Atlanta Dream

  • Minutes: 34
  • Points: 26
  • Rebounds: 3
  • Assists: 7
  • Blocks: 0
  • Steals: 1
  • Turnovers: 7
  • Fouls: 3
  • FG shooting: 11-18
  • 3-point shooting: 3-7
  • Free throws: 1-2

Caitlin Clark, Indiana Fever upcoming games

  • June 22: vs Phoenix Mercury, 7 p.m. CT, USA Network
  • June 24: vs Phoenix Mercury, 6:30 p.m. CT, USA Network



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Atlanta Ballet Returns to the Fox Theatre to Present Cinderella for One Weekend Only This Fall

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Atlanta Ballet Returns to the Fox Theatre to Present Cinderella for One Weekend Only This Fall


Photo above: Glass slipper scene from a past Atlanta Ballet production of Cinderella, provided by the Atlanta Ballet

Tickets on sale for Atlanta Ballet 2’s limited three-performance run of the beloved fairytale at the city’s iconic theatre

ATLANTA (June 19, 2026) – Atlanta Ballet is set to return to the Fox Theatre for the first time since 2019 as Atlanta Ballet 2 presents three performances of Cinderella. For one weekend only, Oct. 16-17, dancers from Atlanta Ballet 2 and the Atlanta Ballet Centre for Dance Education will perform one of the world’s most beloved fairy tales on the city’s iconic stage, marking an exclusive homecoming for the company.

Cinderella tells the timeless story of kindness, perseverance and the search for true love. Part of Atlanta Ballet’s family ballet series, the one-hour, family-friendly production is designed to introduce young audiences to the art of ballet, transporting them into a world of enchantment through immersive storytelling, vibrant costumes, imaginative sets and beloved characters.

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“Having the opportunity to perform at The Fox is very meaningful for our Atlanta Ballet 2 dancers,” said Gennadi Nedvigin, artistic director of Atlanta Ballet. “The theatre with its whimsical decor is deeply rooted in Atlanta’s cultural history and returning there with Cinderella allows us to share a timeless story with new generations in the magical environment.”

Choreographed by Bruce Wells, this version of Cinderella blends classical choreography with narration to suit audiences of all ages. Wells is internationally acclaimed for his role as a former soloist with New York City Ballet, where he performed works by George Balanchine, Jerome Robbins, Frederick Ashton and Anthony Tudor. Audiences may also recognize Wells’ previous Atlanta Ballet 2 works, including Beauty and the BeastSwan Princess and Snow White.

While the Fox Theatre engagement offers audiences an opportunity to see Atlanta Ballet perform on one of the city’s most iconic stages, the company’s primary performance home will remain the Cobb Energy Performing Arts Centre. Following the October performances, all Atlanta Ballet productions, including the annual Nutcracker, will continue to be presented at Cobb Energy Performing Arts Centre.

For more information and to purchase Fox Theatre pre-sale tickets, visit www.atlantaballet.com

Public ticket sales begin June 19.

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About Atlanta Ballet:

Founded in 1929, Atlanta Ballet is one of the premier dance companies in the country and the official state Ballet of Georgia. Atlanta Ballet’s eclectic repertoire spans ballet history, highlighted by beloved classics and inventive originals. After 96 seasons, Atlanta Ballet continues its commitment to share and educate audiences on the empowering joy of dance. In 1996, Atlanta Ballet opened the Centre for Dance Education, which is dedicated to nurturing young dancers while providing an outlet for adults to express their creativity. Atlanta Ballet’s roots remain firmly grounded in the Atlanta community and continue to play a vital role in the city’s cultural growth and revitalization. For more information, visit www.atlantaballet.com, follow us on Instagram @atlantaballet, and like us on Facebook at www.facebook.com/atlantaballet.

About the Fox Theatre:

The Fox Theatre is one of Atlanta’s premier venues for live entertainment, welcoming more than 200 performances a year in its 4,665-seat theatre. From concerts to ballets, comedy, and movies, the historic venue attracts more than 500,000 visitors annually. The theatre also hosts over 100 annual private events such as wedding receptions, trade shows, corporate meetings, and association functions in two stunning ballrooms. The Fox’s premium Marquee Club presented by Lexus is a 10,000 sq. ft, three-story luxury lounge accessible to all Club Level ticket holders or annual members of the Fox Theatre.

As a 501(c)(3) nonprofit arts organization, the Fox Theatre stands today as a fiercely protected landmark and a nationally acclaimed theatre. In alignment with its guiding principles, the Fox Theatre is committed to fostering an environment rooted in diversity, equity, and inclusion—onstage, backstage, and throughout the staff and guest experience.

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The Fox Theatre proudly acknowledges its partners’ generous support: Coca-Cola, Georgia Natural Gas, Georgian Terrace Hotel & Livingston Restaurant, Humana, Lexus, Northside Hospital, Regions Bank, and Casamigos Tequila. Tickets for all events are available at FoxTheatre.org, or toll-free at 855-285-8499. Stay connected by following the Fox Theatre on social via @theFoxTheatre on Instagram, Twitter, and Facebook.



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