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Billionaire exodus? California drew 10 times more venture capital than any other state this year

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Billionaire exodus? California drew 10 times more venture capital than any other state this year

Despite concerns that California’s costs and regulations are bad for business, the state has attracted an unprecedented pile of capital this year, and no other state is even close.

The Golden State’s deep pool of talent, rich investors and other tech infrastructure have made it ground zero for the artificial intelligence explosion. That has helped it attract more than $335 billion in venture capital funding this year, according to PitchBook’s private market funding data released Thursday.

Its next biggest competitor, New York, raised less than a tenth of California’s total. Texas raised 1/40th of the amount.

“California has far and away the most [deals], obviously, a huge amount of that sits in the [San Francisco] Bay Area,” said Kyle Stanford, director of U.S. venture capital research at PitchBook. “Los Angeles, San Diego has a really strong tech market that I think benefits a lot from capital moving easily between San Francisco and L.A.”

Although a campaign for a new tax on billionaires has convinced some ultra-rich residents to shift to other states and businesses often complain that high property and energy costs and an anti-business regulatory regime make it too tough to make money in the state, the inability of the top talent, companies and investors in AI to set up elsewhere shows California’s enduring attraction.

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The state’s economy grew 5% last year to a record $4.25 trillion, making it larger than every country other than the U.S., China and Germany. It is home to nearly 400 billion-dollar startups — more than any other state, according to CB Insights.

Southern California has emerged as a go-to address for fast-growing space and defense tech companies.

“California’s workers, entrepreneurs, and innovators continue to prove that investing in California delivers real results,” Gov. Gavin Newsom said in a statement last week in response to strong productivity numbers for the state. “As one of the largest economies in the world, the Golden State demonstrates that a strong workforce, economic growth, innovation, and performance go hand in hand.”

In the three months that ended in June, 1,087 California companies raised $108.8 billion in venture capital. Just three companies — Anthropic, Jeff Bezos’ Project Prometheus and Anduril Industries — absorbed 75% of that total. Anthropic alone raised $65 billion, which valued it at nearly $1 trillion.

Among metropolitan regions, Los Angeles ranked behind only Silicon Valley and New York, which attracted $98 billion and $11.5 billion in venture investment, respectively.

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“Capital is flowing back into American innovation with real force,” said Bobby Franklin, president of the National Venture Capital Assn., an industry group that put out the report with PitchBook. “Investment activity is picking up, fundraising is improving, and there are early signs the IPO market is beginning to reopen.”

Investors poured in nearly $8 billion across 207 deals in the Los Angeles, Long Beach, and Santa Ana metro areas, up 28% from a year earlier, according to PitchBook.

The top deals in the region were led by aerospace and defense companies Anduril Industries, which raised $5 billion, and Impulse Space, which attracted $500 million.

Companies in industrial parts, software, consulting and life sciences were the other sectors in the Southland that attracted venture investments. El Segundo-based industrial supplies company Advanced Manufacturing Company of America and Huntington Beach-based aerospace company Mach Industries each raised $300 million.

To be sure, the surge in the size and number of monster deals could be overshadowing other money-raising efforts from smaller companies and investment by smaller funds, industry experts said.

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Nearly 90% of invested dollars went to AI firms, up from last year, when around 65% of new funds were allocated to AI.

“If you’re a tech company and you’re not an AI company, you have a very, very difficult opportunity ahead of you to raise capital,” Stanford said.

This concentration of capital in AI leaves smaller, middle-of-the-road venture funds without large AI holdings struggling to return capital to their investors.

Only the largest funds, such as Andreessen Horowitz and Sequoia Capital — which possess the war chest to back OpenAI, Anthropic, and SpaceX — stand to gain from their initial public offerings of stock.

“It’s going to concentrate the fundraising over the next few years as well into these already very large names,” Stanford said.

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Beyond the two potential blockbuster listings — Anthropic and OpenAI, each valued around $1 trillion — the IPO pipeline is thin.

“We don’t really have a strong IPO market,” Stanford said. “Obviously, SpaceX’s IPO is great. OpenAI and Anthropic, if they go out this year, will be very large drivers of distribution. But a vast majority of investors do not have exposure to them, and so that money will not make it back to them.”

Whether California’s venture-investing boom can continue at this record-breaking pace now hinges on how the IPOs of Anthropic and OpenAI perform.

“If Anthropic and OpenAI have really strong financials, that’s a big push of support for the rest of the market,” Stanford said.

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Human-Shaped Robots at This Car Factory Can Perform Humanlike Tasks

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Humanoids — human-shaped robots — at this BMW factory in South Carolina are expected to respond to voice commands, solve problems and react to unforeseen events. U.S. automakers hope that this technology can give them a fighting chance against their Chinese rivals that enjoy lower costs.

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Spotify to label ‘AI personas’ and exclude AI music from personal recommendations

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Spotify to label ‘AI personas’ and exclude AI music from personal recommendations

In its latest effort to protect human creators from the flood of synthetic music, Spotify will soon require AI-generated identities to carry an “AI Persona” label while barring their tracks from users’ algorithmic mixes.

The change will take effect in mid-September. It follows Spotify’s earlier moves to help subscribers understand the difference between genuine and artificial creators. The platform announced a verification badge in April designed to highlight human artists. In a statement Tuesday, Spotify said the new AI persona label is meant to make the streamer “the most transparent and trustworthy place to listen to music.” Music from labeled AI personas will also be excluded from the Swedish company’s personalized recommendations by default.

“While we believe all artists have creative choice in determining how they present themselves, Spotify’s programming is focused on elevating music from authentic artists building careers in music,” the company said.

The AI persona badge will appear on an artist’s profile, in the search feature and in playlists.

This is a step in the right direction, said Tiffany Naiman, the director of Music Industry Programs at UCLA. But, she said, she’s more interested in how the company will be identifying AI personas.

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“I want to know the process. How [will they] know the difference? Are there going to be [real] artists that get tied up in it?” Naiman said. “It feels very ‘Blade Runner,’ right? Like you’re human, you’re not human.”

Starting Tuesday, Spotify users will be able to identify themselves as AI personas, if applicable. But the company said it “won’t rely on self-disclosure alone” and will use “human review alongside AI investigative tools to apply the label.”

Artists who get labeled as AI personas by Spotify will be allowed to appeal the label. In the coming months, users will also have the ability to report artist profiles as potential AI personas.

The label is the latest feature from the streaming platform that builds on transparency between the artist and their listeners. Recently, Spotify has also introduced SongDNA, an interactive feature that shows the creative team behind the track; AI Credits, a disclaimer where artists can reveal how much AI was used in their creative process; and Artist Profile Protection, which allows artists to review and approve all releases on Spotify.

Artificial intelligence is becoming an essential part of Spotify’s business. The company announced a new AI deal last week with the digital music licensing company Merlin. The partnership will enable artists across the more than 30,000 labels and distributors in Merlin’s network to participate in Spotify’s upcoming AI tool. It hasn’t launched yet, but the goal is to let fans create AI-generated remixes and covers of existing songs on the platform.

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Spotify is following in the steps of other streaming platforms that have taken more aggressive approaches to the new technology. Deezer, a French streamer, was the first to detect, tag and exclude AI-generated music from algorithmic recommendations. The company recently disclosed that up to 90,000 AI tracks are being uploaded to the platform daily, representing more than 50% of its new music uploads. Tidal has banned AI-generated music from receiving royalties on its platform.

“We know the music ecosystem is evolving, and so will our approach,” said Spotify in a statement. “We’ll continue to adapt as the landscape changes and as we learn from artists, listeners, and industry partners.”

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Nine shows, including ‘Clueless’ sequel, receive state tax credit

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Nine shows, including ‘Clueless’ sequel, receive state tax credit

Nine television shows, including a sequel to the 1995 hit “Clueless,” have been awarded a tax credit for filming in the Golden State, according to the California Film Commission.

Most of the shows chosen for a production incentive are in their first season, such as Universal Television’s “Newlyweds,” a new series starring Jamie Lee Curtis that will film 26 days in Los Angeles and received a credit of $5.8 million.

The largest credit of $45.1 million went to a new, untitled scripted series from Disney Entertainment Television, which will film 142 days in California, most of which are in Los Angeles, according to the state’s film commission.

Other recipients include Paramount Television Studios’ “Ascent,” which stars Viola Davis ($21 million), Universal Television’s “The Rockford Files” reboot ($21 million) and season two of Sony Pictures Television’s “S.W.A.T. Exiles” ($16.2 million). The “Clueless” sequel, which will see actor Alicia Silverstone reprise her role as Cher, was awarded a $16.3 million credit.

“I’m so grateful that ‘Clueless’ gets to tell Cher’s next chapter in the city where her story began,” Silverstone said in a statement. “Los Angeles has been through so much over the past several years, but the city is resilient. You simply can’t recreate this city anywhere else, and I’m excited to bring Cher home.”

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In total, the nine productions are expected to account for more than 1,000 shoot days in California and result in jobs for 3,000 cast and crew members, as well as 25,000 background actors, the California Film Commission said. The shows are set to generate about $608 million in direct production spending in state.

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