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‘Standing Red’ sculpture too costly to fix, destroyed after removal from Little Rock park, museum says

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‘Standing Red’ sculpture too costly to fix, destroyed after removal from Little Rock park, museum says


The Arkansas Museum of High quality Arts Basis has destroyed “Standing Crimson,” a sculpture that stood outdoors the museum in Little Rock’s MacArthur Park for greater than 50 years.

The removing and disposal of the sculpture, devoted to former Arkansas first woman Jeannette Rockefeller, was carried out in February in accordance with Arkansas Museum of High quality Arts Govt Director Victoria Ramirez. The disappearance of “Standing Crimson” prompted questions from the general public because the museum didn’t initially disclose what occurred to the sculpture.

Ramirez, who additionally serves as secretary on the museum’s basis board of administrators, informed the Arkansas Democrat-Gazette on Monday the board determined to have the sculpture disposed of as a result of it was in unhealthy form and would have been too pricey to restore. The sculpture materials was recycled, Ramirez stated.

The board made the choice to get rid of the sculpture as an alternative of promoting it, figuring there could be no marketplace for it. High quality arts dealer Sotheby’s appraised the sculpture at $1,500 in 1991, Ramirez stated.

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“That is the place it was decided that the price to preserve it, transfer it, mild it was not consistent with our assortment’s coverage, given the worth of the work itself,” Ramirez stated.

The worth when the museum basis acquired it was $10,000. Ramirez stated the museum basis doesn’t understand how that worth was obtained, speculating it was a declared worth made by the artist.

“Standing Crimson” was a greater than 25-foot sculpture by artist Tal Streeter. The sculpture had a minimalist design and was product of purple metal beams that shaped a T-shape on the base and a 25- to 30-foot beam that prolonged upward the place the bottom beams intersected.

Folks started to note that “Standing Crimson” was gone from MacArthur Park within the weeks after its removing, prompting questions from the general public about its destiny. The museum didn’t reply to inquires about sculpture from the general public as many questioned what occurred to it.

Earlier this month, Ramirez informed the Democrat-Gazette the museum’s basis had determined to “deaccession” the sculpture, which means it was faraway from the museum’s assortment. Since March 2019, Ramirez stated, the museum basis has deaccessioned 276 artistic endeavors — a quantity she stated was greater than common — reflecting a necessity to take action earlier than transferring into the museum’s new constructing, which is below development. She stated the inspiration has acquired 726 works since 2019.

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From 2019-2021, the Basis appeared into the price to preserve and repaint the sculpture.

The muse was hesitant to promote or donate the sculpture, as patrons weren’t more likely to be accessible, and the price to revive and transfer “Standing Crimson” would have been too excessive, she stated. Ramirez stated the sculpture was in want of repairs that might have value $37,147 and $33,858, in accordance with two totally different estimates.

To completely set up “Standing Crimson” would have incurred bills for relocating, concrete bases, armatures and lighting.

“In our expertise, understanding the price it was going to take to maneuver it, understanding the price it could take to preserve it, paint it, relocate it — there have been no choices that got here to thoughts to us,” Ramirez stated.

All through the method, the inspiration board stated it adopted its coverage on deaccession.

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Ramirez is considered one of 9 on the inspiration’s board of administrators. The Arkansas Museum of High quality Arts Basis is a nonprofit that owns the 14,000 artistic endeavors discovered within the museum. The muse has say over what objects make it into the gathering and manages the endowment’s investments.

Little Rock funding banker Warren Stephens, who chairs the inspiration’s board of administrators, and Robena “Ben” Hussman, the inspiration board’s vice chair, couldn’t be reached for remark Monday. Robena “Ben” Hussman is the spouse of Walter E. Hussman Jr., writer of the Democrat-Gazette.

For weeks, many questioned what occurred to the beloved statue as folks began to note it was gone. Jim Pfeifer, an architect who runs the Historical past of the Heights Fb web page, posted on April 13 concerning the sculpture’s mysterious disappearance.

Pfeifer requested the museum concerning the destiny of “Standing Crimson,” however was repeatedly rebuffed, he stated.

“Maybe if there was a convincing motive they’d have accepted that. As a substitute the museum stonewalled [and] refused to reply for weeks and weeks,” Pfeifer stated.

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Leon Kaplan, former assistant to the director of the Arkansas Arts Heart from 1971 to 1980, wrote an opinion piece printed within the Democrat-Gazette Monday criticizing the museum’s basis for lack of transparency concerning the transfer, writing: “It behooves stated management to be extra clear, to clarify itself, and to do higher.”

“It’s crucial that the museum take steps to regain its credibility and the general public belief,” Kaplan wrote.

Accredited museums usually observe a set of procedures and ethics polices when deciding to deaccession an merchandise from its assortment, contemplating plenty of elements together with its high quality and whether or not it suits into the museum’s mission.

Generally deaccessioned objects are bought and in uncommon circumstances they might be destroyed, stated Michael Warrick, a professor of sculpture on the College of Arkansas at Little Rock.

“It’s extremely uncommon, nevertheless it’s not remarkable,” Warrick stated.

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Warrick stated the popularity of the artist and the standard of the work are the 2 primary elements museums contemplate when deciding whether or not to deaccession a bit.

At the moment, the Arkansas Museum of High quality Arts is present process a $142 million growth and renovation venture with plans to open within the fall of 2022. Till just lately, it appeared that the sculpture had been within the museum’s plans for the long run, in accordance with the museum’s web site.

Earlier this month, the museum’s web site included a reference to the sculpture in a publish about what guests might even see once they tour the museum when it opens within the fall of 2022, saying “American sculptor Tal Streeter’s monumental, minimalist metal composition, Standing Crimson, sparks curiosity and enlivens the panorama” in MacArthur Park. The next day, reference to “Standing Crimson” had been faraway from the publish.

For some Little Rock residents, “Standing Crimson” was a bit of public artwork that served as a dialog piece for these strolling round MacArthur Park and one thing to climb on for teenagers.

The sculpture was a landmark in MacArthur Park for greater than 5 a long time and was devoted to Jeannette Rockefeller, long-time promoter of the humanities in Arkansas.

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Within the Fifties Rockefeller was instrumental in increasing the effective arts museum — then often called the Arkansas Arts Heart — serving to so as to add to its assortment. In 1960, Rockefeller turned president of the Arkansas Arts Heart board of trustees, the place she served for eight years.

The muse moved to dismantle and get rid of “Standing Crimson,” in session with and settlement by a member of the Rockefeller household, and the museum has plans to honor Jeannette Rockefeller sooner or later, Ramirez stated.

In 1970, Little Rock and museum officers devoted the sculpture to Rockefeller, selecting it partly as a result of, as a bit of minimalist artwork, it had no particular which means behind it.

“It’s,” the Little Rock Mayor Haco Boyd stated in describing the sculpture.

“Standing Crimson” will not be the one sculpture with a house in Little Rock to have been moved. “Massive Standing Determine: Knife Edge” by famend British artist Henry Moore has been moved for cleansing and repairs, Ramirez stated.

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The sculpture, which was situated on the nook of Capitol Avenue and Louisiana Avenue in downtown Little Rock, shall be moved to MacArthur Park to a spot near the brand new museum constructing when it opens, Ramirez stated.



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Sam Pittman breaks down Arkansas' biggest transfer portal needs

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Sam Pittman breaks down Arkansas' biggest transfer portal needs


With the transfer portal in full swing, Arkansas coach Sam Pittman addressed some of the biggest areas of need for his team. The Razorbacks are coming off of a 6-6 finish in the fifth year under Pittman and looking to boost their roster for another run in 2025.

Speaking with media, Pittman highlighted both the offensive and defensive line as the areas where Arkansas needs to be most aggressive in the portal. He also cited the linebacker group as a the position that the team feels best about, saying the Razorbacks will look to improve its defensive backs room first.

“Offensive line would be one (area of need),” the coach said. “Defensive line would be one. We felt like we were pretty good at the linebacker spots. If you go back and look a couple of years ago, the world was falling because this linebacker (left), that linebacker (left).

“I think we all agreed out linebacker room was a strength for us this year. But that would be probably the least worried about (position). We need some safeties. We need some corners. But I think O-line and tight end’s a big deal. Wide receivers. We’ve got several spots to fill, but off the top of my head, that’s who it would be.”

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Since Pittman’s comments, Arkansas has been active in the transfer portal to bring in 13 players. Unfortunately, they’ve also lost 26 more and rank just No. 59 out of 70 teams in On3’s Transfer Portal Team Rankings.

Staying true to to his word, Pittman has brought in four offensive linemen and a pair of defensive lineman through the portal. Former Georgia Tech offensive tackle Corey Robinson II is the highest rated of those additions, coming in as the No. 32 overall player and No. 5 player at his position according to On3’s Transfer Portal Player Rankings.

Arkansas also brought in former Charlotte receiver O’Mega Blake and former Cincinnati cornerback Jordan Young to give it three players ranked in the top 150.

The Razorbacks still have a long way to go to complete their portal class, likely hoping to add some more defensive linemen before it closes later this month. They are looking to make the next push in the SEC next season and the players they’ve gotten so far are a good start.



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Part of Arkansas book ban law is unconstitutional, federal judge rules

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Part of Arkansas book ban law is unconstitutional, federal judge rules


A federal judge ruled on Monday that sections of an Arkansas law, which sought to impose criminal penalties on librarians and booksellers for distributing “harmful” material to children, were unconstitutional.

The law, known as the Arkansas Act 372, was signed into law last year by Republican governor Sarah Huckabee Sanders. It was challenged by a coalition of organizations in the state, leading to a lengthy legal battle that concluded this week.

Two sections of Act 372 subjected librarians and booksellers to jail time for distributing material that is deemed “harmful to children”. Proponents of the law, including Sanders, said the law was put in place to “protect children” from “obscene” material.

“Act 372 is just common sense: schools and libraries shouldn’t put obscene material in front of our kids,” Sanders said in a statement to KATV-TV. “I will work with Attorney General Griffin to appeal this ruling and uphold Arkansas law.”

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The governor signed the bill into law in March 2023, and a coalition of organizations in the state, including the Central Arkansas Library System in Little Rock and the ACLU of Arkansas, challenged it last year, saying the law was vague, overly broad and that the fear of criminal penalties would have a chilling effect on librarians across the state. A federal court temporarily blocked the enforcement of the two sections in question, while the law was being challenged in court.

The two sections that were struck down on Monday had established a criminal misdemeanor for “furnishing a harmful item to a minor”, and would have required local governments to create oversight boards to review challenged material. The organizations opposing the law argued that local officials, at their own discretion, could censor whichever books and material they pleased.

“This is a significant milestone on a long, sometimes rocky road we were obligated to travel after the passage of Act 372,” said Nate Coulter, executive director of the Central Arkansas Library System, in response to Monday’s ruling.

“We took that path to protect our librarians from prosecution for doing their jobs and to prevent some local elected officials from censoring library books they did not feel were ‘appropriate’ for our patrons to read.”

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In 2004, a federal judge struck down a similar law. The year prior, the state passed a law that required booksellers and librarians to hide materials deemed “harmful to minors”. It was deemed unconstitutional after legal challenges.



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Awash in Christmas’ glow | Arkansas Democrat Gazette

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Awash in Christmas’ glow | Arkansas Democrat Gazette


Editor’s note: This is a revised and updated version of a column first appearing Christmas Eve 2015.

On a Saturday morning that spring, I sat alone, having breakfast at Leo’s in Hillcrest. A text came in from Gwen Moritz, then editor of Arkansas Business and regular estate-scale scavenger.

She said she was at that moment looking quite possibly at the very item I’d written longingly about in a Christmas column.

She was at an estate sale at a house maybe five blocks away. I hurried over and went upstairs.

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Indeed, she’d found it, or, more precisely, one very much like it.

There was a brief discussion of estate-sale strategy. You could take a chance that the item wouldn’t sell, in which case you could get it for less on Sunday afternoon.

I took no chance. Full price. Right now. Into my Jeep. Then into the attic, until it was time.

And now it is time.

If all goes according to recent tradition this evening, at or about midnight, I will sit in a comfortable chair next to a deeply warming splash of Jameson whiskey.

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I will turn off all lamps, overhead lights, smartphones, laptops and television sets. I will gather the beagles Roscoe and Sophie at my feet. Shalah will be nearby, pleased to behold my rare serenity.

In the darkness, I will gaze upon, and lose myself in, the vintage 6-foot aluminum Christmas tree, circa ’65, in the corner, a wonder of glorious nostalgia and tackiness.

I will watch the slow-circling color wheel transform the shiny tinfoil of the tree to a calm deep blue and then a peaceful yellow and then a shining green and then an understated red, and back around.

I will listen for the brief grinding sound each time the wheel reintroduces blue.

I will escape to childhood, to life at 10 to 12 in that flat-topped, four-room house at the end of a graveled lane in southwest Little Rock. I will recall a tree like this one, and a permanently creaking color wheel a little bigger and better than this modern online discovery.

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I will be returned to that hardwood floor of the mid-1960s, flat on my stomach, eyes fixed, deep in my happy certainly that this exotic aluminum tree–framed by a picture window outlined in blinking lights–was surely the most magnificent among all monuments of the season.

I will remember the happiness and safety of those 1960s Christmases–of, in fact, an entire childhood.

I will be thankful for the hardworking low-income parents who provided that happy and safe childhood, and the little fundamentalist church that nurtured it, and the public school that educated it, and the community that encouraged it, and the backyard that was a field of dreams–a baseball park, a football stadium, a basketball arena, a golf course.

It was there I threw and caught the passes, even punted high and ran to make the fair catch.

It was there I provided the roar of the crowd and the play-by-play announcing and color commentary.

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I concocted a baseball card for myself, one with impressive statistics and a brief biography that included the nickname: “Fly Ball Brummett.”

My dad told me that you don’t want to hit fly balls, boy, because they get caught for outs. And I explained that fly balls sent airborne by “Fly Ball Brummett” arced like gentle bombs to distant places no outfielder could reach.

He said I was talking about line drives. I said these soar higher than that.

We’d argue that way, and more seriously, for a few more years, and then each of us would realize that the other was smarter than we had thought. Then we got along fairly well.

Cigarettes took him much too young, younger by seven years than I am now. My mom gave me his cufflinks and tie clasp that first Christmas without him. I fled the room teary, much as he’d fled the room that Sunday afternoon years before when I coaxed enough Okinawa memories out of him that he mentioned “Sarge.”

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After a half-hour of Jameson sips and color-wheel hypnosis, I will head to bed. And I will think about Mom, gone now three years, after four years in a nursing home for what they call “cognitive decline.” I will wonder if she remembered at the end, if but for a fleeting moment, that aluminum tree and color wheel of our cozy, happy little home.

It’s more likely that she remembered instead in those last years the very thing I’d spent those moments remembering–the safety and happiness of childhood, her own, which is where she spent her final days.

There are far worse places to be.


John Brummett, whose column appears regularly in the Arkansas Democrat-Gazette, is a member of the Arkansas Writers’ Hall of Fame. Email him at jbrummett@arkansasonline.com. Read his @johnbrummett feed on X, formerly Twitter.

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