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He Was Held Captive in His Room for Decades. Then He Set It on Fire.

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He Was Held Captive in His Room for Decades. Then He Set It on Fire.

The firefighter scooped up the figure slumped on the kitchen floor and dashed for the ambulance waiting on Blake Street. As he moved through the smoky haze, he was struck by a thought that is still with him: It was like nothing was in his arms.

As the ambulance sped toward the hospital, emergency medical technicians administered oxygen; one reflexively commented on the overpowering smell. Right away, as if to apologize, the patient spoke up. It had been more than a year since he had been permitted to shower, he said.

A police officer in the vehicle leaned in.

The patient started speaking and did not stop. He gave his name, said that he was 32 years old and had spent most of his life held captive by his father and stepmother, who locked him in his room for some 23 hours a day.

At the hospital, he continued his story. He had been trapped for two decades, forced to defecate into newspapers and to funnel his urine out the second-story window. He hadn’t seen a doctor or a dentist in 20 years. Sometimes he was fed a sandwich. His teeth were so decayed they often broke when he ate. He was 5-foot-9, but he weighed only 68 pounds.

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The ride in the ambulance, he said, was the first time he had been let out of the house since he was 12.

Then, he made a confession. He was the one who set the fire. He used a lighter forgotten in the pocket of an old jacket that his stepmother had given him. If he did not die in the fire, he had reasoned, he might finally be set free.

The revelations that began in that ambulance ride on Feb. 17 cracked wide one of the most shocking secrets to ever tarnish Waterbury, a small, former manufacturing city in the southern part of Connecticut. The police now believe what the man said in the ambulance that evening: For the past 20 years, an 8- by 9-foot room on the top floor of a disheveled house at 2 Blake Street was a prison cell for a boy — now a man — last been seen by the outside world when he was in the fourth grade.

But many in the community had feared for the boy’s safety for a long time.

For years before the man’s disappearance, his teachers, classmates, neighbors and his elementary school principal all believed he was suffering silently. They repeatedly called the Waterbury Police and the Connecticut Department of Children and Families to intercede for a child they said was so hungry that he ate from the trash and stole his classmates’ food.

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Many reports that may have documented these calls have since been lost, but what records remain show that responding authorities determined the boy was doing OK.

After a while, without turning up any evidence of abuse, the calls stopped coming. In fact, until the fire, the last recorded police visit concerning the boy on Blake Street was April 18, 2005, in response to a call placed by his own father. He summoned officers to complain that he was being harassed by people continually checking up on his child.

That year, his son was pulled from school, purportedly to be educated at home. In interviews with police officers last month, the man told them that for a brief time he received school work sheets, but all formal education stopped shortly after. The next time he left his home, 20 years later, it was in the arms of the firefighter.

“He looked,” said Detective Steve Brownell of the Waterbury Police Department, who interviewed him later at the hospital, “like a Holocaust survivor.”

Late last month, the man’s stepmother, Kimberly Sullivan, 57, was arraigned in Waterbury Superior Court. She has been charged with kidnapping, assault, cruelty, unlawful restraint and reckless endangerment. If convicted of all charges, she could serve the rest of her life in prison. Last month, she pleaded not guilty.

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“She is adamant that she had done nothing wrong,” her lawyer, Ioannis Kaloidis, said in an interview. Mr. Kaloidis laid blame on the biological father, Kregg Sullivan, who died in January of last year. (The biological mother had given up her parental rights to Mr. Sullivan, to whom she was briefly married.)

“They make it look as if Kim Sullivan made all the decisions, that she pulled him out of school, that she decided what he was or wasn’t going to eat, that she decided when he went to the doctor,” Mr. Kaloidis added. “She was not the child’s mother.”

Speaking at a news conference last week, Mr. Kaloidis disputed the man’s claims of captivity. “Where are the handcuffs,” he asked. “Where are the chains? Where are the signs of restraint? It doesn’t add up.”

In addition to her stepson, Mrs. Sullivan also had two younger daughters with Mr. Sullivan — Alissa, now 29, and Jamie, now 27 — who seemed to be free to come and go as they pleased. (The women’s biological relationships to the Sullivans are unclear.) In fact, several neighbors on Blake Street said they never knew there was a third child.

The man, who is recuperating at a Connecticut medical center, has not yet made a public statement. (The police have not released a photograph of him, nor have they released his name because they say he is a victim of domestic abuse.) A conservator, whose identity has not been made public, has been appointed by the court to protect the man’s interests. The Times asked both the Waterbury mayor and the state’s attorney to forward requests for comment to the man but received no response.

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At a hearing where a judge ordered Mrs. Sullivan to wear an ankle monitor while on bail, Donald E. Therkildsen Jr., an attorney representing the state, told the court that when he met with the victim, “his first question was, ‘Why is she out walking around while I was locked up in a room for 20 years?’”

As he heals, the city is grappling with the failure of the authorities who were entrusted to help him. And another, more troubling question persists: How could this have happened to a child that so many people were so worried about?

Tom Pannone, who was a principal at Barnard Elementary School, says he can still remember the uneasy feeling he had about the child who was enrolled at his school in 2001. The boy arrived daily with a dirty plastic lunchbox, he said; at least once, Mr. Pannone found him in a bathroom before school started, devouring his packed lunch. It was there that he saw the boy standing at a urinal, drinking the water as he flushed. Mr. Pannone called the boy’s stepmother, he said, and the behavior stopped.

But the child was still always hungry and disheveled. Over the five years the boy attended Barnard Elementary, Mr. Pannone said he made call after call to the Department of Children and Families. Each time, he said, they would investigate and report back that the child was fine.

“You knew something was not right,” Mr. Pannone said in a recent interview. “He appeared to be a happy-go-lucky kid, but we knew that something was amiss.”

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Even after the boy was pulled from Barnard Elementary to be home-schooled, Mr. Pannone said, he was worried. So he routinely sent attendance counselors to the house on Blake Street — technically, he reasoned, since the boy was not enrolled elsewhere, he was still a Barnard student. He also informed the police of his concerns, he said.

Police records indicate at least two calls to the house after the boy had been withdrawn from school. One, on April 1, 2005, was placed, according to the police report, by his classmates, who were afraid “that he may have died, because he has been out of school for so long.” Mrs. Sullivan told responding officers that her son was being home-schooled.

Frustrated, Principal Pannone tried another way.

He asked for the help of the Lopes family, who lived right next door to the Sullivans and whose son, Peter, was then a 10-year-old Barnard student. Mr. Pannone asked Peter and his family to keep an eye on their neighbor.

Peter Lopes, who is now 29, has not lived in the neighborhood since 2009, but said he remembered the last time he saw his former classmate. It was shortly after the boy was pulled out of Barnard. He can still picture a too-skinny kid with an infectious smile. The boy was standing on the peeling porch next door, but ventured no further.

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“I said, ‘Where have you been?’” Mr. Lopes recalled. “I’m home-schooled,” was his answer.

In a warrant for Mrs. Sullivan’s arrest, the man said that his stepmother and his father forbade him to have friends. “I have been kept a secret my entire life,” he told the police.

Principal Pannone was not the only one trying to uncover that secret: For decades, the man’s half sister, Heather Tessman, whom their biological mother had given up for adoption before her son was born, fruitlessly dug through yearbooks of local schools she found online, she told The Times, hunting for the brother she had met once, when she was 3 years old.

“You can’t find a person who doesn’t exist,” Ms. Tessman, 35, who lives in Vernon, Conn., said in an interview.

“He didn’t get to see a movie. He didn’t get to go to a concert, he didn’t get to fall in love and get his heart broken,” she added. “It kills me.”

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Inside his room, which was secured with a slide lock from the outside, the man read and reread a handful of books, he told the police, looking up words he didn’t know in a dictionary. He “ultimately educated himself,” the police affidavit reads.

He escaped once. In 2005, when he was 12 or 13, he broke off a piece of the door’s center paneling; but rather than fleeing the house, he simply slipped down to the kitchen to scrounge for food. When his breakout was discovered, he told the police, his bedroom door was reinforced with plywood. Threats of withholding food, or violence, kept him from trying again.

The door, with its locks and plywood reinforcement, has been entered into evidence in the case. It was “clearly meant to keep someone in, not someone out of the room,” the police document said.

He kept track of the year by the snatches of radio he would overhear, following NASCAR races and University of Connecticut basketball. Mostly though, he looked out the window and counted the cars passing on Blake Street.

To the outside world, the Sullivans were a family of four — that is, Mr. and Mrs. Sullivan and their two daughters. Goodwin Lowe, 73, a clerical worker who has lived a few doors down since 2008, said that over the years, he would watch the girls playing in their yard and jumping on their trampoline from his patio.

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“I never knew there was a boy in that house,” Mr. Lowe said.

It is unknown what conditions the daughters were raised in, or what knowledge they had of their stepbrother’s condition. The daughters have not been charged with any crime. Neither responded to calls for comment. None of Mr. or Mrs. Sullivan’s several siblings responded to text messages, calls or requests for interviews at their front doors.

Mr. Sullivan worked for 30 years in shipping at Gem Manufacturing, an industrial parts producer in Waterbury, according to a 2007 bankruptcy filing by his wife. Mrs. Sullivan was a retail clerk, working for a time at the perfume counter at a Macy’s at the local Westfarms Mall, according to a former supervisor there, Lee Wassell.

Several years ago, Mr. Wassell said, Mrs. Sullivan revealed that her husband had suffered a stroke and was using a wheelchair. She complained of being burdened with his care, Mr. Wassell said. She often talked about her daughters, he said, but never mentioned that she had a stepson.

For a time, the boy was allowed out of his room for maybe an hour a day to do chores. He stepped outdoors only to take a family dog to relieve itself in the back yard, he told police, excursions that lasted about a minute. Sometimes, when his stepmother was out of the house, his father let him out of his room to watch television together.

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After his father’s death, the man told the police, his confinement to his room became near total.

The day of his escape was not planned. On one of his brief outings from his room, he had swiped a bottle of hand sanitizer and read on the label that it was flammable. With the lighter he had once scavenged from his late father’s jacket pocket, he set fire to a pile of printer paper, he told police. He waited until the blaze grew out of control before calling for help.

His stepmother unlocked his door and he fled downstairs, where he collapsed. According to a police report, two other people arrived at the house just then, and as the man lay there, he overheard his stepmother “yelling to them to get a screwdriver to get the locks off the door” before the fire department arrived. (The names of the two people have not been released.) His stepmother demanded he get up and wash his face, he told detectives; she didn’t want anyone to see how filthy he was.

He did not listen to her.

“He purposefully didn’t get up so the fire department would be forced to get him,” the affidavit read. He “believed this was the only way out of his situation.”

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This was how Gabriel Goja, a firefighter with the Waterbury Fire Department, found him at 8:42 p.m. on Feb. 17. “For him to choose that way to get saved, it’s heroic,” Firefighter Goja, 35, said in an interview. “To get to safety by trusting us to save him — he saved himself.”

Since the fire, the man has been ensconced in a hospital rehabilitation center, according to Amanda Nardozzi, the executive director of Safe Haven of Greater Waterbury, a nonprofit organization that has been helping coordinate his care.

According to Ms. Nardozzi, he will need extensive physical rehabilitation — court documents state he has deformed knees and muscle wasting — and a carefully managed diet to avoid re-feeding syndrome, where a sudden flood of nutrients can kill a person near starvation. He is also receiving mental health counseling, Ms. Nardozzi said, funded in part by an official GoFundMe that has already raised over $200,000.

Three decades ago Tracy Vallerand, the man’s biological mother, gave up custody of her infant to the boy’s father. It was a hard time in her life, said Ms. Vallerand, now 52, and a diesel mechanic in Meriden, Conn. She said she had believed that her baby would have a better life with her ex-husband, Mr. Sullivan. When he remarried and moved, she said, he did not tell her where.

The next time she saw her child, she said, was on the body-worn-camera footage of his rescue from the house on Blake Street. Since then she has pored over reports of him and sat in court at Mrs. Sullivan’s hearings. But she has not been able to contact her son.

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“I have cried and cried and cried and screamed and it makes me feel better for a little bit, but reality is that this has been a wide-awake nightmare,” Ms. Vallerand said in an interview.

“But I’m so proud of him,” she added. “I can’t say it enough.”

Susan C. Beachy contributed research.

Audio produced by Sarah Diamond.

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How a Writer and Literary Agent Lives on $48,000 in Riverdale

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How a Writer and Literary Agent Lives on ,000 in Riverdale

How can people possibly afford to live in one of the most expensive cities on the planet? It’s a question New Yorkers hear a lot, often delivered with a mix of awe, pity and confusion.

We surveyed hundreds of New Yorkers about how they spend, splurge and save. We found that many people — rich, poor or somewhere in between — live life as a series of small calculations that add up to one big question: What makes living in New York worth it?

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Ask Lori Perkins what was the biggest bargain she ever scored and her life story comes pouring out. The Advanced Placement classes she took at a public high school, Bronx Science, helped her do four years of N.Y.U. in three. She bought her first apartment with money from a buyout she negotiated with a landlord. Got a break on her wedding from a hotel banquet director who was about to retire and a deal on her divorce for landing her lawyer a book contract.

“Every big thing in my life has been a bargain,” Ms. Perkins said last month as she stood in her apartment high above the Hudson River surrounded by the fruits of a lifetime of haggling.

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The Herman Miller Noguchi glass coffee table? An invisibly chipped floor model for $700. To save the $700 delivery fee, she and a friend drove up to Westchester, wrapped it in a blanket and rolled it home “like Lucy and Ethel through the hallway.” The fox fur coat hanging over the chair? $20 new at a vintage shop. “When I looked it up, it was a $575 coat.”

The co-op apartment itself — three bedrooms on the 18th floor of a building on a hilltop in Riverdale in the Bronx — was a foreclosure special: $125,000 in 1992.

It is the apartment of someone who has lived — who is living — a full existence. A sign on the bright orange wall in the kitchen says “A clean house is the sign of a wasted life.” Shelves in every room groan beneath the weight of thousands of books.

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Setbacks and Silver Linings

As a literary agent, Ms. Perkins, 66, has sold some 3,000 titles, including seven best-sellers — perhaps you’ve read Jenna Jameson’s memoir “How to Make Love Like a Porn Star.” She runs a publishing house, Riverdale Avenue Books, specializing in L.G.B.T.Q. erotica. She edited the zombie bodice-ripper anthology “Hungry for Your Love” and has written or co-written nine books herself, including a pair of paperbacks, “Two Dukes and a Lady” and “Two Dukes Are Better Than One,” that birthed a hybrid genre she calls “duke ménage.”

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In the last few years, she’s endured some setbacks, but each one has had a silver lining. Burning through her 401(k) — over $100,000 — to pay for her late mother’s dementia care let Ms. Perkins qualify for Medicaid so that when she got breast cancer early in the pandemic all her expenses were covered. Her treatment at Mount Sinai led her to teach journaling to breast cancer survivors, which led to a grant from the Bronx Council on the Arts to teach at her local senior center, where she has discovered a whole community.

The aftereffects of cancer, coupled with a plunge in her publishing house’s overseas sales, which she attributes to Trump-fueled anti-American sentiment, forced her to downshift a couple of gears, take more time to enjoy things and embrace frugality as a lifestyle.

Here’s the state of her hustle, 2026: She’s getting $22,000 from Social Security, about $20,000 as an agent, a couple thousand for freelance writing and, hopefully, another couple for running writing workshops. She signs up for focus groups, “usually about being old,” and will squeeze about $1,000 out of that. And she has lined up a 10-day, $3,000 gig as a Board of Elections poll worker. All told, she’s looking at little under $50,000.

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How to Afford the Day-to-Day

On the spending side, the monthly maintenance on her apartment is $2,000, though she’s looking to downsize and move to a lower floor, which she figures could cut her cost in half. “Somebody can call me and buy my apartment right now.” $750,000!

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The maintenance includes use of the complex’s outdoor pool, but she rents a cabana with an umbrella for $500 a year “because I can’t go in the sun, after radiation,” she said.

Insurance on her aging Volkswagen Beetle is $1,900 a year. Her annual pilgrimage to Maine costs about $1,200. Most of the rest is day-to-day stuff. Groceries are maybe $200 a month. “I go to Stew Leonard’s where they have dollar beers,” she said.

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She allots $250 a month for entertainment, including meals out. She gets the $10 lunch special to go at the local Chinese restaurant and heats it up for dinner. She never misses Restaurant Week.

She does $5 movie Tuesdays at the Showcase Cinema in Yonkers, $4.50 for Broadway tickets through Club Free Time, an online publication. She re-ups her Hulu and Disney+ subscriptions on Black Friday, when they’re $1.99 or $2.99 a month. She’s going to see Bruce Springsteen at Madison Square Garden on Saturday and the tickets were $130, “so that’s most of my budget for May, but it’s worth it.”

What about museums? Dollar admission at the Metropolitan Museum of Art and the Cloisters for city residents, free Fridays at the Whitney, pay-what-you wish hours at the Guggenheim. “I used to be a member of all of them, and if I ever had more money I would go back to being a member, but right now I’m taking advantage of their generosity,” Ms. Perkins said.

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Her wardrobe budget is minimalist like her fashion. “If it’s winter, I’m wearing black pants and a black shirt. And if it’s summer, I’m wearing a black dress.”

Even her splurges have been bargains. The cruise she took in Italy, using money she had saved by taking the toll-free Broadway Bridge instead of the Henry Hudson Bridge when she drove to Manhattan, was effectively free after she won $1,000 gambling on board.

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The Middle Class Fantasy

“I really believe you can do almost anything if you research and plan,” Ms. Perkins said. “It’s the spontaneity that’s hard. And we as Americans are really spoiled.”

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Looking back on her journey, Ms. Perkins has reached some conclusions that surprised her.

“Cancer saved my life,” she said. “The life that I was leading was exhausting because I was trying so hard to keep up with this fantasy of middle-classness.”

Now, she said, “I don’t care if I’m wearing last year’s shoes, I don’t need to go out every night to a Michelin-starred restaurant, because I go two times a year, and you know what, when you save up for it, it’s more joyful. Every single thing. Every little joy is a bigger joy. I can’t explain it. I took so much for granted when I had more money.”

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Did she mention she’s working on another book?

“It’s called ‘La Vida Broka: How to Live Richly When You’re Dirt Poor,’” Ms. Perkins said. “Just buy the book, because it’s all going to be in there.”

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We are talking to New Yorkers about how they spend, splurge and save.

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Maya Lin Connects Nature to a New Manhattan Skyscraper and Beyond

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Maya Lin Connects Nature to a New Manhattan Skyscraper and Beyond

On a recent spring afternoon, the renowned artist and designer Maya Lin clambered up and down a rocky outcropping in Central Park in New York, undeterred by the crowd of tourists that was shooting photos nearby.

While they snapped selfies, she reflected on how this place — and similar geology near her childhood home in Athens, Ohio — had inspired her latest creation: the stone facade on the western walls of the 60-story JPMorgan Chase skyscraper in Midtown Manhattan. Estimated to have cost from $3 billion to $4 billion, and with glowing artwork at the summit visible citywide, it opened last fall and occupies the block between 47th and 48th Streets and Madison and Park Avenues.

Her project, “A Parallel Nature,” is a sculpture composed of two 59-foot-tall and 55-foot-wide gray stone walls set in an intricate design, with plants that peek out from the crevices. An array of flowers has been newly planted on the walls this spring.

Lin’s long career and passion for the environment made her a natural choice for the project.

Now 66, she began her career as a 21-year-old senior at Yale University when she won a competition to design the Vietnam Veterans Memorial, which was dedicated in 1982 in Washington, D.C. Among her many recent projects is the water fountain installation titled “Seeing Through the Universe” for the Obama Presidential Center in Chicago, set to open to the public next month.

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Five of Lin’s works will also be on view at Pace Gallery’s booth at Frieze New York this week. There are pieces that call attention to bodies of water that are disappearing or that have already disappeared — Lake Chad in North Africa and the Aral Sea in Central Asia — along with a piece focused on the Antarctic Circle, and a new silver sculpture, “Silver Yellowstone,” that is inspired by the Yellowstone River, widely considered to be the longest free-flowing river in the lower 48 states.

In a recent series of interviews in her home office on Manhattan’s Upper East Side, at the JPMorgan Chase building and during the ramble through the rocky terrain near the lower eastern end of Central Park known as the “Dene,” a British term for a valley, Lin described the woods and rock cliffs she remembered from growing up in Ohio.

“Water would just subtly drip down the cliffs, and there would be ferns and grasses and things growing there,” she explained, adding, “I was definitely out there in nature almost daily, and very concerned about environmental issues.”

Central Park, which Lin explores regularly when she is in Manhattan, was its own inspiration. Her family also has a home in southwestern Colorado, where she hikes and bikes every summer.

In 2022, she and representatives of JPMorgan Chase and Tishman Speyer, the development manager of the new skyscraper, took a daylong walk through the park, looking for a rock formation that could serve as the model for “A Parallel Nature” and “bring a little bit of the character” of the park to the building, Lin said.

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They initially failed to identify anything appropriate. Lin returned the next morning on her own and came across the Dene, which she had seen on previous walks through the park.

“When I first got a call to look at the building site, I realized that the subway would be running underneath it,” Lin explained. “And I saw an excavation photo of Grand Central Station that showed that its construction cut through Manhattan’s bedrock. And I just had an idea, ‘What if I could bring bedrock to the surface in the middle of Manhattan?’”

“What I am interested in is, quite literally, grounding you in what might be right below your feet that you might not be aware of,” she added.

Capturing the Dene on the exterior wall of the skyscraper, Lin explained, would enable her to express the character of an exposed stone outcropping in Manhattan, quite literally bringing bedrock to the surface, in a way that echoes the Dene in Central Park.

Lin identified a type of gray granite from Barre, Vt., for “A Parallel Nature” that she called a perfect match with the metamorphic rock known as gneissic schist on which the JPMorgan Chase skyscraper sits.

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The 239 stone pieces mounted atop the artwork’s two walls were cut by the Quarra Stone Company, a Wisconsin-based stone fabricator that transported the stone on large, flatbed trucks from Vermont to Wisconsin and then to Manhattan. Lin called the installation of the walls on the facade of the skyscraper her most difficult commission yet.

“Trying to create something that would be a balance between natural and man-made was the aesthetic challenge,” she explained. “And to keep the artwork as a sculptural creation rather than an architectonic solution — also the engineering to fabricate and install — were intricate and extremely complex.”

The stonework on each wall is composed of over 100 pieces of granite, Lin said, “so by grouping 15 to 20 pieces together and ever so slightly tilting them, I was able to create larger groupings to help create what I call city states. These helped make each wall feel like it was comprised of larger plates.”

Each of the pieces is hung, in a puzzle-like formation, from a steel bracket system installed on a steel ladder frame system anchored to the concrete support wall on the lowest level of the building’s Madison Avenue facade.

At the foot of each wall is a streambed with waterworn rocks that came from near the headquarters of the Wisconsin fabricator, chosen to work well with the gray granite walls. Water gently flows in the beds, creating a burbling stream in the middle of Midtown traffic cacophony. Lin calls the stream “an unexpected natural moment in the busy city.”

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There are also two sources of water on the walls themselves, meant to irrigate the plantings in the walls’ seams. One is a drip irrigation line installed behind what Lin calls “plant pockets,” holes 10 to 12 inches deep that range in length from 3 to 7 feet and that are designed to hold the artwork’s vegetation.

The second is a drip irrigation system that runs along the top of the rock walls. This gently drips continuous streams of water that find their way down and beneath the surface of the rock, nourishing the plantings in the crevices and ledges. The system is designed to encourage plant growth and to bring the sound of trickling water to the facade.

Lin is working with specialists on the plantings, including Blondie’s Treehouse, a Manhattan plant installer and supplier; Cecil Howell, a Brooklyn-based landscape architect who has worked with Lin on a number of recent environmental art installations; and Richard Hayden, the project’s consulting horticulturist, who is also the senior director of horticulture for the High Line, a public park built on a historic elevated rail line on Manhattan’s west side.

Though some plants were installed in late October, it was understood that since water would not be available until late fall, spring would be the ideal time for fresh planting.

Urban environments are tough on plants, Lin explained, calling the site’s horticulture “an experiment.” The horticulture team is trying more than 30 varieties of plants to see which ones thrive where, she said, adding that she expected the plants to be monitored and plantings adjusted quarterly.

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Lin said she wanted “to create a predominantly native New York landscape reminiscent of what you might find naturally growing on rocks and within crevices in actual rock faces and ledges” to make visitors aware of the nature around them.

New plants growing this spring include maidenhair fern, Eastern red columbine, creeping phlox, Christmas fern and dwarf crested iris.

Just across from each of the artwork’s walls are a flower garden and native red maple trees, as well as long, sinuous concrete benches designed by Norman Foster, the skyscraper’s architect, all meant to create a sort of public park.

“A Parallel Nature,” as its name implies, “neither tries to perfectly recreate nature, nor feel architecturally fabricated,” Lin explained. “It is a work that makes ambiguous the line between the natural and the man-made.”

The sculpture is one of five works of public art commissioned for the new building by JPMorgan Chase — whose art collection was founded in 1959 by David Rockefeller, then executive vice president and vice chairman of Chase Manhattan Bank. The skyscraper’s other new works include that LED light work at the summit by Leo Villareal, whose art will also be on view at the Pace Gallery exhibit at Frieze; two paintings by Gerhard Richter in the building’s lobby; a 3-D printed, bronze column by Foster, also in the lobby; and a display of light and motion at the lobby’s elevator banks, driven by custom A.I. models by the Turkish artist Refik Anadol.

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David Arena, head of global real estate for JPMorgan Chase, said the bank had deliberately lifted up both the Madison Avenue and Park Avenue bases of the new building 85 feet to create more outdoor space for pedestrians. “When passers-by step on the Madison Avenue curb,” he said, “they are awe-struck, think differently, have a moment of respite.”

“We thought it would be a great spot to make a gift to Manhattan and to people in the neighborhood who can come up, have a seat, enjoy a cup of coffee, enjoy some great art, maybe think differently,” he said.”

He also called Lin “one of the most accomplished modern-day artists, a strong enough talent to be a counterpoint to Norman Foster.”

Lin agrees with Arena’s predictions about the artwork. “Even though it can dialogue with the building in scale, it adds an unexpected, natural respite from the busy street life, offering a different feeling,” she said.

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‘She Studied Us for a Moment With Theatrical Longing’

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‘She Studied Us for a Moment With Theatrical Longing’

Dear Diary:

On a false-spring afternoon, my boyfriend, Luis, and I went to the wine bar around the corner from my Williamsburg apartment. We were sitting at the bar having a private conversation when I asked Luis for the time.

“It’s 7:30,” a blonde woman beside us said before he could answer.

She turned toward us with the bright, urgent expression of someone who had already decided we were all having a drink together. She was drunk, her mascara intact, but only just.

“What do you guys do?” she asked.

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I told her I was a first-year teacher in Queens. Luis said he would be graduating in the spring and was looking for a job in marketing.

She studied us for a moment with theatrical longing, and then she leaned in so far that her shoulder nearly touched mine.

“I have a secret,” she said, beaming. “You can’t tell anyone.”

We promised.

She glanced toward the open windows, then back at us.

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“I have my second interview with the C.I.A. tomorrow,” she whispered.

Luis and I looked at each other.

“If anyone asks,” she added, “tell them I’m interviewing with the Culinary Institute of America.”

A few minutes later, we paid our check, wished her luck and promised not to tell a soul.

— David Reyes-Mastroianni

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Dear Diary:

I was walking out of Central Park on a cold February evening when a woman who couldn’t have been five feet tall approached me.

“Have you seen the moon?” she asked.

I tried to brush her off, but she repeated herself.

I turned to see the most brilliant full moon shining above the park. It stopped me in my tracks on a day when I had been in constant motion.

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I turned to thank the woman, but she was gone. It was as if the moon herself had come down to demand attention and had left as soon as attention was paid.

— Rebecca Falcon


Dear Diary:

Late one night after I moved to Manhattan from the rural South in 1989, I was riding the No. 6 train home from my job at Mortimer’s when I sat down across from what appeared to be a man completely wrapped in a sheet and lying across several seats.

He was wrapped so tightly that there seemed to be no way he could have done it himself.

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I couldn’t discern any movement. Not a breath. Not a sound. Did he need help? Was he dead? Was this performance art? What should I do?

No one else seemed to be paying any attention, but my agitation must have been visible, because finally, an impeccably dressed older woman wearing white gloves and a hat with a lace veil leaned toward me.

“I don’t think he wants to be disturbed,” she said.

— Brian McMaster


Dear Diary:

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I was walking down 79th Street when I heard a woman with a large, coral-colored cockatoo on her shoulder say: “Excuse me. Can you hold my bird?”

I looked around. Was she talking to me?

She huffed at my two seconds of confusion.

“Just put your arm out!” she said.

I did, and while this woman answered her phone, her imposing bird with claws as big as my hands hopped onto my wrist, then sidled up my arm and onto my shoulder.

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She was heavier than I expected. Not quite like having a dog on my shoulder, but maybe a cat.

I wanted to look at her. It’s not every day you have a large bird sitting on you, but I was afraid that if I did, she might gouge out my eyeballs with her imposing beak.

I decided to fix my eyes on a nearby street sign and hope for the best. The bird told me her name was Peaches, that she was 7 years old and also that she was pretty.

My first thought was: Well, aren’t we a little full of ourselves? But then I caught myself. Good for you, Peaches, I thought. I wish I had your confidence.

I told Peaches I had an appointment and hoped her owner would get off the phone soon.

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Then Peaches gripped my shoulder a little tighter with her claws and stretched the top of her body up and over my head so that I was wearing her like a pair of earmuffs.

“I love you,” she said.

We stayed in this magical bird hug for a minute or two before her owner whisked her off my shoulder with a halfhearted “Thanks” and hurried away.

Peaches turned her head 180 degrees, seemed to look at me longingly and disappeared into the day.

— Eileen Kelly

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Dear Diary:

It was a Saturday, and I was on Fifth Avenue and 14th Street. Two young women were walking and talking behind me.

“Is there anything you need at the market?” one said.

“The will to live,” the other replied.

I couldn’t help myself.

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“I don’t think they sell that there,” I said.

We all laughed and kept going.

— Nancy Lane

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Illustrations by Agnes Lee

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