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Historic Maryland church opens doors to visitors 320 years after closing down

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Historic Maryland church opens doors to visitors 320 years after closing down

Visitors have been able to step into a reconstructed 17th-century Catholic church in Maryland for the first time – an opportunity over 320 years in the making.

Historic St. Mary’s City, an archaeological organization, opened up its Brick Chapel on April 12. The building was originally constructed in 1667. St. Mary’s City is a colonial town located in St. Mary’s County, off the western shore of Chesapeake Bay.

Fox News Digital spoke to Henry Miller, Ph.D., a senior research fellow at Historic St. Mary’s City, about the opening, the result of multiple excavations since 1988. (See the video at the top of this article.) 

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While a wooden chapel was first built on the site in 1645, the structure burned down when Maryland was attacked by troops from the English Parliament.

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“But in the 1660s, things had settled down, and the Brick Chapel, the first major brick building in Maryland, began to be constructed,” Miller said. “It was a very significant architectural achievement for the time and place.”

The church was “the center of Catholic worship in Maryland” until 1704, said Henry Miller, Ph.D., when a Protestant governor closed the church down. (Historic St. Mary’s City)

In the colonial era, it was generally forbidden by law for Catholics to have any churches, but Maryland offered a notable exception.

“It was only because of Lord Baltimore’s policy of liberty, of conscience and freedom of religion that [the church] could be erected,” the expert said. 

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“So [the church] is really an important statement about the beginnings of religious freedom in what is now the United States and beyond.”

The Brick Chapel was the center of Catholic worship in Maryland until 1704, when the colony’s Protestant governor shuttered the building’s doors, Miller said. The sheriff “locked the door, [took] the key with him, and never again allow[ed] that building to be used for worship.”

Historic St. Mary’s City, an archaeological organization, opened its reconstructed Brick Chapel on April 12 after decades of historical work. (Historic St. Mary’s City)

“The freedom of belief, the freedom of religion that Lord Baltimore had championed totally ended at that time period,” the archaeologist said. 

“A few years later, the building was demolished, and it basically disappeared from view and memory for over 200 years.”

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“That building could not have been constructed anywhere else in the English-speaking world at this time.”

The church was entirely forgotten about until 1938, when an architectural historian spotted peculiar remains of a cross-shaped brick building. 

Today, the Brick Chapel – rebuilt between 2004 and 2009 – has a recently finished interior that accurately captures what a 17th-century Catholic church would have looked like at the time.

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Miller recreated the building’s interior through several means, such as researching similar churches and obtaining art that was commonly used in Jesuit churches, he said. Not many artifacts survive at the site, thanks to Jesuits who dismantled their church and reused the materials elsewhere.

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“The Jesuits were some of the first recyclers … They took everything above ground away and reused it,” Miller said. 

“What we found were lots of fragments of plaster, of mortar and the five-foot-deep, three-foot-wide brick foundation.”

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“We actually let visitors see some of that original brickwork,” Miller added. “There was weird stone we found there in pieces, [and] we now know that they imported 14 tons of stone from Europe to pave the floor of this building.”

But the church still retains some original features. Miller also noted that the original tabernacle of the church survived, along with 17th-century lead coffins that visitors can view under a glass floor.

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The chapel required extensive construction work and research to determine what a 17th-century Catholic church would have looked like. (Historic St. Mary’s City)

“The graves are both all around and inside the chapel,” Miller said. “There’s maybe 60 or 70 graves in the chapel, but there’s 300 to 400 outside.”

He added, “This was the largest 17th century cemetery in Maryland. So the grave distribution showed us also where the altar area, the formal area, began.”

Still, the process has been challenging – and Miller was only able to find one written description of the chapel, dating back to the late 1690s.

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“A Protestant governor, Francis Nicholson, was very anti-Catholic,” the archaeologist said. “And he said in a report, ‘The Catholics have several chapels in Maryland, including a good brick chapel at Saint Mary’s.’” 

“We want you, as a visitor, to walk in and have a sense of what a 17th-century person would have seen.”

Miller joked, “Oh, how we wish he was a verbose kind of guy who would have given us more information. But for him to even say it was ‘good’ was probably a significant clue there.”

He added, “So it is based on lots of different information. It is as accurate as we can come up with.”

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Still, the historian emphasized that no formal worship will take place in the new building – instead, it will exist as an exhibit on the history of religious freedom in Maryland.

“The seeds of faith planted there … grew the church and the first diocese that was established in Maryland in the year 1790,” Miller said. “So it truly is the founding place of the modern Catholic Church in the United States.”

The Brick Chapel is an accurate reconstruction of the original 1667 structure on the same site (foundation seen here) — and it has taken historians decades to recreate the church. (Historic St. Mary’s City)

“But it’s also a symbol, and this is what’s important,” he said. “That building could not have been constructed anywhere else in the English-speaking world at this time.”

Visitors may be surprised by the elegance of the church’s interior. Instead of a classic colonial New England church filled with wooden pews, the Brick Chapel has no pews at all. 

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Miller noted that, in colonial-era Catholic churches, worshippers either stood or knelt.

“The pews are more of a Protestant innovation,” Miller added. “If you had a two-hour-long sermon, seating would be very helpful there. Catholic sermons were probably considerably shorter.”

Visitors will be able to view original 17th-century lead coffins through a glass pane in the chapel. (Historic St. Mary’s City)

Miller said that decades of work have created a “unique exhibit.”

“We also want you, as a visitor, to walk in and have a sense of what a 17th-century person would have seen,” the archaeologist said. “We’ve hidden the exhibits in the arms of the building, where you don’t see them until you get right up on top of them.”

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“It’s one that we have worked on for over 37 years, but I am delighted that it will finally be completed and we can start more effectively telling this significant American story.”

Fox News Digital’s Brooke Curto and Kyle Schmidbauer contributed to this report.

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New York

How Tony Danza Spends a Day Playing a Villain and Frank Sinatra

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How Tony Danza Spends a Day Playing a Villain and Frank Sinatra

Tony Danza is making up for lost time.

“One of the things I most regret about my life is that I didn’t take advantage of my youth,” said Mr. Danza, 75. “I had a great time, but nobody handed me an instrument and said, ‘Try this.’”

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Now he is learning how to speak Spanish, play the piano and a cornet.

Mr. Danza, best known for his leading roles in the television series “Who’s the Boss?” and “Taxi,” has been entertainment’s jack-of-all-trades for decades. Yet he’s still striving to be the best singer, dancer and actor he can be.

“What I am is a guy with finite time who wants to get in as much as he can while he can,” he said.

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Mr. Danza spent a Friday with The New York Times as he got ready for two performances, including a one-man show at Café Carlyle.

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Boston, MA

Red Sox win series opener, ending rough stretch against Yankees – The Boston Globe

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Red Sox win series opener, ending rough stretch against Yankees – The Boston Globe


There isn’t a whole lot of heat in this version of the rivalry, but this one felt — and mostly looked — good. The Sox started with a former Yankee, Gray, who matched his season-high with 6⅓ innings, and closed with a former Yankee, Aroldis Chapman, who worked around a pair of walks in the ninth inning to record the save.

Willson Contreras and Andruw Monasterio hit home runs off lefthander Ryan Weathers (six innings, five runs). Contreras added another hit and RBI, and Monasterio snared Anthony Volpe’s line drive up the middle for a rally-killing unassisted double play in the fourth.

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“Just a great game all around,” said interim manager Chad Tracy, who visited the current Yankee Stadium for the first time in any capacity.

Gray said: “There was definitely some juice.”

Chapman limped around the mound a bit in pursuit of the save because he has been dealing with a minor hamstring issue for about a week, Tracy said. But he has managed it and was able to pitch in the series opener, albeit wildly.

“We’re keeping an eye on it, but he’s grinding,” Tracy said. “He did a nice job. He obviously didn’t have his command the first couple of hitters, but then, like he always does, bears down and got it done.”

In his return to Yankee Stadium, a personal house of horrors through the years, including his 2017-18 stint with the Yankees, Gray limited the damage to three runs and eight hits. Ben Rice and Trent Grisham tagged him for home runs, but Gray was relieved that they were solo shots — acceptable on a night when he had “not even close” to his sharpest repertoire, he said.

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He lowered his ERA in the Bronx to 5.95.

Gray’s outing featured virtually no pushback from the announced crowd of 43,750 (not a sellout).

Andruw Monasterio gave the Red Sox a 3-1 lead with a solo home run in the fourth inning. Jim McIsaac/Getty

In December, upon joining the Red Sox via trade with the Cardinals, Gray said that he “never wanted to go [to the Yankees] in the first place” and that it “feels good to me to go to a place now where, you know what, it’s easy to hate the Yankees.” His comments triggered an outrage cycle in New York.

Six months later, New York fans seemed indifferent about it. Gray garnered only a smattering of boos during pregame introductions, when the stands were not even half-full, and no discernable crowd reaction during the game.

Gray wondered if heightened emotion on his side led to his not being in top form.

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“I’ll learn from it and be able to control my emotions and my energy and be able to just make pitches,” he said. “Felt really good, but I felt like my stuff just stayed up … It was fun. I’ve been back here and pitched, but first time with the Red Sox. But I’m glad we came away with a win.”

The Sox (27-35) took the lead for good in the third, when Contreras’s two-out check swing resulted in a soft bouncer to the third-base side of the mound. He beat it out for a single.

In the fifth, after the Yankees (37-26) had cut the deficit back to one, Contreras opened it up again with a two-run shot into the second deck in left field.

Lefthander Danny Coulombe relieved Gray in the seventh and got the final two outs of the inning. The last one was harder, though, because Contreras and Monasterio collided and dropped a foul pop from Rice. Monasterio said neither called for it.

Coulombe struck Rice out swinging on the eighth pitch of the at-bat.

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“Next time, I’m going to call it,” Monasterio said. “I promise.”


Tim Healey can be reached at timothy.healey@globe.com. Follow him @timbhealey.





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Pittsburg, PA

Pittsburg State Track and Field’s Blakelee Winn named National Women’s Field Athlete of the Year

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Pittsburg State Track and Field’s Blakelee Winn named National Women’s Field Athlete of the Year


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