Boston, MA

Constantine Manos, photographer for landmark ‘Where’s Boston?’ exhibit, dies at 90 – The Boston Globe

Published

12 months ago

January 15, 2025

Constantine Manos, photographer for landmark ‘Where’s Boston?’ exhibit, dies at 90 – The Boston Globe

Constantine Manos, “Los Angeles, California,” 2001. (Constantine Manos/Magnum Photos)Courtesy Boston Symphony Orchestra Archives, Constantine Manos/Magnum Photos

Among Mr. Manos’s books were “A Greek Portfolio” (1972; updated 1999), “Bostonians” (1975), “American Color” 1995) and ”American Color 2″ (2010). Mr. Manos’s work with color was notably expressive and influential.

“Color was a four-letter word in art photography,” the photographer Lou Jones, who worked with Mr. Manos on “Where’s Boston?,” said in a telephone interview. “But he was making wonderful, complex photographs with color, and that meant so much.”

Yet for all his formal skill, Mr. Manos always emphasized the human element in his work. “I am a people photographer and have always been interested in people,” he once said.

That interest extended beyond the photographs he took. He was a celebrated teacher. Among the students he taught in his photo workshops was Stella Johnson.

“He’d go through a hundred of my photographs,” she said in a telephone interview, “and maybe he’d like two. ‘No, no, no, no, yes, no.’ Costa really taught me how to see. I remember him looking at one picture and saying, “You were standing in the wrong spot.’ Something like that was invaluable to me as a young photographer.

“He was a very, very kind man, very generous. But he was very strict. ‘How could you do that?’ He was adored by his students and by his friends, absolutely. We were all lucky to have been in his orbit.”

Cellist Samuel Mayes and conductor Charles Munch during a Boston Symphony Orchestra rehearsal at Tanglewood, July 25, 1959. (Constantine Manos/Magnum Photos)Courtesy Boston Symphony Orchestra Archives, Constantine Manos/Magnum Photos

Mr. Manos, who moved to Provincetown in 2008, lived in the South End for four decades. The South Carolina native’s association with the Boston area began when the Boston Symphony Orchestra hired him as a photographer at Tanglewood. He was 19. This led to Mr. Manos’s first book, “Portrait of a Symphony” (1961; updated 2000).

Constantine Manos was born in Columbia, S.C., on Oct. 12, 1934. His parents, Dimitri and Aphrodite (Vaporiotou) Manos, were Greek immigrants. They ran a café in the city’s Black section. That experience gave Mr. Manos a sympathy for marginalized people that would stay with him throughout his life. As a student at the University of South Carolina, he wrote editorials in the school paper opposing segregation. Later, he would do extensive work chronicling the LGBTQ+ community with his camera.

Mr. Manos became interested in photography at 13, joining the school camera club and building a darkroom in his parents’ basement. After graduating from college, Mr. Manos did two years of Army service in Germany, working as a photographer for Stars and Stripes. He joined Magnum in 1963. This had special meaning for him. Mr. Manos’s chief inspiration as a young photographer had been Henri Cartier-Bresson, one of Magnum’s founders. He was such an admirer he made a point of using the same equipment that Cartier-Bresson did.

That same year, Mr. Manos entered a seafood restaurant in Rome that was around the corner from the Pantheon. Prodanou, his future husband, was dining with friends. Noticing Mr. Manos, he gestured to him. “Would you join us for coffee?” The couple spent the next 61 years together, marrying in 2011.

“Lining Up for the Shriner’s Parade, South End, Boston,” 1974. (Constantine Manos/Magnum Photos)Courtesy Boston Symphony Orchestra Archives, Constantine Manos/Magnum Photos

Mr. Manos lived in Greece for three years, which led to “A Greek Portfolio.” He undertook a very different project in the Athens of America. Part of the city’s Bicentennial tribute, “Where’s Boston?” was a slice-of-many-lives view of contemporary Boston.

Located in a red-white-and-blue striped pavilion at the Prudential Center, it became a local sensation. The installation involved 42 computerized projectors and 3,097 color slides (most of them taken by Mr. Manos), shown on eight 10 feet by 10 feet screens. Outside the pavilion was a set of murals, consisting of 152 black-and-white photographs of Boston scenes, all shot by Mr. Manos.

“The most important thing I had to do was to keep my picture ideas simple,” he said in a 1975 Globe interview. “Viewers are treated to a veritable avalanche of color slides in exactly one hour’s time.”

In that same interview, he made an observation about his work generally. “I prefer to stay in close to my subjects. I let them see me and my camera and when they become bored they forget about me and then I get my best pictures.”

Among institutions that own Mr. Manos’s photographs are the Museum of Fine Arts; the Museum of Modern Art, New York; the Art Institute of Chicago; the High Museum of Art, Atlanta; the Library of Congress; and the Bibliothèque Nationale, Paris.

In addition to his husband, Mr. Manos leaves a sister, Irene Constantinides, of Atlanta, and a brother, Theofanis Manos, of Greenville, S.C.

A memorial service will be held later this year.

Mark Feeney can be reached at mark.feeney@globe.com.

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Boston, MA

Boston woman flummoxed after rat makes a home in stroller she left on porch

Published

9 hours ago

January 10, 2026

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Local News

Boston Reddit did not mince words when it came to the best way of evicting this brazen stroller squatter.

A Boston woman is dealing with an unwelcome tenant on her front porch — a rat that has turned a baby stroller into a cozy winter hideaway.

The woman shared her ordeal Thursday on the r/Boston subreddit, explaining that she had left her stroller, complete with a muff, on her second-floor porch. When she checked on it later, she discovered a rat had moved in.

“I stupidly left our stroller with a muff out on the porch,” she wrote. “Today I found a big rat is nested in there. I can’t see clearly, but it seems it has chewed up the muff lining and is using the filling for a nest.”

The woman said she’s called a few pest control companies, but instead of offering immediate removal, they just tried to sell her a long-term bait boxing service.

“…Which is fine, but I urgently need someone to just safely remove the rat and the nest so I can clean or dispose of the stroller if needed,” she wrote, adding that she couldn’t secure a next-day appointment and felt Monday was too far away.

Turning to Reddit for advice, the woman asked whether she should attempt to remove the rat herself, saying she was worried about being bitten or contracting a disease. “Which professional can I call?” she asked.

Redditors reacted with a mix of humor and practical advice. The top comment began, “Sounds like it’s their porch now,” before offering an elaborate plan involving a bucket trap and joking that the rat could then “go on to be a Michelin star chef at a French restaurant,” a nod to the 2007 film “Ratatouille.”

Others suggested she evict the rat by vigorously shaking the stroller or whacking it with a broom, while many urged her to cut her losses entirely and throw the stroller out.

“I honestly wouldn’t ever use it for a small child after a rat had been cribbed up there,” one commenter wrote.

Pest control experts generally advise against handling rats without professional help. According to Terminix, rodents can become aggressive and scratch when threatened and may carry diseases such as hantavirus and leptospirosis.

“When it comes to getting rid of a rat’s nest in the house, DIY treatments won’t cut it,” the company warns on its website.

Boston has been grappling with heightened rat activity in recent years, prompting a citywide rodent action plan known as BRAP. City officials urge residents to “see something, squeak something!” and report rodent activity to 311. Officials said response teams are typically dispatched within one to two days.

Morgan Rousseau is a freelance writer for Boston.com, where she reports on a variety of local and regional news.

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Boston, MA

Boston’s new city council president talks about election and upcoming term

Published

21 hours ago

January 9, 2026

Press Room

Boston’s new city council president talks about election and upcoming term

The Boston City Council is setting out on a new two-year term with a new council president at the helm.

City Councilor Liz Breadon, who represents District 9, won the gavel on a 7-6 contested vote, cobbling together her candidacy just hours before the council was set to vote.

“An opportunity presented itself and I took it,” Breadon said. “We’re in a very critical time, given politics, and I really feel that in this moment, we need to set steady leadership, and really to bring the council together.”

The process apparently including backroom conversations and late-night meetings as City Councilors Gabriella Coletta Zapata and Brian Worrell both pushed to become the next council president.

Breadon spoke on why support waned for her two colleagues.

“I think they had support that was moving,” said Breadon. “It was moving back and forward, it hadn’t solidified solidly in one place. There’s a lot of uncertainty in the moment.”

Political commentator Sue O’Connell talks about the last-minute maneuvering before the upset vote and what it says about Mayor Michelle Wu’s influence.

Some speculated that Mayor Michelle Wu’s administration was lobbying for a compromise candidate after Coletta Zapata dropped out of the race. Breadon disputes the mayor’s involvement.

“I would say not,” said Breadon. “I wasn’t in conversation with the mayor about any of this.”

Beyond the election, Breadon took a look ahead to how she will lead the body. Controversy has been known to crop up at City Hall, most recently when former District 7 Councilor Tania Fernandes Anderson pleaded guilty to federal corruption charges tied to a kickback scheme involving taxpayer dollars.

Breadon said it’s critical to stay calm and allow the facts to come out in those situations.

“I feel that it’s very important to be very deliberative in how we handle these things and not to sort of shoot from the hip and have a knee-jerk reaction to what’s happening,” said Breadon.

Tune in Sunday at 9:30 am for our extended @Issue Sitdown with Breadon, when we dig deeper into how her candidacy came together, the priorities she’ll pursue in the role and which colleagues she’ll place in key council positions.

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