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Constantine Manos, photographer for landmark ‘Where’s Boston?’ exhibit, dies at 90 – The Boston Globe

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Constantine Manos, photographer for landmark ‘Where’s Boston?’ exhibit, dies at 90 – The Boston Globe


Constantine Manos, “Los Angeles, California,” 2001. (Constantine Manos/Magnum Photos)Courtesy Boston Symphony Orchestra Archives, Constantine Manos/Magnum Photos

Among Mr. Manos’s books were “A Greek Portfolio” (1972; updated 1999), “Bostonians” (1975), “American Color” 1995) and ”American Color 2″ (2010). Mr. Manos’s work with color was notably expressive and influential.

“Color was a four-letter word in art photography,” the photographer Lou Jones, who worked with Mr. Manos on “Where’s Boston?,” said in a telephone interview. “But he was making wonderful, complex photographs with color, and that meant so much.”

Yet for all his formal skill, Mr. Manos always emphasized the human element in his work. “I am a people photographer and have always been interested in people,” he once said.

That interest extended beyond the photographs he took. He was a celebrated teacher. Among the students he taught in his photo workshops was Stella Johnson.

“He’d go through a hundred of my photographs,” she said in a telephone interview, “and maybe he’d like two. ‘No, no, no, no, yes, no.’ Costa really taught me how to see. I remember him looking at one picture and saying, “You were standing in the wrong spot.’ Something like that was invaluable to me as a young photographer.

“He was a very, very kind man, very generous. But he was very strict. ‘How could you do that?’ He was adored by his students and by his friends, absolutely. We were all lucky to have been in his orbit.”

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Cellist Samuel Mayes and conductor Charles Munch during a Boston Symphony Orchestra rehearsal at Tanglewood, July 25, 1959. (Constantine Manos/Magnum Photos)Courtesy Boston Symphony Orchestra Archives, Constantine Manos/Magnum Photos

Mr. Manos, who moved to Provincetown in 2008, lived in the South End for four decades. The South Carolina native’s association with the Boston area began when the Boston Symphony Orchestra hired him as a photographer at Tanglewood. He was 19. This led to Mr. Manos’s first book, “Portrait of a Symphony” (1961; updated 2000).

Constantine Manos was born in Columbia, S.C., on Oct. 12, 1934. His parents, Dimitri and Aphrodite (Vaporiotou) Manos, were Greek immigrants. They ran a café in the city’s Black section. That experience gave Mr. Manos a sympathy for marginalized people that would stay with him throughout his life. As a student at the University of South Carolina, he wrote editorials in the school paper opposing segregation. Later, he would do extensive work chronicling the LGBTQ+ community with his camera.

Mr. Manos became interested in photography at 13, joining the school camera club and building a darkroom in his parents’ basement. After graduating from college, Mr. Manos did two years of Army service in Germany, working as a photographer for Stars and Stripes. He joined Magnum in 1963. This had special meaning for him. Mr. Manos’s chief inspiration as a young photographer had been Henri Cartier-Bresson, one of Magnum’s founders. He was such an admirer he made a point of using the same equipment that Cartier-Bresson did.

That same year, Mr. Manos entered a seafood restaurant in Rome that was around the corner from the Pantheon. Prodanou, his future husband, was dining with friends. Noticing Mr. Manos, he gestured to him. “Would you join us for coffee?” The couple spent the next 61 years together, marrying in 2011.

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“Lining Up for the Shriner’s Parade, South End, Boston,” 1974. (Constantine Manos/Magnum Photos)Courtesy Boston Symphony Orchestra Archives, Constantine Manos/Magnum Photos

Mr. Manos lived in Greece for three years, which led to “A Greek Portfolio.” He undertook a very different project in the Athens of America. Part of the city’s Bicentennial tribute, “Where’s Boston?” was a slice-of-many-lives view of contemporary Boston.

Located in a red-white-and-blue striped pavilion at the Prudential Center, it became a local sensation. The installation involved 42 computerized projectors and 3,097 color slides (most of them taken by Mr. Manos), shown on eight 10 feet by 10 feet screens. Outside the pavilion was a set of murals, consisting of 152 black-and-white photographs of Boston scenes, all shot by Mr. Manos.

“The most important thing I had to do was to keep my picture ideas simple,” he said in a 1975 Globe interview. “Viewers are treated to a veritable avalanche of color slides in exactly one hour’s time.”

In that same interview, he made an observation about his work generally. “I prefer to stay in close to my subjects. I let them see me and my camera and when they become bored they forget about me and then I get my best pictures.”

Among institutions that own Mr. Manos’s photographs are the Museum of Fine Arts; the Museum of Modern Art, New York; the Art Institute of Chicago; the High Museum of Art, Atlanta; the Library of Congress; and the Bibliothèque Nationale, Paris.

In addition to his husband, Mr. Manos leaves a sister, Irene Constantinides, of Atlanta, and a brother, Theofanis Manos, of Greenville, S.C.

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A memorial service will be held later this year.


Mark Feeney can be reached at mark.feeney@globe.com.





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Boston, MA

Below freezing temperatures again today

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Below freezing temperatures again today


The winds are still going Wednesday, but the air temperatures remain at respectable levels. Highs will manage to weasel up to 30 in most spots. It’s too bad we’re not going to feel them at face value. Instead, we’re dressing for temps in the teens all day today.

Thursday and Friday are the picks of the week.

There will be a lot less wind, reasonable winter temperatures in the 30s and a decent amount of sun. We’ll be quiet into the weekend, as our next weather system approaches.

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With mild air expected to come north on southerly winds, highs will bounce back to the low and mid-40s both days of the weekend.

Showers will be delayed until late day/evening on Saturday and into the night. There may be a few early on Sunday too, but the focus on that day will be to bring in the cold.

Highs will briefly sneak into the 40s, then fall late day.

We’ll also watch a batch of snow late Sunday night as it moves up the Eastern Seaboard.

Right now, there is a potential for some accumulation as it moves overhead Sunday night and early Monday morning.

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It appears to be a weak, speedy system, so we’re not expecting it to pull any punches.

Enjoy the quieter spell of weather!



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Boston City Councilor will introduce

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Boston City Councilor will introduce


BOSTON – It could cost you more to get a soda soon. The Boston City Council is proposing a tax on sugary drinks, saying the money on unhealthy beverages can be put to good use.

A benefit for public health?

“I’ve heard from a lot of residents in my district who are supportive of a tax on sugary beverages, but they want to make sure that these funds are used for public health,” said City Councilor Sharon Durkan, who is introducing the “Sugar Tax,” modeled on Philadelphia and Seattle. She said it’s a great way to introduce and fund health initiatives and slowly improve public health.

A study from Boston University found that cities that implemented a tax on sugary drinks saw a 33% decrease in sales.

“What it does is it creates an environment where we are discouraging the use of something that we know, over time, causes cancer, causes diet-related diseases, causes obesity and other diet-related illnesses,” she said.

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Soda drinkers say no to “Sugar Tax”

Soda drinkers don’t see the benefit.

Delaney Doidge stopped by the store to get a mid-day pick-me-up on Tuesday.

“I wasn’t planning on getting anything, but we needed toilet paper, and I wanted a Diet Coke, so I got a Diet Coke,” she said, adding that a tax on sugary drinks is an overreach, forcing her to ask: What’s next?

“Then we’d have to tax everything else that brings people enjoyment,” Doidge said. “If somebody wants a sweet treat, they deserve it, no tax.”

Store owners said they’re worried about how an additional tax would impact their businesses.

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Durkan plans to bring the tax idea before the City Council on Wednesday to start the conversation about what rates would look like.

Massachusetts considered a similar tax in 2017.

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Patience over panic: Kristaps Porzingis and the Celtics struggles

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Patience over panic: Kristaps Porzingis and the Celtics struggles


The Celtics aren’t playing great basketball. Coincidence or not, this stretch has coincided with the return and reintegration of Kristaps Porzingis. In 23 games without the big man, Boston has a record of 19-4—with him in the lineup, that falls to a much less flattering 9-7 record.

This has put his value on trial, and opened the door to discussions about whether a move to the bench could be helpful for everyone involved. It’s not a crazy idea by any means, but it’s shortsighted and an oversimplification of why the team has struggled of late.

While Kristaps attempts to slide back into his role, there’s an adjustment period that the team naturally has to go through. That’s roughly 13 shots per game being taken from the collective and handed to one individual. It’s a shift that can impact that entire rotation, but it’s also not unfamiliar to the team—by now, they’re used to the cycle of Porzingis’ absence and return.

KP hasn’t been the same game-breaking player that we’ve come to know, but he’s not that far off. He isn’t hunting shots outside of the flow of the offense, and the coaching staff isn’t force-feeding him either.

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This table shows a comparison in the volume and efficiency of Kristaps’ most used play types from the past two seasons. Across the board, the possessions per game have remained very similar, while the efficiency has taken a step back.

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He’s shooting below the standard he established for himself during the championship run, but the accuracy should come around as he gets more comfortable and confident in his movements post-injury. Porzingis opened up about this after a win over the Nuggets, sharing his progress.

“80-85%. I still have a little bit to go.” Porzingis said. “I know that moment is coming when everything will start clicking, and I’ll play really high-level basketball.”

In theory, sending KP to the bench would allow him to face easier matchups and build his conditioning back up. On a similar note, he and the starters have a troubling -8.9 net rating. With that said, abandoning this unit so quickly is an overreaction and works against the purpose of the regular season.

It may require patience, but we’re talking about a starting lineup that had a +17.3 net rating over seven playoff games together. Long term, it’s more valuable to let them figure it out, rather than opt for a temporary fix.

It can’t be ignored that the Celtics are also getting hit by a wrecking ball of poor shooting luck in his minutes. Opponents are hitting 33.78% of their three-pointers with him on the bench, compared to a ridiculously efficient 41.78% when he’s on the court. To make matters worse, Boston is converting 37.21% of their own 3’s without KP, and just 32.95% with him.

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Overall, there’s a -8.83% differential between team and opponent 3PT efficiency with Porzingis in the game. This is simply unsustainable, and it’s due for positive regression eventually.

Despite his individual offensive struggles, Porzingis has been elite as a rim protector. Among 255 players who have defended at least 75 shots within 6 feet of the basket, he has the best defensive field goal percentage in the NBA at 41.2%. Players are shooting 20.9% worse than expected when facing Kristaps at the rim.

Boston is intentional about which shooters they’re willing to leave open and when to funnel drives toward Porzingis. Teams are often avoiding these drives, and accepting open looks from mediocre shooters—recently, with great success. Both of these factors play into the stark difference in opponent 3PT%.

The numbers paint a disappointing picture, but from a glass-half-full perspective, there’s plenty of room for positive regression. Last season, the starting lineup shot 39.31% from beyond the arc and limited opponents to 36.75%. This year, they’ve struggled, shooting just 27.61% themselves, while opponents are converting at an absurd 46.55%.

Ultimately, the Celtics’ struggles seem more like a temporary blip, fueled by frustrating shooting luck and a slow return to form for Kristaps, rather than a reason to panic. The core of this team has already proven their ability to perform together at a high level, and sticking with the current configuration gives them the best chance to break out of the slump.

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Allowing Porzingis to round into shape and cranking up the defensive intensity should help offset some of the shooting woes. As Porzingis eloquently put it, “with this kind of talent in this locker room, it’s impossible that we don’t start playing better basketball.” When water finds its level, the game will start to look easy again.



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