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Boston, MA
Constantine Manos, photographer for landmark ‘Where’s Boston?’ exhibit, dies at 90 – The Boston Globe
Among Mr. Manos’s books were “A Greek Portfolio” (1972; updated 1999), “Bostonians” (1975), “American Color” 1995) and ”American Color 2″ (2010). Mr. Manos’s work with color was notably expressive and influential.
“Color was a four-letter word in art photography,” the photographer Lou Jones, who worked with Mr. Manos on “Where’s Boston?,” said in a telephone interview. “But he was making wonderful, complex photographs with color, and that meant so much.”
Yet for all his formal skill, Mr. Manos always emphasized the human element in his work. “I am a people photographer and have always been interested in people,” he once said.
That interest extended beyond the photographs he took. He was a celebrated teacher. Among the students he taught in his photo workshops was Stella Johnson.
“He’d go through a hundred of my photographs,” she said in a telephone interview, “and maybe he’d like two. ‘No, no, no, no, yes, no.’ Costa really taught me how to see. I remember him looking at one picture and saying, “You were standing in the wrong spot.’ Something like that was invaluable to me as a young photographer.
“He was a very, very kind man, very generous. But he was very strict. ‘How could you do that?’ He was adored by his students and by his friends, absolutely. We were all lucky to have been in his orbit.”
Mr. Manos, who moved to Provincetown in 2008, lived in the South End for four decades. The South Carolina native’s association with the Boston area began when the Boston Symphony Orchestra hired him as a photographer at Tanglewood. He was 19. This led to Mr. Manos’s first book, “Portrait of a Symphony” (1961; updated 2000).
Constantine Manos was born in Columbia, S.C., on Oct. 12, 1934. His parents, Dimitri and Aphrodite (Vaporiotou) Manos, were Greek immigrants. They ran a café in the city’s Black section. That experience gave Mr. Manos a sympathy for marginalized people that would stay with him throughout his life. As a student at the University of South Carolina, he wrote editorials in the school paper opposing segregation. Later, he would do extensive work chronicling the LGBTQ+ community with his camera.
Mr. Manos became interested in photography at 13, joining the school camera club and building a darkroom in his parents’ basement. After graduating from college, Mr. Manos did two years of Army service in Germany, working as a photographer for Stars and Stripes. He joined Magnum in 1963. This had special meaning for him. Mr. Manos’s chief inspiration as a young photographer had been Henri Cartier-Bresson, one of Magnum’s founders. He was such an admirer he made a point of using the same equipment that Cartier-Bresson did.
That same year, Mr. Manos entered a seafood restaurant in Rome that was around the corner from the Pantheon. Prodanou, his future husband, was dining with friends. Noticing Mr. Manos, he gestured to him. “Would you join us for coffee?” The couple spent the next 61 years together, marrying in 2011.
Mr. Manos lived in Greece for three years, which led to “A Greek Portfolio.” He undertook a very different project in the Athens of America. Part of the city’s Bicentennial tribute, “Where’s Boston?” was a slice-of-many-lives view of contemporary Boston.
Located in a red-white-and-blue striped pavilion at the Prudential Center, it became a local sensation. The installation involved 42 computerized projectors and 3,097 color slides (most of them taken by Mr. Manos), shown on eight 10 feet by 10 feet screens. Outside the pavilion was a set of murals, consisting of 152 black-and-white photographs of Boston scenes, all shot by Mr. Manos.
“The most important thing I had to do was to keep my picture ideas simple,” he said in a 1975 Globe interview. “Viewers are treated to a veritable avalanche of color slides in exactly one hour’s time.”
In that same interview, he made an observation about his work generally. “I prefer to stay in close to my subjects. I let them see me and my camera and when they become bored they forget about me and then I get my best pictures.”
Among institutions that own Mr. Manos’s photographs are the Museum of Fine Arts; the Museum of Modern Art, New York; the Art Institute of Chicago; the High Museum of Art, Atlanta; the Library of Congress; and the Bibliothèque Nationale, Paris.
In addition to his husband, Mr. Manos leaves a sister, Irene Constantinides, of Atlanta, and a brother, Theofanis Manos, of Greenville, S.C.
A memorial service will be held later this year.
Mark Feeney can be reached at mark.feeney@globe.com.
Surprise: Another weekend and there’s more rain on the way. It’s bad enough we’ve had to post a First Alert.
For now, we’ll watch as clouds thicken today. We’ll squeeze out some drops later this afternoon and evening.
A weather maker is winding up in Canada, wrapping in cold air. All of that is going to dive down to New England.
We’re in the thick of it tomorrow. Rain will be coming at us in bursts with some dry time in between. Winds will likely push past 50 mph in Boston.
Those winds will eat away at temperatures; with wind chills barely above freezing. And no – not just in the morning – but the afternoon, too!
It’s so cold there’s the threat of snow as that rain bumps into colder air over the Berkshires, Worcester Hills and southern New Hampshire right up to Mount Washington.
The snow isn’t going to pile up but just know there could be some flakes flying over our highest hills.
The blue on our Futurecast map marks the spots where snow could mix with rain.
Rain spins out by Saturday evening but not before dumping about half an inch over Boston.
We’ll try to salvage the rest of the weekend with temperatures in the upper 60s by Sunday. Still, there’s the threat of bits and pieces of rain.
By the way, this isn’t any weekend, it’s the last weekend of spring. Meteorological summer starts on June 1.
The first day of summer remains drab and dreary with more rain chances and temperatures in the low 60 on Monday.
Federal immigration demands are once again centered on Massachusetts.
The House Judiciary Committee on Tuesday sent three letters to Boston Police Commissioner Michael Cox, Suffolk County Sheriff Steven Tompkins and Suffolk County District Attorney Kevin Hayden demanding, among other things, information on how many ICE detainers BPD has received and declined to honor from 2022 to 2026 and any communication between the three departments related to immigration.
House Judiciary Chairman Rep. Jim Jordan, R-Ohio, said in a statement that “releasing repeat criminals back to the streets solely because of their immigration status is crazy, and that’s exactly what Boston is doing.”
But Democrats push back on that framing.
“You’re familiar with Jim Jordan and his antics,” said Massachusetts Gov. Maura Healey. “This is more circus, it’s more theater and it’s not making our community safe.”
A spokesperson for the City of Boston wrote, “the city has provided this information many times…” going on to say “…these policies are part of keeping Boston the safest major city in America.”
The letters call for the documents to be sent to the House Judiciary Committee by June 10th at 5:00 pm. District Attorney Hayden’s office told NBC 10 they are reviewing the letter, neither Commissioner Cox or Sheriff Tompkins responded to requests for comment.
On the Market
Ted Kennedy Jr. speaks on the importance of his late mother’s Boston home, now for sale.
At first glance, Joan Bennett Kennedy’s Back Bay home may not appear all that unusual, but the endless stories held within its walls illustrate how a sacred space became one woman’s shelter from the storm.
After divorcing Ted Kennedy in 1982, Bennett Kennedy returned to Boston and moved into 250 Beacon St. #10, and remained there for more than four decades until her death at age 89 in October. Now, her three-bedroom, three-bathroom home, which measures 2,075 square feet, is on the market at $2.59 million.
“Her home really played an important part in the transformation of her life,” her son, Ted Kennedy Jr., told the Globe. “She was a newly divorced woman coming back, trying to reestablish her roots in Boston, and she had her music, which was part of her unique identity, apart from being married to my father. She was seeking to reinvent herself and live on her own terms.”
It was there at 250 Beacon where Bennett Kennedy restarted her life. She earned a master’s degree in music education at 44, and became a staple on the Boston classical music scene, thanks to her lifelong dedication to the piano. But it was also where she faced significant struggles, ranging from depression to alcoholism. She didn’t hide her battles at a time when they weren’t commonly discussed.
“She paved the way for many other women who were suffering in silence,” said Kennedy Jr. “The Boston community just took her in and provided her with friendship and support.”
The circa-1925 building features an elegant lobby that leads to the elevators. Inside the fifth-floor unit, a foyer flows into a hallway and into the spacious living room, where hardwood floors run throughout and a wood-burning fireplace sits under a unique carved mantel surrounded by marble. But it’s the windows that capture the eyes, with views of the treetops and the Charles River in the distance.
“She would sit at her piano in the condo every afternoon for hours,” said Kennedy, who noted that the home later served as the spot where his mother penned “The Joy of Classical Music,” a guide for introducing classical music to families. Prominent musical figures, including John Williams, Seiji Ozawa, and Arthur Fiedler, were frequent guests.
The open floor plan continues in the dining area and library, filled with built-in bookcases and oversized windows.
The living room fireplace is two-sided; on its opposite side is the primary bedroom suite, with built-in bookshelves and a massive bay window with beautiful views. The primary suite features an en-suite bathroom with a pink vanity.
“These front rooms, all three of them, the amount of glass and the size of these windows are just magnificent,” said Linda Barrett of Douglas Elliman, who has the listing and knew Kennedy for years. “Being on the fifth floor, she sat right at the tree line, looking at the Charles River.”
A second of three full bathrooms has elegant marble tiles and a step-in shower. Across the hallway are two closets for storage and the galley kitchen with green/blue cabinetry and stainless steel appliances.
There are three bedrooms, one with teal carpeting and ample built-in storage.
The home has central air, and the building has a live-in superintendent. The fee is $1,725.39 per month. The piano is not included as part of the sale.
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