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For this reason, Carballo and Battlemode multi-instrumentalist David “Biff” Jubinsky are feeling optimistic about the festival they’ve spent the last year organizing. This weekend’s Boston Bitdown includes over 50 musical and visual artists across five venues in Arlington and Somerville.
Most of the musical acts fit somewhere into the niche electronic genre of chiptune, which uses synthesized sounds created with the sound chips found in vintage gaming consoles. Some of the musicians work exclusively with console-based synthesizers and sequencer programs, while others mix the sounds with performance on live instruments or incorporate them into beats made with other audio software.
In the early days of the genre, “people would be like ‘oh, you can’t call yourself chiptune if you’re not actually using a Game Boy on stage,” said Mel Carubia, keytarist of Boston-based band Minusworld, which performs on Saturday. “But the umbrella has widened, and the Bitdown lineup itself is evidence of the expansiveness of the genre now.”
Carubia doesn’t describe Minusworld as chiptune, but their lyrics are often inspired by cultural icons of their youth in the ’80s and ’90s — “just a lot of things from the zeitgeist of when chiptune music was born” — and “the keytar replicates a lot of sounds you’d also find in an eight-bit emulator.” On top of that, Koji Kondo’s catchy looping themes for Mario and Zelda on the Super Nintendo Entertainment System were a major inspiration for them to learn piano as a child, they said.
“None of these songs are very long, but they grab into your consciousness, and you can’t shake them,” said Carubia, who holds a master‘s degree in music composition from Longy School of Music. “The thing I like about chiptune music is that it’s not just pure electronic music. It’s tied to an aesthetic that comes from a multi-sensory experience.”
Bronx-based chiptune artist Tyrese Hart performs as AmateurLSDJ. He was still a toddler when Nintendo released the Game Boy Advance SP, and his own device was a hand-me-down from his sister. However, after hearing Northern Irish artist Chipzel’s chiptune soundtrack to the game “Super Hexagon,” which was created with a Game Boy and the sequencer software Little Sound DJ, Hart, then a high school student, started exploring the musical possibilities of the handheld console.
Hart, who performs Saturday, is more accustomed to sharing his music on the internet than with live audiences. “I feel like I’m not as advanced in certain tech things,” he said. All the same, Jubinsky was floored when Battlemode shared a bill with AmateurLSDJ in Brooklyn.
”When he gets onstage, there’s no dancing or heavy movement … but his virtuosic chiptune is sonically insane! The music takes full control of audiences,” Jubinsky raved.
The organizers didn’t initially intend for the festival to be so big — “maybe half that,” Carballo said. Jubinsky’s work as the head of private events at Somerville’s Crystal Ballroom gave him inroads there, and the original plan was just for one day at that venue. But then, Carballo said, “it just kept going, and the response was so solid.”
Because of Carballo’s work with online radio station geekbeatradio as well as his stints booking music at Boston’s PAX East and Maryland’s MAGFest, the organizers were already in contact with chiptune artists around the world. Through Jubinsky’s Battlemode bandmate Kris Uzzell, who performs under the name Astro, they had a connection at Union Square’s The Jungle and nearby Warehouse XI. “All these opportunities were kind of there for us to take, and it seemed silly not to,” Carballo said.
Chiptune artists are “considered freaks in the electronic music scene, because we’re trying, almost deliberately in a way, to not do pop songs and stuff like that,” said Montreal-based musician Adélaïde Le Roux, who performs music with a SEGA Genesis console under the name Game Genie Sokolov. “People are kind of punk-ish.”
That hackerish DIY ethos allows for a “very good entry to music,” especially for those without formal musical training, said Le Roux, who performs Thursday. It also sets up a welcoming space for many flavors of queer and/or neurodivergent people, she continued. Le Roux, who came out as transgender in 2020, said she isn’t alone in having transitioned after entering the chiptune scene, and in the past two years, she has organized two charity compilations of chiptune music with proceeds going to organizations that support trans rights.
It’s a far cry from the years when it was “just a white boy scene,” said Carballo, who said chiptune played “one of the biggest parts” of his education on issues related to racial and gender diversity. “I had a lot to learn, growing up in Milton and Quincy. Chiptune really educated me on this, and took away any sort of confusion or doubts that I had about what all this meant. Now, these are just my friends.”
They “didn’t have to try very hard to book a diverse festival,” said Carballo. “That’s just the community reflecting who they are.”
Carballo “really cares for the artists, really tries to organize things for a genre of music that deserves some love and contains a lot of beautiful people,” said Le Roux. “It’s all thanks to Rob and the Boston chiptune community that we’ve managed to gather round, come together, celebrate one another.”
BOSTON BITDOWN
March 6-8. Various venues, Somerville and Arlington. www.bostonbitdown.com
A.Z. Madonna can be reached at az.madonna@globe.com. Follow her @knitandlisten.
Applause and music echoed through the Hall of Flags at the Massachusetts State House Friday as lawmakers and community leaders gathered for the Black Excellence on the Hill and the Latino Excellence Awards.
The ceremony celebrates Black and brown residents committed to advancing economic equity.
“We’re honoring Black excellence,” said state Rep. Chris Worrell. “When we look at today, this is what it should look like. This is our house. Black people built this house, literally and figuratively.”
Honorees ranged from attorneys to former professional athletes. Nicole M. Bluefort of the Law Offices of Nicole Bluefort said she plans to use her platform to uplift others.
“I will use my advocacy skills as an attorney to move people forward,” she said.
Former NBA player Wayne Seldan Jr. talked about his journey from McDonald’s All American to a full scholarship at Kansas and a professional career.
“You always want to keep striving for continued betterment and for stuff to grow,” he said. “I don’t think there should be mountaintops. I think we should always be striving to keep building.”
The keynote address was delivered by Michelle Brown, mother of Jaylen Brown, who spoke about raising two children as a single mother and the importance of faith, discipline and education.
“There are no shortcuts. There are no guarantees,” she said. “There was faith, there was discipline, and there was a deep belief that education created mobility.”
Speakers emphasized that mobility is strengthened when communities work together for a common good. Bluefort highlighted the importance of mentorship and shared opportunity, while state Rep. Sally Kerans encouraged attendees to stand together across racial lines.
“In this moment, stand with others. Speak up. Don’t be afraid to say ‘That’s not normal.’ Be allies. Be supportive,” Kerans said.
Organizers said the ceremony was not only about recognition, but also about sustaining progress — encouraging leaders and residents alike to continue building toward a more equitable future.
Health
Massachusetts health officials have confirmed the state’s first two measles cases of the year, a school-aged child and a Greater Boston adult.
The Department of Public Health announced the cases Friday, marking the first report of measles in Massachusetts since 2024.
According to health officials, the adult who was diagnosed returned home recently from abroad and had an “uncertain vaccination history.” While infectious, the person visited several locations where others were likely exposed to the virus, and health officials said they are working to identify and notify anyone affected
The child, meanwhile, is a Massachusetts resident who was exposed to the virus and diagnosed with measles out-of-state, where they remain during the infectious period. Health officials said the child does not appear to have exposed anyone in Massachusetts to measles.
The two Massachusetts cases come as the U.S. battles a large national measles outbreak, which has seen 1,136 confirmed cases nationwide so far in 2026, according to the Centers for Disease Control and Prevention.
“Our first two measles cases in 2026 demonstrate the impact that the measles outbreaks, nationally and internationally, can have here at home,” Massachusetts Public Health Commissioner Robbie Goldstein said Friday. “Fortunately, thanks to high vaccination rates, the risk to most Massachusetts residents remains low.”
Measles is a highly contagious disease that spreads through the air when an infected person sneezes, coughs, or talks. The virus can linger in the air for up to two hours and may even spread through tissues or cups used by someone who has it, according to the DPH.
Early symptoms occur 10 days to two weeks after exposure and may resemble a cold or cough, usually with a fever, health officials warned. A rash develops two to four days after the initial symptoms, appearing first on the head and shifting downward.
According to the DPH, complications occur in about 30% of infected measles patients, ranging from immune suppression to pneumonia, diarrhea, and encephalitis — a potentially life-threatening inflammation of the brain.
“Measles is the most contagious respiratory virus and can cause life-threatening illness,” Goldstein said. “These cases are a reminder of the need for health care providers and local health departments to remain vigilant for cases so that appropriate public health measures can be rapidly employed to prevent spread in the state. This is also a reminder that getting vaccinated is the best way for people to protect themselves from this disease.”
According to the DPH, people who have had measles, or who have been vaccinated against measles, are considered immune. State health officials offer the following guidance for the Measles-Mumps-Rubella (MMR) vaccine:
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The Boston Red Sox were expected to have a busy offseason to build on their short 2025 playoff appearance, their first in four seasons. Boston delivered, albeit not in the way many reporters and fans expected — Alex Bregman left and no one was traded from the outfield surplus.
Roster construction questions have loomed over the Red Sox since last season. They were emphasized by Masataka Yoshida’s return from surgery rehab and Roman Anthony’s arrival to the big leagues. Boston has four-six outfielders, depending where it envisions Yoshida and Kristian Campbell playing, and a designated hitter spot it likes to keep flexible — moving an outfielder makes the most sense to solve this quandary.
The best case-scenario for addressing the packed outfield would be to find a trade suitor for Yoshida, which has proven difficult-to-impossible over his first three seasons with the Red Sox. Red Sox insiders Chris Cotillo and Sean McAdam of MassLive think Boston may have to make an extremely difficult decision to free up Yoshida’s roster spot.
“You wonder, at what point does this become a — not Patrick Sandoval situation — but a Pablo Sandoval, where you rip the Band-Aid off and just release,” McAdam theorized on the “Fenway Rundown” podcast (subscription required).
Pablo Sandoval is infamous among Red Sox fans. He signed a five-year, $90 million deal before the 2015 season and he only lasted two and a half years before the Red Sox cut him loose. His tenure was marked by career lows at the plate, injuries and a perceived lack of effort that soured things quickly with Boston. Yoshida hasn’t lived up to the expectations the Red Sox had when they signed him, but he’s no Sandoval.
McAdam postulated that the Red Sox may be waiting until there is less money remaining on Yoshida’s contract before they potentially release him. Like Sandoval, Yoshida signed a five-year, $90 million deal before the 2023 season, which has only just reached its halfway point. The Red Sox still owe him over $36 million, and by releasing him, they’d be forced to eat that money.
The amount of money remaining on Yoshida’s contract is just one obstacle that may be preventing the Red Sox from finding a trade partner to move him elsewhere. Yoshida has never played more than 140 games in a MLB season with 303 total over his three-year tenure, mostly because he’s dealt with so many injuries since moving stateside.
Maybe the Red Sox could attach a top prospect to him and eat some of his contract money to entice another team into a trade, like they already did with Jordan Hicks this winter. But that would require sacrificing a quality prospect and it would cost more money, just to move a good hitter who tries hard at his job.
There’s no easy way to fit Yoshida onto Boston’s roster, but the decision to salary dump or release him will be just as hard. Yoshida hasn’t been a bad player for the Red Sox and he doesn’t deserve the Sandoval treatment, but his trade value may only decrease if he spends another year with minimal playing time. Alex Cora and Craig Breslow have a real dilemma on their hands with this roster.
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