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Robert Towne, Oscar-winning writer of 'Chinatown,' dies at 89

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Robert Towne, Oscar-winning writer of 'Chinatown,' dies at 89

Screenwriter Robert Towne poses at The Regency Hotel in New York on March 7, 2006.

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NEW YORK — Robert Towne, the Oscar-winning screenplay writer of Shampoo, The Last Detail and other films, whose script for Chinatown became a model of the art form and helped define the jaded allure of his native Los Angeles, has died. He was 89.

Towne died Monday surrounded by family at his home in Los Angeles, said publicist Carri McClure. She declined to comment on any cause of death.

In an industry which gave birth to rueful jokes about the writer’s status, Towne for a time held prestige comparable to the actors and directors he worked with. Through his friendships with two of the biggest stars of the 1960s and ’70s, Warren Beatty and Jack Nicholson, he wrote or co-wrote some of the signature films of an era when artists held an unusual level of creative control.

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The rare “auteur” among screen writers, Towne managed to bring a highly personal and influential vision of Los Angeles onto the screen.

“It’s a city that’s so illusory,” Towne told The Associated Press in a 2006 interview. “It’s the westernmost west of America. It’s a sort of place of last resort. It’s a place where, in a word, people go to make their dreams come true. And they’re forever disappointed.”

Recognizable around Hollywood for his high forehead and full beard, Towne won an Academy Award for Chinatown and was nominated three other times, for The Last Detail, Shampoo and Greystoke. In 1997, he received a lifetime achievement award from the Writers Guild of America.

“His life, like the characters he created, was incisive, iconoclastic and entirely (original),” said Shampoo actor Lee Grant on X.

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Towne’s success came after a long stretch of working in television, including The Man from U.N.C.L.E and The Lloyd Bridges Show, and on low-budget movies for “B” producer Roger Corman. In a classic show business story, he owed his breakthrough in part to his psychiatrist, through whom he met Beatty, a fellow patient. As Beatty worked on Bonnie and Clyde, he brought in Towne for revisions of the Robert Benton-David Newman script and had him on the set while the movie was filmed in Texas.

Towne’s contributions were uncredited for Bonnie and Clyde, the landmark crime film released in 1967, and for years he was a favorite ghost writer. He helped out on The Godfather, The Parallax View and Heaven Can Wait among others, and referred to himself as a “relief pitcher who could come in for an inning, not pitch the whole game.”

But Towne was credited by name for Nicholson’s macho The Last Detail and Beatty’s sex comedy Shampoo and was immortalized by Chinatown, the 1974 thriller set during the Great Depression.

Chinatown was directed by Roman Polanski and starred Nicholson as J.J. “Jake” Gittes, a private detective asked to follow the husband of Evelyn Mulwray (played by Faye Dunaway). The husband is chief engineer of the Los Angeles Department of Water and Power and Gittes finds himself caught in a chaotic spiral of corruption and violence, embodied by Evelyn’s ruthless father, Noah Cross (John Huston).

Influenced by the fiction of Raymond Chandler, Towne resurrected the menace and mood of a classic Los Angeles film noir, but cast Gittes’ labyrinthine odyssey across a grander and more insidious portrait of Southern California. Clues accumulate into a timeless detective tale, and lead helplessly to tragedy, summed up by the one of the most repeated lines in movie history, words of grim fatalism a devastated Gittes receives from his partner Lawrence Walsh (Joe Mantell): “Forget it, Jake, it’s Chinatown.”

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Towne’s script has been a staple of film writing classes ever since, although it also serves as a lesson in how movies often get made and in the risks of crediting any film to a single viewpoint. He would acknowledge working closely with Polanski as they revised and tightened the story and arguing fiercely with the director over the film’s despairing ending — an ending Polanski pushed for and Towne later agreed was the right choice. (No one has officially been credited for writing “Forget it, Jake, it’s Chinatown”).

But the concept began with Towne, who had turned down the chance to adapt The Great Gatsby for the screen so he could work on Chinatown, partly inspired by a book published in 1946, Carey McWilliams’ Southern California: An Island on the Land.

“In it was a chapter called ‘Water, water, water,’ which was a revelation to me. And I thought, ‘Why not do a picture about a crime that’s right out in front of everybody?,’ ” he told The Hollywood Reporter in 2009.

“Instead of a jewel-encrusted falcon, make it something as prevalent as water faucets, and make a conspiracy out of that. And after reading about what they were doing, dumping water and starving the farmers out of their land, I realized the visual and dramatic possibilities were enormous.”

The back story of Chinatown has itself become a kind of detective story, explored in producer Robert Evans’ memoir, The Kid Stays in the Picture; in Peter Biskind’s East Riders, Raging Bulls, a history of 1960s-1970s Hollywood, and in Sam Wasson’s The Big Goodbye, dedicated entirely to Chinatown. In The Big Goodbye, published in 2020, Wasson alleged that Towne was helped extensively by a ghost writer — former college roommate Edward Taylor. According to The Big Goodbye, for which Towne declined to be interviewed, Taylor did not ask for credit on the film because his “friendship with Robert” mattered more.

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Wasson also wrote that the movie’s famous closing line originated with a vice cop who had told Towne that crimes in Chinatown were seldom prosecuted.

“Robert Towne once said that Chinatown is a state of mind,” Wasson wrote. “Not just a place on the map in Los Angeles, but a condition of total awareness almost indistinguishable from blindness. Dreaming you’re in paradise and waking up in the dark — that’s Chinatown. Thinking you’ve got it figured out and realizing you’re dead — that’s Chinatown.”

The studios assumed more power after the mid-1970s and Towne’s standing declined. His own efforts at directing, including Personal Best and Tequila Sunrise, had mixed results. The Two Jakes, the long-awaited sequel to Chinatown, was a commercial and critical disappointment when released in 1990 and led to a temporary estrangement between Towne and Nicholson.

Towne’s greatest regret, he said in the 2006 AP interview, was how Greystoke turned out. Towne wrote the adaptation of Edgar Rice Burroughs’ novel Tarzan of the Apes and wanted to direct it. But production troubles on Personal Best bled into his hopes for Greystoke. Hugh Hudson, instead, directed the 1984 film. And while Greystoke received three Oscar nominations, including for Towne’s script, he was unhappy with the result. Towne took the name of his dog, P.H. Vazak, for his screenwriting credit, making Vazak an unlikely Oscar nominee.

Around the same time, he agreed to work on a movie far removed from the art-house aspirations of the ’70s, the Don Simpson-Jerry Bruckheimer production Days of Thunder, starring Tom Cruise as a race car driver and Robert Duvall as his crew chief. The 1990 movie was famously over budget and mostly panned, although its admirers include Quentin Tarantino and countless racing fans. And Towne’s script popularized an expression used by Duvall after Cruise complains another car slammed him: “He didn’t slam into you, he didn’t bump you, he didn’t nudge you. He rubbed you.

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“And rubbin,’ son, is racin.’”

Towne later worked with Cruise on The Firm and the first two Mission: Impossible movies. His most recent film was Ask the Dust, a Los Angeles story he wrote and directed that came out in 2006. Towne was married twice, the second time to Luisa Gaule, and had two children. His brother, Roger Towne, also wrote screenplays, his credits including The Natural.

Towne was born Robert Bertram Schwartz in Los Angeles and moved to San Pedro after his father’s business, a dress shop, closed down because of the Great Depression. (His father changed the family name to Towne). He had always loved to write and was inspired to work in movies by the proximity of the Warner Bros. Theater and from reading the critic James Agee. For a time, Towne worked on a tuna boat and would speak often of its impact.

“I’ve identified fishing with writing in my mind to the extent that each script is like a trip that you’re taking — and you are fishing,” he told the Writers Guild Association in 2013. “Sometimes they both involve an act of faith. … Sometimes it’s sheer faith alone that sustains you, because you think, ‘God damn it, nothing — not a bite today. Nothing is happening.’ “

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Fast-moving French Fire in Mariposa County triggers mandatory evacuations

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Fast-moving French Fire in Mariposa County triggers mandatory evacuations

PIX Now Evening Edition 7-4-24

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PIX Now Evening Edition 7-4-24

03:35

Authorities in Mariposa County have issued mandatory evacuation orders on a number of streets and a shelter-in-place order at a hospital after a wildfire broke out early Thursday evening.

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French Fire in Mariposa County
French Fire in Mariposa County

PG&E Wildfire Camera


The Mariposa County Sheriff first posted on social media about the so-called French Fire at around 6:30 p.m. Residents who live on the following roads have been order to evacuate as of 8:15 p.m.  

  • Hospital Rd. — From Silver Creek to the end (up the mountain)
  • Grosjean Rd.
  • Alta Vista Rd.
  • Avoca Vale
  • Old Hwy North from 140 to Wild Peach including Wild Peach both sides of the roadway
  • Slaughterhouse Rd.
  • Williams Rd.
  • Campbell Rd.
  • Pine St.
  • Dexter View

Deputies are in the areas making door-to-door notifications. People at the John C. Fremont Hospital at 5189 Hospital Rd. in the town of Mariposa have been ordered to shelter-in-place because of the fire. An evacuation map showing the zones affected can be found online.

“If you live in the area and do not feel safe, please leave do not wait to be told to evacuate,” the most recent post read.

At 8:45 p.m., Cal Fire’s Madera-Mariposa-Merced unit confirmed that the French Fire was 400 acres and 0% contained. So far there is no word on what the response from Cal Fire and local fire crews has been.

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Additionally, Highway 140 is closed between Smith Rd. to West Whitlock. There are multiple other road closures.

Authorities have set up a temporary evacuation point at the New Life Christian Church located at 5089 Cole Rd. in Mariposa.

Residents are advised to stay out of the fire area. Multiple Road Closures in and around the fire area.

There have been evacuation warnings issued for the following roads:

  • Hospital Rd. — From Silver Creek to the End (up the mountain)
  • Grosjean Rd.
  • Alta Vista Rd.
  • Avoca Vale
  • Old Hwy North from Hwy 140 to Wild Peach including Wild Peach both sides of the roadway
  • Slaughterhouse Rd.
  • Williams Rd.
  • Campbell Rd.
  • Pine St.
  • Dexter View

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Tories have been punished for their failings in office

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Tories have been punished for their failings in office

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Don’t allow the predictability to underwhelm you. Sir Keir Starmer has led Labour to a monumental victory, upending the UK’s political landscape as voters delivered a punishment beating to the Conservatives. British politics is about to change utterly.

It is a measure of how far the Conservative party has fallen that the predicted 131 seats will almost have felt like a relief. After six excruciating weeks, the worst defeat in its history came in at the higher end of expectations.

The inquests will be brutal but the explanation is devastatingly simple and has little to do with Rishi Sunak’s hopeless campaign. The public responded with disgust and contempt towards a government they associated with incompetence and chaos. Whether the issue was tax, public services or immigration, the party was judged to have failed them.

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Starmer will now be the nation’s dominant political figure. Furthermore, if the exit polls are right, Labour’s landslide will also have shored up the Union by reducing the Scottish National party to a rump in Westminster.

In the campaign, the Labour leader painted his agenda as long-term, talking often of a “decade of renewal”. But the nature of his victory should serve as a warning that he may not enjoy the stability that prime ministers can usually expect after a landslide win and that he may not have that long to show real progress.

This is not to take away from his achievement in returning Labour to electability. The party’s turnaround has been remarkable. But Labour’s share of the vote would not normally deliver a landslide. The scale of his win owes much to a huge split on the right and, most of all, to the desire to be rid of the outgoing Conservative government.

Yet what will — or should — worry Labour is Nigel Farage’s Reform UK party, which looks set to get a toehold in parliament. More significant is the large number of seats where Reform is likely to be in second place and where, next time, it will be the main challenger to sitting Labour MPs.

This could materially change the nature of the Labour government because there will suddenly be many Labour MPs looking at the threat from the nationalist right in an era where voters are consistently more volatile. This may well check some progressive instincts — a more liberal approach to prisoner releases for example — but it also means Starmer cannot take his decade for granted. He will feel the pressure to move faster to deliver the change, especially on the NHS and public services, that he has loudly but unspecifically promised.

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But while the threat to Labour is long-term, Reform’s vote share poses an immediate existential crisis for the Tories. And Farage will be emboldened to replace, rather than seek a pact with, the Tories.

The Conservatives must decide whether to try to move to reunify the right vote, marginalising Reform by stealing their policies, or whether they have simply been punished for their failings in office and can reclaim support by staying in the centre-right and rebuilding trust as Labour loses popularity. The unfortunate truth for whoever emerges as the next Tory leader is that they need to do both.

But that is for the future. For the first time in more than a decade, the UK has a stable, centre-left government led by an understated but patently serious premier. After the chaos of recent years, it may take some time for everyone to adjust.

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Hunt for the nation's oldest monuments, and prepare to get muddy

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Hunt for the nation's oldest monuments, and prepare to get muddy

D.C.’s east cornerstone, located at the city’s easternmost point, is hidden in a small patch of woods in a residential neighborhood.

Jacob Fenston/For NPR


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Jacob Fenston/For NPR

If you’ve been to Washington, D.C., chances are you paid a visit to some of the city’s many monuments.

You probably didn’t see D.C.’s oldest monuments — even though they are thought to be the first federal monuments anywhere in the country, dating back to the 1790s. But they aren’t on any tourist map, and many are at risk of being destroyed.

The monuments in question are D.C.’s boundary stones. Placed by surveyors more than 200 years ago, they delineated the borders of what would become the young nation’s new capital city. Today, 36 of the original 40 sandstone markers remain, but they’re far outside the downtown areas most visitors see.

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One face of each stone is carved with the year it was set in the ground, either 1791 or 1792.

One face of each stone is carved with the year it was set in the ground, either 1791 or 1792.

Jacob Fenston for NPR


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I recently toured all of D.C.’s boundary stones in one day. It took more than 9 hours, crammed in the back of a minivan traversing the wilds of Washington, from the tony mansions along the Potomac River, to a mucky swamp behind the city’s car impound lot.

“It is a long day, and you’ve really got to be into it,” says Stephen Powers, who leads the small tour.

Powers may be the foremost expert on D.C.’s boundary stones and he’s largely responsible for a resurgence of interest in them in recent years. He’s been making these treks each year since 2005. He checks on each stone, and he brings along as many people as he can fit in his vehicle.

A capitol carved out of field and forest

The U.S. Constitution itself authorized the creation of the new nation’s capital — a 10-mile by 10-mile square — and President George Washington selected the exact location. Before any construction could start, surveyors set out through old-growth forests and farmland, manually measuring and marking the official borders. Every mile along the way, they set a boundary stone.

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Now, more than 200 years later, many are unmarked and tough to get to. For example, one is hidden in a bit of overgrown woods wedged between the eight-lane I-295 freeway and the Potomac River.

I’m riding next to Sharon Pitts, a local who lives nearby in Alexandria, Va. She’s having fun on this unusual tour, but it’s a little outside her comfort zone. She says she doesn’t usually spend her Sundays wearing khaki cargo pants and muddy boots.

“Oh, no, no! Church,” she says, laughing. “I’m all dressed up and all that.”

Sharon Pitts on the hunt for the southeast #9 boundary stone, located in a small forest between the Potomac River and I-295.

Sharon Pitts on the hunt for the southeast #9 boundary stone, located in a small forest between the Potomac River and I-295.

Jacob Fenston for NPR


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Powers pulls his minivan over on the shoulder of I-295 , then guides the group over the guardrail as cars whiz by.

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A short way into the vine-draped trees, we clamber over a broken section of chain-link fence, and then bushwhack through brambles.

Then, we find it: a little, pyramid-shaped stone, about 2 feet tall. It’s pitted, and dotted with lichen, but you can clearly make out the carved numbers: 1792.

The stone is engraved with the word “Maryland” on one side, and “Jurisdiction of the United States” on the other.

“This is one of the earliest representations of the words ‘United States’ carved into stone,” Powers says.

He waves his arms to show where the border runs, dividing Maryland and the District of Columbia.

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For Powers, the boundary stones are a hobby. By day he’s a civil engineer at Metro, D.C.’s public transit agency. In 2005, he got interested in the stones when his second-grade daughter did a school project on them. At the time, before ubiquitous smartphones and GPS-powered maps, he had to spend countless hours tracking down the people who knew how to find each stone. Now, he runs a website with an interactive map and directions to each stone.

Over the centuries, Washington’s boundary stones have been threatened by the elements, in particular water, erosion, and falling trees. A few may have been damaged or gone missing during the Civil War. But in more recent years, there’s been an even bigger threat: the automobile.

On the tour, we pull into a gas station parking lot, and dash across a major intersection. At the spot where a boundary stone should be, there is instead wreckage from a car crash — twisted pieces of metal and yellow caution tape fluttering in the breeze.

Powers was one of the first people on the scene after the crash happened a few days earlier. He found the boundary stone intact, but covered with smashed car parts, including the Maryland license plate from the vehicle involved — a detail that may help police track down the culprit.

District officials later retrieved the stone. They’re still figuring out how to reinstall it to prevent further damage.

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Powers heard about the crash from Janet McFarland with the D.C. chapter of the Daughters of the American Revolution. The group has been helping look after the boundary stones for more than a century, and McFarland was on her way to a cleanup of one of the boundary stones when she spotted the one that had been hit and alerted Powers.

“Cars right now are our biggest enemy,” says McFarland.

The boundary stones used to be in the middle of nowhere. In the 1700s, Washington, D.C. was just an idea — an imagined street grid of grand avenues and squares to be built over what was then a rural landscape at the confluence of two rivers.

As Washington’s population grew, the stones were swallowed up by the city. Now, one is on the unnaturally verdant lawn of a self-storage business, one is next to a strip mall parking lot, one is in a cemetery. Many are along busy roads.

On the tour, we see at least three that have been hit by cars over the years.

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A bit of history in a suburban yard

Many boundary stones are in people’s yards. Rosa García has one in front of her bungalow. Her house is in Mt. Rainier, Md., but the sidewalk and street are in D.C.

When I call out to her, she’s not surprised to have a stranger at her front gate.

“Plenty of people come by,” she tells me in Spanish. They stop, takes pictures.

She doesn’t mind all the attention to the unusual lawn ornament. “Pues, es historia,” she says. It’s history.

Over the years there have been surges of interest in the boundary stones. They were almost completely forgotten for the first century of their existence, before being surveyed again in 1894.

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Powers says there have been many people before him who’ve been fascinated by, even obsessed with, the boundary stones.

“I like to call them stoners,” Powers says. “I walk in their footprints.”

There have been efforts to elevate the status of the stones, and better preserve them. In the 1980s there was an unsuccessful push to turn all of them into National Historic Landmarks, a move that would open the door to federal funding.

There has been some government investment: in 2015, D.C. led a project to restore the stones, digging up, repairing, and resetting them. For the four stones that were missing, concrete replicas were made.

A few of the stones have informational signs, but most don’t. Powers says that’s not necessarily a bad thing.

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“I have mixed emotions about that. There are some that I really feel should be more accessible,” he says.

Others, he says, are probably better off hidden — protected by their obscurity, and more fun to visit.

We finally come to the end of the tour, at the western corner stone. We’ve gone 57.8 miles, circumnavigating the city and getting a 360-degree view of life in modern-day Washington. We drove through neighborhoods that are home to Supreme Court justices and cabinet secretaries; we stopped for coffee in a vibrant community of Ethiopian immigrants; we wolfed down a packed lunch behind a dusty concrete plant.

“You get the diversity of it all,” Powers says.

As the minivan pulls to a stop, Sharon Pitts records the time — it’s 9 hours, 33 minutes after we started.

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“This has been such a wonderful day,” Pitts says.

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