Bruce Springsteen was already a superstar by the time he released his album Nebraska in 1982. It wasn’t his biggest commercial success at the time, as it differed greatly from his past material in terms of subject matter, tone, and sound. That didn’t stop the set from selling fairly well, and in the decades since it arrived, it has gained further admiration from both fans and critics.

The rocker revisited the collection this past weekend via CBS News. Springsteen detailed the making of the album and shared tidbits from its storied history. The newfound attention has helped the title become a bestseller once again.

Shortly after the CBS News segment aired, fans in America began purchasing Nebraska in sizable numbers. Springsteen’s project shot up the iTunes ranking in the U.S., becoming a top 10 bestseller once again.

At the time of writing, Nebraska sits at No. 8 on iTunes’ list of the bestselling albums in the U.S. Springsteen didn’t need very long to find his way back to the top 10 on the tally, and as Sundays and Mondays aren’t flush with new releases (like Fridays), he faced softer competition, thus making it easier to climb.

Nebraska is back in the spotlight for the moment as a film is in development around the album. In April of this year, 20th Century Studios acquired the rights to Deliver Me From Nowhere, which is all about the making of the set.

The upcoming movie is based on the book Deliver Me from Nowhere: The Making of Bruce Springsteen’s Nebraska by author Warren Zanes. Emmy-winning actor Jeremy Allen White, who scored a breakout role in Hulu’s The Bear, has been tapped to play the rocker in his younger years.

All the recent purchases of Nebraska might help it return to the Billboard charts in a few days. In fact, if it continues to perform well for the rest of this current tracking week, the title may find its way to tallies it’s never reached before, as some current lists didn’t exist when the project was released.

ForbesBruce Springsteen Finally Returns To The Hot 100 With His New High-Profile CollaborationBy Hugh McIntyre

After the 16U and Junior Freestyle portion at the Fargo National Championships, we did a big write-up for you outlining the performances of Nebraska’s commit Cade Ziola, some of the possible targets for Nebraska, and some in-state talent that turned some heads.

Between both freestyle age groups, Team Nebraska had a total of seven All-Americans (top-8 finish), led by Ziola making it to the final at 190 pounds and Abdi Unle placing third at 113. Nebraska finished 12th in the team race in the Junior division and 18th as a team in 16U.

The Greco-Roman portion of the tournament took place this weekend with Team Nebraska finishing in 9th-place in the 16U division and 30th in Junior. In total, seven more Nebraska wrestlers finished as All-Americans in the upper-body-only discipline.

Team Nebraska’s phenomenal finish in 16U was led by junior-to-be Zaiyahn Ornelas. A phenomenal high school wrestler who is a two-time undefeated state champion for Wilber-Clatonia in Nebraska’s Class C, Ornelas is very credentialed in Greco. This summer, he won Greco titles at both the USA Wrestling Northern Plains Regional as well as the Southern Plains Regional.

As the 1-seed at 113 pounds this weekend, Ornelas made it to the final by outscoring his first five opponents 34-1. However, Ornelas lost his final bout 14-5. This impressive finish combined with his folkstyle success should get him a lot more attention from college coaches going forward.

The Huskers have a major needs coming up at 141 and 149. I don’t know what weight class Ornelas will end up at in college, but I believe he’ll be a part of Nebraska’s plans.

Three Nebraska wrestlers earned double All-American status this weekend by landing on the podium in both styles — Preston Wagner, Riley Johnson and Cruzer Dominguez.

Out of Fremont, Wagner was really impressive in the 16U division wrestling at 285 pounds. After going 5-2 and finishing fourth in freestyle, he turned in another impressive tournament in Greco, going 6-1 while finishing third.

With his 11-3 record against national competition and his two podium finishes, Wagner certainly set himself up for more recruiting attention. He finished sixth at state in Class A as a sophomore with a 32-9 record.

Nebraska has a trio of heavyweights on the roster but not many with much experience at the Division I level. Wagner could very well be a target for Nebraska in the 2026 class after his performance in Fargo.

Out of Omaha Skutt, Johnson went 5-3 in both freestyle and Greco, finishing in 6th-place in both styles. In Greco, he knocked off the 2-seed JayDen Williams in the quarterfinal round.

A freshman-to-be, Dominguez had a great weekend at his first Fargo, capturing a pair of 7th-place finishes at 106 pounds in the 16U division. In freestyle, he went 7-2. In Greco, he finished with a 5-2 record.

Facing some of the best in the nation before even entering high school, Dominguez will be a highly sought-after prospect in the class of 2028.

The other All-American from Team Nebraska in the 16U division was JT Smith out of Creighton Prep. A Class A state finalist at 175 pounds as a freshman, Smith was up at 190 in Fargo. In freestyle, he went 4-2 and fell one win short of All-American status. In Greco, he was fairly dominant, going 6-1 for a 3rd-place finish. His only loss was a 9-0 setback against the 1-seed in the semifinal round. In the six matches he won, he outscored his opponents 55-0.

In the Junior division in Greco, Team Nebraska had two All-Americans in Logan Glynn of Millard South and Brayden Canoyer of Waverly.

Going into his senior season, Glynn is uncommitted and could be an option for the Huskers. A two-time Class A state champion, Glynn went 3-2 in freestyle but finished 7-3 in Greco to finish in 6th-place at 157 pounds.

Another senior-to-be, Canoyer is a Class B state champion for Waverly. In freestyle at Fargo, Canoyer went 4-2. In Greco, he finished with a 6-3 record and an 8th-place finish.

“I lived in this house exactly half a lifetime ago,” said Bruce Springsteen. It may not look like much, but this small bedroom in Colts Neck, New Jersey, which still sports the original orange shag rug, is where Springsteen made what he considers his masterpiece: his 1982 album “Nebraska,” ten songs dark and mournful. “This is the room where it happened,” he said.

I saw her standing on her front lawn just twirling her baton
Me and her went for a ride, sir, and ten innocent people died
From the town of Lincoln, Nebraska, with a sawed-off .410 on my lap
Through to the badlands of Wyoming I killed everything in my path 

“If I had to pick one album out and say, ‘This is going to represent you 50 years from now,’ I’d pick ‘Nebraska,” he said.  

It was written 42 years ago at a time of great upheaval in Springsteen’s inner life: “I just hit some sort of personal wall that I didn’t even know was there,” he said. “It was my first real major depression where I realized, ‘Oh, I’ve got to do something about it.’”

Coming off a hugely successful tour for “The River” album, he had his first Top 10 hit, “Hungry Heart.” He was 32, a genuine rock star surrounded by success, and learning its limits.

Axelrod said, “Your rock ‘n’ roll meds, singing in front of 40,000 people, all that is, is anesthesia.”

“Yeah, and it worked for me,” Springsteen said. “I think in your 20s, a lotta things work for you. Your 30s is where you start to become an adult. Suddenly I looked around and said, ‘Where is everything? Where is my home? Where is my partner? Where are the sons or daughters that I thought I might have someday?’ And I realized none of those things are there.

“So, I said, ‘OK, the first thing I’ve gotta do as soon as I get home is remind myself of who I am and where I came from.”

At the fixed-up farmhouse he was renting, he would try to understand why his success left him so alienated. “This is all inside of me,” he said. “You can either take it and transform it into something positive, or it can destroy you.”  

Author Warren Zanes said, “There are records, films, books that don’t just come in the front door. They come in the back door, they come up through a trap door, and stay with you in life.”

Zanes’ recent book, “Deliver Me from Nowhere,” offers a deep and moving examination of the making of “Nebraska.” 

Springsteen’s pain was rooted in a lonely childhood. “Here’s Bruce Springsteen making a record from a kind of bottom in his own life,” said Zanes. “They were very poor.  And then he becomes Bruce Springsteen. He felt that his past was making his present complicated. And he wanted to be freed of it.”

For Springsteen, liberation had always come through writing. While he filled notebook after notebook (“It’s funny, because I don’t remember doing all this work!” he mused, leafing through his writings), the album didn’t come together until late one night when he was channel surfing and stumbled across “Badlands,” Terrence Malick’s film about Charles Starkweather, whose murder spree in 1957 and ’58 unfolded mainly in Nebraska. He said, “I actually called the reporter who had reported on that story in Nebraska. And amazingly enough she was still at the newspaper. And she was a lovely woman, and we talked for a half-hour or so. And it just sort of focused me on the feeling of what I wanted to write about.”

In a serial killer, Springsteen had found a muse:

I can’t say that I’m sorry for the things that we done
At least for a little while, sir, me and her, we had us some fun …
They wanted to know why I did what I did
Well, sir, I guess there’s just a meanness in this world

“‘There’s a meanness in this world.’ That explains everything Starkweather’s done,” said Axelrod.

“Yeah, I tried to locate where their humanity was, as best as I could,” Springsteen said.

In a surge of creativity, he wrote 15 songs in a matter of weeks, and one January night in 1982, it was time to record, on a 4-track cassette machine. One of rock’s biggest stars sat in this bedroom, alone, and sang, getting exactly the sound he was looking for.

And the acoustics? “Not bad,” Springsteen said. “The orange shag carpet makes it really dead. There’s not a lot of echo. Not only was it beautiful, it came in handy!”

Some songs explored the confusion left from childhood, like “My Father’s House”:

I walked up the steps and stood on the porch
a woman I didn’t recognize came and spoke to me
Through a chained door
I told her my story and who I’d come for
She said “I’m sorry, son, but no one by that name
Lives here anymore”

Springsteen said, “‘Mansion on the Hill,’ ‘My Father’s House,’ ‘Used Cars,’ they’re all written from kids’ perspectives, children trying to make sense of the world that they were born into.”

Others profiled adults left out, or left behind. The music, Springsteen maintained, possessed a “very stark, dark, lonely sound. Very austere, very bare bones.”  

On a broken-down boom box, Springsteen mixed the songs onto a cassette tape he carried around in his back pocket, for a few weeks. “I hope you had a plastic case on it, at least,” said Axelrod.

“I don’t think I had a case,” he replied. “I’m lucky I didn’t lose it!”

Springsteen’s band would record what he had on the cassette, but bigger and bolder wasn’t what he was looking for: ”It was a happy accident,” he said. “I had planned to just write some good songs, teach ’em to the band, go into the studio and record them.  But every time I tried to improve on that tape that I had made in that little room? It’s that old story: if this gets any better, it’s gonna get worse.”

Bruce Springsteen wasn’t working E Street, but another road entirely. According to Zanes, “‘Nebraska’ was muddy. It was imperfect. It wasn’t finished. All the things that you shouldn’t put out, he put out.” 

Everything dies, baby, that’s a fact
But maybe everything that dies some day comes back
Put your makeup on, fix your hair up pretty
And meet me tonight in Atlantic City

Axelrod asked, “Did any part of you worry, ‘Oh my goodness, what am I putting out there?’”

“I knew what the ‘Nebraska’ record was,” Springsteen said. “It was also a signal that I was sending that, ‘I’ve had some success, but I do what I want to do. I make the records I wanna make. I’m trying to tell a bigger story, and that’s the job that I’m trying to do for you.’”

A few more songs that didn’t make the cut? You probably heard them later, including “Born in the U.S.A.,” “Pink Cadillac,” and “Downbound Train” – songs the guy in the leather jacket who’d written of chrome-wheeled fuel-injected suicide machines kept in a binder with Snoopy on the cover.

In that small bedroom, Springsteen the rocker made an album that fleshed out Springsteen the poet. Imagine for a moment if he hadn’t. Axelrod mused, “And then people might be assessing a career and say, ‘Oh, it was great, man, 70,000 people singing “Rosalita” in the stadium.’ But that might have been closer to where it ended in considering what you’ve done.” 

“Yeah. I was just interested in more, in more than that,” Springsteen said. “I love doin’ it. I still love doin’ it to this day. But I wanted more than that.”

“If they want to enjoy your work, try anything; if they want to understand your work, try ‘Nebraska’?” asked Axelrod.

“Yeah, I’d agree with that,” he replied. “I’d definitely agree with that.”  

An earlier version of this story was originally broadcast on April 30, 2023.   

     
READ AN EXCERPT: “Deliver Me from Nowhere: The Making of Bruce Springsteen’s ‘Nebraska’”

You can stream “Nebraska” by Bruce Springsteen by clicking on the embed below (Free Spotify registration required to hear the tracks in full):

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Story produced by Jason Sacca. Editor: Ed Givnish. 

     
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