Minneapolis, MN
Our Streets Isn't Just for Minneapolis Anymore – Racket
Welcome back to The Flyover, your daily digest of important, overlooked, and/or interesting Minnesota news stories.
Our Streets Minneapolis
In a small but telling move, the transportation advocacy org Our Streets Minneapolis is dropping the “Minneapolis” from its name. According to a press release, “The slight rebrand better reflects their ongoing campaign to convert an urban stretch of Interstate 94, which straddles the Twin Cities, to a multimodal boulevard.” That press release also trumpets the $1.6 million federal grant Our Streets was awarded and its part in the “Bring Back 6th” campaign to convert Olson Memorial Highway into a boulevard.
Our Streets’ work is clearly no longer limited to Minneapolis, but it’s hard not to also see the name shift as a commentary on how the city of Minneapolis estranged itself from a valuable nonprofit. The organization once put on the popular Open Streets program, but after a budget dispute between Minneapolis Public Works and Our Streets, and some very confusing messaging from the city, Minneapolis and Our Streets have parted ways. The program is still on for 2024, but given the city’s belated request for proposals and the uncertainty of how it would proceed, it seems like Open Streets is on shaky ground.
Following this incredible and largely unacknowledged fumble on the part of the Frey administration, here’s hoping Our Streets gets to work with more receptive governmental structures in the future.
The Strib Speaks for the Trees
Every so often, the biggest newspaper in Minnesota puts its resources to work to produce the kind of story that we scrappy little shoestring upstarts can only dream of. This week, the Strib went all in with this look at the Legacy Tree, a celebrated white cedar up near the Boundary Waters, its existence threatened by climate change. “We’re in such dark existential times,” says Paul Schurke of the Wintergreen Dogsled Lodge in the BWCA. “[The tree] gives us hope because it’s seen its own share of existential threats.”
The story, which covers the history of the region and speculates on its future, is beautifully illustrated with detailed maps, rich photography and immersive video, and a timeline of human history as represented in the cedar’s rings. Kudos to Jake Steinberg, who contributed story and graphics, and Anthony Soufflé, who handled photos and video.
Alas, I couldn’t resist clicking the little green comment bubble at the end of the story, where various experts had gathered to tell me that climate change was either not real or not man-made and that the tree would either be fine or that its death would be no big loss. Which reminded me that aside from investing in more stories like this, another way the Strib could improve itself its to finally discontinue its often-reprehensible comments section.
Live Where You (Used to) Work
The commercial vacancy rate in the Twin Cities is currently 22.6%, and no matter what Minneapolis Mayor Frey called for in his State of the City address today, the workers who stopped going into the office at the start of Covid are not all coming back. So what do we do with the giant glass edifices whose construction our cities did so much to encourage over the past few decades? Well, we could turn them into housing.
Today MPR News spoke with developer Chris Sherman, who believes “he can create hundreds of new homes without ever having to put a shovel in the ground.” Sherman Associates is currently converting Landmark Towers in St. Paul and Northstar Center in Minneapolis, where the developer plans to spend $185 million in the transformation of 600,000 square feet of office space into 400 units of housing. What if the city of the future was no longer a centered commercial/retail/tourist hub but was composed instead of an interrelated series of neighborhoods?
I know—cities rely on a commercial tax base to survive. But as St. Paul City Council Member Rebecca Noeker puts it, when it comes to taxes, “We know that a full bustling residential building is far, far better than a mostly vacant office building.”
More Like Denver Nug-ASS
We’ve got nothing to say about the Wolves’ vicious 106-80 trouncing of the Denver Nuggets last night that you couldn’t see with your own disbelieving eyes. So let’s just celebrate the easily celebratable Anthony Edwards, who scored 27 points last night along with two rebounds, seven assists, and two steals. “Once I found my second wind I knew there was nobody that could stop me,” the new face of the NBA told Marney Gellner of Bally Sports North after the game.
Incidentally, an older chat between Gellner and Edwards is blowing up online today, and it’s too fun not to share. In it, Edwards discusses the sports he played growing up, including baseball (he batted “straight cleanup on aisle three, come get it”) as well as hypothetical sports he would also excel in, including “tennis, swimming, la crosse—whatever you need me to play.” Gotta love the guy.
Minneapolis, MN
Fan behind Anthony Edwards’ orange bracelet has beaten cancer
MINNEAPOLIS (FOX 9) – The story behind Anthony Edwards wearing a bright orange bracelet since last season has received a positive development, after Timberwolves fans learned Luca Wright has beaten leukemia.
Anthony Edwards, Luca Wright connection
What we know:
Last January, the 6-year-old Minnesotan met “Ant” for the first time following a game against the Detroit Pistons, proclaiming him to be his favorite player, and asking him to wear a bracelet that symbolizes leukemia awareness, resilience and support for those affected. During the interaction, the fan had created a sign with a to-do list: “1. Beat Cancer. 2. Be The Next MJ.”
Leukemia is a type of cancer that spreads throughout the bloodstream, infecting bone marrow and a person’s lymphatic system by rapid production of abnormal white blood cells that can’t fight infection.
Since then, the Wolves’ MVP has worn a bracelet that proclaims, “Love Like Luca” on it for every game he has played, vowing to wear it “until he hangs up his sneakers.”
Ant has gone on to explain how the gesture connected with him given that he lost both his mother, Yvette, and grandmother, Shirley, to cancer when he was 14 years old. The No. 5 jersey he wears currently is a tribute to them both.
Luca bracelet latest
Dig deeper:
More than a year later, Wolves fans have received the update they hoped for – now 7-year-old Luca has beaten his cancer.
What’s next:
Ant has since responded to the news with his own social media video, calling it “God’s gift” and saying, “Let’s do this Luca.”
No word yet on whether he intends to keep wearing the bracelet, though he’s previously said he has a stash of replacements near the team bench should one ever be broken.
The Source: Information provided by the Minnesota Timberwolves public relations department.
Minneapolis, MN
Family of Minneapolis brothers killed by cousin says their deaths were preventable:
A Minneapolis family is struggling to make sense of a tragedy that has left them heartbroken.
Family tells WCCO 14-year-old Xavier Barnett and 23-year-old Akwame Stewart were killed Monday.
The brothers were very different, but equally loved. Barnett was a good student and athlete. Stewart was a painter, creative and thoughtful. Two brothers, loved and full of promise, gone.
Police say the accused shooter is their cousin, 23-year-old Eddie Duncan.
Court records show Duncan was released on bail Monday on charges of fleeing law enforcement and possession of a gun modified with an “auto sear switch.”
Court records also show Duncan was ordered to undergo a psychological evaluation, but not until next month, on March 24.
Deasia Freeman, Barnett and Stewart’s sister, says this loss could have been prevented.
“They all failed us. We got two innocent lives gone for no reason. Didn’t do nothing to nobody,” Freeman said.
Family members say the system and Duncan’s family let them down.
Freeman says Duncan’s family saw the warning signs and still bailed him out
“If you knew this man was thinking like this, y’all should have kept him in there and he should not even have bail,” she said.
The Hennepin County Attorney’s Office says they noted Duncan was a public safety risk and asked for a high bail, much higher than a typical request.
“In Minnesota, there is a constitutional right to bail, and the bail amount is set by the Court. Our office noted a public safety risk with Mr. Duncan and asked the judge to set bail at $70,000, or $35,000 with conditions; both of which are higher than we would typically request in this scenario. The judge set bail in that amount. Mr. Duncan posted $35,000 bail with conditions of release, as is allowed under the Minnesota Constitution, and was released from custody. Our thoughts are with all those impacted by yesterday’s violence. This was a terrible tragedy for this family and our community,” a spokesperson for the Hennepin County Attorney’s Office said.
For Freeman and her family, the hardest part isn’t just the legal process but living each day without their brothers.
Even in the heartbreak, she says the memories of the good days, the laughter and love they shared will carry them through.
“I wish I could get just one more phone call from them asking me where I’m at,” Freeman said as tears rolled down her face.
Court records confirm Duncan left the scene of the crime and fled to nearby Brooklyn Center. There, a search warrant says Duncan “fired a gun at officers, striking two squads,” when police arrived. That’s when officers returned fire, shooting and killing him.
Three officers have been placed on critical incident leave as the Minnesota Bureau of Criminal Apprehension leads the investigation into Duncan’s fatal shooting.
Minneapolis, MN
First-of-Its-Kind Photography Festival Comes to Minneapolis | Minnesota Monthly
MODE by Flickr
The Twin Cities has long been a hotbed of creative inspiration and artistic storytelling—from world-class cultural institutions to large-scale art and film festivals that propel emerging makers and creators into the spotlight. But, for the first time, local photographers are primed to receive a multi-day that is uniquely their own—geared toward all things visual, digital, and candid.
Today, global photo-sharing platform Flickr announced the launch of MODE by Flickr, a three-day photography festival set to take place Sept. 18-20—right in the heart of Minneapolis. A first-of-its-kind event, the inaugural lineup will gather some of the biggest names inartvisual media, from Emmy-nominated director and National Geographic photographer Keith Ladzinski to renowned culinary photographer Penny De Los Santos, as well as sponsorship support from global media companies including Fujifilm, HOVERAir, and more.
Whether attendees are coming to network, learn, or simply, admire, MODE will feature a variety of welcoming spaces designed to foster a dynamic exchange of creative energy. Expect immersive workshops led by industry legends, hands-on demonstrations, mind-expanding exhibitions, and special programming designed by Black Women Photographers’ Polly Irungu and Inside Out Project.
“MODE is photography in motion—alive, interactive, and deeply rooted in community,” said Ben MacAskill in a prepared statement, President and COO at SmugMug and Flickr. “For more than 20 years, Flickr has brought the world’s photographers together online. Now, we’re bringing that spirit away from devices and connecting in the real world with a festival built for creativity and the future of photography and visual arts.”
Designed around seven thematic pillars, MODE aims to bring the full spectrum of photography to life—uniting world-shifting storytelling, emerging tools, business insights, motion-driven media, cultural diversity, analog processes, and environmental responsibility. These seven pillars will float through each diverse experience, from live portrait shoots, tech demos, and editing workshops to photojournalism panels, film screenings, and instant-film activations.
Flickr’s choice of Minneapolis as its launchpad feels telling of an overarching alignment of values—the city a mirror for MODE’s core mission of celebrating creativity and community while prioritizing diversity, inclusion, and accessibility. To support this mission, the festival will be equipped with accessible venues, thoughtful sustainability measures, diverse programming, and a careful artist selection process that prioritizes representation and artistic vision.
Tickets are available now, starting at $300 for Flickr Pro members, and between $330 and $660 for general admission and VIP passes. For more information on ticketing, and updated programming announcements, visit modefestival.com.
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