Kansas
This fast-tracked disability tax credit bill is the first new Kansas law of 2024
Kansas politicians have enacted their first new law of 2024: a fast-tracked single-subject bill that reinstates an expired tax credit.
Gov. Laura Kelly signed Senate Bill 15 into law on Thursday after it passed the House 117-1 and 34-0. The legislation reinstates and makes changes to a tax credit designed to incentivize employment of Kansans with disabilities.
The tax credit had broad bipartisan support last session, too, but failed because of political logrolling by Republican legislators and the Democratic governor’s veto. That meant the tax credit expired at the end of 2023, prompting lawmakers to fast-track the legislation this session and make it retroactive to the start of 2024.
“Kansans with disabilities deserve a fair wage for the work they perform,” Kelly said in a statement. “I’m signing this bipartisan legislation to create more opportunities for people with disabilities, grow our workforce and ensure every Kansan can work with dignity and respect.”
The income tax credit is for goods and services purchased from qualified businesses that employ disabled workers and pay them at least as much as the minimum wage. The legislation also creates a new matching grant program to help transition sheltered workshop employers toward paying the minimum wage.
“By incentivizing businesses that purchase products from companies with integrated workforces, we are creating more jobs for Kansans with disabilities,” said Rep. Sean Tarwater, R-Stilwell, in a statement via the governor’s office. “This bill also helps those that make below minimum wage to get a pay increase. This spurs local economies across the state as the workforce grows and has additional money in their pockets.”
The minimum wage requirement was added last year following a contentious public hearing at which disability rights advocates took issue with the previous allowance for employers to pay less than $7.25 an hour.
Kansas Commission on Disability Concerns executive director Martha Gabehart said the new law is “a win-win for Kansans with disabilities and businesses.”
“The transition grants hold the opportunity to help providers switch from sheltered work to providing competitive integrated employment, enabling Kansas to join the growing list of states that have equalized the pay for people with disabilities by eliminating subminimum wage,” Gabehart said in a statement via the governor’s office.
Why lawmakers failed to get the tax credit renewed last year
Last session, the tax credit went through the normal legislative process in the House. The commerce committee, which Tarwater chairs, held a public hearing on House Bill 2275 before it was later passed by the full chamber 124-0.
But the Senate never took up the bill.
Instead, it came up in a conference committee, where top legislators on tax policy bundled dozens of separate bills into three packages.
The tax credit became part of the Senate Bill 8 bundle that was debated and voted on by the House on in the wee hours of the last day of regular session without time for legislators to read the legislation. It was passed by the Senate three weeks later.
Some of the pieces in the bundle were controversial, and Kelly vetoed it, saying the Legislature’s bundling “has made it impossible to sort out the bad from the good.” Lawmakers never attempted an override because they had already adjourned for the year, and they didn’t have veto-proof majorities anyway.
That meant the tax credit expired before legislators returned to Topeka for the 2024 session.
This session, instead of the Senate taking up HB 2275, legislators again turned to a conference committee. But this time, they didn’t bundle it with anything else. Instead, they gutted SB 15 to use as a shell for HB 2275, which was tweaked at the request of senators, who had not held a public hearing on the legislation.
Sen. Caryn Tyson, R-Parker, called it “a unique situation.”
“We know the urgency on this is because the program has sunset, and everybody understands that we are trying to get this done as quickly as possible,” Tyson said.
She initially said either the Senate tax or commerce committee could hold a hearing but acquiesced to negotiating in the conference committee.
“I don’t know why we would wait any longer,” Tarwater said.
Jason Alatidd is a Statehouse reporter for the Topeka Capital-Journal. He can be reached by email at jalatidd@gannett.com. Follow him on X @Jason_Alatidd.
Kansas
Kansas City Symphony and Michelle Cann Perform Uplifting Concert Featuring a Variety of American Styles and Voices. – KC STUDIO
A rich variety of American musical composers and works graced the stage of Helzberg Hall Sat., June 20, as the Kansas City Symphony performed its season ending program. It was no surprise that an American-themed concert was planned a mere two weeks before the 250th anniversary of the Declaration of Independence. What was more surprising, yet very welcome, was the nature and diversity of the musical voices included on the program.
Guest conductor Peter Oundjian opened the evening with the music of Joan Tower, a Grammy Award winning contemporary composer whose music we don’t hear often enough in Kansas City. Her Suite from Concerto for Orchestra is a distillation of music from the larger Concerto for Orchestra and was commissioned by Oundjian and his Yale Philharmonia in 2025. It is a dramatic and technically challenging work with a complex harmonic language, at times tonal but with free use of dissonance.
The music was also intense and unrelenting in its pace and excitement. Oundjian had total control over the score, effectively cueing and expressively anticipating the powerful rhythmic content. Just when you thought the music couldn’t get any faster, louder and more intense, it did, driving to its exciting conclusion. The ensemble delivered a very convincing performance.
Florence Price is a 20th-century African American composer who earned significant regional attention during her lifetime but was not universally known. Her music is receiving much more attention in the 21st century since many unknown scores were discovered in the attic of her summer house in 2009. Scholars and performers are just now coming to grips with her work: the first scholarly biography was published in 2020 and a collection of scholarly essays on all aspects of her music was just released in March of this year.
Soloist Michelle Cann has been an active proponent of Price’s music for the past ten years. In a conversation a few days before the concert, I asked her what attracted her to the composer. She answered “Her musical language has such an amazing mix of styles that fit so well together. Also, there is something visceral and powerful in her music.”
Cann, in her Kansas City debut, compellingly demonstrated the power of Price’s music in a performance of the Concerto in One Movement for Piano and Orchestra. While the title says it is in a single movement, there were three sections that seemed like independent movements. From the outset Cann employed a warm legato tone. Technically adroit, she exhibited the chordal and dreamy passages, travelling up and down the keyboard. Oundjian maintained a good balance between orchestra and soloist. There were a few intonation problems in the upper strings near the end of the first section.
The second section was slow and lyrical. Cann played the music, which sounded like a spiritual, with a heartfelt sensuous tone. She was joined by oboist Kristina Fulton in a lovely duet throughout the movement. The exciting finale was based on an African American Juba dance, featuring strong syncopations and a rollicking sound. It is clear that Price’s music represents an important part of America’s musical legacy and deserves much more attention, and, of course, many more performances and recordings.
As a performer, Cann has it all: passion, expression, technique, sensitivity and extraordinary musicality. She demonstrated it next in George Gershwin’s audience favorite, the Rhapsody in Blue. Cann and the orchestra played with alternating bluesy fervor with free rhythm and technical precision, and the audience responded with an excited ovation. As an encore, she wowed the audience with a set of high-powered jazzy improvisations on Rachmaninov’s Prelude in C-sharp Minor by African American pianist Hazel Scott.
The concert ended with Dvořák’s classic Symphony No. 9 in E Minor, “From the New World.” At the beginning of the concert, Oundjian assured the audience that this, too, is an American work, “since it was written on East 17th Street in Manhattan.” Conducting without a score, Oundjian elicited a dramatic reading of the composition in response to his impassioned direction. The opening movement featured a rich romantic sound, although occasional attention to detail seemed lacking, with some issues in synchronization, balance and transitions in tempo. The occasional slips were forgiven in the exquisite second movement. Matthew Lengas played the famous soulful English horn theme with supple grace and beauty.
This work is quite a showcase for an orchestra. All sections are featured throughout the composition; many soloists are highlighted and there are regular contrasts in mood and tempo. The performers responded persuasively, especially in the explosive finale.
There is one more performance of this program on Sun., June 21at 2 p.m. at the Kauffman Center. The Kansas City Symphony will also present a European Tour Send-Off Concert on Friday, August 21 at 7:00 p.m. Tickets and more information about these events and the 2026-27 season can be found at www.kcsymphony.org.
This concert was reviewed on Saturday, June 20, 2026.
Kansas
Salvador Perez attended the Ecaudor-Curaçao match at Arrowhead. So did other royals — from the Netherlands
KANSAS CITY, Mo. (AP) — Kansas City Royals captain Salvador Perez, along with teammates Starling Marte and Carter Jensen, attended Saturday evening’s World Cup match at Arrowhead Stadium.
So did some other royals!
King Willem-Alexander and Queen Maxima of the Netherlands began Saturday by cheering the Dutch past Sweden in Houston.
The monarchs ended the day by watching Curacao make some history against Ecuador in Kansas City.
The small island nation of Curacao is a constituent country within the Kingdom of the Netherlands, and that makes King Willem-Alexander and Queen Maxima the heads of state. So, after a quick flight north Saturday, the royal couple dutifully swapped out their bright orange scarves of Het Oranje Legioen they wore to their earlier match with bright blue ones for The Blue Wave.
Curacao, the smallest World Cup team in population and size, made its tournament debut last Sunday in a 7-1 loss to Germany. But it bounced back from that defeat to earn a 0-0 draw with La Tri and earn its first-ever point in the tournament.
“It is an extra-special World Cup because we have both the Netherlands and Curacao,” Willem-Alexander told RTL-TV. “So we have twice as many teams to cheer for. A great opportunity to cheer on both the Blues and the Oranges. All in all, it will be a special World Cup for me with two teams, and I naturally hope they go extremely far.”
The Netherlands moved one step closer to the World Cup knockout round after a 5-1 win over Sweden.
Brian Brobbey and Cody Gakpo scored two goals apiece to help coach Ronald Koeman’s team bounce back from a disappointing draw in its opener and move atop Group F. The Netherlands concludes group play against Tunisia on Thursday in Kansas City.
Curacao is still alive, too, after Eloy Room made 15 saves — one off the World Cup record — to earn a draw with Ecuador. It concludes Group E play on Thursday against the Ivory Coast in Philadelphia at the same time Ecuador is playing Germany in New York.
It is quite rare for sitting monarchs to come through the area. Queen Ann of Romania attended the dedication of the Liberty Memorial, which is where Kansas City is holding its World Cup FanFest, in the 1920s, while King Gustav XVI of Sweden made a stop in the small Kansas town of Lindsborg when he was passing through the Midwest in the 1970s.
Copyright 2026 The Associated Press. All rights reserved.
Kansas
1 man dies after being shot June 9 in Kansas City, Missouri; police working to identify person of interest
KANSAS CITY, Mo. — The Kansas City, Missouri, Police Department is working to identify a person(s) of interest in a June 9 shooting that led to the death of one victim.
Police were called around 6 a.m. on June 9 to the area of Independence and Monroe avenues in Kansas City, Missouri.
Responding officers found an unresponsive man behind a residence in that area. He was transported to the hospital for life-threatening injuries, per KCPD.
Police were notified Friday night that the shooting victim died.
KCPD said Saturday “detectives have made headway identifying subject(s) of interest.”
Anyone with information on the incident is encouraged to call KCPD Homicide detectives directly at 816-234-5043 or the Greater Kansas City Crime Stoppers Tips Hotline at 816-474-8477.
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If you have any information about a crime, you may contact your local police department directly. But if you want or need to remain anonymous, you should contact the Greater Kansas City Crime Stoppers Tips Hotline by calling 816-474-TIPS (8477), submitting the tip online or through the free mobile app at P3Tips.com. Depending on your tip, Crime Stoppers could offer you a cash reward.
Annual homicide details and data for the Kansas City area are available through the KSHB 41 News Homicide Tracker, which was launched in 2015. Read the KSHB 41 News Mug Shot Policy.
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