Culture
Can MLB save the starting pitcher? The search for solutions to baseball's 'existential crisis'
Who’s pitching tonight?
For 100 years, that wasn’t just a casual question. It was the question that defined baseball.
The answer always had a chance to give you goosebumps. Maybe it was Tom Seaver versus Steve Carlton. Maybe it was Sandy Koufax versus Bob Gibson. Maybe it was Pedro Martinez versus Randy Johnson.
They weren’t just a reason to watch. They were the reason to watch. They threw the first pitch of the game. They often stuck around to throw the last pitch of the game. When the stars hold the ball in their hands 100 times a game, from the first minute of a game to the last, that’s where so much of the magic comes from. But now, those nights of pitchers’ duel magic are slipping away.
Ten active major-league starting pitchers have won a Cy Young Award — and nine of them have spent time on the injured list in 2024. The only exception: Baltimore’s Corbin Burnes. But no need to remind you of all the aces who aren’t healthy enough to ace. There are larger forces at work here that are just as big a concern for the people who chart the future of this sport.
The issue is not only the health of the modern starting pitcher, but the role those starters play in the sport these days. Those two things are also connected. Here’s only one recent example:
May 6, Wrigley Field. San Diego Padres versus Chicago Cubs. Theoretically, this was one of those pitching matchups to savor: Yu Darvish, onetime Cubs ace, starting for the Padres versus Justin Steele, a 2023 All-Star and the Cubs’ 2024 Opening Day starter. But was it the stuff of goosebumps? No. The score at the end of five innings was 0-0. Both starting pitchers had allowed only three hits apiece … and, naturally, neither of them was still in the game. Seven relievers ate up the last 25 outs. Just another slice of baseball life in 2024.
True, both starters had spent time on the injured list this season, so they were being handled carefully. But those injuries — and how teams respond to them — are part of a crisis that seems to loom larger over baseball every year.
Should Major League Baseball sit back and let starting pitchers practically disappear? Should it let them recede in prominence, giving away the essential entertainment value they’ve provided for the last century? Or should it act? Should the league step in to halt this trend the way it stepped in only one year ago, when it introduced a pitch clock before the sport arrived at a place where every game dragged toward a midnight finish?
“I think everybody agrees,” says Texas Rangers ace Max Scherzer, a three-time Cy Young winner currently working his way back from (what else?) another injury. “You’ve got to get the starting pitcher back. From an entertainment standpoint, people watch the matchups. That’s a big part of baseball. If you don’t have that matchup, every day is the same.”
Once every day becomes the same, is that when your sport is officially in trouble? Maybe that feels like a question for another day, another season. Except that in reporting this story, The Athletic talked with three longtime baseball executives who used the term “existential crisis” to describe the state of starting pitching.
When one of those executives was asked, as a follow-up question, if he honestly believed that term reflected the depth of this problem, he replied, pointedly: “I do. I think the game is totally broken from that standpoint.”
What could baseball do?
Let’s draw a football analogy. Suppose the analytics gurus in the NFL suddenly decided the best way to win a game was Quarterback by Committee … so every team rolled out four quarterbacks and Patrick Mahomes might never throw a pass in the fourth quarter of any game. How fast do you think that league would change its rules?
“It would outlaw that in about six minutes,” said one of the baseball executives interviewed for this story. All of them were granted anonymity so they could speak candidly about an issue viewed as especially sensitive in their sport.
But in baseball, the league has largely stayed out of the way as teams’ analytics departments took the sport down a similar road: Overload the roster with eight relief pitchers who can throw a baseball 98 miles per hour. Then stop waiting around for the starting pitcher to get tired. Get him out of the game and cue the parade of fireballers out of the bullpen.
The data may show that approach is the most efficient way to get outs. But the best baseball strategy isn’t always the best entertainment strategy. Inside most front offices, that’s not a major concern. But in reporting this story, The Athletic did find a few executives willing to ask why more of their front-office peers weren’t more worried about this trend.
“For the industry, it doesn’t have to be that way,” said one of them. “Can we take a step back and look at our sport from 20,000 feet?”
The league proved, with its rule changes a year ago, that it can act when it sees a crisis approaching. But has the starting pitcher crisis risen to that level? MLB officials declined to comment for this story. However, industry sources tell The Athletic that while the league views this issue as a priority, it is still gathering information, via an extensive study of pitching injuries. So it is likely years away from taking action. And even then, some of those changes would need to be phased in over several years, because the repercussions would trickle down all the way to youth baseball, where the health of young arms is also a growing concern.
In the meantime, however, the brainstorming has already begun. What rule changes could the league consider to help keep pitchers healthier and restore the prominence of the starter? The Athletic has spent the past few months collecting ideas proposed by executives, players and coaching staffs.
They all would address this issue. But they also were all met by so much fierce debate that it illustrated the challenge the league would face to get everyone on board with any of them.
“I think that’s why it’s hard,” said one American League exec. “There are no easy answers. If it were just one thing that we could easily turn a dial … there wouldn’t be a lot of really smart people at the club and league level trying to work on this. But it’s very complicated.”
Here are four potential rule changes you could see someday.
New rule idea: Every starter has to go six innings
Last year, the length of the average major-league start plunged to an all-time low: 15 outs (or five innings) per start. Not even starting pitchers themselves think that’s anything to brag about. So here’s a goal some in the sport would love to shoot for:
How about the starter goes six (or more) in almost every game — barring extenuating circumstances? Is that doable? Why not? That used to happen, you know, and not 100 years ago.
Even 10 years ago, as you can see in the graph above, the percentage of starters who made it through six innings wasn’t that dramatically different from what we saw in the 1970s, a pitching era so golden that it produced 10 Hall of Fame starting pitchers. It’s only in the last five or six seasons that it began to change so significantly. So would it be outrageous to require that every starter get back to that six-inning standard — barring injuries, 10-run blowups, inflated pitch counts or other exceptions that could be negotiated later?
Why “require” it? Ultimately, the league might not push in this direction. But here’s why it might: The best rule changes are the simplest. So instead of a more subtle rule that the league might hope would lead to longer starts, it would take its best, simplest shot and just say: This is now the rule.
What would the penalty be? What would happen if a manager hooked their starter before six — and that starter didn’t meet any of those extenuating circumstances? Good question. The league could say that pitcher had to be placed on the injured list. It could also impose discipline, via fines or suspensions.
Or what about a case like that Yu Darvish-Justin Steele game, in which both starters were being handled more cautiously as they built back from a previous injury? Sorry. The league probably would say that pitcher should still be on the IL working his way back on a minor-league rehab option.
Who would complain? Relief pitchers, obviously, would grumble about almost all of these ideas because this would dramatically change their job description — even if that’s the whole point. But almost every analytically inclined front office would complain just as loudly.
Why, they’d ask, should their teams be forced to push their fifth starter through the sixth inning when they have five unhittable relievers who could rescue him? And how can anyone be sure, they’d wonder, that even those fifth starters would be on board with this?
“It’s really hard to force pitchers to start and go (six innings),” said one exec, “because in my opinion, you’re going to get into all sorts of situations where you ask: Is someone faking an injury? How do they feel? Even if they’re not hurt, they might think: ‘They forced me to stay out there when I wasn’t effective and then I got hurt.’”
So it’s possible, even likely, that a rule requiring six-inning starts would be so harsh, it would gain very little support. If that’s the case, the league could pivot to rules that simply incentivize teams to push their starters deeper into a game. There are several options. Here’s one we’ve written about before.
New rule idea: The “Double Hook”
Unlike most of these ideas, the Double Hook already exists. The independent Atlantic League, a longtime testing ground for MLB rule changes, first experimented with this rule in 2018. Back then, here’s how it worked: When your starting pitcher leaves the game, your designated hitter also has to leave the game (or, at least, go play a position).
But after teams complained, the Atlantic League began tinkering. So by 2023, it used this version: If your starting pitcher leaves the game before the end of the fifth inning, only then does your DH have to leave with him.
What was wrong with the original rule? Would any team really prefer a rule that would keep its best hitter from ever coming to the plate late in a game? Think about all those dramatic walk-off October home runs David Ortiz once hit as the Red Sox DH. It will answer that question.
Why might the Double Hook actually work? You would be surprised by how many people in baseball like this rule. If the idea is to incentivize (but not require) keeping a starting pitcher in the game, what works better than this? Leave your pitcher out there or bench one of your most dangerous hitters? The concept is brilliantly simple.
Who likes it? Some of the most prominent starting pitchers in baseball — Scherzer, Justin Verlander and Adam Wainwright, among others — have been the Double Hook’s biggest public fans. But more front-office minds also seem open to this concept than many others they’ve heard.
“I have been in favor of the Double Hook for a while,” a National League executive said. “I think it would be interesting to have. It adds an extra element of strategy into the game for managers to think about, gives them another decision they have to make in-game, which I don’t think is a bad thing in general.”
Who hates it? The Designated Hitters of North America aren’t sold, for one thing. And one AL executive spoke for his fellow front-office critics when he called it “one of the worst ideas I’ve ever heard.”
“We want close games, right?” that exec said. “We don’t want blowouts. And if you’ve got the Double Hook, you’re going to have a boatload of blowouts. (If you lose your DH) you’re playing a man short, basically, like a soccer team with a player on a red card. Or you attempt to not play a man short, and the game gets out of hand because you’re trying to leave the starter in there for that extra hitter. Then that turns into three or four or five runs, and now you’re done.”
So is there an alternative to the alternative? At this point, everything is on the table. Scherzer, for one, sees no limit to possible incentives you could dangle to keep starters in the game.
“You could sit there and say: You get a free substitution,” Scherzer said. “You could pinch run for a catcher. You could make an instantaneous defensive replacement for an inning, you know what I mean? Keep upping the ante, if the starter goes out and does his job, how much extra stuff would you get as a benefit? So the idea would be if you pull your starter, you’re going to lose a ball game because you pulled your starter early.”
Of the ten active major-league starting pitchers who have won a Cy Young Award, all but the Orioles’ Corbin Burnes have spent time on the injured list in 2024. (Patrick Smith / Getty Images)
New rule idea: No more than 11 pitchers on the roster
Roster limits are another idea that has been tossed out there publicly, even by commissioner Rob Manfred. Two decades ago, teams got along fine with five- or six-man bullpens. So if those in-game rule changes don’t catch on, roster limits might move to the front of MLB’s line.
How would roster limits help starters? With eight relievers hanging out in your bullpen, what would stop a team from using four, five or even six a night? But if the league gradually drops the maximum number of relievers to seven, then six, then possibly even five, the value of a six-inning start — or longer — would skyrocket.
Why do front offices hate this? Many front offices think forcing fewer pitchers to bear the burden of so many innings is a recipe for even more injuries. And this furious debate sums up why there is so much disagreement over how to address this entire pitching crisis.
“There are people on one side of this,” one skeptical executive said, “who want to have less pitchers, make them pitch more … and I just don’t understand how that’s going to work. To me, rested pitchers are probably healthier pitchers. So our positions are totally misaligned with each other. And I’m not sure how to resolve this because we’re not seeing eye to eye at all.”
So why might it still make sense? The small group on the other side sees this so differently. Too many teams, one of those executives said, are ignoring the ripple effects of regularly pulling starters for a fresh reliever at the first opportunity, then mixing and matching relievers every time the data says so.
“You’re not just playing one game,” that exec said. “And you’re not just playing one inning. There are consequences. And the consequences are that you’re going to fry your bullpen by mid-summer, let alone September and October.”
New rule idea: Outlaw the sweeper
Why are so many aces getting hurt? It’s a complicated problem, but let’s think it through.
If you’re a dominating starting pitcher in this era, it probably means you throw harder than the average pitcher. You create more spin and movement than the average pitcher. And you probably have some dominant pitch — or more than one — that most other pitchers can’t throw, or you just added one.
Now draw up the factors most injury experts point to as most likely to cause catastrophic arm injuries: Velocity … check. Spin … check. Throwing pitches that cause the most stress on the human arm … check.
So would MLB be out of line to make it illegal to throw one of those pitches it viewed as hazardous to pitchers’ health? Could it possibly act to ban a pitch like the sweeper, which has been identified as a source of undue stress on the elbow? That may sound radical, but what if MLB’s study of pitcher health recommends the league wipe out dangerous pitches the way it banned home-plate collisions a few years back?
Why a sweeper ban isn’t as extreme as it sounds: One executive said he wouldn’t be shocked if the league actually did ban a pitch or two someday.
“What if they came to the conclusion, empirically, that the sweeper is a dangerous pitch, and it’s leading to a lot of pitching injuries?” he mused. “To me, it’s not crazy that (MLB) would consider outlawing it, because there’s lots of dangerous behavior that is not allowed on the field because it leads to injuries.”
Could the league even target high velocity? If the league is so concerned with pitches it views as dangerous, could it even look to tone down velocity itself? If it can’t agree on other changes that would force pitchers to take their foot off the gas in order to go deeper into games, one idea that has made the rounds is this shocker: Make it illegal to throw any pitch over 94 mph.
Don’t bet on that one happening. But a subtle element of many of these ideas is to motivate pitchers to pitch at less than max velocity. And that’s a volatile topic unto itself.
We mentioned to one pitcher we spoke with that rule changes are being discussed that would incentivize, or even require, pitchers not to throw every pitch at max velocity. He was borderline livid at that whole idea.
“That would be like telling an NFL running back not to run as fast as he can on every run,” he said. “That’s ignoring the competitive side of it.”
He’ll be heartened to know that many baseball executives agree.
“I don’t know what incentive structure we can create,” said one of those execs, “that’s going to actually convince athletes to not try and throw as hard as they can. Because they know with certainty that they will be better pitchers, even for a short amount of time, if they do throw hard.”
He’s not wrong. But is it time for MLB to step in anyway? Is it time for Manfred to tell all those pitchers: We feel your pain — literally. But we can’t let you do it that way anymore because this injury rate is just not sustainable?
In a sport that has always been slow to change, it’s easy to find people who would tell the commissioner: Please stay out of this. But remember that term, “existential crisis”? One executive who used those words says it’s time to heed them. This latest rash of pitching injuries represents more than just bad luck, he said. It’s a warning siren begging everyone to act.
“What if it gets worse?” that exec wondered. “It’s easy to say everything’s fine, and it’s all fun and games, until you look up and the product is truly horrible because no one has enough pitching. So it’s going to take someone to say, ‘All right, listen, guys. We can keep lying to ourselves, but this sport is broken. And we have to change it.’”
Additional reading
- People in the industry came up with solutions for baseball’s starting pitching “existential crisis.” Some of them are extreme.
- Justin Verlander and Max Scherzer, two of the sport’s most prominent pitchers, weigh in on the crisis.
(Top image: Eamonn Dalton / The Athletic; Photos: J. Conrad Williams, Jr./Newsday RM via Getty Images; Matthew Grimes Jr. / Atlanta Braves via Getty Images)
Culture
Kennedy Ryan on ‘Score,’ Her TV Deal, and Finding Purpose
At 53, and after more than a decade in the industry, things are happening for the romance writer Kennedy Ryan that were not on her bingo card.
The most recent: a first look deal with Universal Studio Group that will allow her to develop various projects, including a Peacock adaptation of her breakout 2022 novel “Before I Let Go,” the first book in her Skyland trilogy, which considers love and friendship among three Black women in a community inspired by contemporary Atlanta.
With a TV series in development, Ryan — who published her debut novel in 2014 and subsequently self-published — joins Tia Williams and Alanna Bennett at a table with few other Black romance writers.
“What I am most excited about is the opportunity to identify other authors’ work, especially marginalized authors, and to shepherd those projects from book to screen,” said Ryan, a former journalist. (Kennedy Ryan is a pen name.) “We are seeing an explosion in romance adaptations right now, and I want to see more Black, brown and queer authors.”
Her latest novel, “Score,” is set to publish on Tuesday. It’s the second volume in her Hollywood Renaissance series, after “Reel,” about an actress with a chronic illness who falls for her director on the set of a biopic set during the Harlem Renaissance. The new book follows a screenwriter and a musician, once romantically involved, working on the same movie.
In a recent interview (edited and condensed for clarity), Ryan shared the highs and lows of commercial success; her commitment to happy endings; and her north star. Spoiler: It isn’t what readers think of her books on TikTok.
Your work has been categorized as Black romance, but how do you see yourself as a writer?
I see myself as a romance writer. I think the season that I’m in right now, I’m most interested in Black romance, and that’s what I’ve been writing for the last few years. It doesn’t mean that I won’t write anything else, because I don’t close those doors. But the timeline we’re in is one where I really want to promote Black love, Black art and Black history.
What intrigued you about the period of history you capture in the Hollywood Renaissance series?
I’ve always been fascinated by the Harlem Renaissance and the years immediately following. It felt like a natural era to explore when I was examining overlooked accomplishments by Black creatives. I loved the art as agitation and resistance seen in the lives of people like James Baldwin or Zora Neale Hurston, but also figures like Josephine Baker, Lena Horne and Dorothy Dandridge, who people may not think of as “revolutionary.” The fact that they were even in those spaces was its own act of rebellion.
What about that period feels resonant now?
The series celebrates Black art and Black history and love at a time when I see all three under attack. Our art is being diminished and our history is being erased before our very eyes. I don’t hold back on the relationship between what I see going on in the world and the books I write.
How does this moment in your career feel?
I didn’t get my first book deal until I was in my 40s, so I think this is the best job I’ve ever had. I’m wanting to make the most of it, not just for myself, but for other people, and I think the temptation is to believe that it will all go away because that’s my default.
Why would it all go away?
Part of it is because we — my family, my husband and I — have had some really hard times, especially early in our marriage when my son was diagnosed with autism, my husband lost his job, and we experienced hard times financially. I’ll never forget that.
When I say it could all go away, I mean things change, the industry changes, what people respond to changes, what people buy and want to consume changes. So I don’t assume that what I am doing is always going to be something that people want.
Why are you so firmly committed to defending the “happy ending” in romance novels?
It is integral to the definition of the genre that it ends happily. Some people will say it’s just predictable every one ends happily. I am fine with that, living in a world that is constantly bombarding us with difficulty, with hurt, with challenge.
I write books that are deeply curious about the human condition. In “Score,” the heroine has bipolar disorder, she’s bisexual, there’s all of this intersectionality. For me, there is no safer genre landscape to unpack these issues and these conditions because I know there is guaranteed joy at the end.
You have a pretty active TikTok account. How do you engage with reviews and commentary on the platform about you or the genre?
First of all, I believe that reader spaces are sacred. Sometimes I see authors get embroiled with readers who have criticized them. I never ever comment on critical reviews. I definitely do see the negative. It’s impossible for me not to, but I just kind of ignore it. I let it roll off.
How does this apply to being a very visible Black author in romance?
I am very cognizant of this space that I’m in right now, which is a blessing, and I don’t take it for granted. I see a lot of discourse online where people are like, “Kennedy’s not the only one,” “Why Kennedy?,” “There should be more Black authors.” And I’m like, Oh my God, I know that. I am constantly looking for ways to amplify other Black authors. I want to hold the door open and pull them along.
How do you define success for yourself at this point?
I have a little bit of a mission statement: I want to write stories that will crater in people’s hearts and create transformational moments. Whether it’s television or publishing, am I sticking true to what I feel like is one of the things I was put on this earth to do? I’m a P.K., or preacher’s kid. We’re always thinking about purpose. And for me, how do I fit into this genre? What is my lane? What is my legacy? Which sounds so obnoxious, you know, but legacy is very important to me.
Culture
How Many of These Books and Their Screen Versions Do You Know?
Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights the screen adaptations of popular books for middle-grade and young adult readers. Just tap or click your answers to the five questions below. Scroll down after you finish the last question for links to the books and their screen versions.
Culture
Ellen Burstyn on Her Favorite Books and Her Love of Poetry
In an email interview, she talked about why she followed up a memoir with “Poetry Says It Better” — and when and why she leans on the “For Dummies” series. SCOTT HELLER
Describe your ideal reading experience.
Next to a warm fire in a house in the woods. Barring that, at home in bed.
How have your reading tastes changed over time?
When I first began reading, I read fiction. My favorite novel was “The Magic Mountain,” by Thomas Mann. Over the years I find that I am less interested in fiction and more interested in trying to learn about science and mathematics. I love the “For Dummies” series. I remember reading or hearing many years ago, maybe in high school, that the first law of thermodynamics is that energy cannot be created or destroyed; it can only change form. So, I was thrilled to learn there was such a book as “Thermodynamics for Dummies.” It was interesting reading, but I’m afraid I could not quote you anything from that book.
What’s the best book you’ve ever received as a gift?
I received the “Rubaiyat” of Omar Khayyám from someone, probably from my first husband, Bill. It stimulated my love of poetry, beautifully illustrated books and also my fascination with the East and the Mideast.
Why write “Poetry Says It Better” rather than, say, a follow-up to your 2006 memoir?
“Poetry Says It Better” has some references to my life, but I feel I wrote enough about myself in my memoir, and I include some of my personal history in this book.
You write that you’ve memorized poems your whole adult life. What’s the last poem you memorized?
I am working on “Shadows,” by D.H. Lawrence. I am trying to get that securely in my memory. Of course, at 93 I am not as good at memorizing as I used to be, or at holding on to what I have already memorized. But it is good exercise for the memory to use it.
You quote a line from Kaveh Akbar: “Art is where what we survive survives.” Why does that line resonate so much for you?
That line is so meaningful to me because I know that the difficult first 18 years of my life is the emotional library I descend into for every part I’ve ever played, and every poem that has landed in my heart.
Of all the characters you’ve played across different media, which role felt the richest — the most novelistic?
I would have to say Lois in “The Last Picture Show.” She was a character I didn’t really understand right away. I had to dig for her. She was multidimensional. I feel literary characters are like that.
What’s the best book about acting, or the life of an actor, you’ve ever read?
I have to name two. “My Life in Art,” by Konstantin Stanislavsky, and “A Dream of Passion,” by Lee Strasberg.
How do you organize your books?
I’ve collected my library for 70 years. All my classic literature is together, on two facing walls in the front of my living room. On the other end of the room, I have my art books. Facing them are my travel and music books. On the fourth wall are some of my science books.
In the large entrance hall, I have one standing bookcase of the complete Carl Jung collection, and near it another bookcase of poetry anthologies. In my kitchen office are all the books about food. Then I have a writing room that contains books of poetry and science, and my Sufi books. In my bedroom are my spiritual and religious books.
What books are on your night stand?
Currently: “Anam Cara: Spiritual Wisdom From the Celtic World,” by John O’Donohue; “Prayers of the Cosmos,” by Neil Douglas Klotz; “The Courage to Create,” by Rollo May; “Radical Love,” by Omid Safi; Pema Chödrön’s “How We Live Is How We Die”; “The Trial of Socrates,” by I.F. Stone; “Our Green Heart: The Soul and Science of Forests,” by Diana Beresford-Kroeger; and “On Living and Dying Well,” by Cicero.
What book might people be surprised to find on your shelves?
Probably Ken Wilber’s “A Brief History of Everything” and Michio Kaku’s “Physics of the Future.” These are two of my favorite books. I love to read books on science that are not written for scientists but for curious readers like me.
You’re organizing a literary dinner party. Which three writers, dead or alive, do you invite?
Oh, definitely Mary Oliver, my favorite poet of all time, and Edgar Allan Poe. The thought of those two people talking to each other. Finally, Tennessee Williams, who’s written some of the greatest plays ever.
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