Lifestyle
When did food become such a luxury?
The industrial food supply will be the last bastion of the luxury economy, and we might mirror the cannibals in doomsday movies before we cede our idiosyncratic eating habits to austerity.
Capitalism is amazing because it inspires unrelenting competition between brands and the branding of items that should be generic — organized and categorized by which boasts the best flavor, the most sustainably sourced ingredients, or fastest-ripening produce whose side effects might include the leaching of toxic chemicals into municipal food and water supplies. Then, these same brands dutifully patent an expensive snake oil antidote for poisoning you. The side effects of the contaminants might reveal themselves in the body as mineral depletion, heavy metal overload or lethargy (chronic fatigue, leaky gut, hyperactivity, dissociation, anhedonia). Luckily, the same system that instigated mass disease and physical and psychic atrophy can invent a market for “clean eating,” the branded backlash against factory farming’s poisoning and genetic modification of your food and soil and water and air.
What makes late capitalism even more special is that it can short-circuit just well enough that the so-called clean or whole foods deter most of society from examining where their food comes from and how it reaches them. What is a farm? What is a supply chain? Who are the farmers harvesting your food and the truckers driving it on interstates to you? Do they earn a living wage? Do you? What is topsoil? What is a supermarket? A muse for Allen Ginsberg, whose ecstatic litany of a poem “A Supermarket in California” captures the orgy of too many and just enough options, the numbness of excess. We forget that litany of questions under the fluorescent beams. Such are our funeral parlors for food, where mechanical reproduction haunts nourishment and we eat from the giant slot machines of industry. What is a supermarket?
In Memphis, Tenn., circa 1916, Piggly Wiggly opened its doors, offering the first self-service grocery vendor. Customers used carts and handheld baskets and ambled the aisles with their lists and often those lists expanded because there were so many products. Branding became essential to the differentiation that would earn the easy recognition and loyalty of customers, though labels about the purity of contents or lack thereof didn’t matter in this former landscape. What is called “Big Food” was born in the same region of the consumer temperament that brought us Elvis. By the 1950s and ’60s, middle-class and bourgeoisie America had a casual sense of access to meals and snacks and radio hits as if all were ready-mades built into their cities and suburbs like parts of a set. Personal fridges were stocked as well as the early markets but now there were more “processed foods” — frozen meals for lunch or dinner, an infinite variety of chips and dips for grazing. And the American teenager had enough disposable income to spend on frivolous quick food to accompany lighthearted music and lifestyles. The result is that we now have as many supermarket chains as we have categories of food product in those hallowed minor warehouses.
Before the self-service grocery, outlets required patrons to show up with detailed lists of items they needed and hand those lists to a clerk who would gather the items, which were either loose in bins or in flimsy generic packaging with no ingredients or labels. Today, this feels a step above state-sanctioned rations. At the same time, there’s a new niche market for containerless, “zero-waste,” grocery stores such as Re_Grocery in Los Angeles. And what these elite, boutique shops don’t necessarily realize is that they’re turning wellness into a luxury for the elite and those who replicate elitism for clout. It’s a sinister mode of decadence — decadent minimalism, where overt virtue signaling meets seemingly neurotic purity fantasies, where customers dance in the glow of the glare on bulk bins.
I remember supermarket parking lots from my childhood most vividly. There were times when my mom, my dad and I would make a trip for a jug of milk and my mom would go inside while we waited in the car. One such night my dad asked if we should leave her and drive away, as if to suggest before she owned us forever like the market. I returned a monotone no. The supermarket gave him a premonition of something sinister to come. In suburban San Diego, an area called Carlsbad, we’d call him from supermarket payphones as he sat in jail. His paranoia had been confirmed. And after he died and we moved to L.A., my mother went on her inevitable health kick-slash-healing journey. She hired a meditation coach who introduced her to Enya and a ’90s health-food chain called Mrs. Gooch’s. This store boasted muted neutral bins and amber-toned aisles, a drastic contrast from the buzzing neons of the popular chains. Instead of brand names like Fruit Roll-Ups, Mrs. Gooch’s carried fruit leather, made with real fruit, and it was tofu or other soy stuffed into the inner filet of the hot dogs instead of insinuations of pork. You could buy freshly pressed juices in glass bottles. On the way home, we’d stop for shots of wheatgrass. During her bouts of depression, she’d leave money on her nightstand and we’d walk ourselves to Vons or Ralphs and buy anything we wanted. At home, we had books on raw veganism by Dick Gregory and grape cures and detox methods and healing music. We had stakes in every market. We’d turned grocery shopping into a therapeutic symbol of semi-functional American family life, and of agency over our own lives. We were part of the group unknowingly beta testing the conflation of health, vitality and luxury shopping.
Whole Foods replaced Mrs. Gooch’s, but after being deracinated by Amazon, it became passé, less and less a signifier of status. Around the same time, terms like food desert went mainstream, defining the regions within cities where the only available food was the kind that is addictive and might kill you a little quicker. The newfound concern wasn’t accompanied by any remedy. The ability to articulate the struggle for decent food became another vain virtue signal.
And then came the rise of Erewhon, an upscale health food market that derives its name from the anagramic spelling of the word nowhere. It takes its name from a novel by Samuel Butler, in which ill health is a crime and citizens have to stay vital or risk incarceration — dark, with a little radiant grain of truth in depicting the persistent crisis of faith in the food supply. The market first opened in Boston in 1966, then reemerged in 2011 after a couple bought it from its original owner. Today a private equity firm — the Stripes Group — owns a minority stake, and the chain is expanding to every upscale neighborhood in Los Angeles. Thanks to the internet, its reputation transcends L.A. and has come to signify luxury eating nationwide. Tourists make pilgrimages to try its Hailey Bieber smoothie, replete with obscure superfoods and priced around $22. This is a typical price of an Erewhon smoothie. Everything in the store is organic, and local produce is prioritized. The aisles are sepia-toned and filled with everything from bone broth to raw fermented crackers to dried fruits (unadulterated by sulfur dioxide) to organic hygiene products to every brand of specialty water that exists in the world.
The prominence of Erewhon is the temporary response to the deterioration of Whole Foods, but its increasing popularity is also a reaction to the food scarcity trauma that 2020 instigated and the way we self-soothed with bougier tastes in food and wellness. It is no longer enough to wear designer- or even label-free “quiet luxury” clothing; the new way to indicate class is to shop Erewhon with no regard for cost and bypass the genetically modified, aggressively low-quality gut-busting food the U.S. is now renowned for. Celebrities shop at Erewhon and call paparazzi to photograph them there. Kim Kardashian collaborated with Balenciaga and carried a brown paper Erewhon shopping bag designed by the questionable brand to an outdoor L.A. fashion show. It was tacky. Influencers make TikToks and YouTubes taste-testing Erewhon smoothies and prepared foods mukbang-style. The satiety can be felt through the camera, its satisfaction with luxuriating in something so pure, so clean. And many of us have had slow evenings where we head there with a friend just to feel something. Erewhon is expanding to so many locations that the chain is bound to suffer the fate of Whole Foods and be replaced by a new, more conscientious iteration of the clean-eating superfood movement.
In the meantime, this aggressively revisionist supermarket, as indicated in Butler’s novel, has become part pharmacy, part a site of repentance for past consumption. We can’t see the farm from Nowhere. We are running on the energy of farmers’ labor and transmuting it into fetish object, and it feels almost beautiful on set in Los Angeles.
We’re in a game of survival of the fittest, where surviving itself feels akin to luxuriating in what should be hostile territory, mastering an environment we have come together to ravage. The next phase, of course, is making everything we consume from scratch like the tradwives and supermodels-turned-influencers. But you can’t buy their affect from Nowhere. It’s part Nara Smith, the German and South African supermodel who is now TikTok-famous for her gorgeous, tedious recipes for everything from gum to chips to real meals, and part Gwyneth Paltrow, who preaches her style of eating and sells it in batches that can be shipped direct to your doorstep, as if by a deity of celebrity fitness.
Smith began making her food from scratch after being diagnosed with lupus and eczema. As a model and mother of three married to model Lucky Blue Smith, she has become the embodiment of luxury fashion meeting its lifestyle counterpart, with only a glint of moralizing. This family is almost perfect in its All American-meets-New American mode, like they were dreamed up in the Erewhon origin novel, with beauty as their alias, so you’d never know there are underlying health issues inspiring their commitment to clean living. Nara Smith is idolized and also ridiculed, but the unbothered serenity she channels in every video is eerily effective. She manages to be vulnerable, venerable, semi-transparent and entirely opaque, like any of the great gurus. “Do as I do, but you can’t because you’re you and I am the embodiment of pure luxury” could be her slogan. You just wanna try the lifestyle out, slow down, buy a mortar and pestle, marry a devout model, and see if living that way is akin to falling in love, becoming a teenager again, sharing a sugarless homemade soda over whitewashed doo-wop while the wars cold and hot proliferate abroad.
There is rampant spiritual sickness pervading the West, and what is called luxury, in every area of life, seems to soothe its symptoms. When it comes to food — shopping for food like our lives depend on it, but casually, in refined and enchanting micro-climates — the spirit seems to swell with optimism at the thrill we feel when we pay more for the false security of organic, non-GMO, seed oil-free, Nara Smith-approved groceries. My mother, widowed but loyal to the lifestyle market as if it would protect her from the alienation of child rearing, was onto something. This is where the elite go to abandon and redeem themselves, where the almost elite go to feel like what they may never be and claim a lifestyle just beyond their reach, for now. Who could blame them?
Lifestyle
‘Philadelphia,’ ‘Clueless,’ ‘The Karate Kid’ added to the National Film Registry
Philadelphia (1993)
Library of Congress
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Library of Congress
Two actors received double recognition when the Library of Congress announced its most recent additions to the National Film Registry, a collection of classic films intended to highlight film preservation efforts and the depth and breadth of American film.
Bing Crosby, the popular midcentury crooner, starred in White Christmas (1954) and High Society (1956). And Denzel Washington starred in Glory (1989) and Philadelphia (1993), all now part of the registry’s roundup of the country’s most culturally significant films.
Created in 1988, the National Film Registry adds 25 films every year. New additions are usually announced in December of each calendar year. The Library of Congress did not explain why its 2025 films were announced in 2026.
Half a dozen silent films were added to the registry, more than usual. Many of them were recently discovered or restored. The oldest, The Tramp and the Dog (1896), is an early example of “pants humor,” which comes from the fun of watching people lose theirs. It is likely the first commercial film made in Chicago. The Oath of the Sword (1914) is the earliest known Asian American film, about a Japanese student in California yearning for his beloved back home.
Other newly added silent films include the first student film on record, made in 1916 at Washington University in St Louis, Mo. and Ten Nights in a Barroom (1926), a melodrama with an all-Black cast, one of only two surviving films made by the Colored Player Film Corporation of Philadelphia.

Four documentaries were added to the collection, including Ken Burns’ first major documentary, The Brooklyn Bridge (1981).
Widely familiar additions include one Boomer classic – The Big Chill (1983) – and several Gen X ones: Before Sunrise (1995), Clueless (1995) and The Karate Kid (1984.)
The Karate Kid (1984).
Library of Congress
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Library of Congress
“I’m amazingly proud,” star Ralph Macchio told the Library of Congress in an interview. “The National Film Registry and film preservation are so important because it keeps the integrity of cinema alive for multiple generations.”
Other contemporary movies added to the registry include The Truman Show (1998), Frida (2002), The Incredibles (2004) and The Grand Budapest Hotel (2014), set in an Alpine resort in the 1930s. Director Wes Anderson credited the Library of Congress for inspiring the movie’s distinct visual style.
The Grand Budapest Hotel (2014)
Library of Congress
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Library of Congress
“When we were first starting to try to figure out, how do we tell this story… the architecture and the landscapes… they don’t exist anymore,” Andserson said in a statement, explaining that he started his research in the Library of Congress “We just went through the entire photocrom collection, which is a lot of images. And …we made our own versions of things, but much of what is in our film comes directly – with our little twist on it – from that collection, from the library, the Library of Congress.”
The entire list of movies added to the National Film Registry for 2025 follows in chronological order.
• The Tramp and the Dog (1896)
• The Oath of the Sword (1914)
• The Maid of McMillan (1916)
• The Lady (1925)
• Sparrows (1926)
• Ten Nights in a Barroom (1926)
• White Christmas (1954)
• High Society (1956)
• Brooklyn Bridge (1981)
• Say Amen, Somebody (1982)
• The Thing (1982)
• The Big Chill (1983)
• The Karate Kid (1984)
• Glory (1989)
• Philadelphia (1993)
• Before Sunrise (1995)
• Clueless (1995)
• The Truman Show (1998)
• Frida (2002)
• The Hours (2002)
• The Incredibles (2004)
Lifestyle
Ray J Says Doctors Prescribed 8 Medications For Heart Issues, May Need Defibrillator
Ray J
I’m On 8 Different Meds For Heart Issues
Published
Ray J says doctors are giving him every drug under the sun in an attempt to prolong his life … prescribing eight different kinds of medications despite their grim prognosis.
The rapper tells TMZ … he went to doctors who gave him the bad news, telling him they’re not sure how long he has to live … and they recommend he stay in bed and take his medication.
ICYMI … Ray J says doctors gave him just months to live — telling his followers he doesn’t think he’s going to make it to 2027. He says half of his heart has turned black and it’s only beating at 60 percent, which is not a good sign.
Ray J says doctors prescribed him several different meds, including the cholesterol medication Lipitor, Jardiance and Entresto — medications for people at high risk of heart failure — among others.
Ray J reveals his heart is only operating at 25%, with doctors giving him a short time to live. He says his heart is mostly black: ‘I f***ed my shit up.’ pic.twitter.com/frWDoDQEyu
— Rain Drops Media (@Raindropsmedia1) January 28, 2026
@Raindropsmedia1
Doctors told him to prepare for the possibility of getting a pacemaker or defibrillator … though he won’t get an update until he goes back to the doctor for a check-up in 14 days.
Ray J says doctors have warned him not to drink or smoke — which is hard for him — but he’s doing his best to stay on the straight and narrow. He says not being able to see his kids “took me down” — and “made me realize I need to change my ways of living.” Ray is currently under a criminal protective order preventing him from seeing his kids.
As for his proposed trip to Haiti to find a cure for his disease … Ray J says he does know the island nation is in complete chaos, but he says his research so far has led him to believe Haiti has cures for diseases, including heart diseases so he’s willing to risk it and go there for treatment.
Wrapping it up, Ray J adds, “If I come out of this, I’ll be stronger and a better person.”
Lifestyle
Michael Mayo’s ‘Fly’ is a soaring testament to his artistry and creative vision
Michael Mayo’s latest album, Fly, earned the singer-songwriter and composer his first Grammy nominations of his career.
Lauren Desberg
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Lauren Desberg
With the release of his sophomore album, Fly, in October 2024, singer-songwriter and composer Michael Mayo ascended to new artistic heights.
Much like his lauded 2021 debut album, Bones, the Los Angeles-born singer flexed his jazz-influenced musical prowess on Fly, enthusing critics with the album’s floating production, expressive songwriting and its highlighting of his expansive vocal range. The album ultimately landed Mayo his first Grammy nominations of his career, with Fly being nominated for best jazz vocal album and best jazz performance for the album’s track “Four.”
Micheal Mayo’s sophmore studio album, Fly, was the follow-up to his critically acclaimed debut album, Bones.
Lauren Desberg
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Lauren Desberg
In an interview with All Things Considered, Mayo said that his artistry is driven by his focus on remaining true to himself and what he wants to express as a singer.
The track “Four” is a reinterpretation of a Miles Davis tune from the 1950s, which became a jazz standard. In an interview with All Things Considered, Mayo said it’s important to respect and learn traditional jazz music, but merely copying it would go against the vision of the jazz greats, who tried to push the artform to new places. And though Mayo says he’s not consciously trying to modernize jazz, he says leading with authenticity helps him innovate in his music.
“I’m going to make the musical statements that feel the most natural,” Mayo said about his stylistic choices on Fly.
YouTube
While speaking to NPR’s Ailsa Chang, Mayo discussed the people who helped make Fly take flight and how he approaches taking artistic risks.
Listen to the full interview by clicking on the blue play button above.
This interview is part of an All Things Considered series featuring first-time Grammy nominees, ahead of the Grammy Awards on February 1.
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