Lifestyle
Want to play games under the stars? The Music Center is turning into an outdoor arcade
The game started as an experiment. A way to look at emergent behavior — the coordinated and mesmerizing flight of a flock of birds, for instance.
For artist and researcher Hillary Leone, the concern was that the world was becoming more divisive. She wanted to create a new language, one that showed the power of cooperation. Teaming with a host of researchers, she wanted to study human communication, to probe how individual actions contributed to collective problem solving.
What, essentially, makes a successful group?
This is “Sync.Live,” and while you don’t need to know the science behind it to play it, doing so adds meaning to the experience of wearing a top hat affixed with blinking LED lights and making silly, exaggerated strides at strangers. The goal: to synchronize the lights on the hats. No talking or touching allowed. And the challenge? You can’t see the lights on your own hat, meaning you must rely on non-verbal cues from others.
“I really want people to feel the thrill of direct human connection,” Leone says.
A group of young adults playing “Sync.Live,” which will be showcased at this year’s IndieCade and focuses on non-verbal communication.
(Visions2030 / “Sync.Live”)
“Sync.Live” is part of IndieCade’s long-running free Night Games programming, back for the second year at downtown’s Music Center on Friday and Saturday evenings. IndieCade for more than 15 years has been dedicated to championing independent games, often with a focus on the experimental and the approachable. Think of an IndieCade happening as a showcase for what’s underground, what’s next and what’s important in interactive storytelling, a gathering that takes a wide-angle view to all things play.
For play at an IndieCade event is not just a medium but a language. “‘Sync.Live’ is a cooperative game,” says the Music Center’s Kamal Sinclair, who heads the firm’s Digital Innovation Initiative and brought Night Games to the space, adding that works like “Sync.Live” bridge the gap between games and theater. “It’s a simple game mechanism — people just trying to find patterns together — but the visuals of it, with things on your head and lights changing colors, it does it all. It creates a connection. It creates laughter. You can think about mathematics and patterns. This, to me, is improvisational choreography.”
Night Games will be home to academic experiments — “Sync.Live” — as well as games that ask us to converse and work together via a seesaw, such as the pirate-themed “Back Off Me Booty.” It also makes space for immersive theater — see the whimsical investigative adventure that is “The Apple Avenue Detective Agency” — and even games that turn barcode scanners into controllers, such as “Wizard’s Warehouse: The Magick of Retail.” The latter is group chaos, as we take on the role of shopkeepers in a fairy tale kingdom who are frantically trying to fulfill orders. There are screen-based offerings as well, but the emphasis is often on the communal, as evidenced by the anyone-can-be-an-artist zaniness that is “Sloppy Forgeries.”
Last year’s Night Games drew about 2,000 participants over its two days, says Sinclair. IndieCade makes sense for the theatrical-focused Music Center, Sinclair says, as games not only create a dialogue but turn players into active performers.
Guests at IndieCade in 2023 play the light-up puzzle game “Kroma.”
(Scott Chamberlin / IndieCade)
“Not to get too academic or philosophical, but in many cultures there’s a participatory relationship with performance,” Sinclair says. “It’s not just watching and sitting in a chair and looking at a stage. With a sense of play, everybody is participating in story and aesthetics and all those good things the arts do for creating meaningful experiences and creating community.”
IndieCade has shifted over the years. In its pre-pandemic incarnation, IndieCade was often a multi-day festival at locations in Santa Monica or Culver City, with game showcases and panel talks. The online nature of the world post-2020, coupled with the difficulty in raising sponsorship funds for a discovery-focused game event, has put most of IndieCade’s offerings, including its annual awards, on the web, but the party-focused celebration that is Night Games has endured.
IndieCade co-founder Stephanie Barish says Night Games typically had the broadest appeal of IndieCade’s in-person offerings. “You’re really able to just be with other people in a real way,” Barish says. “You can be so much more tolerant of people because you’re around people you wouldn’t normally even talk to, but you had a great experience playing with them. It’s just a way of connecting with people that transcends the normal way we connect. I do believe it’s transformative.”
IndieCade often features participatory, communal games, such as “Secret Shuffle” at last year’s event.
(Scott Chamberlin / IndieCade)
The event is arriving at a difficult time for the game industry. In 2023, at least 6,500 game workers worldwide were laid off, according to a Times analysis, including hundreds at California-based companies like Unity and Riot Games. The cuts have continued into 2024. The state of the industry is sure to be a topic at IndieCade’s developer focused two day Creator’s Retreat at downtown’s ASU California Center. IndieCade architects, however, are pitching the festivities as a sort of creative rejuvenation.
“When the big studios fall apart, the people that are still making games — if they want to keep making games — want to be a part of this community,” Barish says. “When the industry feels like it’s being shaken up, this is the heart — the creativity, the connection and the new ideas. These are the things that will most likely drive the industry forward. It’s going to be the innovations coming from unexpected places. That’s our mission. To bring people together to keep the creative spark going.”
Guests at last year’s Night Games at downtown’s Music Center experience an experimental game, “Wobble Sphere.”
(Scott Chamberlin / IndieCade)
And few places in gaming are as unpredictable as an IndieCade event. There’s nowhere else, for instance, one can sample a “Teenage Mutant Ninja Turtles” game and take part in the live-action role-playing game “The Apple Avenue Detective Agency.” The latter, from husband and wife duo Mister & Mischief, takes its cues from works such as “Encyclopedia Brown” and “Nancy Drew,” casting adults in the role of kid detectives. It’s inspired by the real-life childhood games of co-creator Andy Crocker, who’s made it sort of a mission to have grown-ups reconnect with their younger selves.
“While the show is about childhood, it is truly not designed for kids,” writes Crocker via email. She designed the experience with her husband, Jeff. “The further away from childhood we get, the more support we need to access our imagination and wonder.”
Crocker adds that the power of being a kid detective comes not from where you are, but how you see the world: “A kid detective can notice details and cultivate curiosity anywhere — all you need are a few friends. And snacks. A notebook is helpful. Also a magnifying glass and some walkie talkies. But mostly friends.”
Likely, at IndieCade, friends you just met.
Lifestyle
Shy on the dance floor? Virtual reality ‘partners’ aim to help you find your groove
Entrepreneur David Huang tests out a VR headset while conducting demonstrations of the social dance lesson app Dance Guru at the Augmented World Expo in Long Beach, Calif., June 17, 2026.
Chloe Veltman/NPR
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Chloe Veltman/NPR
Wedding season is in full swing, bringing with it a familiar sense of dread for anyone who fears the dance floor.
But relief may finally be at hand with the help of a new app, Dance Guru, and a virtual reality (VR) headset.
The social dance instruction app transports users to a spacious, digital dance studio. Waiting inside is a computer-generated coach: a handsome, male avatar wearing a shirt open to his navel. He speaks with a slightly gravelly English accent.
“Watch me now,” he instructs at the start of a waltz lesson — which NPR tried out at the Augmented World Expo in Long Beach, Calif., an annual conference showcasing the latest developments in virtual and augmented reality.
The avatar then demonstrates a basic box step.

From there, the lesson becomes interactive. The coach tells the user to hold his hand while an electric pinging sound tracks the student’s foot placement.
“One, two, three, four, five, six,” the virtual teacher counts down.
When the user stumbles, he remains remarkably patient. “Do not worry, foundations take time. Let’s try that again. Work on grounding your steps more intentionally.”
Solving the beginner’s dilemma
Dance Guru creator David Huang said he came up with the idea for the app a couple of years ago out of frustration.
“I always wanted to learn to dance and I was always terrible at it,” Huang said. “And I always ended up stopping midway through the lessons.”
He soon realized that many beginners hit the exact same roadblocks.
“Private lessons are too expensive, and you feel like you’re always forgetting the dance steps,” Huang said. “You cannot find a partner to dance with. So I figured maybe I can create something like this.”
The Dance Guru platform currently offers tutorials in salsa, bachata, waltz, and cha-cha, in both lead and follow modes. To make the digital instruction feel authentic, Huang used motion-capture technology to record the movements of real-life dance teachers — with their permission.
Building on the legacy of online tutorials and video games
Dance Guru belongs to a small but growing wave of apps using VR to demystify social dance. At a nearby booth, conference attendee Victor Chen is testing out a competing app called Trip the Light. It currently offers salsa lessons, as well as freestyle options, where a user can dance with a partner without having to learn specific steps.
Trip the Light’s booth at the Augmented World Expo included posters of the app’s virtual instructors. Real-life performers, who gave Trip the Light permission to motion capture their movements, were used as a basis for these avatars.
Chloe Veltman/NPR
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Chloe Veltman/NPR
“A lot of times when you’re trying to learn a choreography, it’s watching a YouTube video and you have to pause it, rewind, and play it,” Chen said. “If you were to have a virtual avatar dancing in front of you and correcting for any parts that you missed, it might be a lot easier.”
Interactive video games like Dance Dance Revolution and Just Dance, and YouTube tutorials have been helping people improve their skills in private for years. But those games are mostly aimed at solo players. Unlike the new generation of immersive VR apps, they cannot simulate the mechanics or confidence required for partner dancing on a live dance floor.
The reality check
But this kind of app won’t work for every dancer.
“Everyone learns a little bit differently. And so unless you have a game that has lots of different ways of teaching, you’re going to have things that work for some people and don’t work for others,” said Ariana Katana, a trained contemporary dancer and dance content creator who’s active on YouTube, Twitch and other platforms. “Also, it’s hard to dance with a headset on.”
And then there’s the issue of not being able to physically feel a virtual partner’s hand or shoulder while dancing with them. Patrick Ascolese, the creator of Trip the Light, said the experience could become more tactile in the future. “Haptic suits and wearables will be coming, but I think we’re a little away from that,” he said.
Ascolese said even with their limitations, immersive tools like Trip the Light have immense potential as judgment-free training grounds — giving reluctant dancers the baseline confidence they need to eventually step onto the dance floor with real partners in the real world, including at weddings.
“Just like anything else, practice makes perfect,” said Ascolese. “So the more time you spend in VR with a virtual partner, it works towards helping you get over that social hurdle. We are teaching you the moves that you have to do in order to go out and have fun.”
Jennifer Vanasco edited the broadcast and digital versions of this story. Chloee Weiner mixed the audio.




Lifestyle
How to have the best Sunday in L.A., according to Deidre Hall
For half a century, Deidre Hall has taken on every kind of disaster in the drama-packed town of Salem, Ill., as a star of “Days of Our Lives.”
There was the time — actually, it happened twice — when her character, Dr. Marlena Evans, was famously possessed by the devil and even levitated.
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
Or the time a serial killer, who was actually Marlena under hypnosis, seemed to kill several beloved characters. The long-running show’s storylines have become legendary, and in March, while promoting “Hail Mary,” actor Ryan Gosling even gave Hall a shout-out, admitting he was a fan, praising the hard work of soap opera actors and calling her an “OG acting inspiration.”
But Hall’s real life in Santa Monica is much quieter than her character’s, and she likes it that way.
“When I bought my house in Santa Monica, I didn’t realize how great it would be to live near Montana Avenue,” says Hall, 78, about the popular shopping spot. Every day, she walks to the main street with her golden retriever, Riley, and enjoys Pilates, art and good food along the way. “The owners of the Farms Market even keep dog biscuits, so guess where the dog wants to go every time we walk — the Farms, of course,” she says, laughing.
When she isn’t filming the daily soap opera, which airs on Peacock, Hall enjoys raising monarch butterflies, exploring the shops and restaurants on Montana, and hosting movie nights at home with her two sons.
Here’s what a perfect day in L.A. looks like for her.
This interview has been lightly edited and condensed for length and clarity.
7 a.m.: Breakfast and dog walk
I usually kick off my day with a protein shake, feed our golden retriever and take her out for a walk. She’s a phenomenal girl. When we adopted her, her name was Riley, but I did think about naming her after Mrs. Hughes from “Downton Abbey.”
10 a.m.: Church and garden time
After I walk the dog and go to church, I like to spend some time in my yard. I’m not a natural gardener, but I really enjoy it. I started raising monarch butterflies because my identical twin sister, who played my twin on the show, planted a butterfly garden. Monarchs are amazing because they are transitional. Every year, they travel from Mexico to southern New England, but it’s getting harder for them. Their numbers have dropped by about 80%. To help, I plant milkweed, which is what they need to survive. I buy my milkweed from the Staghorn Garden on Wilshire Boulevard in Santa Monica. Julie, who owns the nursery, is delightful and has a wide variety of milkweed. The monarchs always seem to find my garden. Julie was raising some caterpillars too, and she cared a lot about them. We talked about how important it is to help the butterflies. That’s why I do this. Sometimes I get milkweed with eggs already on it, and Julie knows her butterflies are going to a good home.
1 p.m.: Walk to Montana Avenue for some lunch
I live near Montana and love taking long walks, going to Pilates and trying out the great restaurants nearby, like R+D Kitchen and La La Land. I’m a big fan of the waffles at the Courtyard Kitchen. Just a few days ago, I had a chicken salad on raisin bread with an Arnold Palmer, and it was delicious. It is right on Montana and has a nice outdoor seating area. It’s one of my favorite spots. La La Land always has a long line in the morning, which is perfect if you want coffee. They serve coffee, doughnuts, croissants and avocado toast. There’s plenty of outdoor seating, and you can even bring your dog.
2 p.m.: Peek inside a clock shop
There’s a small clock shop on Montana Avenue that’s closed on Sundays, but if you walk by, you’ll see all kinds of clocks — standing, table and wall clocks. The owner is great at fixing them. Once, I bought a wall clock from MacKenzie-Childs, but it didn’t work. And I was really upset because it matched everything else on my countertop. I brought it to the owner and said, “I love this, but I can’t make it work.” He fixed it right away. His name is John, but I call him Geppetto. And we all know why. He really does have a magic touch.
2:30 p.m.: Visit a neighborhood art gallery
Ten Women Gallery is run by 10 artists, all of whom show their work there. I was drawn to some watercolors there, bought a few cards and spoke with one of the artists. She told me, “You seem to love watercolors,” and mentioned that the artist who painted them, Pamela Harnois, lives in Los Angeles and teaches nearby. I got Pamela’s name and found out she taught at the Brentwood Art School. I was so inspired by her gift that I started taking private lessons with her on Saturdays. That gallery is where I discovered my love for watercolor painting.
3 p.m.: Grab some ice cream at Rori’s
The other day, my longtime girlfriend wanted to get ice cream and told me, “We are walking to Rori’s Artisanal Creamery.” It’s a small shop on Montana near Lincoln. They make everything themselves, using local ingredients from grass-fed cows with no added hormones. The place is family-owned and probably has the healthiest ice cream you’ll find. They switch up their flavors often, but my favorite is the salted caramel.
6 p.m.: Family dinner and movie night at home
R+D Kitchen is always packed, so my sons, who are 31 and 33, do the cooking. They come over, and together we make salads and cook dinner. There’s a neighborhood grocery store called the Farms, off Montana, a small family-run place that has everything we need. Everyone knows each other there, and people bring their dogs. We try to have movie night every Sunday. Sometimes the day changes, but we always make sure to have one night a week where we cook a meal and sit down as a family. Keeping that tradition has become really important to us. My sons are great cooks, which is funny because they definitely didn’t get that from me. [Laughs]
9 p.m.: Take Riley for one last walk and visit neighbors
After dinner, I take my dog for a walk. It’s a great way to meet neighbors. We always go around the same block. We’ve met so many people, and since she’s a golden retriever, she loves meeting everyone.
10 p.m.: News, knitting and bedtime
I am a news junkie, so I usually watch whatever is on the news before I go to bed. I have a long-standing passion for knitting. Lately, though, the news would make me drop a stitch.
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