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‘Waiting to Exhale’ to ‘Set It Off’: At these Black film screenings, the soundtrack reigns

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‘Waiting to Exhale’ to ‘Set It Off’: At these Black film screenings, the soundtrack reigns

Some films linger in our minds because of their sharp plots, quotable one-liners and unforgettable characters. Others stay with us because of the music.

That distinction was unmistakable at a recent screening of Forest Whitaker’s 1995 romantic dramedy “Waiting to Exhale” as part of a Cult Classics Cinema event at Inglewood’s Miracle Theater. As the film played, roughly 80 attendees swayed their bodies and sang along to songs from the Grammy-winning soundtrack, including “Sittin’ Up in my Room” by Brandy, Mary J. Blige’s “Not Gon’ Cry,” and Toni Braxton’s “Let It Flow.”

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When Whitney Houston’s title track, “Exhale (Shoop Shoop),” played during a scene in which her character, Savannah, reconnects with a man with whom she’s been having an on-and-off again affair, the audience crooned the lyrics in unison like a choir: “Everyone falls in love sometime / Sometimes it’s wrong, and sometimes it’s right.

“It’s really a time capsule of ‘90s R&B,” says attendee Deonna Tillman, 33, of Miracle Mile, who listened to the Babyface-produced album during her drive to the event as a way to prepare herself for the screening. “It also has our greats on there, Patti LaBelle, Aretha Franklin. … It’s iconic.”

An exterior view of the Miracle Theater marquee

Each month Cult Classics Cinema screens a movie event, hosted by Diamora Hunt, then theatergoers can attend a casual listening party, where the film soundtrack is played from start to finish.

Part movie screening, part listening party, Cult Classics Cinema is an event series that celebrates beloved Black films and the music that helps bring them to life. Each month, founder Diamora Hunt, who also goes by DJ Rosegawd, screens a movie — titles have included “The Wiz,” “The Wood,” “Set It Off” and “Love Jones” — and then invites attendees to stick around for a more casual listening party, where the soundtrack is played from start to finish. The recent screening of “Waiting to Exhale,” the film adaptation of Terry McMillian’s 1992 novel starring Houston, Angela Bassett, Lela Rochon and Loretta Devine, celebrated the film’s 30th anniversary.

In Los Angeles, where screenings happen just about every night of the week at venues like Quentin Tarantino’s Vista Theater and the New Beverly, and the TCL Chinese Theatre as well as at special events like Rooftop Cinema and Cinespia, Cult Classics Cinema stands out because of its communal atmosphere that gives people the space to not only geek out on films and their soundtracks, but also commemorate Black stories.

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“I want it to feel like when I’m in the living room with my friends,” says Hunt, 36, adding that its become a ritual for her to watch music videos from the soundtrack after finishing a movie. “I feel like they go hand in hand in world building.”

For Hunt, who’s been DJing for nearly a decade, everything always comes back to the music.

A woman sits in a chair

As a lover of film soundtracks, Cult Classics Cinema founder Diamora Hunt (a.k.a. DJ Rosegawd) wanted to create an experience where people could enjoy the film and the music.

During the COVID lockdown, she spent her only day off from her insurance and call center jobs doing hourslong live DJ sets on Twitch from her bedroom. Each Saturday, she would pick a different artist, primarily female performers, and run through their entire discography and share interesting facts about them. Among the artists she spotlighted were Missy Elliott, Britney Spears, Ariana Grande, Beyoncé, Mariah Carey and Drake.

In 2022, Hunt began hosting Club Renaissance, a dance party where she’d play Beyoncé’s seminal “Renaissance” album in order from top to bottom at various venues in L.A. The function immediately took off, and she had to upgrade to a larger venue to accommodate a 1,200-person crowd. At one party, Grammy-winning rapper Doechii performed “Heated” with her DJ Miss Milan. Also, Beyoncé’s mother, Tina Knowles, posted about the event on Instagram, saying that Jay Z sent her a recap video.

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After hosting the event for several months in L.A. and taking it to New York, Hunt wondered whether she could do the same thing with other beloved albums. To test out that theory, she debuted the Cult Classics party under her event company Ladera Hearts in February 2023. The first album she highlighted was Brandy’s third studio album, “Full Moon,” on the night of a full moon at the Blind Barber in Highland Park.

She kept it up, throwing dedication nights in honor of Usher’s “Confessions,” Janet Jackson’s “The Velvet Rope,” 50 Cent’s “Get Rich or Die Tryin,’ ” “One in a Million” by Aaliyah and Mariah Carey’s “The Emancipation of Mimi.” After seeing a lively fan recap video from the party, Carey commented “invite me next time” with two kissy face emojis.

Hunt says she thinks people were receptive to the party, even if they weren’t familiar with the album, because you are “surrounded by people who love it and they’re going to tell you why they love it.” She adds, “It helps people connect with [the music] in a different way.”

She wondered whether she could create that same feeling with her favorite movies and their soundtracks.

Hunt hosted the first Cult Classics Cinema event in November 2024 and screened the 1992 film “Boomerang” starring Eddie Murphy, Halle Berry, Chris Rock and Robin Givens at a local bar. During the function, she shared trivia about the soundtrack such as the fact that Toni Braxton’s song “Love Shoulda Brought You Home” was her introduction into the music industry.

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Three people take photos in front of a backdrop.

Singer Tyger Lily and producer Knoqlist debuted a trailer for their “Waiting to Exhale”-inspired music video at the Miracle Theater.

Since January 2025, she’s been hosting her movie nights at the Miracle Theater in Inglewood. Just days before Thanksgiving, Hunt showed “Soul Food” and invited stars Vivica A. Fox, Brandon Hammond and Morgan Méchelle to participate in a panel discussion hosted by Randy C. Bonds. Afterward, attendees were welcomed to attend a family-style dinner with the cast members.

At the recent “Waiting to Exhale” screening, patrons walked down a red carpet to get to the theater entrance. After picking a customized button that depicted popular scenes from the movie, many guests grabbed a themed cocktail (named after the four main characters) and a snack (popcorn, empanadas or box candy) at the bar. As people waited to order, they could read fun facts about the film and soundtrack.

During the film, attendees laughed out loud, shouted at the characters on the screen as if they could hear them (“Don’t do it!”) and recited their lines back to them (“Get yo s— and get out!”).

As someone who attends movie screenings regularly, Tillman says it’s hard to find ones dedicated Black storytellers, which is why she appreciates Cult Classics Cinema.

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“I feel like we have a lot of Black cinephiles in L.A., but we don’t have a lot of access to watch our classics,” says Tillman, adding that many of these films aren’t available on streaming platforms — “which is really frustrating.”

Felisha Fowlkes, 34, has attended multiple Cult Classics Cinema events solo. “When you hear these songs, you’re thinking about the scenes in the movie,” she says. “You’re thinking about what happened emotionally and I feel like [the music] allows you to really sit in that place.”

When the two-hour movie ended, one attendee won the big raffle prize, which included “Waiting to Exhale” on DVD — and a DVD player to play it.

"Waiting to Exhale" attendees react during a screening.

“Waiting to Exhale” attendees react during a screening. “I want it to feel like when I’m in the living room with my friends,” says Cult Classics Cinema founder and host Diamora Hunt.

As the music video for Houston’s “Exhale (Shoop Shoop)” played on the big screen with the song lyrics running along the bottom, Hunt moved the mic to the center of the stage in case anyone felt called to sing.

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No one took her up on the offer. Who would want to compete with a powerful songstress like Houston? Still, the energy in the room remained high as the crowd sang, bobbed their heads and grooved to the music from the comfort of their plush seats.

It felt, just as Hunt envisioned, like being in a living room with all your friends.

Cult Classics Cinema will screen “Boomerang” on Saturday, “A Thin Line Between Love and Hate” on Feb. 15 and “B.A.P.S.” on March 14 at the Miracle Theater in Inglewood. Tickets start at $15 (not including taxes and fees).

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Ilia Malinin’s Olympic backflip made history. But he’s not the first to do it

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Ilia Malinin’s Olympic backflip made history. But he’s not the first to do it

Ilia Malinin lands a backflip in his free skate in the team event on Sunday. His high score pushed Team USA to the top of the podium.

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Want more Olympics updates? Subscribe here to get our newsletter, Rachel Goes to the Games, delivered to your inbox for a behind-the-scenes look at the 2026 Milan Cortina Winter Olympics.

MILAN — Ilia Malinin’s skyward jumps have earned him the nickname the “Quad God,” but it’s his backflip that everyone seems to be talking about.

The U.S. figure skater performed the move in his first two programs on Olympic ice, landing the latter on a single blade and sending the arena into a frenzy.

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“It’s honestly such an incredible roar-feeling in the environment — once I do that backflip everyone is like screaming for joy and they’re just out of control,” Malinin said. “The backflip is something that I’m sure a lot of people know the basics of … so I think just having that really can bring in the non-figure skating crowd as well.”

Malinin, who trained in gymnastics when he was younger, first debuted his backflip in competition in 2024 — the year the sport’s governing body lifted its ban on the move.

His moves in Milan aren’t just awe-inspiring, but historic: Malinin is the first person to legally land a backflip at the Olympics in five decades.

It was controversial from the start 

Terry Kubicka, also an American, became the first skater to land a backflip in international competition at the 1976 Innsbruck Olympics.

“There was a lot of controversy leading up to the Olympics, because I did it for the first time a month before at the U.S. Championships,” Kubicka told U.S. Figure Skating decades later. “At the time, there was no ruling on as how it would be [scored] and the feedback that I got was that judges did not really see it as a pro or con because they didn’t know how to judge it.”

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The International Skating Union, the sport’s governing body, banned the backflip the following year, in part because of the level of danger and in part because it violated the principle of jumps landing on one skate.

But the backflip didn’t totally disappear. Some elite skaters — including 1984 gold medalist Scott Hamilton — continued landing the move in non-competitive settings, like exhibition shows.

And one skater even dared to bring a banned backflip on to Olympic ice.

Surya Bonaly of France performed an illegal backflip at the 1998 Olympics.

Surya Bonaly of France performed an illegal backflip at the 1998 Olympics, figuring if she wasn’t going to medal she could at least make history.

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France’s Surya Bonaly landed a backflip on one blade at the 1998 Nagano Games, even while injured, in what is widely considered a brave act of defiance.

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She knew she couldn’t get the scores she needed to win, but was determined to make her mark on history anyway. It did cost her points but it also cemented her trailblazing legacy, especially as a Black athlete in sport with a relative lack of diversity.

“I appreciate more and I feel more proud of myself now, today, than years ago for when I did it,” Bonaly said in 2020.

The backflip comes back 

In recent years, a handful of skaters — including U.S. defending Olympic champion Nathan Chen — have backflipped at exhibition galas, much to viewers’ delight.

France's Adam Siao Him Fa pictured in October 2025.

France’s Adam Siao Him Fa pictured in October 2025, once the backflip was legal. He performed it in competition the year before, when it was not.

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The move reached an even bigger crowd at European Championships in 2024, when French skater Adam Siao Him Fa landed one in his free skate program, enjoying such a comfortable lead that the deduction wouldn’t matter. He did it again at the World Championships the same year, and still walked away with a bronze medal.

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In a full-circle twist, Kubicka — the first to land an Olympic backflip — was a member of the technical panel that watched Siao Him Fa do it at worlds, and gave him the requisite two-point deduction, almost exactly 50 years later.

Later that year, the International Skating Union officially reversed its backflip ban starting in the 2024-2025 season, explaining on its meeting agenda that “somersault type jumps are very spectacular and nowadays it is not logical anymore to include them as illegal movements.”

The backflip can no longer lose a skater points, but it doesn’t count toward their technical score either (it’s not a required move). It could, however, boost a skater’s artistic score and confidence.

“Oh, that’s my favorite part,” U.S. competitive skater Will Annis, 21, said after landing a backflip at the U.S. Figure Skating Championships in January. “Every time the crowd goes crazy for it, and it’s actually easier than everything else I do, so it’s really fun.”

His definition of “easier” is that “you can be a little off and still land it” on two feet.

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Annis told NPR he had long been able to do a backflip on the ground, but didn’t bother learning how to bring it to the ice until he saw Siao Him Fa do it. He was inspired by that protest but didn’t have time to rebel himself: He says the ban was lifted just days before his first competition.

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Jeanette Marantos, L.A. Times plants reporter, dies at 70

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Jeanette Marantos, L.A. Times plants reporter, dies at 70

Jeanette Marantos, a stalwart Features reporter for the Los Angeles Times, died Saturday following an emergency heart issue. She was 70.

Marantos was key to the success of The Times’ plants coverage, making waterwise native plants a cornerstone of her reporting as drought and climate change worsened in California. She spotlighted people turning their yards into native plant oases and beautifying public spaces. She also wrote about people saving native flora and fauna, from mountain lions in need of a freeway crossing to endangered butterflies and tiny native bees. Her last assignment Friday was covering the California Native Plant Society’s conference in Riverside.

“She was the most loving person I ever met, probably to a fault in some cases. If she knew you and you were a part of her life, she was fiercely loyal always,” said her son, Sascha Smith.

His brother, Dimitri Smith, echoed his sentiment, recalling when he was in school that his mother would offer rides home to other students when they didn’t have one. “Above all else, she was genuinely the most caring person I’ve ever met in my life,” Dimitri Smith said.

Marantos, who was born on March 13, 1955, grew up in Riverside and remembered her parents doting on their 3,000-square-foot lawn. As California’s water crisis worsened, recalling the constant swish of sprinklers throughout her childhood piqued her interest in native plants.

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“That was the California landscape of my youth. In retrospect, it feels like a pipe dream, given the reality of this region’s limited water and propensity for drought … a lovely memory that is no longer sustainable today,” she wrote.

Marantos also covered the effects of last year’s L.A. County wildfires on soil and gardens, the fate of Altadena’s Christmas Tree Lane after the Eaton fire, the construction of the Wallis Annenberg Wildlife Crossing, a project that kicked off with a hyperlocal nursery, how L.A. gardeners were reacting to immigration raids, and the rise of human composting. Known formally as natural organic reduction, Marantos’ remains will undergo this process to become soil, her sons said.

Jeanette Marantos appears at the L.A. Times Plants booth at the paper’s Festival of Books on April 21, 2024.

(Maryanne Pittman)

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In her role at work, she wrote the beloved L.A. Times Plants newsletter, her latest focusing on the resiliency of plants in burn areas. She also launched the popular L.A. Times Plants booth at the paper’s Festival of Books, working with the Theodore Payne Foundation, a nonprofit education center and nursery focused on native plants, and the California Native Plant Society to educate visitors about native plants. She drove the initiative to give away sunflower seed packets at last year’s booth because the sturdy plants are known to extract lead, an idea that came to her as she tested contaminated soil in burn zones.

She “was a one-of-a-kind voice for plants and the people who care about them. Through her writing, she imbued others with her infectious enthusiasm for the natural world — a gift to all of us that will continue to resonate,” according to a statement from the Theodore Payne Foundation. “Her visits to the nursery, her thoughtful conversations, and her wholehearted engagement brought laughter and insight into every interaction.”

Marantos was a dedicated reporter — she’d drive 60 miles to get an answer when no one was picking up the phone — but also devoted to her family. She cared for her husband, Steven B. Smith, who was diagnosed with Alzheimer’s disease in 2011 and died in 2021, providing readers with tips from their experiences. She spoke often of her sons and grandchildren and her dogs. She opened her December Plants newsletter, about a mother-son duo’s seed bomb project, by sharing that she had recently welcomed another “perfect” granddaughter.

“Plus I got to listen to my other perfect granddaughter read her first book and help her plant her first sunflower,” she wrote.

Sascha Smith recalled one of the last things Marantos said before going into emergency surgery Friday was sorry to his daughter Naomi, 6, for missing her birthday Sunday.

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Gardens full of buckwheat, sage, vegetables, roses and treasured sweet peas surround her Ventura home. Her father, an Air Force veteran and son of Greek immigrants, introduced her to “the miracle of seeds” and to the delicious perfume of sweet peas. She remembered trailing behind her grandmother cutting roses in her garden, lugging bucketfuls of flowers and inhaling the sweetness. She added native plants to her garden because yes, they helped save water, butterflies and bees, but also because she loved their fragrance.

“These lean, scrappy plants are rarely as showy as their ornamental cousins, but when it comes to fragrance, they win every award, hands down,” she wrote.

It wasn’t just aesthetics and aroma that inspired Marantos to garden. It was the acts of digging, weeding, watching something grow and sharing the abundance with others. “On my worst days, my garden was a reason to get out of bed in the morning, and the one thing that made me smile,” she wrote.

Jeanette Marantos appears on 'Los Angeles Times Today' with host Lisa McRee.

Jeanette Marantos appears on “Los Angeles Times Today” in June 2024 with host Lisa McRee.

(L.A. Times Today)

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Marantos tended to her garden like she tended to her friends. She often brought her friends along on reporting trips, from hiking up Los Angeles’ steepest staircases and visiting wildflower viewing areas to convincing one who flew in to Los Angeles from Washington state to spend a weekend volunteering at The Times’ Plants booth at the Festival of Books.

Marantos lived in central Washington for more than 20 years, working as a reporter at the Wenatchee World Newspaper and as a teacher at Wenatchee High School. She also worked for a program focused on getting at-risk middle school youth into college. “So many students … the trajectory of their lives is very different because she believed in them,” Dimitri Smith said.

Working as a community volunteer, she was also integral in developing a sculpture garden in downtown Wenatchee, Dimitri Smith said. “Growing up, I didn’t know how special that was. I didn’t know how unique that was. She wanted to be engaged in the community and make a difference always,” he said.

Marantos wrote personal finance stories for The Times from 1999 to 2002. She moved from Washington back to Southern California in her 50s to restart her journalism career, at one point interning with KPCC, now known as LAist, Dimitri Smith said. In 2015, she returned to The Times to write for the Homicide Report. A year later she started contributing to the Saturday section’s gardening coverage, which she would work on full time in 2020 when it relaunched as L.A. Times Plants. She described the two disparate beats as a way of staying balanced, her yin and yang.

Jeanette Marantos, circa 1975, trying to grow her first garden

Jeanette Marantos, shown around 1975, tries to grow her first garden.

(Steven B. Smith)

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“Going from homicide to gardening might seem unusual, or maybe even a step away from the action. But not for Jeanette. First off, she personally loved gardening. … So the assignment was kinda like telling a kid to cover the candy beat,” said Rene Lynch, a former Times editor who hired Marantos on the plants beat. “But also, Jeanette was a true journalist, which means she had an innate curiosity about everything.”

Learning to garden took dedication. Marantos described her first attempt in her 20s as disastrous; her tomato plants grew more leaves than fruit, her sunflowers were sad, not hearty. She thought of her explainers on various plant topics as her ongoing education.

“Our family is completely grief-stricken and shocked over her loss. We’re going to have a very, very difficult time living without her,” said her brother, Tom Marantos.

She is survived by her son Sascha Smith and his daughter Naomi Smith; son Dimitri Smith, his wife Molly Smith and their daughter Charlie Smith; her brother Tom Marantos and his partner Rafael Lopez; her sisters Lisa and Alexis Marantos; and her best friends, who were like family, Leslie Marshall and Theresa Samuelsen.

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We unpack Bad Bunny’s Super Bowl halftime show : Pop Culture Happy Hour

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We unpack Bad Bunny’s Super Bowl halftime show : Pop Culture Happy Hour

Bad Bunny performs onstage during the Super Bowl halftime show at Levi’s Stadium.

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At the Super Bowl halftime show, Bad Bunny put on an endlessly rewatchable performance. It featured Lady Gaga, Ricky Martin, and a real wedding. But it didn’t shy away from this political moment, and Bad Bunny’s place in the culture wars.

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