Lifestyle
To learn 'The Truth About Dragons,' go on a quest through this kids' book
Hanna Cha / Henry Holt and Co. (BYR)
A little boy goes on a quest — into two very different forests — to discover the truth about dragons.
“You must put your favorite cloak around your shoulders and your sturdiest boots upon your feet,” Julie Leung writes in her Caldecott Honor children’s book, The Truth About Dragons.
“Leave on a day when the air is crisp as new paper, the wind is gentle, and the skies are clear.”
In the first forest, full of old, gnarled oak trees, the child evades mischievous hobgoblins, mossy bridges, glowing will-o’-the-wisps, and winding brooks before arriving at a yellow cottage in the middle of a boggy swamp.
There lives a wise woman who tells him the truth about dragons.
“Dragons are fearsome and fire-breathing, my child,” the wise woman says, “with wings like a bat’s and the body of a lizard. Piercing horns grace their reptilian heads.”
And that, for sure, is one truth about dragons. But our hero still has another journey to go on.
Hanna Cha / Henry Holt and Co. (BYR)
“The book was inspired by my firstborn son,” explains Julie Leung. “We had debated a lot about which last name to give him. My husband having a very common Americanized name that’s synonymous with a soup company, and me having one that’s always been traditionally a little harder to pronounce.”
Leung was grappling with the idea of her son growing up feeling like he needed to choose between cultures — his mom’s Chinese heritage or his father’s American heritage. So she turned to folklore.
“There’s such different interpretations of the dragon mythology between Eastern and Western cultures,” Leung says, “it’s a perfect metaphor.”
The Truth About Dragons
Hanna Cha / Henry Holt and Co. (BYR)
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Hanna Cha / Henry Holt and Co. (BYR)
To depict the two mythologies, Hanna Cha illustrated the book in two completely different styles.
“I decided to use pen nibs for the first half of the book,” says Cha. “I got inspired by a lot of the older folktales and storybooks. And I loved how in those books they use borders to create a separate layer that adds to the story.”
In the first half of the book, the pages are lush and warm. A border of trees and leaves, flowers and mushrooms, frames each page. The wise woman’s cottage is full of rough-hewn wooden furniture and a stone hearth. Dried flowers hang from the ceiling, a cauldron bubbles away over a fire. “Her house smells of cedar chests, sugar cookies, and apple cider,” Leung writes.
Then, midway through the book, after the wise woman gives our hero one truth about dragons — basically that they’re all like Smaug from The Hobbit, sitting on piles of treasure and shooting flames at trespassers — the little boy steps over and out of the border of the first story, and straight into another.
Hanna Cha / Henry Holt and Co. (BYR)
Now the illustrations are airy and cool — greens and blues replace the warm reds and browns of yore. The borders have disappeared. The oak trees have been uprooted by a bamboo forest. The child is guided by nine-tailed foxes, ghostly maidens, and the white rabbit who dwells on the moon.
“For the second half I used sumi ink and calligraphy brushes,” explains Cha. “These brushes are beautiful brushes from Korean folk art. For me, I’m more comfortable doing brushes. That has been most of my work beforehand.”
Instead of a swampy cottage, the second wise woman lives in a palace overlooking a towering waterfall. It smells of jasmine and incense. She drinks chrysanthemum tea in a tiny porcelain bowl. And, of course, she knows another truth about dragons.
“Dragons are majestic creatures of air and fire,” Leung writes. “They rule in the skies and rivers, commanding the rain to fall and the floodwaters to rise.”
Hanna Cha says she gave careful consideration to how she’d draw the two dragons in this story differently. The fire-breathing Western dragon is deep red — on the page where you meet it, the border is made out of dented armor and bits of skeletons, evidence of its destructive powers. The god-like Eastern dragon is almost ethereal — it moves through the air like swirls of light blue liquid.
“I also really focused on a lot of the dynamic movements of how the dragons would move,” says Cha. “For the blue dragon, I imagined it kind of twisting and turning, serpent-like… this very majestic movement… And for the red dragon, I made sure to create this weight that is almost immovable, almost indestructible.”
Hanna Cha / Henry Holt and Co. (BYR)
Most people think they have to choose between the two dragons — red or blue, fearsome or holy, Eastern or Western mythologies. But at the end of his quest, our hero learns the real truth about dragons.
“I think a lot about the ways that we describe mixed or blended or half. There’s a lot of terminology we use when we talk about kids who are coming from different cultural and racial backgrounds,” says author Julie Leung. “And I want the idea of my kid’s future feeling like it is doubled, it is enriched, it is limitless.”
Or, as the omniscient narrator (actually his mother), tells the little boy, “Inside your heart is where the two forests meet. Both journeys are yours to take. Both worlds are yours to discover.”
Lifestyle
‘Stranger Things’ is over, but did they get the ending right? : Pop Culture Happy Hour
Millie Bobby Brown in the final season of Stranger Things.
Netflix
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Netflix
After five seasons and almost ten years, the saga of Netflix’s Stranger Things has reached its end. In a two-hour finale, we found out what happened to our heroes (including Millie Bobby Brown and Finn Wolfhard) when they set out to battle the forces of evil. The final season had new faces and new revelations, along with moments of friendship and conflict among the folks we’ve known and loved since the night Will Byers (Noah Schnapp) first disappeared. But did it stick the landing?
To access bonus episodes and sponsor-free listening for Pop Culture Happy Hour, subscribe to Pop Culture Happy Hour+ at plus.npr.org/happy.
Lifestyle
JasonMartin Says Adin Ross Disrespecting Doechii Stops in 2026
JasonMartin
Adin Ross Disrespecting Doechii …
Will Not Be Tolerated!!!
Published
TMZ.com
JasonMartin is putting his foot down after hearing Adin Ross call Doechii a “bitch” one too many times … the culture’s not going for it in 2026!!!
TMZ Hip Hop caught up with JM in L.A. this week, and he says Adin being aggressively addressed is vital to preventing outsiders of Black culture from toeing the line in the future.
Adin Ross is lying about Doechii and one of the biggest Twitter Accounts is behind it… pic.twitter.com/VoAwGJefyV
— Mike Tee (@ItsMikeTee) January 5, 2026
@ItsMikeTee
Adin maintains Doechii targeted him on her new track, “Girl, Get Up,” when she blasted people labeling her “an industry plant” … and blamed Complex magazine for helping fuel the fire.
Joe Budden, Glasses Malone, Wack 100, and Top Dawg Entertainment execs have all chimed in on Adin’s comments, and Jason says it’s bigger than internet tough talk … and won’t allow Adin to hide behind religion or freedom of speech to drag Black women.
Adin went on to collaborate with Tekashi 6ix9ine and Cuff Em on an anti-Lil Tjay and Doechii song, but has since said he’ll stay out of the beef; his chat doesn’t matter to him, and it’s not that deep to him.
TMZ.com
War mongering isn’t Jason’s only goal this year. He released 5 albums — “A Hit Dog Gon Holla,“ “I Told You So,“ “Mafia Cafe,“ “O.T.,“ and “A Lonely Winter” — to close out the 4th quarter and just may be in the “Snowfall” reboot with his buddy, Buddy!!!
Lifestyle
‘Everything I knew burned down around me’: A journalist looks back on LA’s fires
A firefighter works as homes burn during the Eaton fire in the Altadena area of Los Angeles County, Calif., on Jan. 7, 2025.
Josh Edelson/AFP via Getty Images
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Josh Edelson/AFP via Getty Images
On New Year’s Eve 2024, journalist Jacob Soboroff was sitting around a campfire with a friend when he made an offhand comment that would come back to haunt him: The last thing he wanted to do in the new year, Soboroff said, was cover a story that would require donning a fire-safe yellow suit.
Just one week later, Soboroff was dressed in the yellow suit, reporting live from a street corner in Los Angeles as fire tore through the Pacific Palisades, the community where he was raised.
“This was a place that I could navigate with my eyes closed,” Soboroff says of the neighborhood. “Every hallmark of my childhood I was watching carbonize in front of me. … There were firefighters there and first responders and other journalists there, but it was an extremely lonely, isolating experience to be standing there as everything I knew burned down around me in real time.”

In his new book, Firestorm: The Great Los Angeles Fires and America’s New Age of Disaster, Soboroff offers a minute-by-minute account of the catastrophe, told through the voices of firefighters, evacuees, scientists and political leaders. He says covering the wildfires was the most important assignment he’s ever undertaken.
“The experience of doing this is something that I don’t wish on anybody, but in a way I wish everybody could experience,” he says. “It’s given me insane reverence for our colleagues in the local news community here, who, I think, definitionally were exercising a public service in the street-level journalism that they were doing and are still doing. … It was actually beautiful to watch because they are as much a first responder on a frontline as anybody else.”
Interview highlights
On the experience of reporting from the fires
You’re choking with the smoke. And I almost feel guilty describing it from my vantage point because the firefighters would say things to me like: “My eyeballs were burning. We were laying flat on our stomach in the middle of the concrete street because it was so hot, it was the only way that we could open the hoses full bore and try to save anything that we could.” …
I could feel the heat on the back of my neck as we stood in front of these houses that I remember as the houses that cars and people would line up in front of for the annual Fourth of July parade or the road race that we would run through town. Trees were on fire behind us — we were at risk of structures falling at any given minute. It was pretty surreal because this is a place I had spent so much time as a child and going back to as an adult. … I had no choice but to just open my mouth and say what I saw to the millions of people that were watching us around the country.
On undocumented immigrants being central to rebuilding the city

These types of massive both humanitarian and natural disasters give us X-ray vision for a time into sort of the fissures that are underneath the surface in our society. And Los Angeles, in addition to being one of the most unequal cities between the rich and the poor, has more undocumented people than virtually any other city in the United States of America. Governor Newsom knew that with the policies of the incoming administration, some of the very people that would be responsible for the cleanup and the rebuilding of Los Angeles may end up in the crosshairs of national immigration policy. And I think that that was an understatement. …
Pablo Alvarado in the National Day Laborer Organizing Network said to me that often the first people into a disaster — the second responders after the first — are the day laborers. They went to Florida after Hurricane Andrew, to New Orleans after Katrina, and they’d be ready to go in Los Angeles. And I went out and I cleaned up Altadena and Pasadena with some of them in real time.
And only months later did this wide-scale immigration enforcement campaign begin … on the streets of LA as sort of the Petri dish, the guinea pig for expanding this across the country. And it’s not an exaggeration to say that the parking lots of Home Depots, where workers [were] looking to get involved in the rebuilding of Los Angeles, has been ground zero for that enforcement campaign.
On efforts to rebuild
The pace is slow and it’s sort of a hopscotch of development. And I think for people who do come back, for people who can afford to come back, it’s going to be a long road ahead. You’re going to have half the houses on your street under construction for years to come. And for people that do inhabit those homes, it’s going to an isolating experience. But there’s an effort underway to rebuild. …
There’s also a lot of for-sale signs. And that’s the sad reality of this, is that there are people who, whether it’s that they can’t afford to come back … or that they just can’t stomach it, I think, sadly, a lot people are not going to be returning to their homes.
On what the Palisades and Altadena look like today

They both look like very big construction sites in a way. There are still some facades, some ruins of the more historic buildings in the Palisades. … But mostly it’s just empty lots. And in Altadena, the same thing. If you drive by the hardware store, the outside is still there. But it’s a patchwork of empty lots. Homes now under construction. And lots and lots of workers. … There are still a handful of people who are living in both the Palisades and in Altadena, but for the most part, these are communities where you’ve got workers going in during the day and coming out at night. …
We have designed this community to be one that’s in the crosshairs of a fire just like the one we experienced and that we will certainly, certainly experience again, because nobody’s packing it up and leaving Los Angeles. People may not return to their communities after they’ve lost their homes, but the ship has sailed on living in the wildland urban interface in the second largest city in the country.
On seeing this story, personally, as his “most important assignment”
Jacob Soboroff is a correspondent for MS NOW, formerly MSNBC.
Jason Frank Rothenberg/HarperCollins
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Jason Frank Rothenberg/HarperCollins
I don’t think I realized at the time how badly I needed the connections that I made in the wake of the fire, both with the people who have lost homes and the firefighters, first responders who were out there, but also honestly with my own family, my immediate family, my wife and my kids, my mom and my dad and my siblings and myself. I think that this was a really hard year in LA, and I think in the wake of the fire, I was experiencing some level of despair as well. Then the ICE raids happened here and sort of turned our city upside down. And this book for me was just this amazing cathartic blessing of an opportunity to find community with people I don’t think I ever would have otherwise spent time with, and to reconnect with people who I hadn’t seen or heard from in forever.
Anna Bauman and Nico Wisler produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.

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