Lifestyle
This L.A. mailman retired after 42 years. Hundreds showed up to his farewell party
There were 200 people on the back patio of Glassell Park’s Verdugo Bar, and John Ayala had a hug for all of them.
Wiping tears from his eyes as he slowly made his way through the intergenerational crowd, he recognized almost everyone in attendance — if not by name, then definitely by address.
For four decades, the 61-year-old Ayala delivered mail to their homes, and now he was finally retiring, to the great surprise of everyone, including himself. He’d been talking about it for years — working it into the many conversations he had each day with the friends he’d made along his mail route in the hills of Mount Washington, a small residential community in northeast Los Angeles.
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The folks at the retirement party were glad that he would finally get some well-deserved downtime, but they were also wistful. For them, Ayala’s departure represented the end of an era when mail delivery came with a side of conversation.
“He talked with everyone,” said Jonathan Sample, a graphic designer who grew up in Mount Washington and now lives there with two kids of his own. “He was a really unifying presence.”
At a time when just 26% of Americans say they know their neighbors, according to a recent Pew Research study, Ayala helped create a sense of community in Mount Washington, even if it was only through the shared experience of having an unexpectedly personal relationship with the local mailman with a gruff voice and a gregarious disposition.
Over the years, Ayala would invite people from his route to the shows he played with his metal band Horns Up, and whether or not they liked the music, they‘d come out because they liked him. He would frequently talk about sports (especially the Dodgers and the Packers) and many on the hill knew he had two knee replacements — a result of a job that required him to hop in and out of a truck all day — because he would share updates on his recovery.
And when he started delivering reams of college marketing materials to families with high school seniors, he’d often inquire where the soon-to-be graduate was headed.
Ayala, center, celebrates with friends at his retirement party at Glassell Park’s Verdugo Bar.
(Carlin Stiehl / For The Times)
“He’s amazing. He knows my kids — my daughter is 40 and my son is 37 — and they love him,” said John Amour, a Mount Washington resident who has known Ayala since the ’90s. “They’ve grown up with him. He remembers their name. He says, ‘How is Brianna?’”
Because Ayala made daily visits to the homes on his route, he also knew who was on vacation, who was moving and who was having a medical crisis.
A few years ago, he was delivering mail to a man whose wife had been in the hospital. When Ayala asked “What’s up with Sandy?” the man shared that she had just passed away.
“I was the first one to see him after that and I just had to hug him,” Ayala said. They still text occasionally.
1. A goodbye sign is displayed on Ayala’s route during his final shift. 2. John Ayala delivers mail to a home. 3. Los Angeles resident Seonna Hong stops on the road to thank Ayala. (Ronaldo Bolaños / Los Angeles Times)
“If people are sick, he’ll tell people in the neighborhood,” said Laura Lee, who has lived in Mount Washington for 40 years. “If I start wondering about someone I haven’t seen in a while, I’ll ask him, just to make sure they’re OK.”
For Ayala, connecting people with one another comes naturally.
“I’ll find out someone is a Red Sox fan and I’ll tell them, you know your neighbor Neil up the street is from Boston too. You guys should talk,” he said.
Ayala, who grew up in El Sereno and is married with two sons, has deep family roots in the United States Postal Service. His mother, Yolanda, worked for the agency for 39 years, as did each of her four brothers and a sister-in-law. Ayala’s uncle was the first Latino vice president of finance for the Postal Service in the 1990s.
Ayala was an honors student at South Pasadena High School, but he wasn’t interested in college. Toward the end of his senior year, his mom saw a job opening at work and encouraged him to apply. He’s been working for the Postal Service since 1984 — even during the time his metal band Lace was selling out the Whiskey a Go Go and the Roxy in the mid ’80s.
Neighbors made a USPS-themed cake for Ayala’s retirement party.
(Carlin Stiehl / For The Times)
“I always wanted to be a rock star, but I probably wouldn’t be alive today if we’d made it,” he said.
He started delivering mail in Mount Washington in 1987 and never looked back. He loved the people and taking a break by the Self-Realization Fellowship’s verdant headquarters to read the newspaper. “It’s a neighborhood I could never afford,” he said. “It’s like a different world.”
Also, he said, “I never had to buy lemons. My customers always gave me lemons.”
The Postal Service changed his route once in 2008, but a few years later, he was able to return to Mount Washington. “I couldn’t wait to get back up there,” he said. “It was just like, oh man, I’m going to be in heaven again.”
After 42 years of service, Ayala’s pension couldn’t get any higher, so he decided to retire at the end of 2025. He could have retired in 2020, but as he wrote in a Facebook post in 2023, “I’m having too much fun.”
On a rainy day in December, Ayala maneuvered his truck one final time through Mount Washington’s narrow streets. Even as he emptied it of mail, it gradually filled up with gifts from his longtime customers — a bottle of vodka, a few bottles of wine, a six-pack of craft beer, homemade biscotti, a signed farewell poster, several thank you cards and a giant foam cheese hat from one of the many residents who knew he was a Packers fan.
Graphic designer Jonathan Sample made dozens of signs saying “Rock on Mailman John” for neighbors who wanted to send well wishes to Ayala on his last day.
(Ronaldo Bolaños / Los Angeles Times)
And then there were the signs, stuck on stakes, posted on telephone poles, taped to mailboxes all over the hill.
Good Luck John! We’ll Miss You!
Mailman John!! Thank you!!
Rock on Mailman John! Enjoy Your Retirement. We Love You!
Not everyone who made signs and delivered gifts knew each other, but they all knew Ayala.
Even after he retired, Ayala was still bringing the people of Mount Washington together. The farewell party at the Verdugo Bar was put together by a trio of neighbors who got to know each other because they all wanted to be involved in celebrating their beloved mailman. At the bar, residents who live on the same street finally got around to introducing themselves.
“See that group in the corner?” said Penny Jones, an artist who helped organize the party. “That’s the Glenalbyn contingent. They are just getting to know each other.”
Also among the many people who had come to wish Ayala a fond farewell? Alex Villasenor, the neighborhood’s UPS driver, wearing an Iron Maiden shirt in Ayala’s honor.
“I had to represent,” he said. “We always chat and clown around and block each other and honk at each other on the hill. He goes for the Raiders and I go for the Packers. I’ll be sad not to see him.”
I was at the party, too — and not just to report this story, but because for the last 18 years, Ayala was my mailman. More than anyone else in my life — even my parents — he religiously read my stories in The Times, always commenting when I had a piece on the front page.
“Great story, Deb!” he’d yell from his truck after putting some real estate fliers in my mailbox. It always made my day.
Ayala has a hug for everyone at his party.
(Carlin Stiehl / For The Times)
Like everyone else, I’m going to miss him.
A few months after his retirement, I called Ayala to see how he’s been doing. It’s been a difficult adjustment.
“I just miss everybody, “ he said. “It’s hard. You lost a friend. One person. I lost like 2,000 friends.”
Two hundred residents attended John Ayala’s retirement party after 40 years with the USPS.
(Carlin Stiehl / For The Times)
He said sometimes in the middle of the night when he’s tossing and turning, he imagines traveling street by street, just thinking about everyone on his mail route.
But he is committed to staying in touch. He still texts some of his friends about sports, and he’s planning to make a trip up the hill soon just to walk around and greet people.
Ayala may have stopped delivering the mail, but he’s not done delivering connection.
Lifestyle
How actress Laverne Cox became the woman of her dreams (CT+) : Consider This from NPR
NEW YORK, NEW YORK – APRIL 21: Laverne Cox attends the “Animal Farm” New York Premiere at Regal Theater on April 21, 2026 in New York City.
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In 2013, when the Netflix series Orange Is the New Black came out, the world met the character Sophia Burset — a Black trans woman serving as the resident hairstylist in prison.
For much of the audience, it was also the first time they met actress Laverne Cox — who landed the role of Sophia at the age 40, just when she was thinking of quitting acting altogether.
In her new memoir Transcendent, Cox talks about the challenges she faced long before Netflix came knocking: a mother who withheld love, a father who was never around and the brutal denigration she encountered growing up Black and trans in the deep South.
To unlock this and other bonus content — and listen to every episode sponsor-free — sign up for NPR+ at plus.npr.org. Regular episodes haven’t changed and remain available every weekday.
Email us at considerthis@npr.org.
Lifestyle
Judy Blume says she’s done writing: ’50 years is enough!’
Scott Simon talks with author Judy Blume at the Santa Fe International Literary Festival in May.
Tira Howard Photography./Courtesy Santa Fe International Literary Festival
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Tira Howard Photography./Courtesy Santa Fe International Literary Festival
Judy Blume is the legendary writer of books for young adults including Are You There God It’s Me Margaret, Deenie, Tiger Eyes, Tales of a Fourth Grade Nothing and Blubber.
Her last book, 2015’s In The Unlikely Event, was published more than a decade ago. Blume now spends her time reading children’s books behind the counter at her bookstore in Key West, Florida. Though she says she is done writing, her books remain beloved; her readers numerous and devoted.
Judy Blume spoke with NPR’s Scott Simon at the Santa Fe International Literary Festival in May. Here are excerpts from that conversation, edited in parts for clarity and length.
Scott Simon: How did you begin to write? What do you think made you a writer?
Judy Blume: I was a reader. And, you know, I meet so many kids and they say, “I want to be a writer when I grow up, but I don’t like to read.” And I say, “You know what? Forget being a writer.” Because I think every writer — that I know anyway — grew up a reader. And certainly that was true for me.
Simon: What was the spark that set it in motion from reading to writing, do you think?
Blume: I was married young. I had two kids young. And I was desperate for a creative outlet. I loved taking care of babies, but I needed something else and it could have been anything.
Simon: I have read that at one point in your life you made felt art pieces?
Scott Simon with Judy Blume in Santa Fe in May.
Tira Howard Photography/Courtesy Santa Fe International Literary Festival
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Tira Howard Photography/Courtesy Santa Fe International Literary Festival
Blume: Oh God, my first career. You know, I stopped because the Elmer’s glue — I’m an allergic person — started to give me funny things on the tips of my fingers. I made $300 selling those. And I bought myself a small electric typewriter. And the rest is history.
But I always had stories inside my head — when I was 9 years old. I bounced a rubber ball against the side of my house for hours. But really what was going on were stories. Fabulous stories, very melodramatic. I never told anybody. I never asked a friend, “Hey, do you have stories inside your head all the time?” Because I thought they’d think I was weird, which I might have been. So the stories were always there.
Simon: When you were writing, what was the process like for you?
Blume: Well, I kept a notebook for each book and I scribbled everything in it. Everything, everything, everything for a long time. For months.
And then on the day that I feel ready to start, well, that’s either the scariest part of writing or the best. Because, you know, when you have a good day — I mean, I had kids, and I would sit down at the dinner table and I would say, like, “You will never believe what Tony did today.” Because they’re real. They’re real to you. And you’re living with them for months, sometimes years. And you’re locked up in a little room all day with them. That’s why 50 years is enough. I was ready to come out into the world.
But I have found another career that I love dearly. I have a bookstore and I love that.
Tira Howard Photography/Courtesy Santa Fe International Literary Festival
Simon: I get the idea that you, at least for the moment, don’t miss writing right now.
Blume: I don’t miss writing but I’m very glad that I wrote. I mean, writing changed my life. But it was time to let it go. Could I have come up with more ideas and written more books? Yes. But I’m really happy that I found something else that I love to do.
Simon: Do characters ever come calling on you?
Blume: No. They know better. They’re quiet.
You know how many letters I get? “We need Judy to write a book — Margaret In Menopause.”
Margaret is always going to be 12. She’s not knocking, saying, “Let me out. I’m in menopause!”
They are what they are. They stay in the book. They stay in the book. They live for me in the book. And then I have to let them go.
Lifestyle
James Burrows, director of classic shows ‘Cheers’ and ‘Friends,’ dies at 85
Director James Burrows attends the “Will & Grace” start of production kick off event and ribbon cutting ceremony at Universal City Plaza on August 2, 2017 in Universal City, California.
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LOS ANGELES — James Burrows, who helped create volumes of laughter as director of more than a thousand episodes of such classic television comedies as “Cheers,” “Taxi,” “Friends” and “Will and Grace,” died Friday. He was 85.
His family confirmed his death in a statement to People, saying he “passed away peacefully today surrounded by his family.” No location or cause of death was provided.
Burrows spent his career behind the camera specializing in situation comedies. Few viewers recognized him or knew his name, other than to see it flash quickly on the screen in the opening credits. But they knew his work.
Burrows got his start in television relatively late at age 35 in 1974, directing episodes of “The Mary Tyler Moore Show,” “The Bob Newhart Show,” and “Laverne & Shirley.”
He co-created “Cheers,” directing 243 of the 273 episodes, as well as all 246 episodes of “Will and Grace.”
He also helmed multiple episodes of such hits as “Frasier,” “Friends” and “Mike & Molly,” and the pilots of “Two and a Half Men” and “The Big Bang Theory.”
“When I direct a television show, I try to reach that sweet spot where the best script meets the best performance and the best chemistry between performers,” Burrows wrote in his 2022 memoir “Directed by James Burrows.” “Hitting that exact moment, where these factors land in combination, results in the sweetest and most enduring laugh.”
His family said, “Burrows understood that great comedy was never simply about laughter. It was about humanity, connection, and truth. That understanding became the foundation of a career that forever changed television.
“But beyond his remarkable achievements, Burrows will be remembered for something even greater: his kindness, generosity, and unwavering belief in the people around him. He possessed a rare ability to make everyone better and was known for remembering every person he met by name, making colleagues at every level feel seen, valued, and appreciated,” the family statement said.
Born James Edward Burrows on Dec. 30, 1940, in Los Angeles, he moved to New York when he was 5 years old. He spent five years in the Metropolitan Opera Children’s Chorus until his voice started to change. He attended LaGuardia High School of Music & Art.
His father was writer, director and producer Abe Burrows, whose Broadway hits included “Guys and Dolls” and “Can-Can.” The elder Burrows also mentored Larry Gelbart, future creator and producer of the TV show “M(asterisk)A(asterisk)S(asterisk)H.”
The younger Burrows spent hours of his youth in theaters and studios watching his father work, dining with him at such famed New York haunts as Sardi’s and Gallagher’s and meeting celebrities who attended his father’s New Year’s Eve parties.
After earning a bachelor’s degree from Oberlin College, Burrows attended the graduate program of the Yale School of Drama, where his classmates included actor-comedian Robert Klein, playwright John Guare and film director John Badham.
At Yale, he was required to take directing classes and he got hooked.
Burrows’ first sitcom experience was as Burl Ives’ dialogue coach on “O.K. Crackerby!” which was directed by his father and ran for one season on ABC in 1965.
From there, he was an assistant on “The Patty Duke Show.” He moved back to New York and worked for Broadway producers Lee Guber, Frank Ford and Shelly Gross. He first met actor Moore while working on the Broadway production of “Holly Golightly,” an adaptation of “Breakfast at Tiffany’s” that was directed by his father.
Burrows eventually worked as a stage manager for various road productions, where he met such actors as Hugh O’Brien, Zsa Zsa Gabor and Julie Harris.
By 1974, after working in dinner theater and summer stock, he turned on his television and saw Moore’s eponymous TV show. He wrote her a letter asking if there was any opening “small or smaller” at her production company that he could fill, according to his memoir.
Moore’s husband and business partner, Grant Tinker, invited Burrows to Los Angeles to direct an episode of the comedy. He apprenticed for MTM Enterprises, which had four sitcoms on the air at the same time.
Burrows cited his theater background for learning how to give actors direction and block out scenes. He’s credited for being one of the first sitcom directors to increase the typical multi-camera television shoot from three to four cameras.
The common thread between Burrows’ shows were the bonds between friends and unrelated families, whether it was the motley crew of regulars meeting at the bar in “Cheers” or the drivers working toward a better life in “Taxi” or the 20-somethings sharing the same apartment building in “Friends.”
“The best sitcoms transcend the screen and reach out and grab the audience by the throat and by the heart,” Burrows wrote in his memoir.
He relished discovering new acting talent while directing more than 75 pilots that were picked up as series.
“Having directed over a thousand shows means that almost any night you can turn on your television or go online and find a show that I directed. I’m very proud of that,” he wrote in his memoir.
In 2019, Burrows was an executive producer on live productions of “All in the Family” and “The Jeffersons” with famous actors re-creating episodes of those 1970s comedies.
Burrows was married in 1997 to Debbie Easton, whom he met when she worked as a hairstylist on “Frasier.” Daughters Kat Schatzow, Ellie Gluck and Maggie Burrows, who followed her father into directing, are from his first marriage to Linda Solomon, who died in 2004. His stepdaughter Paris is from his wife’s previous marriage. He has a sister, Laurie Burrows Grad, and seven grandchildren.
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