Lifestyle
They transformed a sad, junk-filled yard into a DIY native plant wonderland
Water-hungry lawns are symbols of Los Angeles’ past. In this series, we spotlight yards with alternative, low-water landscaping built for the future.
At the top of a roller-coaster hill in Highland Park, Thomas Zamora and his husband, Raul Rojas, enjoy two spectacular views — of the Pasadena hills to the east and of the meandering expanse of native plants, succulents and vegetables in a backyard that once was nothing but dirt and junk cars.
It’s been an evolution of nearly a decade, say Zamora and Rojas, but today, their backyard boasts a deck rimmed with pots of colorful succulents and wide water-permeable paths of flagstone and river pebbles, lined with fragrant plantings of California native trees and flowering shrubs. There’s a raised bed full of vegetables, a potted lemon tree and a few red-blooming Australian grevilleas and South African leucadendron left over from the early days of their landscaping journey “because the hummingbirds love them so much,” Zamora said. “They fight over the flowers, so we couldn’t stand to take them out.”
But almost everything else in the backyard, along with the terraced planters out front and the parkway, is devoted to California native plants, a passion inspired by the Theodore Payne Foundation’s Native Plant Garden Tour in 2015, when the couple saw what beautiful gardens others had created from native perennials, shrubs and wildflowers.
An oasis of welcoming serenity in the backyard of Raul Rojas and Thomas Zamora’s Highland Park home.
“That started us on our journey of ‘Frankensteining’ our landscape,” Zamora said, laughing. “The tours helped us get ideas for what elements we thought would look great in our yard. It wasn’t a formal process, because we did things ourselves. We found things we wanted, and places to fit them in, and just sort of winged it.”
They winged it so well that their home is now a regular part of Theodore Payne’s Native Plant Garden Tour, being held on April 13 and 14 this year. (Tickets are sold out online, but at publication time were still available for purchase in person at the foundation’s office in Sun Valley, Tuesdays through Saturdays from 8:30 a.m. to 4:30 p.m. for $55 (children under 16 are free).
The couple’s garden is alive with bees, hummingbirds and other pollinators, and there are chairs and even a flower-shaded bench for visitors to sit and admire the view. The space exudes serenity and invites wanderers —and is clearly a labor of love for both Zamora and Rojas. “Every Sunday is garden day and we enjoy the process,” Rojas said. “It’s a place for exercise and meditation … our happy place. And who does the weeding? Us!”
On their tidy potting bench, a butter knife rests in a pot, at the ready to tackle any unwanted sprouts. “The best weeding tool is a butter knife,” Rojas says confidentially. “My grandma taught me that; you just jab the knife in at the base of the root and pull the weed up by pinching it between two fingers.”
A relative’s discarded outdoor bar became the perfect potting bench for the couple’s backyard.
Clearly the technique works, because weeds — the bane of most gardens, including native plant landscapes — are visible nowhere in this yard. The plantings are jumbled but meticulous — almost Disney-esque — with brimming pots of succulents on the front porch and overflowing terraces of blue-blooming rosemary, a Mediterranean plant, along with native plants like evergreen currant (Ribes viburnifolium), island alum root (Heuchera maxima), fragrant blue pitcher sage (Lepechinia fragrans), bush sunflowers (Encelia californica) and island buckwheat hybrid (Eriogonum x blissianum)
It all looks perfect, down to the beautiful tangle of poppies and other native wildflowers in the narrow strip of parkway. But the process offered plenty of challenges, Zamora and Rojas said. “We’ve learned a lot along the way,” Rojas said.
Both men are California natives whose families enjoyed gardening and being outdoors, but they grew up around more traditional plants like roses, fruit trees and succulents. Plus, Rojas laughed, his parents kept him busy pulling weeds as a child.
When Zamora, an art department coordinator for TV shows like “No Good Deed,” bought the 1923 bungalow in 2009, the smallish backyard was filled with hard dirt and three junk cars, which thankfully were removed before he moved in in 2010. In the beginning, before he met Rojas, he focused more on the interior of the house and dabbled at planting just a few flower beds outside. He said his focus then was on showy drought-tolerant plants like statice and Pride of Madeira, a fast-growing perennial with giant purple blooms native to the Portuguese island of Madeira.
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1. A leucadendron “Jester” from South Africa grows against a neighbor’s garage wall, against an artistic display of paint cans. The leucadendron is a holdover from Zamora’s earliest landscaping attempts, kept because it’s so popular with the hummingbirds. 2. (Dania Maxwell/Los Angeles Times)
“I didn’t realize these plants are invasive along the central coast,” he said. “I was just planting things because they looked pretty, and I knew they would grow because I’d seen them in other places.”
He added the leucadendron and grevillea for their showstopping, drought-tolerant blooms. But he also planted a white sage (Salvia apiana) because he admired the silvery green foliage of one of Southern California’s most famous indigenous plants during a local hike.
After Rojas moved in in 2012, the couple got more serious about the yard, visiting plant stores and nurseries to get ideas. In 2015, during a visit to Potted in Atwater Village, they saw a flier for the Theodore Payne tour and decided to give it try. It was easy to buy tickets for the tour in those days, Rojas said — “They didn’t sell out like they do today” — and the gardens they saw finally gave their landscaping a sharp focus: native plants.
“It was one of the best decisions we ever made,” Zamora said.
But once they started adding native plants in earnest, the challenges started. They amended their heavy clay soil with compost and other additives, something you would normally do to plant traditional landscape ornamentals and food. But after many of the new plants died, they learned their yard had mostly heavy, slow-draining clay soil, and that native plants prefer well-draining native soils over enriched garden plots.
“I learned that from one of Theodore Payne’s ‘Right Plant, Right Place’ classes that teaches you what plants do best in your situation,” Zamora said. “And I also used Calscape to find out if the plants I’m interested in will tolerate clay soils. That’s how we figured out a plan for adding plants we would love to have but don’t have a place where they will work.”
A San Clemente Island bushmallow loaded with pink blooms was planted from a one-gallon container and now grows exuberantly along the east fence of Raul Rojas and Thomas Zamora’s backyard.
They grow plants that don’t like clay in pots, such as the super-sweet smelling woolly bluecurls (Trichostema lanatum) near their side door; once established, it’s easily killed by too much water. The white sage has thrived, along with a very happy San Clemente Island bushmallow (Malacothamnus clementinus) that has grown from a one-gallon container to a massive shrub covered with blooms along their east fence.
They never really had a formal design, Zamora said. They tried things, and if it didn’t work, they tried something else. Initially they added two raised beds for vegetables but eventually removed one to create more space for paths and native plantings.
Adding pebble walkways helped solve problems with runoff and standing water in the backyard. “We do not have a bioswale [to capture rainwater until it drains into the soil] — I wish I had known about those when I was doing the walks,” Zamora said. “But I leveled the area so the water doesn’t pool now, and the rocks seem to help hold water so it doesn’t run off; it just seeps into the ground through the pavers.”
Succulents in colorful pots line the deck, front porch and potting bench at the home of Raul Rojas and Thomas Zamora.
Another helpful resource has been regular visits to the California Botanic Garden in Claremont, the state’s largest botanic garden devoted entirely to native plants. “It’s a peaceful place and very inspiring to see plants in their habitat,” Zamora said. “We went there lots during the pandemic because it was such a great place to walk around.”
They’re also regular customers of Hardy Californians, a pop-up native plant nursery in Sierra Madre. Rojas, an entertainment publicist, even volunteered there during the Hollywood actors’ strike in 2023, and came away an even bigger convert to the versatility and beauty of native plants.
“Our neighbors have been very positive,” Rojas said. “We got little signs for all the plants because people on neighborhood walks always ask us what we’ve planted, and what we recommend for a specific situation.”
A large ficus tree in the parkway outside their front door has died, probably because of damage when the street was dug up for water-pipe repairs. It’s a city-owned tree, Zamora said, so a city crew will have to remove it, “but we’re definitely going to talk to them about replacing it with something native.”
Over the years, they’ve gotten much more sanguine about the circle of life in their garden. “We’ve learned that gardening is a process and some plants do better than others,” Rojas said. “We used to get so upset — ‘OMG, this died!’ — but at this point, it’s more like, ‘Oh, this didn’t like that location.’ Now we see it as just a new planting opportunity.”
California poppies (Eschscholzia californica), purple Chinese houses (Collinsia heterophylla), baby blue eyes
(Nemophila menziesii) and other wildflowers grow thickly in the narrow parkway outside their home.
Lifestyle
In Brooklyn’s Park Slope neighborhood, children’s entertainment comes with strings
The Tin Soldier, one of Nicolas Coppola’s marionette puppets, is the main character in The Steadfast Tin Soldier show at Coppola’s Puppetworks theater in Brooklyn’s Park Slope neighborhood.
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Every weekend, at 12:30 or 2:30 p.m., children gather on foam mats and colored blocks to watch wooden renditions of The Tortoise and the Hare, Pinocchio and Aladdin for exactly 45 minutes — the length of one side of a cassette tape. “This isn’t a screen! It’s for reals happenin’ back there!” Alyssa Parkhurst, a 24-year-old puppeteer, says before each show. For most of the theater’s patrons, this is their first experience with live entertainment.
Puppetworks has served Brooklyn’s Park Slope neighborhood for over 30 years. Many of its current regulars are the grandchildren of early patrons of the theater. Its founder and artistic director, 90-year-old Nicolas Coppola, has been a professional puppeteer since 1954.
The Puppetworks theater in Brooklyn’s Park Slope neighborhood.
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A workshop station behind the stage at Puppetworks, where puppets are stored and repaired.
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A picture of Nicolas Coppola, Puppetworks’ founder and artistic director, from 1970, in which he’s demonstrating an ice skater marionette puppet.
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For just $11 a seat ($12 for adults), puppets of all types — marionette, swing, hand and rod — take turns transporting patrons back to the ’80s, when most of Puppetworks’ puppets were made and the audio tracks were taped. Century-old stories are brought back to life. Some even with a modern twist.
Since Coppola started the theater, changes have been made to the theater’s repertoire of shows to better meet the cultural moment. The biggest change was the characterization of princesses in the ’60s and ’70s, Coppola says: “Now, we’re a little more enlightened.”
Right: Michael Jones, Puppetworks’ newest puppeteer, poses for a photo with Jack-a-Napes, one of the main characters in The Steadfast Tin Soldier. Left: A demonstration marionette puppet, used for showing children how movement and control works.
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Marionette puppets from previous Puppetworks shows hang on one of the theater’s walls.
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A child attends Puppetworks’ 12:30 p.m. showing on Saturday, Dec. 6, dressed in holiday attire that features the ballerina and tin soldier in The Steadfast Tin Soldier.
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Streaming has also influenced the theater’s selection of shows. Puppetworks recently brought back Rumpelstiltskin after the tale was repopularized following Dreamworks’ release of the Shrek film franchise.
Most of the parents in attendance find out about the theater through word of mouth or school visits, where Puppetworks’ team puts on shows throughout the week. Many say they take an interest in the establishment for its ability to peel their children away from screens.
Whitney Sprayberry was introduced to Puppetworks by her husband, who grew up in the neighborhood. “My husband and I are both artists, so we much prefer live entertainment. We allow screens, but are mindful of what we’re watching and how often.”
Left: Puppetworks’ current manager of stage operations, Jamie Moore, who joined the team in the early 2000s as a puppeteer, holds an otter hand puppet from their holiday show. Right: A Pinocchio mask hangs behind the ticket booth at Puppetworks’ entrance.
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A child attends Puppetworks’ 12:30 p.m. showing on Saturday, Dec. 6, dressed in holiday attire.
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Left: Two gingerbread people, characters in one of Puppetworks’ holiday skits. Right: Ronny Wasserstrom, a swing puppeteer and one of Puppetworks’ first puppeteers, holds a “talking head” puppet he made, wearing matching shirts.
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Other parents in the audience say they found the theater through one of Ronny Wasserstrom’s shows. Wasserstrom, one of Puppetworks’ first puppeteers, regularly performs for free at a nearby park.
Coppola says he isn’t a Luddite — he’s fascinated by animation’s endless possibilities, but cautions of how it could limit a child’s imagination. “The part of theater they’re not getting by being on the phone is the sense of community. In our small way, we’re keeping that going.”
Puppetworks’ 12:30 p.m. showing of The Steadfast Tin Soldier and The Nutcracker Sweets on Saturday, Dec. 6.
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Children get a chance to see one of the puppets in The Steadfast Tin Soldier up close after a show.
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Left: Alyssa Parkhurst, Puppetworks’ youngest puppeteer, holds a snowman marionette puppet, a character in the theater’s holiday show. Right: An ice skater, a dancing character in one of Puppetworks’ holiday skits.
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Community is what keeps Sabrina Chap, the mother of 4-year-old Vida, a regular at Puppetworks. Every couple of weeks, when Puppetworks puts on a new show, she rallies a large group to attend. “It’s a way I connect all the parents in the neighborhood whose kids go to different schools,” she said. “A lot of these kids live within a block of each other.”
Three candy canes — dancing characters in one of Puppetworks’ holiday skits — wait to be repaired after a show.
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Anh Nguyen is a photographer based in Brooklyn, N.Y. You can see more of her work online, at nguyenminhanh.com , or on Instagram, at @minhanhnguyenn. Tiffany Ng is a tech and culture writer. Find more of her work on her website, breakfastatmyhouse.com.
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