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Their Interfaith Relationship Turned a Corner on Christmas

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[Click here to binge read this week’s featured couples.]

By the point Caressa Gonzalez and Mordechai Miltz met in December 2016, 10 months had handed since they matched on the courting app Bumble.

Although they shortly exchanged cellphone numbers and have become Fb associates after connecting on the app, Mr. Miltz, 37, was then dwelling between his native Lengthy Seaside, N.Y., and Florida, the place Ms. Gonzalez grew up and lived.

For Ms. Gonzalez, 32, their delayed in-person assembly was “simply as effectively as a result of I wasn’t prepared for a relationship after a troublesome breakup,” she stated.

Raised in West Palm Seaside, Ms. Gonzalez graduated from Florida Worldwide College in Miami and runs Manhattan Trophy & Promotion, her household’s enterprise in Lake Price, which sells trophies, medals and different tokens of accomplishment. Mr. Miltz, who goes by Mordy, attended Nassau Neighborhood School and is a dealer with United Yacht Gross sales in Stuart, Fla.

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When the couple lastly met for drinks and dinner at Park Tavern in Delray Seaside, Fla., in December 2016, there was an instantaneous chemistry. “We had an incredible dialog,” stated Mr. Miltz, as they talked about work and their totally different households: Ms. Gonzalez was raised Catholic by mother and father who immigrated to this nation from Cuba, and Mr. Miltz, whose mother and father are divorced, was raised Orthodox Jewish.

“We laughed for 2 hours,” Ms. Gonzalez stated. “He was actually good firm.”

Over the following few weeks, they grew inseparable, taking yachts out for lunch (a perk of his job) attending automotive exhibits and sharing meals collectively. Quickly Christmas was upon them. Ms. Gonzalez, who had deliberate to have a good time the vacation along with her household, stated she was “baffled” when Mr. Miltz requested what time may he come over and what he ought to carry.

“Who invitations himself to an intimate household gathering for a vacation he doesn’t even have a good time?” she stated. That night time, he requested her to be his girlfriend and so they formally turned a pair.

However not for lengthy: Proper earlier than Valentine’s Day in February 2017, Ms. Gonzalez broke up with Mr. Miltz. “I had by no means dated anybody as giving or variety as Mordy,” she stated. “I felt smothered.” He was so understanding about her resolution, although, that Ms. Gonzalez shortly regretted it. Days later, they had been again collectively.

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“I used to be skeptical however let it play out as a result of Caressa was a very good individual and a lot enjoyable,” Mr. Miltz stated. As they continued to this point, the couple “realized to speak by way of our issues,” Ms. Gonzalez stated. “Our variations have helped us develop collectively and enhanced our relationship.”

In 2020, early within the pandemic, Mr. Miltz completely relocated to Florida, and the couple later purchased a house close to Ms. Gonzalez’s mother and father’ home in West Palm Seaside. Whereas the 2 had mentioned marriage over time, Mr. Miltz’s proposal that Might took Ms. Gonzalez unexpectedly. That they had simply returned from the seashore and she or he was carrying pajamas.

“I don’t even bear in mind his phrases, however I stated sure,” she stated.

On Feb. 14, the couple married on the steps of St. Stanislaus Church in Altos de Chavon, a reproduction Sixteenth-century Mediterranean village inside the Casa de Campo resort in La Romana, Dominican Republic.

Father Brian King, Ms. Gonzalez’ childhood priest, carried out a Catholic ceremony earlier than 53 friends, who had all examined detrimental for Covid the day earlier than the marriage. On the finish of the ceremony, a huppah organized by the couple was introduced out. After two Jewish prayers had been stated for the newlyweds, they smashed the normal glass.

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The outside reception that adopted started with a cocktail hour held close to the church on a plaza overlooking the Chavon River. It continued at La Piazzetta, a restaurant inside the resort, the place the couple and their friends loved a flamboyant hora loca, an hour filled with dancing and appearances by costumed performers.

Of her new husband, Ms. Gonzalez stated, “He places everybody above himself. Up to now six years, I’ve watched him develop into a unprecedented individual.”

She added, “I couldn’t look ahead to at the present time to return.”

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A member of the 'T-Shirt Swim Club' chronicles life as 'the funny fat kid'

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A member of the 'T-Shirt Swim Club' chronicles life as 'the funny fat kid'

“The first place I learned to be funny was on the schoolyard trying to defuse this weird tension around my body, says Ian Karmel. He won an Emmy Award in 2019 for his work on James Corden’s “Carpool Karaoke” special with Paul McCartney.

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Kenny McMillan/Penguin Random House

Comedy writer Ian Karmel spent most of his life making fun of his weight, starting at a very young age.

“Being a kid is terrifying — and if you can be the funny fat kid, at least that’s a role,” Karmel says. “To me, that was better than being the fat kid who wasn’t funny, who’s being sad over in the corner, even if that was how I was actually feeling a lot of the time.”

For Karmel, the jokes and insults didn’t stop with adolescence. He says the humiliation he experienced as a kid navigating gym classes, and the relentless barrage of fat jokes from friends and strangers, fueled his comedy.

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For years, much of his stand-up comedy centered around his body; he was determined to make fun of himself first — before anyone else could do it. “At least if we’re destroying me, I will be participating in my own self-destruction so I can at least find a role for myself,” he says.

Karmel went on to write for The Late Late Show with James Corden. He has since lost more than 200 pounds, but he feels like he’ll have a lifelong relationship with fatness. He wrote his new memoir, T-Shirt Swim Club: Stories from Being Fat in a World of Thin People, along with his sister Alisa, who channeled her experience into a profession in nutrition counseling.

“Once we lost a bunch of weight … we realized we’d never had these conversations about it with each other,” Karmel says. “If this book affects even the way one person thinks about fat people, even if that fat person happens to be themselves, that would be this book succeeding in every way that I would hope for.”

Interview highlights

On using the word “fat”

There’s all these different terms. And, you know, early on when I was talking to Alisa about writing this book, we were like: “Are we going to say fat? I think we shouldn’t say fat.” And we had a conversation about it. We landed on the determination that it’s not the word’s fault that people treat fat people like garbage. And we tend to do this thing where we will bring in a new word, we will load that word up with all of the sin of our behavior, toss that word out, pull a new one in, and then all of a sudden, we let that word soak up all the sin, and we never really change the way we actually treat people. …

I’ve been called fat, overweight or obese, husky, big guy, chunky, any number of words, all of those words just loaded up with venom. … We decided we were going to say “fat” because that’s what we are. That’s what I think of myself as. And I’m going to take it back to basics.

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On the title of his memoir, T-Shirt Swim Club

T-Shirt Swim Club: Stories from Being Fat in a World of Thin People

T-Shirt Swim Club

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Penguin Random House

Thank God for learning about the damage that the sun does to our bodies, because now all sorts of people are wearing T-shirts in the pool. But when we were growing up, I don’t think that was happening. It’s absurd. We wear this T-shirt because we … want to protect ourselves from prying eyes — but I think what it really is is this internalized body shame where I’m like, “Hey, I know my body’s disgusting. I know I’m going to gross you out while you’re just trying to have a good time at the pool, so let me put this T-shirt on.” And it’s all the more ridiculous because it doesn’t change anything. It doesn’t actually cover you up, it hugs every curve!

On how bullying made him paranoid

You think like, if four or five people are saying this to my face, then there must be vast whisper campaigns. That must be what they’re huddled over. … Anytime somebody giggles in the corner and you are in that same room, you become paranoid. There’s a part of you that thinks like, they must be laughing at me.

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On how fat people are portrayed in pop culture

Fat people, I think, are still one of the groups that it’s definitely OK to make fun of. That’s absolutely true. … I’m part of this industry too, and I’ve done it to myself. … Maybe it’s less on the punch line 1719964293 and more on the pity. You know, you have Brendan Fraser playing the big fat guy in The Whale. And at least that’s somebody who is fat and who has dealt with those issues. Maybe not to the extent of like a 500- and 600-pound man, but still to some extent. And good for him. I mean, an amazing performance, but still one where it’s like, here’s this big, fat, pathetic person.

On judgment about weight loss drugs and surgery

It’s this ridiculous moral purity. What it comes down to for me is you [have] your loved ones, you have your friends. And whatever you can do to spend more time on earth with those people, that’s golden to me. That’s beautiful, because that is what life is truly all about. And the more you get to do that, the healthier and happier you are. So those people out there who are shaming Ozempic or Wegovy or any of that stuff, or bariatric surgery, those people can pound sand. And it’s so hard in a world that is built for people who are regular size, and in a world that is also simultaneously built to make you as fat as possible with the way we treat food. It’s like, yo, do the best you can!

Therese Madden and Joel Wolfram produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.

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Christopher Reeve's Son Will Reeve to Cameo in James Gunn's 'Superman'

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Christopher Reeve's Son Will Reeve to Cameo in James Gunn's 'Superman'

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Dining out with a big group? Learn the social etiquette of splitting the check

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Dining out with a big group? Learn the social etiquette of splitting the check

Let’s say you’re at a restaurant with a group of friends. You ordered appetizers, maybe got a bottle of wine for the table, went all in for dessert … then the bill arrives.

No one is offering to cover the whole tab. So how do you handle the check? Do you split it evenly among everyone at the table? What if you only got a salad while your buddy got the surf and turf special?

Splitting the bill is a fine art. Whether you’re eating family-style at a Korean barbecue joint or having a three-course meal at a fancy restaurant, there should be “a sense of equality in how the check is divvied up” when the meal ends, says Kiki Aranita, a food editor at New York Magazine and the former co-chef and owner of Poi Dog, a Hawaiian restaurant in Philadelphia.

She goes over common scenarios you may encounter while dining out with a large group — and how to dial down the awkwardness by keeping things fair and square.

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Scenario 1: I arrived to dinner late. Everyone at the table already ordered drinks and appetizers and are about to order their entrees. What should I do?

When you’re ready to order, tell your server you want your food and drinks on a separate check, says Aranita. “It’s easier to deal with than having to split a check in complicated percentages at the end of the night.”

If you do choose separate checks, tell your server that at the start of the meal, not the end. That way they can make note of everyone’s individual orders. Not every establishment offers this option, but it doesn’t hurt to ask.

Scenario 2: Everyone ordered alcohol except me — and now they want to split the tab fair and square!

Speak up, says Aranita. “Just be like, ‘Hey guys — I didn’t drink.’ Usually, that’s enough for everyone to reconfigure the bill to make it fairer. The problems only arise when you don’t speak up.”

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If you are ordering round after round of $20 cocktail drinks, be conscious of the people in your party who didn’t order as much as you. When the bill arrives, “maybe pick up a larger portion of the tip” to make up for your drinks, says Aranita.

Scenario 3: We’re a party of six. Is it OK to ask the server to split the check six ways?

Many restaurants now have updated point-of-sale systems that make it easier for servers to split the check in myriad ways, says Aranita. But it doesn’t always mean you should ask them to do so.

Aranita, who has also been a bartender and server, recommends a maximum of two to four credit cards. Servers “have enough to deal with” when working with a large party, especially on a busy night. And running several cards with different tip percentages isn’t ideal.

“If you’re a party of six, just put down two credit cards” and Venmo each other what you owe, she says. This approach also works out great for that person in your group who’s obsessed with racking up credit card points. 

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Scenario 4: It’s my birthday. My friends should pay for my meal, right?

In American culture, it’s assumed that if your friends take you out to dinner for your birthday, they will cover your meal. But that’s not always the case, says Aranita.

If you set up your own birthday dinner, don’t expect to people to pay for you, she says. You picked the restaurant and invited your friends on your terms. So in this scenario, put down your card at the end of the meal. Your dining mates may pick up your tab, but if they don’t, “that’s perfectly fine. You’re saying: ‘I can celebrate me and also pay for me.’ ”

Scenario 5: It’s my friends’ first time at my favorite restaurant. I’m going to order an appetizer that I think everyone at the table will love. We’re all splitting the cost of that, right?

It can be easy to get swept away by the menu at a favorite restaurant, but don’t assume your dining partners share the same enthusiasm for the twice-fried onion rings. “You have to get their consent at the beginning of the meal. Say, ‘hey, is it cool if I order appetizers for the table?’ ” says Aranita. If you forgot to ask this question, assume that you will pay for the order.

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This episode was produced by Sylvie Douglis. The digital story was edited by Meghan Keane. The visual editor is Beck Harlan. We’d love to hear from you. Leave us a voicemail at 202-216-9823, or email us at LifeKit@npr.org.

Listen to Life Kit on Apple Podcasts and Spotify, and sign up for our newsletter.

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