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The trailer for Disney’s live-action ‘Snow White’ remake has some people very Grumpy

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The trailer for Disney’s live-action ‘Snow White’ remake has some people very Grumpy

Rachel Zegler as Snow White in Disney’s live-action remake of its classic animated film.

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Heigh-ho, heigh-ho, it’s off to online uproar factory we go. The first teaser trailer for the upcoming live-action remake of Disney’s Snow White is here.

Starring Rachel Zegler as Snow White and Gal Gadot as the Evil Queen, the pair introduced the highly anticipated teaser at Disney’s D23 Expo Friday evening, with a release scheduled for March 21, 2025. Featuring first glimpses of Zegler singing “Whistle While You Work” and Gadot talking to her mirror, mirror, the trailer also showcased seven CGI dwarfs.

Written by Greta Gerwig (Barbie) and Erin Cressida Wilson (The Girl on the Train) and directed by Marc Webb ((500) Days of Summer, The Amazing Spider-Man), the people behind the film have emphasized that this latest adaptation features several ‘modern’ twists, alongside new songs from the duo Benj Pasek and Justin Paul (Dear Evan Hansen, The Greatest Showman).

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Could this update to the 1937 classic be the — erm — fairest of them all? It may be a tough sell for Disney fans and other extremely online critics, whose scrutiny of the latest adaptation began years before today’s trailer drop.

Here is a brief overview of their grievances, explained.

A Snow White who’s not white enough

When news broke in 2021 that Zegler, who had her breakout role as Maria in Steven Spielberg’s West Side Story remake, would be playing the titular character, it provoked a string of racist comments on social media. People questioned why an actress of Latin descent would be playing a character with “skin white as snow.”

Zegler, who is of Polish-Colombian background, responded to the comments on X by saying she didn’t want to be dragged into the “nonsensical discourse”about her casting.

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“I really, truly do not want to see it,” Zegler wrote in a post that included photos of her as a child dressed as a princess. “I hope every child knows they can be a princess no matter what.”

A reimagination deemed too “woke” by some critics

In another interview with Variety in 2022, Zegler and Gadot talked about how the story of Snow White was being adapted with a “modern edge” — one that would nix the part about Snow White being saved by a prince.

“She’s the proactive one,” Gadot said. “She’s the one who sets the terms. It’s [these factors] that make it so relevant to today.”

“She’s not going to be dreaming about true love. She’s dreaming about becoming the leader she knows she can be, and the leader that her late father told her that she could be if she was fearless, fair, brave and true,” Zegler said.

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In another interview, Zegler referred to the prince as a “stalker” and said the messaging would be updated to reference a woman’s power in the modern world.

“The cartoon was made 85 years ago, and therefore it’s extremely dated when it comes to ideas of women being in roles of power and what a woman is fit for in the world,” Zegler said. “So, when we came to reimagining the actual role of Snow White, it became about the ‘fairest of them all’ meaning who is the most just and who can become a fantastic leader, and the reality is Snow White has to learn a lot of lessons about coming in to her own power before she can come into power over a kingdom.”

The comments provoked a wave of backlash on social media, notably from “anti-woke” accounts and from several conservative media outlets including the Daily Wire, which responded by saying it was producing its own version of the classic that would be written “in line with the values in which it was written.”

Others, like TikTok user @reubenwoodall, criticized Disney’s attempt to turn Snow White into a “girl boss.”

“The point of Snow White’s fairytale isn’t that she’s going to try and become a leader,” Woodall said in a video that amassed more than 1.3 million likes. “She’s not supposed to be this girl boss, leader, queen, feminist icon. And I don’t know why every reimagining, it has to be that the woman is in a position of power, otherwise it’s not feminist.”

In an interview with the British newspaper The Daily Telegraph in 2023, David Hand — the son of the 1937 animation’s original director — told the paper he felt it was a “disgrace” that Disney was “trying to do something new with something that was such a great success earlier.”

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“There’s no respect for what Disney did and what my dad did … I think Walt [Disney] and he would be turning in their graves,” Hand said.

A “backward” story about seven dwarfs

In a 2022 interview, the actor Peter Dinklage criticized Disney over its plan to release the live-action remake, stating he was “taken aback” by the studio’s celebration of casting Zegler as a Latina lead while revisiting a story with an unflattering representation of dwarfs.

“It makes no sense to me. You’re progressive in one way and you’re still making that f—ing backwards story about seven dwarfs living in a cave together, what the f— are you doing, man?” said Dinklage, who has a form of dwarfism called achondroplasia, during an interview on the WTF With Marc Maron podcast.

Dinklage’s comments prompted Disney to release a statement saying it had decided to take a “different approach” with the seven character. “To avoid reinforcing stereotypes from the original animated film, we … have been consulting with members of the dwarfism community,” a Disney spokesperson told Variety.

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L.A.’s latest viral party spot is … Seafood City. Yes, you read that right

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L.A.’s latest viral party spot is … Seafood City. Yes, you read that right

Under the glow of fluorescent lights at Seafood City market in North Hills, packages of pre-made adobo, salted shrimp fry and and dried anchovies glisten in meat coolers.

A DJ, dressed in a traditional barong, blasts a dance remix of Whitney Houston’s “I Wanna Dance with Somebody” as a crowd gathers to take a shot of fish sauce together.

“That was disgusting!” a man shouts into the mic, flashing a grimacing expression.

Two men smiling gather behind a man in front of a laptop.

At Seafood City, DJs 1OAK, left, EVER ED-E and AYMO spin in barongs, the Philippines’ national formal shirt.

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The smells of lechon and lumpia float through the air. Smiling children munch on halo-halo (a Philippine dessert made with ube ice cream, leche flan and shaved ice). Flags of the Philippines wave in the air as a man in UCLA Health scrubs hops into the center of an energetic dance circle. Employees shoot store coupons out of a money gun and toss bags of Leslie’s Clover Chips into the crowd. Fathers hold their children on their shoulders as a group of college students perform a Tinikling routine, a traditional Philippine dance in which performers step and hop over and between bamboo poles.

“This is so Filipino,” a woman says, in awe of the scene.

Two women dance in the middle of a circle.

Sabria Joaquin, 26, of Los Angeles, left, and Kayla Covington, 19, of Rancho Cucamonga hit the dance floor at “Late Night Madness” in North Hills.

“I came here for groceries,” explains an elderly man, adding that he decided to stay for the party.

Seafood City, the largest Philippine grocery store chain in North America, typically closes at 9 p.m. But on certain Friday and Saturday nights, its produce or seafood aisle turns into a lively dance floor for “Late Night Madness.” On social media, where the gathering has exploded, it looks like a multigenerational nightclub that could use dimmer lighting. But for attendees who frequent the store, it’s more than that. It’s a space for them to celebrate their Filipino heritage through food, music and dance in a familiar setting.

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“This is something that you would never expect to happen — it’s a grocery store,” says Renson Blanco, one of five DJs spinning that night. He grew up going to the store with his family. “My mom would [put] us all in the minivan and come here, and she’d let us run free,” he adds. “It’s comfortable here. It’s safe here.”

1 A woman in a night dress walks behind a lady pushing a cart.

2 Two women in front of bananas eat late night snacks.

3 Two people dance in a grocery aisle.

1. Rhianne Alimboyoguen, 23, of Los Angeles follows an employee through the produce section. 2. Allison Dove, 29, left, and Andrea Edoria, 33, both of Pasadena, enjoy Philippine street food. 3. Katie Nacino, 20, left, Daniel Adrayan, 21, and Sean Espiritu, 21, of the Filipino American Student Assn. at Cal State Northridge, practice tinikling, a traditional Philippine folk dance, in an aisle.

The first Seafood City location opened in 1989 in National City, a suburb of San Diego, which has a nearly 20% Asian population including a rich Filipino community. For its founders, the Go family, the mission was simple: to provide a market where Filipinos and people within the diaspora could comfortably speak their native language and buy familiar products. It’s since become a community anchor. Of the nearly 40 locations in Northern America, at least half of them are based in California, which has the highest population of Asian Americans in the United States.

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The first “Late Night Madness” event happened in September in Daly City, Seafood City’s newest location. The company wanted to launch a street food program at the store’s food hall in a fun and creative way.

The DJ played a selection of hip-hop, pop, soul and classic Pinoy records like VST & Company’s “Awitin Mo, Isasayaw Ko.” Hundreds of people showed up, and videos of people of all ages turning up in the popular supermarket spread like wildfire. So the company decided to continue hosting the event in October during Filipino American History Month and for the rest of the year. It’s since expanded to more locations around the country and in L.A., including Eagle Rock.

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By 10 p.m. at the Seafood City in North Hills, at least 500 people are dancing in the produce section, next to rows of saba bananas, fresh taro leaves and bok choy. The lively crowd forms dance circles throughout the night, taking turns jumping in the center to show off their moves to songs like Earth, Wind & Fire’s “Let’s Groove,” “Nokia” by Drake and Justin Bieber’s “I Just Need Somebody to Love.” At one point, TikToker and artist Adamn Killa hops on the mic and says “If you a Filipino baddie, this is for you,” before doing his viral dance.

Trays of street food for sale.

Among the Philippine street food offerings were pandesal sliders, lumpia-style nachos, lobster balls and various skewers.

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A group of employees dance behind the counter as they serve hungry patrons who fill their trays with various Filipino street food including pandesal sliders (soft Philippine bread filled with adobo, lechon or longganisa) and Lumpia Overload (think nachos, but a bed of lumpia instead of tortilla chips), lobster balls and barbecue chicken skewers. (No alcohol is served.) Meanwhile, a few lone shoppers sprinkle into the store to get their weekly groceries as music blasts through the speakers.

First-generation Filipino American Andrea Edoria of Pasadena says “Late Night Madness” reminded her of the family parties she attended as a child in L.A. and in Manila, where her parents are from.

“Growing up as a child of immigrants, I was kind of self conscious about displaying too much of my culture,” she says between bites of spiral fried potato. She went to the Eagle Rock event with her mother last month as well. “So it kind of fed my inner child to see so many people celebrating this shared culture and experience that we each grew up [with].”

Children and adults dance in a circle.

A multi-generational crowd is drawn to the dance floor. At center is Jade Cavan, 44, of Chatsworth.

Dancers perform between bamboo staffs.

Members of the Filipino American Student Assn. at Cal State Northridge perform a tinikling performance.

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She adds, “I think it’s so important especially now at a time where our country is so divisive and culture is kind of being weaponized, I think it’s a beautiful reminder that we can come together and find something that unites us.”

About 10 minutes before midnight, the grocery store is still bustling with activity. A dance battle breaks out and people begin hyping up the young women. The DJ transitions into slower tracks like Beyoncé’s “Love on Top” and Mariah Carey’s “All I Want for Christmas is You.” The remaining folks sing along loudly as they walk toward the exit, smiles imprinted on their faces. Staff rush to clean up, then huddle together for group photos to memorialize the evening.

Employees clean up a grocery store.

After the final song is played, employees rush to clean up the supermarket.

Patrick Bernardo, 34, of Van Nuys looks at the counter, where a man had been chopping lechon, before stepping outside.

“There’s barely anything left on that pig,” he says, pointing to it as proof that the night was a success.

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