Lifestyle
The Revenge of the Niche Fashion Magazine

On a snowy night just before Valentine’s Day, Cultured magazine gave a party for its February-March 2025 edition. It was held at Quarters, a TriBeCa space that is both a furniture store and a wine bar. The place was packed. The cover star, the actress Cristin Milioti, was there, and partygoers took turns posing in doorways or perched on sofas for their social media feeds.
“There has been an unexpected groundswell of support,” said Sarah Harrelson, the founder of Cultured, who has worked on publications her entire career, including InStyle and Women’s Wear Daily.
The first issue of Cultured, which combines the fashion and art worlds, appeared in 2012, when Ms. Harrelson was living in Miami, where she had worked for Ocean Drive magazine and started a magazine supplement for The Miami Herald.
“I think back now, and I was 38 and creatively bored,” she said. “I wanted to do something for myself and not have to heed the rules. Publishing had gotten formulaic.”
Independently produced print magazines with an emphasis on fashion are experiencing a boomlet of sorts, making waves for their striking design and high-quality production. There is Cultured but also L’Etiquette, Konfekt and Polyester, to name a few that line the racks of Casa Magazines, the West Village periodical store, and magCulture in London.
No longer seen as disposable or a relic of a dying industry, these magazines are regarded as high-end products. “It’s a luxury experience of sitting back and getting a single viewpoint coming to you that you didn’t know you wanted,” said Penny Martin, the editor in chief of The Gentlewoman, which could be said to have pioneered an indie print resurgence when it began in 2010.
Búzio Saraiva is the associate publisher of nine independent magazines, including Holiday and Luncheon, and the founder of Nutshell & Co., a company in Paris that works with other similar magazines.
“People behind independent magazines create material meant to last,” he said. “Someone will collect them, and then someone else will buy one at a flea market and make a moodboard out of it.”
Mr. Saraiva thinks of these magazines as vehicles for stylists, photographers, celebrities and writers to show off creativity in a way they might not be able to do in mainstream magazines. “It’s a lab,” he said. “It’s R&D for the creative industry. I see people taking pictures now that we shot 10 years ago. Not everyone is triple-checking to see if they’ve offended or please everyone.”
At first glance, independent magazines use a lot of the same celebrities that magazines owned by Hearst or Condé Nast work with. “A lot of time it’s the same cover and talents, but the interviewer or the photographer can be completely different,” said Joshua Glass, who started the food and fashion magazine Family Style in 2023. The spring 2025 issue has Gwyneth Paltrow on the cover interviewed by the curator Klaus Biesenbach and photographed by Brianna Capozzi.
A major difference, Mr. Glass said, was creative independence. Like many other indies, Family Style is majority self-financed. “I’m beholden to my own moral integrity, my peers and the people I employ,” he said.
“We are in the black,” Mr. Glass added. “We’re not flying private jets or taking town cars. We are extremely lean, and we do things in ways that are modest.”
Magazines like Cultured and Family Style generally rely on ways to stay afloat that are quite similar to those of mainstream print publications. They have advertisers who are happy to pay a cheaper rate for a smaller magazine with a younger audience.
“The tide has shifted,” said Nick Vogelson, who founded the culture, arts and fashion magazine Document in 2012. “Every brand sees the value of print media. Every season for 13 years, the advertising has grown.” This spring, Mr. Vogelson is adding a new magazine, Notes on Beauty.
“In my line of work, you don’t call them advertisers, you call them supporters,” Ms. Martin said, laughing. “It’s not just about display advertising, it’s about special projects, as they’re called. There are other ways to work with those partners who are looking for culturally engaged or high-net-worth readers.” The Gentlewoman has hosted an architecture tour in Los Angeles with Cos and a tour of the Chelsea Physic Garden in London with Vince, for example.
Here, a field guide to 10 of the new crop of fashion-leaning print magazines.
Notes on Beauty
For the first issue, spring 2025, Inez and Vinoodh photographed Julianne Moore for the cover with red rose petals stuffed in her mouth. There are stories on ancient wellness rituals and an essay about a writer deciding to forgo cosmetic treatments.
AFM
The A is for “A,” the “M” is for “Magazine,” and the “F” stands for something unprintable. Issue 001, with the theme “pursuits of happiness,” came out last fall, produced by the dating app Feeld, which proudly declared that more than half of its contributors were on the app. Feeld is one of a number of companies, including Mubi, the movie platform, and Metrograph, the movie theater, producing print spinoffs for their companies.
What if a fashion magazine was almost entirely photos of fashion? The fall 2024 issue of Heroine has short interviews with the actors Finn Bennett and Noah Jupe, but the highlight is the model Alice McGrath, photographed by Fabien Kruszelnicki and wearing a great deal of Celine.
Cultured
The most recent issue has several covers, including one with Cristin Milioti holding a lit cigarette, photographed by Chris Colls. The theme is art and film, and it has interviews with the director Luca Guadagnino, the Brazilian actress Fernanda Torres and the painter Torkwase Dyson.
Konfekt
Konfekt bills itself as “the magazine for sharp dressing, drinking, dining, travel and design.” It’s based in Zurich and often has a middle-European bent. Issue 17 includes profiles of a chef in Georgia (the country) and a calligrapher in Paris, and an interview with the Serbian-born fashion designer Dusan Paunovic.
Based in Paris, L’Etiquette puts an emphasis on personal style and the art of getting dressed. There are separate editions for men and women, and they’re perennially sold out on newsstands. Online, panels of fashion world denizens choose their favorite It bags, which turn out to be delightfully quirky and under the radar: an L.L. Bean suede tote, say, or a tiny Balenciaga shaped like a croissant.
Polyester
Polyester has a playful energy and a pop visual aesthetic reminiscent of 1990s magazines. Heroes to a certain kind of fashionable feminist are covered, like the winter 2024/2025 cover star Sofia Coppola or Chelsea Fairless and Lauren Garroni, the hosts of the “Every Outfit” podcast.
Patta
The namesake magazine of an Amsterdam shop, Patta has gained a cult following for its coverage of music and streetwear. The magazine takes a global view of culture with an emphasis on African-European connections. Its spring-summer issue has an interview with the Congolese-born director Baloji and an article on the rising EDM scene in Lagos.
Every edition of the midcentury magazine Holiday was dedicated to a different city. Writers included Truman Capote and Joan Didion. Fast-forward to spring 2014, and the design studio Atelier Franck Durand was given the go-ahead by the French publisher Lagardère to bring the magazine back, so strictly speaking, Holiday is not independently published. It still picks a city for each issue, the fall-winter one being New York. There is a vintage flavor in a reprint of the Joan Didion essay “Goodbye to All That,” but it also has Tommy Dorfman and Marc Jacobs in conversation.
Unconditional
“Made by Women, for Women,” Unconditional says, and the female gaze is apparent. Articles include a piece on lymphatic drainage practitioners in Paris and a profile of the designer Rachel Scott of the fashion line Diotima.

Lifestyle
The Moments That Shape Our Beliefs

In a divided country, Americans still have one thing in common: They believe.
Almost all Americans — 92 percent of adults — say they experience some form of spiritual belief, whether in a god, human souls or spirits, an afterlife, or something “beyond the natural world,” according to a major report published recently by the Pew Research Center.
“I can’t think of anything else this many Americans agree on,” Penny Edgell, a sociologist at the University of Minnesota, said.
But what does this widespread spirituality actually look like in practice? Experts have tried to answer the question in surveys and studies. By necessity, they have sorted millions of people into fixed identity categories, like Christian, Muslim, Jewish, Hindu, Buddhist, agnostic, atheist and “nothing in particular.” What these labels can sometimes miss, however, is the rich complexity of our inner worlds.
In reality, believing is a messy, evolving process. The Times wanted to capture how belief takes many forms, both inside and outside of religion. We spent the last year working on a project intended to capture the landscape of contemporary religion and spirituality. We spoke with dozens of high-profile figures, religious leaders and writers. We also asked Times readers to tell us about a moment that shaped their beliefs. More than 4,000 responded.
Below, an edited selection of their stories.
Do you have a story to share about searching for belief? Tell us here.
Lifestyle
L.A. Affairs: I was a suburban lacrosse mom. I was ready to detonate my life and have a Hollywood affair

With the wind whipping my hair in every direction, I blasted out of Los Angeles International Airport. On my way northward and speeding in my white Mustang convertible, I careened wildly through the city and then the canyons. My heart pounded; my thoughts raced. I could only think about Nick’s eyes, his lips, what he would smell like.
Other drivers glanced at my sleek rental car, their envy fueling my confidence. I had never had an affair before, and these fantasy wheels seemed like the perfect grace note for my Hollywood love story. Sunglasses on, I was on a mission to put a body to the voice.
Falling for this handsome, very recent widower was beyond reckless. I was a suburban lacrosse mom and I was jeopardizing my 20-year marriage, two children, two hypoallergenic dogs, meticulously designed houses, swimming pools, gardeners and gutters. My ticket out of suburbia came at a steep price, but I was on autopilot, spellbound and fueled by lust.
I didn’t know a lot about Nick, but what I knew ignited me. The fact that he was from L.A. didn’t hurt. Had he hailed from Chicago, I never would have responded to his initial tweet. Nick went to Princeton and graduated with all of the Ivy League haughtiness, if not the GPA or success, associated with such a diploma. A simple IMDb search would have highlighted a failed career and the worst New York Times movie review I had ever read. I regularly did more research on what type of mascara to buy than I did any online probing about this man for whom I was about to detonate my life.
My L.A. affair started in the bedroom of my Long Island house. I was one of a handful of patient zeros, the first cohort of Americans to test positive for the novel coronavirus in March 2020. I was well enough to recover at home and quickly became the only good news story in America. I invited the world to join me in my convalescence while news stations around the world carried footage of my self-documented isolation. Holed up, I started an organization in my bedroom, Survivor Corps. My goal was to inspire people previously infected with COVID-19 to donate plasma so their antibodies could be transferred to less fortunate patients fighting for their lives. My husband at the time was not patient with my new hobby of saving lives.
“A CNN Heroes profile by Sanjay Gupta is nice. Know what would also be nice? Cooking dinner for your kids,” he said to me in a sneer masquerading as a smile.
Nick’s first wife was one of my quarter million members (no, I didn’t know her). Suffering from a debilitating case of long COVID, she took her own life. Nick, grief-stricken, took to the airwaves to tell the world about the insidious long tail of COVID while anchors cried and women swooned. Within weeks, Nick and I were texting and talking for hours, and I booked a flight to California.
Having been married over 20 years, my dating skills were thin, the red flags inoperative. I had never heard the term “love bombing”; I was too busy experiencing it. As I drove, my mind swirled while my foot got heavier on the gas pedal. I looked down at the speedometer: 79 mph. I pushed the pedal to 85. Finally, I pulled into the Ventura motel where we had arranged to meet. Nick finally arrived in a decidedly unsexy Suburban and swaggered toward me; I lost my breath and teetered against the hot metal of my car.
“Hey, I’m Nick,” he said with a drawl as if he were John Wayne or an airline pilot. Maybe both.
He was shorter than the movie star I had imagined, but I was from the East Coast and was not yet in on the Hollywood secret that most movie stars are, in real life, shorter than everyone’s imagination. He was closer to my eye level but just as good-looking. He came straight for me and took me in his arms. We inhaled each other deeply. Nick smelled like Southern California, as promised. His aroma was earthy, sun-kissed, balanced with tennis and golf.
A year and a half after meeting, Nick and I exchanged vows in Marina del Rey, and I adopted his unpronounceable last name. The Nick I married, the one I fell for, vanished almost overnight. After Week 2, nothing I did was right, and his once-gentle nature fractured into an uncontrollable and constant rage. He constantly accused me of trying to control him. He also accused me of stealing keys to a car I didn’t drive and drafting words written in his handwriting.
“I told you I was feral,” he said, seething.
“No, you definitely did not,” I said, heaving while cowering from my Ivy League prince.
He made it crystal clear that apologies were not in his repertoire; my tears only fueled his emotional withdrawal.
I kept faith by remembering our perfect first year together until Nick, almost three years later, let me in on the joke. He had been cheating on me since our first days together, using his dead wife’s cellphone as his burner. He was splitting his time pretending to grieve her, being secretly committed to me and dating anyone who worked it in a dress and heels. He went on dates with 10 different women within the first year.
Nick was living a double — make that triple — life.
Failing with the higher caliber dating apps, he met and had an affair with a South American woman he met via Tinder. He had sex with her in our bed — without a condom because he “trusted her” — in the middle of the afternoon. He manipulated this woman, telling her that he loved her, while they fantasized together about a shared future. She wanted to move to Los Angeles to live with him — ostensibly to live her own California dream, that of snagging a green card.
Our vows that we wrote and rewrote obsessively were meaningless. We had boastfully told our story to People magazine for its Real-Life Love series; his quotes were nothing but wildly creative fiction. Nick was as good a liar as an actor, and he was much better at both of those skills than he was at screenwriting.
My Hollywood ending was far from glamorous: me, catatonic on Nick’s couch, realizing I had given it all up for an honest-to-God psychopath. Within months of our wedding, I would end up in solitary confinement, based on Nick’s charges of domestic abuse, in the most frightening lockup in downtown L.A., while he hung up on my jailhouse pleas for help. A year after that, I would end up in inpatient trauma therapy while Nick apparently told people that I was a drug addict and mentally unstable. All the while, I kept wondering how far I needed to sacrifice myself, my pride and my dignity to prove loyalty to the same vows that, for him, were nothing more than script practice.
I should have listened to my mother: “Don’t get fooled by Los Angeles; nothing there is ever what it seems.”
The author is the founder of Survivor Corps. She splits her time between Los Angeles and Washington, D.C., and is co-authoring a memoir with her husband Nick Güthe. She is on X (formerly Twitter): @dianaberrent
L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.
Lifestyle
In 'Sinners,' there will be blood, booze, and the blues : Pop Culture Happy Hour

Michael B. Jordan in Sinners.
Warner Bros Studios
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Warner Bros Studios
Michael B. Jordan in Sinners.
Warner Bros Studios
The very scary movie Sinners finds Michael B. Jordan playing twin brothers who open a 1930s juke joint. And opening night does not go as planned. Written and directed by Ryan Coogler, (Black Panther), the film mixes blues music with classic horror in a standoff between the brothers and their friends on the inside and the bloodthirsty – and growing – menace outside.
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