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The New Yorker Updates Its Style Guide for the Internet Age

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The New Yorker Updates Its Style Guide for the Internet Age

This week, the top copy editor of The New Yorker announced that the magazine had completed a “reëxamination” of its house style.

A few things were changing. But its dedication to the dieresis — those two little dots that float above certain vowels, beloved by New Yorker editors and almost nobody else — was not.

“For every person who hates the dieresis and feels like it’s precious and pretentious and ridiculous, there’s another person who finds it charming,” Andrew Boynton, the head of the copy department at the magazine, said in a phone interview on Wednesday.

The magazine, which doesn’t look a day over 100, is famous for its attachment to heterodox spelling and punctuation rules. So Mr. Boynton’s decision to announce changes to the style guide in The New Yorker’s daily newsletter on Monday was noteworthy. The revolution arrived in two squat paragraphs containing two diereses, three em dashes and four pairs of parentheses.

The magazine will abandon “Web site,” “in-box,” and “Internet” in favor of the more familiar “website,” “inbox” and “internet.” “Cellphone” will be one word, rather than two.

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Welcome to 1995, you may be thinking,” Mr. Boynton wrote in the announcement, providing an example of another new rule: Thoughts will be italicized in an effort to differentiate them from other text.

The keepers of the magazine’s house style have been purposely slow to make concessions to the internet age. “We don’t want to make a change and then change it back,” he said. “We want to make sure it’s a lasting change that is elsewhere in the world and that people are familiar with and comfortable with.”

Potential changes were crowdsourced from a group of current and former editors and copy editors in January at the suggestion of David Remnick, the magazine’s longtime editor. Mr. Boynton and a colleague came up with a list of proposals in February.

He was tight-lipped about which ones had been rejected. “I don’t want them to become, you know, objects of fetishization in the outside world,” he said.

The New Yorker’s style rules provoke strong reactions in the mostly civil realm of grammarians. In opinion pieces and on social media, critics have long accused the magazine of snobbery, inelegance and overzealous use of commas.

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They take issue with its doubled consonants in “traveller” and “focussed.” They obsess over its diacritic flourish on “reëlection.” Mr. Boynton once felt the need to mount a defense of the way the magazine punctuates the possessive form of “Donald Trump Jr.” (It requires three punctuation marks in a row.)

Benjamin Dreyer, the retired copy chief of Random House and the author of “Dreyer’s English,” has his quibbles with the magazine’s house style. (For one, he called the Donald Trump Jr. punctuation rule “unspeakably hideous.”) But he praised the most recent round of updates in a phone call on Wednesday.

“I’ve been making a joke for years that you shouldn’t necessarily have a house style that is visible from outer space,” he said. “But that’s what The New Yorker is about: They want to be The New Yorker.”

He said he was relieved the magazine had not done away with diereses. He was happy its editors had stood by its outlier constructions of “teen-ager” and “per cent.” But other updates were long overdue.

“Finally shrinking ‘website’ to a lowercase, single word — I think we did that at Random House, I don’t know, two decades ago?” he said.

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The magazine’s writers and editors have so far seemed pleased with the changes, Mr. Boynton said. Plus, he knows they will break whatever rules they cannot stand.

Sometimes he lets them. “That’s something that I think a lot of people don’t understand about The New Yorker,” he said. “For as many rules as we have, we’re making exceptions all the time.”

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‘Wait Wait’ for December 13, 2025: With Not My Job guest Lucy Dacus

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‘Wait Wait’ for December 13, 2025: With Not My Job guest Lucy Dacus

Lucy Dacus performs at Spotlight: Lucy Dacus at GRAMMY Museum L.A. Live on October 08, 2025 in Los Angeles, California. (Photo by Rebecca Sapp/Getty Images for The Recording Academy)

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This week’s show was recorded in Chicago with host Peter Sagal, guest judge and scorekeeper Alzo Slade, Not My Job guest Lucy Dacus and panelists Adam Burke, Helen Hong, and Tom Bodett. Click the audio link above to hear the whole show.

Who’s Alzo This Time

Mega Media Merger; Cars, They’re Just Like Us; The Swag Gap

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Panel Questions

An Hourly Marriage

Bluff The Listener

Our panelists tell three stories about a new TV show making headlines, only one of which is true.

Not My Job: Lucy Dacus answers our questions about boy geniuses

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Singer-songwriter Lucy Dacus, one third of the supergroup boygenius, plays our game called, “boygenius, meet Boy Geniuses” Three questions about child prodigies.

Panel Questions

Bedroom Rules; Japan Solves its Bear Problem

Limericks

Alzo Slade reads three news-related limericks: NHL Superlatives; Terrible Mouthwash; The Most Holy and Most Stylish

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Lightning Fill In The Blank

All the news we couldn’t fit anywhere else

Predictions

Our panelists predict what will be the next big merger in the news.

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L.A. Affairs: I had casually known her for 5 years. Was I finally ready to make a move?

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L.A. Affairs: I had casually known her for 5 years. Was I finally ready to make a move?

In Fairfax, nestled on Beverly Boulevard near Pan Pacific Park, I ran a modest yet beloved pan-Asian restaurant called Buddha’s Belly. More than a place to eat, it was a gathering spot where our team and loyal regulars created an atmosphere of warmth and community. Every day, we exchanged stories about our guests, the generous, the quirky and the kind souls whose smiles lit up our little corner of L.A.

For five years, one regular stood out. The Buddha’s Belly team referred to her as “Aloha.” She had a familiar and beautiful face and she adored our shao bing finger sandwiches and pad Thai. During those five years, all I ever said to her was: “How’s your pad Thai?,” “Nice to see you” and “Thanks for coming in!” Her friendly smile and presence were the highlights of our routine interactions.

Then one hectic afternoon changed everything. Rushing to a meeting and about to leap into my car, I caught a glimpse of Lynda sitting at Table 64, smiling at me through our bamboo-lined patio (a.k.a. “bamboo forest”). I went over to say a quick hi.

“How’s your pad Thai?” I asked, and then I was off.

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A couple blocks from the restaurant, I was struck by the feeling that our brief encounter was different this time. There was a spark — a look in her eye. So I did something out of character: I called the manager on duty and asked him to go to Table 64, Seat 3, and ask for her number.

The next day, I found a business card on my desk with Lynda’s cell number. It was on! That small gesture signaled the start of something extraordinary.

Eager to seize the moment, I called and invited her out for a date that same weekend. However, it was her birthday month, and that meant her calendar was booked solid for the next three to four weekends. Not wanting to let time slip away, I proposed an unconventional plan: to join me and an octogenarian friend at our annual opening night at the Hollywood Bowl. Little did I know this would turn out to be equal parts amazing and mortifying. My friend was so excited — she had no filter.

Shortly after picking up our dinner at Joan’s on Third, my friend started asking Lynda questions, first light questions like “Where are you from?” and “What do you do?” Then once seated at the Bowl, her questions continued. But now they were more pointed questions: “Have you ever been married?” and “Do you have kids?”

Amazingly, Lynda didn’t flinch, and her honesty, unfiltered yet graceful, was refreshing and alluring. She had been through life’s fires and knew that when it’s a fit, it should not be based on any false pretense. Although I did manage to get a few questions in that evening, I still chuckle at the memory of myself, sitting back, legs extended with a note pad in hand taking notes!

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After dropping her off, she didn’t know if she would hear from me, as she didn’t know anything about me. But I didn’t wait three days to contact Lynda. I called her the next day to make plans to see her again. With it still being her birthday month, I asked her to join me that night for a surf film at the Ford with my best buddy. She said yes, and there we were on another chaperoned date.

By our third date, we were finally alone. We ventured to an underground gem affectionately dubbed the “Blade Runner” restaurant. Hidden on Pico Boulevard behind no obvious sign and characterized by hood-free mesquite grills and stacked wine crates, the place exuded a secret charm. Sharing a bottle of wine with the owner, our conversation deepened, and the electricity between Lynda and me became undeniable.

Our story took another turn when I was opening a new bar named Copa d’Oro (or Cup of Gold) in Santa Monica that was similar to a bar down the street called Bar Copa. The owner of Bar Copa invited me to discuss whether the concept was going to be too like his own. While we waited in the packed room, I instinctively put my hand around the small of Lynda’s back to steady us from the ebb and flow of the crowd of people around us. The intensity of our closeness and the energy between us was palpable, and we soon found ourselves at a quieter bar called Schatzi on Main where we had our first kiss.

Our courtship continued, and it would be defined by ease and grace. There were no mind games or calculations. One of us would ask whether the other was free, and it was an easy yes. Our desire was to be together.

I fondly remember being at a Fatburger not far from where Lynda lived, and I phoned her to ask if she wanted to sit with me as I scarfed down a Double Kingburger with chili and egg (yum!), and she said yes. By the time she arrived, I was halfway through eating the sandwich. But I was practicing a new way of eating a sloppy burger that my brother taught me. Why bother to continuously wipe your mouth when you’re only going to mess it up with the next bite? To save time and energy, wipe your mouth once at the end.

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I was practicing this new technique with a smear of sauce on my face, and it didn’t faze her one bit. I could only imagine what her internal monologue was!

After six months of effortless companionship, I asked Lynda to move in, and a year later, while at Zephyr’s Bench, a serene and cherished hiking spot in the Santa Monica Mountains behind Bel-Air, I asked her to marry me.

Now, more than 17 years later, with two beautiful boys and our pandemic dog in tow, I can say I found my own aloha right here in the vibrant chaos of Los Angeles.

The author lives in Santa Monica with his wife and two children. They go to the Hollywood Bowl every chance they can. He’s also aspiring to make it into the Guinness World Records book.

L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.

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‘The Mask’ and ‘Pulp Fiction’ actor Peter Greene dies at 60

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‘The Mask’ and ‘Pulp Fiction’ actor Peter Greene dies at 60

Actor Peter Greene at a press conference in New York City in 2010.

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Actor Peter Greene, known for playing villains in movies including Pulp Fiction and The Mask, has died. Greene was found dead in his apartment in New York City on Friday, his manager and friend, Gregg Edwards, told NPR. The cause of death was not immediately provided. He was 60 years old.

The tall, angular character actor’s most famous bad guy roles were in slapstick and gritty comedies. He brought a hammy quality to his turn as Dorian Tyrell, Jim Carrey’s nemesis in the 1994 superhero movie The Mask, and, that same year, played a ruthless security guard with evil elan in the gangster movie Pulp Fiction.

“Peter was one of the most brilliant character actors on the planet,” Edwards said.

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He went on to work steadily, earning dozens of credits in movies and on TV, such as the features Judgment Night, Blue Streak and Training Day, a 2001 episode of Law & Order, and, in 2023, an episode of The Continental, the John Wick prequel series.

At the time of his death, the actor was planning to co-narrate the in-progress documentary From the American People: The Withdrawal of USAID, alongside Jason Alexander and Kathleen Turner. “He was passionate about this project,” Edwards said.

Greene was also scheduled to begin shooting Mickey Rourke’s upcoming thriller Mascots next year.

Rourke posted a close-up portrait of Greene on his Instagram account Friday night accompanied by a prayer emoji, but no words. NPR has reached out to the actor’s representatives for further comment.

Peter Greene was born in New Jersey in 1965. He started pursuing acting in his 20s, and landed his first film role in Laws of Gravity alongside Edie Falco in 1992.

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The actor battled drug addiction through much of his adult life. But according to Edwards, Greene had been sober for at least a couple of years.

Edwards added that Greene had a tendency to fall for conspiracy theories. “He had interesting opinions and we differed a lot on many things,” said Edwards. “But he was loyal to a fault and was like a brother to me.”

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