Lifestyle
Street style after hours is its own genre. Bear witness with Nichelle Dailey
The style gods of Los Angeles walk among us after the sun goes down.
(Nichelle Dailey / For The Times)
Fashion metaphors are usually forward-facing.You’ve got to look the part. Dress for the role you wish to inhabit. Style is a means to an end — a goal. An ambition. A designation or title. A reward. Riches. Clout. But the style gods who walk among us pull fits not for a desired job or salary; they do so as a statement of who they desire to be as they make moves. They dress for where they are going.
Every style capital has its own personality, with interlocutors who make fashion decisions that play into the specific energy of their surroundings. Cities have unique ways of facilitating interactions, and residents choose to present themselves based on their relationships to the choreography of the day. The New Yorker leaves the house dressed like they’re ready for anything. An Angeleno gets ready with the light in mind.
The drip on display in Los Angeles crescendos as the day goes on. It’s not as the outsiders and carpetbaggers understand it — all Uggs and tumblers and athleisure all the the time. You can feel style evade categorization as the day progresses. Then, at 3:32 p.m., the temperature begins to shift. That little nip in the air is the signal that the fashun hour is quickly approaching.
Style after hours is its own genre. With that in mind, we asked photographer Nichelle Dailey if she could head outside to document people as they get active during nights out on the town. Dailey has a way of bringing a subject’s essence to the fore. Her lens is tapped into — and pulls out — what’s within with remarkable clarity.
Her street style shots in this photo essay reveal the unique character of style at night. She’s showing it to us in all its luminosity. — The editors
(Nichelle Dailey / For The Times)
Style after hours is its own genre.
(Nichelle Dailey / For The Times)
(Nichelle Dailey / For The Times)
(Nichelle Dailey / For The Times)
Cities have unique ways of facilitating interactions, and residents choose to present themselves based on their relationships to the choreography of the day.
(Nichelle Dailey / For The Times)
The drip on display in Los Angeles crescendos as the day goes on. (Nichelle Dailey / For The Times)
(Nichelle Dailey / For The Times)
Dailey has a way of bringing a subject’s essence to the fore. Her lens is tapped into — and pulls out — what’s within with remarkable clarity.
(Nichelle Dailey / For The Times)
(Nichelle Dailey / For The Times)
(Nichelle Dailey / For The Times)
(Nichelle Dailey / For The Times)
Dailey’s street style shots reveal the unique character of style at night.
(Nichelle Dailey / For The Times)
(Nichelle Dailey / For The Times)
(Nichelle Dailey / For The Times)
(Nichelle Dailey / For The Times)
An Angeleno gets ready with the light in mind.
(Nichelle Dailey / For The Times)
Lifestyle
Daniel Tosh Sells Lake Tahoe Estate for $10.75 Million
Daniel Tosh
Sells Lake Tahoe Home for Millions
Published
Daniel Tosh has officially sold his sprawling Lake Tahoe compound but the comedian isn’t leaving the area … TMZ has learned.
Real estate sources tell us the 7-bedroom, 7-bath estate officially closed Friday for $10.75 million, and Tosh bought another property across the lake to be closer to friends, which is why he decided to sell.
The gated estate, located on the pristine west shore between Tahoe City and Sunnyside, sprawls across 1.6 acres and features three distinct homes, each with its own character and charm.
The Upper House is the ultimate entertainer’s dream … 4 bedrooms, 3 baths, elevator, game room, industrial ice cream maker, 4-car garage, hot tub, fire pit, bocce and horseshoe pits, and sprawling lawns with breathtaking lake views.
The Middle House keeps classic Tahoe charm alive with knotty pine interiors, 3 bedrooms, 3 baths, a stone fireplace, skylit kitchen, and steam shower — perfect for unwinding after a day on the lake.
The lakeside cabin is a serene retreat with a studio loft, retro kitchenette, modern bathroom, and French doors opening right onto the lake.
Altogether, the property boasts 93 feet of lake frontage, two buoys, and multiple outdoor spaces for fun and relaxation.
Daniel may be moving, but one thing’s clear … he’s still very much a Lake Tahoe guy, just on the other side of the lake now.
Lifestyle
What worked — and what didn’t — in the ‘Stranger Things’ finale
Sadie Sink as Max Mayfield.
Netflix
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Netflix
Yes, there are spoilers ahead for the final episode of Stranger Things.
On New Year’s Eve, the very popular Netflix show Stranger Things came to an end after five seasons and almost 10 years. With actors who started as tweens now in their 20s, it was probably inevitable that the tale of a bunch of kids who fought monsters would wind down. In the two-plus-hour finale, there was a lot of preparation, then there was a final battle, and then there was a roughly 40-minute epilogue catching up with our heroes 18 months later. And how well did it all work? Let’s talk about it.
Worked: The final battle
The strongest part of the finale was the battle itself, set in the Abyss, in which the crew battled Vecna, who was inside the Mind Flayer, which is, roughly speaking, a giant spider. This meant that inside, Eleven could go one-on-one with Vecna (also known as Henry, or One, or Mr. Whatsit) while outside, her friends used their flamethrowers and guns and flares and slingshots and whatnot to take down the Mind Flayer. (You could tell that Nancy was going to be the badass of the fight as soon as you saw not only her big gun, but also her hair, which strongly evoked Ripley in the Alien movies.) And of course, Joyce took off Vecna’s head with an axe while everybody remembered all the people Vecna has killed who they cared about. Pretty good fight!
Did not work: Too much talking before the fight
As the group prepared to fight Vecna, we watched one scene where the music swelled as Hopper poured out his feelings to Eleven about how she deserved to live and shouldn’t sacrifice herself. Roughly 15 minutes later, the music swelled for a very similarly blocked and shot scene in which Eleven poured out her feelings to Hopper about why she wanted to sacrifice herself. Generally, two monologues are less interesting than a conversation would be. Elsewhere, Jonathan and Steve had a talk that didn’t add much, and Will and Mike had a talk that didn’t add much (after Will’s coming-out scene in the previous episode), both while preparing to fight a giant monster. It’s not that there’s a right or wrong length for a finale like this, but telling us things we already know tends to slow down the action for no reason. Not every dynamic needed a button on it.
Worked: Dungeons & Dragons bringing the group together
It was perhaps inevitable that we would end with a game of D&D, just as we began. But now, these kids are feeling the distance between who they are now and who they were when they used to play together. The fact that they still enjoy each other’s company so much, even when there are no world-shattering stakes, is what makes them seem the most at peace, more than a celebratory graduation. And passing the game off to Holly and her friends, including the now-included Derek, was a very nice touch.
Charlie Heaton as Jonathan Byers, Natalia Dyer as Nancy Wheeler, Maya Hawke as Robin Buckley, and Joe Keery as Steve Harrington.
Netflix
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Netflix
Did not work: Dr. Kay, played by Linda Hamilton
It seemed very exciting that Stranger Things was going to have Linda Hamilton, actual ’80s action icon, on hand this season playing Dr. Kay, the evil military scientist who wanted to capture and kill Eleven at any cost. But she got very little to do, and the resolution to her story was baffling. After the final battle, after the Upside Down is destroyed, she believes Eleven to be dead. But … then what happened? She let them all call taxis home, including Hopper, who killed a whole bunch of soldiers? Including all the kids who now know all about her and everything she did? All the kids who ventured into the Abyss are going to be left alone? Perfect logic is certainly not anybody’s expectation, but when you end a sequence with your entire group of heroes at the mercy of a band of violent goons, it would be nice to say something about how they ended up not at the mercy of said goons.


Worked: Needle drops
Listen, it’s not easy to get one Prince song for your show, let alone two: “Purple Rain” and “When Doves Cry.” When the Duffer Brothers say they needed something epic, and these songs feel epic, they are not wrong. There continues to be a heft to the Purple Rain album that helps to lend some heft to a story like this, particularly given the period setting. “Landslide” was a little cheesy as the lead-in to the epilogue, but … the epilogue was honestly pretty cheesy, so perhaps that’s appropriate.
Did not work: The non-ending
As to whether Eleven really died or is really just backpacking in a foreign country where no one can find her, the Duffer Brothers, who created the show, have been very clear that the ending is left up to you. You can think she’s dead, or you can think she’s alive; they have intentionally not given the answer. It’s possible to write ambiguous endings that work really well, but this one felt like a cop-out, an attempt to have it both ways. There’s also a real danger in expanding characters’ supernatural powers to the point where they can make anything seem like anything, so maybe much of what you saw never happened. After all, if you don’t know that did happen, how much else might not have happened?
This piece also appears in NPR’s Pop Culture Happy Hour newsletter. Sign up for the newsletter so you don’t miss the next one, plus get weekly recommendations about what’s making us happy.
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