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Remembrance done right: How TCM has perfected the 'in memoriam' montage

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Remembrance done right: How TCM has perfected the 'in memoriam' montage

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We’re entering awards season, and for those of us who watch these ceremonies every year either for work or for fun, the one reliable constant is that, sandwiched somewhere between corny presenter banter and the occasionally rousing winner’s speech, there will be an “In Memoriam” tribute. These segments are rarely satisfying; some pretty important figure is inevitably left off the list, while the whole affair’s usually rushed and sloppy. (Or edited in such a way that the honorees are overshadowed by the dignified performance of an obvious Sad Song by an industry-approved John Legend-type, or John Legend himself.)

During these pomp displays of mourning I appreciate even more TCM’s own annual tribute to the dearly departed within the film industry, TCM Remembers, the latest of which dropped a couple of weeks ago. It feels a little gauche to say I look forward to the release of these short videos every December, but I do; there’s an art to montage, and it’s especially tricky to refine when it’s a montage reflecting morbidity, an inherently maudlin exercise.

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One of the earliest iterations of the classic movie network’s efforts proves this. It’s not terrible, but it’s … pretty boring? Almost as though someone were reading off a list of names while standing in front of a screen projecting clips. Happy recollections of your favorite classic movie performers alone aren’t enough to make a montage like this really sing.

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Over time, however, TCM has become the gold standard for these sorts of exercises, understanding that to achieve an effective in memoriam, you have to strike just the right balance between sentimentality, fond remembrance and aesthetics.

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Sound is crucial. With TCM’s memorials, the song selections are certainly sad and wistful and lamenting, capturing some sort of universal feeling about being young once or wishing to go back to “the night we met” – but they’re not instantly recognizable funeral songbook standards. (If I’m forgetting an instance where the producers resorted to “Hallelujah,” to that I’ll quote Billy Wilder and I.A.L. Diamond: Nobody’s perfect.)

For me at least, the lack of familiarity means the song doesn’t distract from the visual tribute itself, which is meticulously timed to include film clips, audio, and themed Insta-worthy stock imagery (or in the case of this past year’s, an aerial performance) to coincide with the music. There’s usually very little dialogue interspersed, maybe an isolated line from a film here or a quote from a filmmaker there.

On occasion, the lyrical cues can inspire an eyeroll for being so on-the-nose – from 2009: Days, up and down they come/ Like rain on a conga drum … cut to Nuyorican actor Olga San Juan, who was usually typecast as a “spicy” Latina in her heyday – but it’s rare that tension is too fraught. I just about fall to pieces, in a good way, whenever I re-watch the 2008 edition, when Joe Henry sings, “It seems we never were so young,” as Heath Ledger, in a scene from Brokeback Mountain, suddenly flashes upon the screen.

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And unbeholden to the time constraints of live TV and the vanity of live musicians in accompaniment, these videos also seem to include a greater mix of marquee names, character performers, filmmakers, and craftspeople, and each gets their moment. Sure, some of those moments are drawn out longer than others and each person’s placement within the mix isn’t without its politics. But of course, Harry Belafonte landed the grand finale spot in 2023, as did Paul Newman and Liz Taylor in their respective years. Could it be any other way?

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Inevitably, this combo of sound, image, and memory will leave me utterly moved to tears or near-tears, even if the beats at this point have become familiar to any longtime TCM fan. I think it also probably stems from the way this template really echoes the medium it’s honoring, and understands that the power of montage is in its persuasiveness and ability to stir up feelings when done thoughtfully. I don’t think any awards show in memoriam has made me feel this way, and I’m not sure any can.

So long as I have these videos to look forward to, that’ll more than make up for the rest.

P.S.: If you’re curious about how they’re made, I found this article from 2011 that provides some insight through interviews with then-on-air producer Scott McGee and Pola Changnon, who at the time was VP of on-air production. The team behind the 2023 segment included producers and editor David Byrne (not that one!), Christian Hammann, and Gordon Gyor.

This piece also appeared in NPR’s Pop Culture Happy Hour newsletter. Sign up for the newsletter so you don’t miss the next one, plus get weekly recommendations about what’s making us happy.

Listen to Pop Culture Happy Hour on Apple Podcasts and Spotify.

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How to have the best Sunday in L.A., according to Andy Richter

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How to have the best Sunday in L.A., according to Andy Richter

Andy Richter has found his place.

The Chicago area native previously lived in New York — where he first found fame as Conan O’Brien’s sidekick on “Late Night” — before moving to Los Angeles in 2001. Three years ago, he moved to Pasadena. “Now that I live here, I would not live anywhere else,” he says.

There are some practical benefits to the city. “I am such a crabby old man now, but it’s like, there’s parking, you can park when we have to go out,” Richter says. “The notion of going to dinner in Santa Monica just feels like having nails shoved into my feet.”

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In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

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But he mostly appreciates that Pasadena is “a very diverse town and just a beautiful town,” he says.

For Richter, most Sundays revolve around his family. In 2023, the comedian and actor married creative executive Jennifer Herrera and adopted her young daughter, Cornelia. (He also has two children in their 20s, William and Mercy, from his previous marriage.)

Additionally, he’s been giving his body time to recover. Richter spent last fall training and competing on the 34th season of “Dancing With the Stars.” And though he had no prior dancing experience, he won over the show’s fan base with his kindness and dedication, making it to the competition’s ninth week.

He hosts the weekly show “The Three Questions” on O’Brien’s Team Coco podcast network and still appears in films and TV shows. “I’m just taking meetings and auditioning like every other late 50s white comedy guy in L.A., sitting around waiting for the phone to ring.”

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This interview has been lightly edited and condensed for length and clarity.

7:30 a.m.: Early rising

It’s hard for me at this advanced age to sleep much past 7:30. I have a 5 1/2-year-old, and hopefully she’ll sleep in a little bit longer so my wife and I can talk and snuggle and look at our phones at opposite ends of the bed, like everybody.

Then the dogs need to be walked. I have two dogs: a 120-pound Great Pyrenees-Border Collie-German Shepherd mix, and then at the other end of the spectrum, a seven-pound poodle mix. We were a blended dog family. When my wife and I met, I had the big dog and she had a little dog. Her first dog actually has passed, but we like that dynamic. You get kind of the best of both worlds.

8 a.m.: Breakfast at a classic diner

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Then it would probably be breakfast at Shakers, which is in South Pasadena. It’s one of our favorite places. We’re kind of regulars there, and my daughter loves it. It’s easy with a 5-year-old, you’ve got to do what they want. They’re terrorists that way, especially when it comes to cuisine.

I’ve lived in Pasadena for about three years now, but I have been going to Shakers for a long time because I have a database of all the best diners in the Los Angeles metropolitan area committed to memory. There’s just something about the continuity of them that makes me feel like the world isn’t on fire. And because of L.A.’s moderate climate, the ones here stay the way they are; whereas if you get 18 feet of winter snow, you tend to wear down the diner floor, seats, everything.

So there’s a lot of really great old places that stay the same. And then there are tragic losses. There’s been some noise that Shakers is going to turn into some kind of condo development. I think that people would probably riot. They would be elderly people rioting, but they would still riot.

11 a.m.: Sandy paws

My in-laws live down in Long Beach, so after breakfast we might take the dogs down to Long Beach. There’s this dog beach there, Rosie’s Beach. I have never seen a fight there between dogs. They’re all just so happy to be out and off-leash, with an ocean and sand right there. You get a contact high from the canine joy.

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1 p.m.: Lunch in Belmont Shore

That would take us to lunchtime and we’ll go somewhere down there. There’s this place, L’Antica Pizzeria Da Michele, in Belmont Shore. It’s fantastic for some pizza with grandma and grandpa. It’s originally from Naples. There’s also one in Hollywood where Cafe Des Artistes used to be on that weird little side street.

4 p.m.: Sunset at the gardens

We’d take grandma and grandpa home, drop the dogs off. We’d go to the Huntington and stay a couple of hours until sunset. The Japanese garden is pretty mind-blowing. You feel like you’re on the set of “Shogun.”

The main thing that I love about it is the changing of ecospheres as you walk through it. Living in the area, I drive by it a thousand times and then I remember, “Oh yeah, there’s a rainforest in here. There’s thick stands of bamboo forest that look like Vietnam.” It’s beautiful. With all three of my kids, I have spent a lot of time there.

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6:30 p.m.: Mall of America

After sundown, we will go to what seems to be the only thriving mall in America — [the Shops at] Santa Anita. We are suckers for Din Tai Fung. My 24-year-old son, who’s kind of a food snob, is like, “There’s a hundred places that are better and cheaper within five minutes of there in the San Gabriel Valley.” And we’re like, “Yeah, but this is at the mall.” It’s really easy. Also, my wife is a vegetarian, and a lot of the more authentic places, there’s pork in the air. It’s really hard to find vegetarian stuff.

We have a whole system with Din Tai Fung now, which is logging in on the wait list while we’re still on the highway, or ordering takeout. There’s plenty of places in the mall with tables, you can just sit down and have your own little feast there.

There’s also a Dave & Buster’s. If you want sensory overload, you can go in there and get a big, big booze drink while you’re playing Skee-Ball with your kid.

9 p.m.: Head to bed ASAP

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I am very lucky in that I’m a very good sleeper and the few times in my life when I do experience insomnia, it’s infuriating to me because I am spoiled, basically. When you’ve got a 5 1/2-year-old, there’s no real wind down. It’s just negotiations to get her into bed and to sleep as quickly as possible, so we can all pass out.

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Video: Prada Peels Back the Layers at Milan Fashion Week

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Video: Prada Peels Back the Layers at Milan Fashion Week

new video loaded: Prada Peels Back the Layers at Milan Fashion Week

At Milan Fashion Week, Prada showcased a collection built on layering. For the models, it was like shedding a skin each of the four times they strutted down the runway, revealing a new look with each cycle.

By Chevaz Clarke and Daniel Fetherston

February 27, 2026

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Bill Cosby Rape Accuser Donna Motsinger Says He Won’t Testify At Trial

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Bill Cosby Rape Accuser Donna Motsinger Says He Won’t Testify At Trial

Bill Cosby
Rape Accuser Says Cosby Won’t Take Stand At Trial

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