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Pokémon Legends Z-A is a game of epic proportions, best played on the Switch 2

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Pokémon Legends Z-A is a game of epic proportions, best played on the Switch 2

The new Mega Evolution for Chesnaught and the pristine surroundings of Lumiose City, a setting based on Paris, France.

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In 2013, Pokémon X and Y transformed the franchise with a massive visual overhaul as the first 3D entries in the main series. The games also introduced Mega Evolution, a feature that made strong creatures even bigger and badder, from Mega Charizard to Mega Blastoise.

Releasing over a decade later but set in the same region as X and Y, Pokémon Legends: Z-A (PLZA, for short) feels like a mega evolution for the whole franchise — a colossal achievement that runs splendidly on the Nintendo Switch 2 after the buggy disappointments of Pokémon Scarlet and Violet.

Mega changes to a classic formula

The Pokémon Company’s strength has always been its willingness to iterate.

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While the past Legends game, Arceus, broke the mold by placing all its battles in a seamless open world, PLZA goes further with a new system that grants players more autonomy over their Pokémon’s actions.

In a first for the franchise, trainers no longer need to wait their turn to unleash a Thunderbolt or Hurricane from their Pikachu or Pidgeot. PLZA takes Pokémon’s core turn-based combat and ramps up the dynamism in real-time.

One of the many real-time battles in Pokémon Legends: Z-A.

One of the many real-time battles in Pokémon Legends: Z-A.

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Power Points originally dictated how many times a trainer could use a Pokémon’s move. Once depleted, you’d need to replenish those points or choose a new ability. PLZA flips that system on its head, with a cooldown timer instead of Power Points dictating how and when you can use your move. All the action happens as your trainer scurries around the battlefield, without players taking turns.

While there isn’t an explicit dodge button or command, players can help their Pokémon like Ash Ketchum does on the television show — by using a move to evade a move. Abilities like U-Turn and Volt Switch, which used to swap out active Pokémon, now position them closer to the player’s location, allowing them to avoid enemy attacks.

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Freedom to throw hands with challengers 

This fluid combat brings a wild variety that’s been missing from previous Pokémon titles. But the novelty’s paired with a familiar structure.

In PLZA, you’ll have to climb the region’s ladder of ranked trainers (from Z to A, naturally) and claim dominance over the Pokémon “royale” scene of Lumiose City, where the game takes place.

Mega Greninja readies an attack.

Mega Greninja readies an attack.

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The most hilarious moments in my playthrough came when I hid behind garbage cans and bushes in the Battle Zone (which activates during the game’s night cycle) to eagerly jump an unaware trainer and their Pokémon. Climbing the ranks is dirty work, but PLZA makes each encounter absolutely worthwhile, especially when your Pokémon knocks out an unsuspecting Beedrill with a Flamethrower attack!

Lumiose City offers plenty of space to explore, a robust collection of clothing items players have been begging for, and new objectives for those trying to fill their Pokédex or complete research tasks (yes, those make a return from Arceus and expedite some of the endgame content in the best way possible).

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A story worth telling

The game’s characters are also eccentric and lovable, as we’ve come to expect from the series.

The protagonist’s friends — like Naveen, whose blasé and ineffably cool personality is going to take over the internet — are loving, fierce, and at times incredibly self-aware and even a little self-deprecating. Your player character joins their group, Team MZ, and quickly learns about the city’s history and their place in it all.

From left to right, the player character, Taunie, Lida, and Naveen meet around a table

From left to right, the player character, Taunie, Lida, and Naveen meet around a table

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Through PLZA, The Pokémon Company seems to be making subtle meta-commentary too. Subplots involve overly attached “super fans,” aggressive culture connoisseurs, and trainers trapped in parasocial relationships they fail to recognize. What’s more, the dialogue doesn’t drag on as much as Arceus did, which critics felt slowed the game’s pace.

Instead, PLZA channels many of the narrative beats of 2019’s Pokémon Sword and Shield. Major twists and revelations are grounded and earned. Its tone and style feel like an anime instead of a traditional Pokémon game, with huge cinematic moments that arrive and resolve in the most satisfying ways. I was surprised by how much the story’s incredible ending moved me.

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After seeing the credits roll, I can say, hands-down, that Pokémon Legends: Z-A is one of the franchise’s best games. Not content to simply trot out new and returning Mega Evolutions, it takes some real risks. While it’s best experienced on the Switch 2, rather than through the compromised version for the original Switch, the game’s nothing short of a triumph: somehow both epic and cozy — and completely unforgettable.

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Lifestyle

Drew Struzan, artist of iconic movie posters, dies at 78

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Drew Struzan, artist of iconic movie posters, dies at 78

Back To The Future and Indiana Jones and the Last Crusade posters were illustrated by Drew Struzan.

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Drew Struzan, the artist behind the posters for several iconic films and franchises, including Star Wars, Indiana Jones, and Harry Potter, died on Monday at the age of 78, after a years-long battle with Alzheimer’s disease.

A statement posted on the illustrator’s official Instagram page announced Struzan’s passing: “It is with a heavy heart that I must tell you that Drew Struzan has moved on from this world as of yesterday, October 13th. I feel it is important that you all know how many times he expressed to me the joy he felt knowing how much you appreciated his art.”

Dylan Struzan, Drew’s wife, confirmed the artist’s death to NPR.

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Struzan frequently collaborated with filmmakers Steven Spielberg and George Lucas, designing the posters not only for big, blockbuster hits such as The Empire Strikes Back and E.T. The Extra-Terrestrial but also cult classics like Blade Runner and The Thing. 

Drew Struzan, who died this week, attending an event at the Dolby Theatre on Oct. 23, 2014, in Los Angeles.

Drew Struzan, who died this week, attending an event at the Dolby Theatre on Oct. 23, 2014, in Los Angeles.

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Tributes to Struzan’s legacy have flooded social media since the announcement of his passing. Jim Lee, chief creative officer and publisher of DC Comics, wrote on Instagram, “His work captured the humanity, power and emotion of his subjects in ways not seen since. Thank you for bringing to life all the tentpole moments of my childhood and beyond.”

Filmmaker Guillermo del Toro posted on Bluesky, “The world lost a genial man, a genius communicator and a supreme artist. I lost a friend – beloved Drew.”

Born in Oregon in 1947, Struzan moved to Los Angeles in the 1960s to pursue a degree at the Art Center College of Design in Pasadena. He began his career by designing album covers for bands such as the Bee Gees and Earth, Wind & Fire. In 1978, his career was jumpstarted when Lucasfilm asked him to co-design a new poster for the re-release of the first Star Wars film. His ability to express the sense of adventure so crucial to the moviegoing experience eventually made Struzan a legend in the film industry.

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Struzan’s artwork, known for lush realism and a colorful palette, seemed to promise viewers a trip to an exciting new world that Spielberg “had to almost live up to,” the director shared in the 2013 documentary Drew: The Man Behind the Poster

Struzan himself, when talking about his work, said he didn’t want to give too much of that world away.

“Telling the story in a poster is wrong for a movie,” Struzan said in an interview with the online movie news site Slashfilm in 2021. “I wasn’t looking to tell a story. I’m looking to give a person a feeling about something they could hope for… I design a composition that is open-ended. Not closed-ended saying, ‘This is what you have to think about this.’ Open-ended means the viewer explores the subject from their point of view. I love when that happens.”

Struzan didn’t play favorites with his work. “If I had a favorite, then I would have already done the best I can do,” he told Los Angeles Magazine in 2013. “My favorite is always the very next one.”

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Story edited by Jennifer Vanasco.

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Scott Wolf Sends Birthday Love to Estranged Wife Kelley Amid Divorce

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Scott Wolf Sends Birthday Love to Estranged Wife Kelley Amid Divorce

Scott Wolf
Birthday Love For Estranged Wife Amid Divorce!!!

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E-Tailer Oushq Relaunches in Partnership with the CFDA

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E-Tailer Oushq Relaunches in Partnership with the CFDA
The multi-brand e-commerce platform founded by “Real Housewives of New York City” star Jessel Taank is pivoting from traditional South Asian couture to focus on casual, contemporary offerings by South Asian and Middle Eastern designers.
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