Lifestyle
Out of the Ballroom and Into the Tree House
To get to their Jan. 11 wedding ceremony, Nicolette Celiceo and William Kilgore had to slip through an ancient cavernous opening, and once inside, squeeze through a thin tunnel that led to a larger space.
“Our officiant was off to one side, our guests were on the other,” said Ms. Celiceo, 37, an account executive for a fitness benefits provider who lives in Springfield, Mo.
The couple’s wedding venue was Bridal Cave, a mile-long limestone cavity under Thunder Mountain in the Lake of the Ozarks region. Since 1949, more than 4,500 couples have gotten married there, according to Lindsey Webster-Dillon, the property’s events and weddings manager.
Ms. Celiceo found the location while researching unusual wedding places. “Every nook and crevice had carvings and marking,” she said. “It smelled wet and earthy, and was peaceful and cocooning. You felt like you were in a different world, even though the rest of the world is happening above you.”
For their nuptials, many brides and grooms have been opting for unusual settings that speak to their love of nature and adventure, from cavernous sites to tree houses and nautical backdrops.
“Covid taught couples to ask for anything they wanted,” said Lindsey Shaktman, the director of planning and operations for Mavinhouse Events, a wedding planning firm based in Ipswich, Mass.
Bridal Cave offers couples a 15-minute ceremony for up to 40 guests for $1,195; the package includes an officiant, photographer and flowers. (At an extra cost couples can also have their reception at the property’s nearby Thunder Mountain Park Event Center.)
Tim Wood and Lauren McKenzie of Pittsburgh were married Aug. 10, 2024, at the Mohicans Treehouse Resort and Wedding Venue in a forest in Glenmont, Ohio.
“This wasn’t a lame, cookie-cutter hotel for $80,000,” said Mr. Wood, 32, who is currently in a doctorate program at the University of Pittsburgh. While touring one hotel, he said, he realized he had been there for a work conference. “That wasn’t the memory or experience we wanted,” he said.
Mr. Wood said he and Ms. McKenzie, a dietitian, “felt like we were in ‘The Hobbit,’” only with a cigar bar and dance floor, among their wedding amenities, and without cell service. “Lauren and I woke up to birds chirping,” he said. “I took an outdoor shower and felt the stillness of the world and watched this beautiful forest come alive.”
The 77-acre property they were at includes 10 tree houses and several overnight cabins and cottages for up to 95 guests, along with honeymoon suites. Prices start at $5,000. As is the case for many of these unconventional experiences, catering and other traditional offerings other than tables and chairs are not included.
The Mohicans Treehouse Resort hosts around 90 weddings a year, according to Laura Mooney, who owns the property with her husband, Kevin Mooney.
For a more intimate treehouse experience, there’s the Emerald Forest Treehouse in Redmond, Wash., which hosts up to 35 guests and is available from May through September. The owner, Scott Harlan, says he gets 150 requests a year for the $4,000 experience, which includes tables, chairs and decorations.
Two types of couples seem to gravitate toward these experiences, said Michelle Miles, the founder of the Sustainable Wedding Alliance, a British company that specializes in sustainable weddings. “Those who want Instagrammable, jaw-dropping backdrop weddings, which is why elopements are on the rise, and those wanting nature as their décor,” she said.
Nature-centric locations offer a mindful, social-sustainability perspective and leave less of a carbon footprint, Ms. Miles added.
Cindy McPherson Frantz, a professor of psychology and environmental studies at Oberlin College, understands the desire to be in a natural element. “Natural settings are good for fostering connection with the setting, and between people,” Dr. Frantz said. “Natural settings create a sense of awe, and awe is an elevating emotion that lifts you up and expands you.”
Two years ago, Ms. Shaktman of Mavinhouse Events planned a wedding ceremony for a couple in the middle of the Atlantic Ocean, off the coast of Salem, Mass. Their 220 guests witnessed the ceremony while free-floating from whale-watching vessels.
“The groom’s family, and the bride and her family, pulled up to the designated spot in their own boats,” Ms. Shaktman said. “Then the groom, who drove his family boat, picked up the bride, and that boat doubled as their altar.” Once vows were exchanged, the vessels that had circled the couple’s boat headed to Pickering Wharf Marina in Salem. Guests were later treated to a pizza party on the beach.
Weddings like these, Ms. Shaktman said, bring a heightened level of awareness and are “a once-in-a-lifetime experience” that everyone can be part of at the same time.
“There are no walls,” she said. “The Atlantic Ocean was their design; the Boston skyline was their backdrop.”
But, compared with more traditional wedding venues in ballrooms and hotels, such experiences can present some logistical challenges.
“A hotel is a one-stop shop — it’s easy, convenient and traditional,” said Carley Tryon, a founder of C&E Event Productions, a wedding events company in Westchester County, N.Y.
Two summers ago, Ms. Tryon organized a wedding ceremony and cocktail hour on Pollepel Island in the Hudson River Valley. On the island sits Bannerman Castle, an abandoned military warehouse that dates back to 1901.
The property, open May through October, has no electricity nor water, and is accessible only via ferries owned by Pollepel Island, which leave from docks at the train station in Beacon, N.Y. (Three locations on the small island are available for events: the warehouse; a courtyard, which has a garden and views of the river; and an indoor space, that once contained the owner’s home. Ceremonies for up to 40 guests costs $4,000 for weekdays and $5,000 for weekends.)
“We had to bring everything over ourselves by a boat,” Ms. Tryon said. Still, she added, “it was a beautiful event, in a primitive location, which was very different from anything we had planned before.”
Lifestyle
Bill Maher is getting the Mark Twain Prize after all
Satirist Bill Maher is this year’s recipient of the Mark Twain Prize for American Humor. Maher will receive the award at the Kennedy Center on June 28th. The show will stream on Netflix at a later date.
Evan Agostini/Invision/AP
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Evan Agostini/Invision/AP
Bill Maher will be receiving the Mark Twain Prize for American Humor after all.
There’s been some confusion about whether the comedian and longtime host of HBO’s Real Time with Bill Maher would, indeed, be getting the top humor award. After The Atlantic cited anonymous sources saying he was, White House press secretary Karoline Leavitt called it “fake news.” But today the Kennedy Center made it official.
“For nearly three decades, the Mark Twain Prize has celebrated some of the greatest minds in comedy,” said Roma Daravi, the Kennedy Center’s vice president of public relations in a statement. “For even longer, Bill has been influencing American discourse – one politically incorrect joke at a time.”
Is President Trump, chair of the Kennedy Center’s board, in on the joke?
Maher once visited Trump at the White House and he tends to be more conservative than many of his comedian peers but after their dinner Trump soured on Maher, calling him a “highly overrated LIGHTWEIGHT” on social media.
Maher’s acerbic wit has targeted both political parties and he’s been particularly hard on Trump recently, criticizing his decisions to wage a war with Iran and his personnel choices.
“Trump said, ‘when oil prices go up, we make a lot of money.’ Um, who’s ‘we?,’” Maher said in a recent monologue.
Past recipients of the Mark Twain Prize include Conan O’Brien, Dave Chappelle, Jon Stewart, Julia Louis-Dreyfus, Tina Fey, Eddie Murphy and Carol Burnett.
In a statement released through the Kennedy Center, Maher said, “It is indeed humbling to get anything named for a man who’s been thrown out of as many school libraries as Mark Twain.”
Maher will receive the Mark Twain Prize at the Kennedy Center on June 28. The show will stream on Netflix at a later date.
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Lifestyle
Suit asks court to force Trump administration to use ‘The Kennedy Center’ name
Workers react to the media after updating signage outside the Kennedy Center on Dec. 19, 2025, in Washington, D.C.
Jim Watson/AFP via Getty Images
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Jim Watson/AFP via Getty Images
Rep. Joyce Beatty of Ohio is asking a federal court in Washington, D.C., to force President Trump and the board and staff of the Kennedy Center to revert to calling the arts complex The John F. Kennedy Center for the Performing Arts.
The motion, which Beatty filed on Wednesday, asks a federal circuit court judge to reverse the Trump administration and the center’s current board and staff’s decision to call the complex “The Trump-Kennedy Center.”
In the filing, Beatty’s attorneys wrote: “Can the Board of the Kennedy Center — in direct contradiction of the governing statutes — rename this sacred memorial to John F. Kennedy after President Donald J. Trump? The answer is, unequivocally, ‘no.’ By renaming the Center — in violation of the law — Defendants have breached the terms of the trust and their most basic fiduciary obligations as trustees. Shortly after President John F. Kennedy’s assassination, Congress designated the Kennedy Center as the ‘sole national memorial to the late’ President in the nation’s capital.”

In a statement emailed to NPR Thursday, Roma Daravi, the vice president of public relations for the Kennedy Center, wrote: “We’re confident the court will uphold the board’s decision on the name change and the desperately needed renovations which will continue as scheduled.” NPR also reached out to the White House for comment, but did not receive a reply.
In December, White House press secretary Karoline Leavitt announced that the complex would heretofore be called “The Trump-Kennedy Center.” Although the new moniker was never approved by Congress, the Center’s website and publicity materials were immediately updated to reflect the administration’s chosen name, and the same day as Leavitt’s announcement, Trump’s name went up on the signage of the complex’s exterior, over that of the slain President Kennedy.
Later that month, Rep. Beatty who serves as an ex-officio member of the Kennedy Center’s board of trustees, sued Trump, members of the Kennedy Center board appointed by Trump, and some ex-officio members, arguing that the complex’s name had been legislated by Congress in 1964. Wednesday’s motion is part of that lawsuit.

In a press release sent to NPR on Wednesday, Rep. Beatty said: “Donald Trump’s attempt to rename the Kennedy Center after himself is not just an act of ego. It is an attempt to subvert our Constitution and the rule of law. Congress established the Kennedy Center by law, and only Congress can change its name.”
For many patrons, artists and benefactors of the Kennedy Center, the name change was the last straw in politicizing the performing arts hub. Following the White House announcement of the new name, many prominent artists withdrew planned performances there, including the composer Philip Glass (a Kennedy Center Honors award recipient, who received his prize during the first Trump administration), the famed Broadway composer and lyricist Stephen Schwartz and the 18-time Grammy-winning banjo master Béla Fleck.
The Washington National Opera (WNO), which had been in residence at the Kennedy Center since 1971, also severed its ties in January after ticket sales dropped precipitously. Earlier this month, WNO artistic director Francesca Zambello told NPR, “We did try as best as we could to encourage [the patrons] that we are a bipartisan organization, but people really voted with their feet and with their pocketbooks. And so we realized that there was really no choice for us.”

On Monday, a coalition of eight architecture and cultural groups also sued Trump and the Kennedy Center board in federal court over the complex’s scheduled closing in July for unspecified renovations. Their suit seeks to have the White House and board members comply with existing historic preservation laws, and to secure Congressional approval before moving ahead with the renovation plans.
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