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Out of the Ballroom and Into the Tree House

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Out of the Ballroom and Into the Tree House

To get to their Jan. 11 wedding ceremony, Nicolette Celiceo and William Kilgore had to slip through an ancient cavernous opening, and once inside, squeeze through a thin tunnel that led to a larger space.

“Our officiant was off to one side, our guests were on the other,” said Ms. Celiceo, 37, an account executive for a fitness benefits provider who lives in Springfield, Mo.

The couple’s wedding venue was Bridal Cave, a mile-long limestone cavity under Thunder Mountain in the Lake of the Ozarks region. Since 1949, more than 4,500 couples have gotten married there, according to Lindsey Webster-Dillon, the property’s events and weddings manager.

Ms. Celiceo found the location while researching unusual wedding places. “Every nook and crevice had carvings and marking,” she said. “It smelled wet and earthy, and was peaceful and cocooning. You felt like you were in a different world, even though the rest of the world is happening above you.”

For their nuptials, many brides and grooms have been opting for unusual settings that speak to their love of nature and adventure, from cavernous sites to tree houses and nautical backdrops.

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“Covid taught couples to ask for anything they wanted,” said Lindsey Shaktman, the director of planning and operations for Mavinhouse Events, a wedding planning firm based in Ipswich, Mass.

Bridal Cave offers couples a 15-minute ceremony for up to 40 guests for $1,195; the package includes an officiant, photographer and flowers. (At an extra cost couples can also have their reception at the property’s nearby Thunder Mountain Park Event Center.)

Tim Wood and Lauren McKenzie of Pittsburgh were married Aug. 10, 2024, at the Mohicans Treehouse Resort and Wedding Venue in a forest in Glenmont, Ohio.

“This wasn’t a lame, cookie-cutter hotel for $80,000,” said Mr. Wood, 32, who is currently in a doctorate program at the University of Pittsburgh. While touring one hotel, he said, he realized he had been there for a work conference. “That wasn’t the memory or experience we wanted,” he said.

Mr. Wood said he and Ms. McKenzie, a dietitian, “felt like we were in ‘The Hobbit,’” only with a cigar bar and dance floor, among their wedding amenities, and without cell service. “Lauren and I woke up to birds chirping,” he said. “I took an outdoor shower and felt the stillness of the world and watched this beautiful forest come alive.”

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The 77-acre property they were at includes 10 tree houses and several overnight cabins and cottages for up to 95 guests, along with honeymoon suites. Prices start at $5,000. As is the case for many of these unconventional experiences, catering and other traditional offerings other than tables and chairs are not included.

The Mohicans Treehouse Resort hosts around 90 weddings a year, according to Laura Mooney, who owns the property with her husband, Kevin Mooney.

For a more intimate treehouse experience, there’s the Emerald Forest Treehouse in Redmond, Wash., which hosts up to 35 guests and is available from May through September. The owner, Scott Harlan, says he gets 150 requests a year for the $4,000 experience, which includes tables, chairs and decorations.

Two types of couples seem to gravitate toward these experiences, said Michelle Miles, the founder of the Sustainable Wedding Alliance, a British company that specializes in sustainable weddings. “Those who want Instagrammable, jaw-dropping backdrop weddings, which is why elopements are on the rise, and those wanting nature as their décor,” she said.

Nature-centric locations offer a mindful, social-sustainability perspective and leave less of a carbon footprint, Ms. Miles added.

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Cindy McPherson Frantz, a professor of psychology and environmental studies at Oberlin College, understands the desire to be in a natural element. “Natural settings are good for fostering connection with the setting, and between people,” Dr. Frantz said. “Natural settings create a sense of awe, and awe is an elevating emotion that lifts you up and expands you.”

Two years ago, Ms. Shaktman of Mavinhouse Events planned a wedding ceremony for a couple in the middle of the Atlantic Ocean, off the coast of Salem, Mass. Their 220 guests witnessed the ceremony while free-floating from whale-watching vessels.

“The groom’s family, and the bride and her family, pulled up to the designated spot in their own boats,” Ms. Shaktman said. “Then the groom, who drove his family boat, picked up the bride, and that boat doubled as their altar.” Once vows were exchanged, the vessels that had circled the couple’s boat headed to Pickering Wharf Marina in Salem. Guests were later treated to a pizza party on the beach.

Weddings like these, Ms. Shaktman said, bring a heightened level of awareness and are “a once-in-a-lifetime experience” that everyone can be part of at the same time.

“There are no walls,” she said. “The Atlantic Ocean was their design; the Boston skyline was their backdrop.”

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But, compared with more traditional wedding venues in ballrooms and hotels, such experiences can present some logistical challenges.

“A hotel is a one-stop shop — it’s easy, convenient and traditional,” said Carley Tryon, a founder of C&E Event Productions, a wedding events company in Westchester County, N.Y.

Two summers ago, Ms. Tryon organized a wedding ceremony and cocktail hour on Pollepel Island in the Hudson River Valley. On the island sits Bannerman Castle, an abandoned military warehouse that dates back to 1901.

The property, open May through October, has no electricity nor water, and is accessible only via ferries owned by Pollepel Island, which leave from docks at the train station in Beacon, N.Y. (Three locations on the small island are available for events: the warehouse; a courtyard, which has a garden and views of the river; and an indoor space, that once contained the owner’s home. Ceremonies for up to 40 guests costs $4,000 for weekdays and $5,000 for weekends.)

“We had to bring everything over ourselves by a boat,” Ms. Tryon said. Still, she added, “it was a beautiful event, in a primitive location, which was very different from anything we had planned before.”

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The second life of a classic: ‘Amores Perros’ is remastered and back in theaters

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The second life of a classic: ‘Amores Perros’ is remastered and back in theaters

First released in 2000, the acclaimed film Amores perros, which was produced and directed by Alejandro González Iñárritu and written by Guillermo Arriaga, has been remastered and is returning to theaters.

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Before Amores Perros became widely regarded as a modern classic, it belonged to Mexico. The film premiered at the 53rd Cannes Film Festival in 2000, where it won The Grand Prix, launching a run of international acclaim that has never quite ended. This month, Amores Perros is back in theaters in a fully remastered format from its original Kodak film stocks.

The film’s plot centers on three strangers whose lives intersect at the scene of a car crash. Each story wrestles with overlapping issues of social class disparities, crime and familial betrayal. The release in Mexico coincided with the end of the Institutional Revolutionary Party or PRI’s 71-year hold on power. Amores Perros was followed by a period of original, contemporary films in Latin America that would prove the region’s studios could compete with Hollywood in scope and complexity.

One of the film's lead charachters, Octavio, is played by actor Gael García Bernal.

One of the film’s lead charachters, Octavio, is played by actor Gael García Bernal.

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The film marked the directorial debut of Alejandro González Iñárritu, who would go on to win four Academy Awards including back-to-back best director awards for Birdman (2014) and The Revenant (2015). In a recent interview with NPR, Gael García Bernal, a lead actor in Amores Perros, called the film’s launch “a new geography in cinema.”

González Iñárritu and García Bernal spoke with Morning Edition’s A Martinez about their early collaboration and the film’s continued resonance with new audiences.

Listen to the interview by clicking on the blue play button above.

The broadcast version of this story was produced by Margaux Bauerlein.

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What — and who — will be at the Great American State Fair? Here’s a primer

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What — and who — will be at the Great American State Fair? Here’s a primer

Preparations underway for the Great American State Fair, as seen on Washington, D.C.’s National Mall last week.

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A lot is changing these days in Washington, D.C., with even more on the horizon: 10 city blocks of the National Mall will soon transform into a multi-week state fair spectacle, complete with a Ferris wheel, in honor of the country’s 250th birthday.

The “Great American State Fair” will run from June 25 through July 10, promising to bring state-themed pavilions, movie screenings, musical performances, military flyovers, nostalgic snacks, a daily rodeo — and potentially scores of tourists — to the nation’s capital.

It will feature more than 150 exhibits, with full participation across the United States and several U.S. territories, as well as “businesses, innovators and civic organizations,” according to Freedom250, the White House-backed campaign that is organizing the fair in addition to other semiquincentennial events.

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“A master-planned celebration will unfold along the National Mall from the Capitol to the Washington Monument, featuring vibrant pavilions representing every U.S. state and territory,” says the White House website, adding that the beaux-arts style tents will also highlight national themes like agriculture, the arts, faith and family.

Workers started setting up the fair, in view of the U.S. Capitol, in late May.

Workers started setting up the fair, in view of the U.S. Capitol, in late May.

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However, not all states are sending official government delegations to the fair. Officials in more than half a dozen states — including Connecticut, Hawaii, Illinois, Maine, Massachusetts, North Carolina, Oregon, Rhode Island and Washington — confirmed to NPR that they are not participating directly. Most cited financial considerations and a desire to prioritize celebrations in their own communities, though others voiced political concerns.

Rachel Reisner, a spokesperson for Freedom250, emphasized in an email that there is “a vast majority participating” among the states. Additionally, others are being represented by local businesses and organizations — such as two companies from North Carolina and a museum from Illinois.

“Whether represented by a governor’s office, a tourism board, or a beloved state company or organization, every community will be celebrated, and every American will see themselves in this once-in-a-generation event,” Reisner said.

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The state fair is one in a series of patriotic anniversary events planned for D.C. this summer, including the UFC fight night outside the White House last Sunday and a fireworks-heavy July Fourth celebration that President Trump rebranded as a political rally in a Truth Social post on Monday.

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Greetings from Maputo, Mozambique’s capital, shaped by a modernist architecture

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Greetings from Maputo, Mozambique’s capital, shaped by a modernist architecture

I took a ride on a tuk-tuk motorcycle taxi around Maputo, Mozambique, with my buddy and fellow All Things Considered producer, Vincent Acovino. We were in the country reporting on changes to U.S. funding for AIDS in Africa.

Vinny noticed it first: There was something magical about a number of the concrete apartment blocks and government offices here. With half a day off and a little googling, we gave ourselves an impromptu tour of the architecture of Amâncio “Pancho” Guedes. The late Portuguese-born architect designed some pretty cool buildings here in the 1950s and ’60s. They include the Prédio Abreu, Santos e Rocha pictured above, and other structures with evocative names like The Smiling Lion apartment block and the Lemon Squeezer church. Step into a small interior stairwell of The Dragon House, and you see a mural in sparkling black and white stone of a spiky dragon with a toothy grin. It transforms what would otherwise be a dim stairwell.

Guedes designed more than 500 buildings in the city, from churches to bakeries. I don’t have the language to capture it: the use of heavy materials, combined with the playful use of shapes and murals. “Eclectic Modernist,” I later learned, is how his work is described. One critic wrote that his work brilliantly mixes the “sculptural and figurative with practical requirements and traditional local identity.”

Maputo will change and I have to imagine not all of his work will survive. But stumbling into a town with a visual landscape that still shows Guedes’ thumbprint was a delight. For an afternoon, riding through the city streets in the open-air tuk-tuk, looking for what might have been his handiwork was a good time. Like an Easter egg hunt in concrete.

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For more Far-Flung Postcards, click here.

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