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Ode to a Gen-Z Situationship

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Ode to a Gen-Z Situationship

I met Jacob at an overcrowded Abba-themed dance night. He was wearing a faux-fur head wrap. He seemed so young. I was 33. Still, I thought he was cute. When we locked eyes on the smoking patio, I thought the feeling was mutual.

We got to chatting. Jacob said he worked “in music,” which I took to mean he sometimes played the guitar. He asked what I did, and I brushed off the question. I didn’t feel like talking about work.

A week earlier, my ex had moved out of our apartment. After six years together, he said, “Anna, I don’t think this is working.” And just like that, we were over. There were plenty of reasons. We argued too much, had different timelines for children. And then there was the sex — or lack thereof.

Couples therapy helped with the arguing but not the intimacy. When he finally handed me his key, I sat in my half-empty apartment and cried.

Now, with Jacob, I thought about how most of my friends were starting families and buying houses. And here I was at Abba Night, drinking a vodka soda.

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He asked for my number. I gave it to him, not expecting much.

The next day, he asked if I wanted to get a drink. We met for margaritas. I was early. I realized that I barely remembered his face. All I knew was that he seemed young. As I waited at the bar, I wondered just how young. Finally, he appeared, looking like he was dressed for Coachella — baggy cargo pants and chunky, layered necklaces. I could barely meet his gaze.

He was 24, almost a decade younger. I was embarrassed, but Jacob shrugged.

“Age doesn’t matter,” he said.

Which of course, wasn’t true.

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He told me he was a rapper and that his tracks had done well on Spotify. I was surprised. Impressed, even. He said a manager was interested, but he’d have to fork over a huge chunk of his profits.

I started to give him advice — as a TV writer, I had experience with predatory contracts. Then I stopped myself. Did I sound like his mother? We talked more. We didn’t have much in common, but I wasn’t ready to give up. When we finished our margaritas, I suggested a second bar.

The next place was swanky. The bartender gave me a funny look. Was he judging me? Maybe nine-and-a-half years wasn’t that much, but I’d never been on this side of an age gap. In my early 20s, I had dated a handful of older men. At the time, I found their age alluring, but hindsight had made me skeptical of their attraction. I once heard that adult brains aren’t fully developed until the age of 25. Was my young self simply easier to manipulate?

Sitting with Jacob, I wondered if now I was the creepy older man. I ordered myself an orange wine and he blinked. “What’s that?” he asked.

I explained it had something to do with the grape skins. He nodded blankly, then he asked what I was working on. I told him about my horror script about a girl who loses her mind in the woods. He listened, eyes wide. He told me it sounded “like a real movie.” I knew he meant it as a compliment.

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Jacob was a gentle lover, if a bit nervous. He lingered in my living room for an hour before kissing me. I didn’t mind. He was a good kisser. And when he ran his fingers along my arm, the age gap disappeared. We were just two people on a fitted sheet, trying to feel less alone. For once, sex felt effortless.

On our second date, Jacob showed me his music. It was chaotic and loud. Even his voice — deep and full of swagger — felt unfamiliar. I didn’t understand it.

On our third date, lying naked in bed, I told Jacob I wasn’t looking for anything serious. I explained that I was emotionally unavailable because of my breakup. He said that was OK. Perfect, in fact. Because he wanted to focus on his music, not love. We agreed to keep things casual.

“Casual” meant seeing each other once a week. He always offered to pay, but usually I grabbed the check. I knew my TV writer salary exceeded his Spotify profits. He lived in a cramped studio apartment and slept on a futon. I had slept there once, but my back hurt so much from the flimsy cushions that I vowed never to do it again.

Two months in, we went clubbing with his friends in a sweaty basement bar where everyone seemed younger than me. I was dressed in high-waisted Zara jeans and a tank top I’d bought in 2017. The other women wore low-slung pants with tiny crop tops, oozing the kind of confidence you feel when you’re still on your parents’ health insurance.

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One vented to me about her on-again-off-again boyfriend. I suggested couples therapy. She looked at me like I had told her to eat a shoe.

The next morning, I peered into my bathroom mirror, hyper-aware of the wrinkles on my forehead. I had turned 30 in the first year of Covid. Prepandemic, I didn’t remember ever having wrinkles. Post-pandemic, my face seemed centuries older.

After three months, I found myself falling for Jacob. On Valentine’s Day, I took him to my favorite sushi restaurant. Afterward, in bed, I told him how I felt. I said I didn’t need a serious relationship, but I wanted to take things to the next level. Maybe a weekend trip?

He grew quiet. “Maybe,” he said.

During our next date, Jacob dumped me. We had just ordered our entrees when he dropped the bomb, saying, “I think we should roll things back romantically.”

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I didn’t get it. Was this about the weekend trip? He said it was everything. I never understood his jokes. We had different interests. And hadn’t we agreed to keep things casual? Didn’t I notice that when I told him I was falling for him, he never said it back?

The waiter returned with our entrees — salad for me, and a big bowl of mac and cheese for Jacob. Waiting for the bill, I wanted to cry, but I refused. It was one thing to date a 24-year-old in a faux-fur head wrap; it was quite another to get dumped by one.

That night, I couldn’t sleep. At 3 a.m., I opened Spotify and clicked Jacob’s first track. I listened over and over until the music no longer confused me. What had initially sounded chaotic now seemed urgent and driving.

I searched Spotify for similar artists. It was as if dating Jacob had opened my eyes to the fact that there was a new generation of people creating art, and it was worth trying to understand. Obvious, maybe, but I’d missed it.

Jacob and I had only dated a few months and barely scratched the surface of our emotions. We were, by all accounts, a “situationship.” And I had spent most of it focused on myself. Because I paid for things, I chose what we did, what we ate. And it wasn’t just that. He seemed endlessly impressed by my writing career. He made me feel like I had things figured out. But I hadn’t considered how it all made him feel. That maybe the constant focus on my life made him feel small and unmoored.

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A month later, I willed myself onto the dating apps. When I met Jacob, I was reeling from heartbreak. But things had changed, and I had to admit that sex with anyone would now, inevitably, lead to feelings.

I soon matched with a guy named Lucas. He was 45, with eye wrinkles and gray hair in his beard. On our second date, he took me to a fancy restaurant and ordered the orange wine. He had just bought a house in Encino and redone the floors. After our fourth date, he suggested a weekend trip. Maybe Santa Barbara?

I liked Lucas, but what was I doing flinging myself so far across the age spectrum? Lucas wanted something serious. Was I ready for that? I told my therapist I was thinking of breaking it off. She asked why. I said, “Because he’s old!”

She laughed. “If you like him, that’s all that matters.”

I said yes to Santa Barbara.

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A year after my breakup with Jacob, he texted me. He was now 25, meaning his brain had officially finished developing. When he asked if I would like to meet up, I was shocked. Did he finally realize that he couldn’t live without me? He clarified that he still didn’t want anything serious, but would I be interested in a no-strings hookup?

I politely declined. Lucas and I had plans.

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Soo Catwoman, ‘the Female Face of Punk,’ Is Dead at 70

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Soo Catwoman, ‘the Female Face of Punk,’ Is Dead at 70

In 1976, Susan Lucas asked a local barber in Ealing, West London, to part the back of her short hair — which she greased on the sides to emulate the Bride of Frankenstein — and shave off the entire middle section.

“He was very shocked and I think he thought I was kidding at first,” she recalled in a 2009 interview. But eventually he relented. When he finished shearing off almost all her hair, she said, “I think he felt bad about what he’d done.”

Two tufts remained, one on either side of her shaved head, flared upward to resemble cat ears.

“I was really pleased with it,” she said.

She dyed her new ears black, slicked them up with dabs of Vicks VapoRub and christened herself with a new name: Soo Catwoman.

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That summer, she met and befriended Sid Vicious and Johnny Rotten of the Sex Pistols at Club Louise, a hotbed for musicians on the growing punk scene. She emerged as the face of that scene when she graced the cover of Anarchy in the U.K., a Sex Pistols fanzine.

With long tendrils of eyeliner swiped across her lids, a black star on her cheek and a skull dangling from one ear, her look, as well as her expression — a devil-may-care gaze that refused to waver — became a defining image of the vibrant, corrosive glamour of British punk.

“For me, rock ’n’ roll is all about haircut and attitude,” Bob Gruen, a photographer who documented the early punk era, said in an interview. “And she had both.”

Soo Catwoman died on Sept. 30 at a hospital in London. She was 70. Her daughter, Dion October Lucas, said the cause was complications of meningitis.

The fanzine photograph was published without her knowledge, and her face was soon reproduced on countless T-shirts and posters, often without permission or payment.

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“It seems that my face and image, my ‘art’ as some have called it, has been hijacked,” she said in 2009, adding, “I’ve lost count of the amount of things that my face has since been used to publicize over the years, from books to clothing and everything in between.”

As her likeness became synonymous with punk, Soo Catwoman was a frequent presence in British newspapers. She was later portrayed onscreen in Julien Temple’s mockumentary “The Great Rock ’n’ Roll Swindle” (1980) and in the 2022 mini-series “Pistol.”

Her D.I.Y. ethos influenced designers including Thierry Mugler, Chanel and Junya Watanabe, whose models strutted down the runway wearing warped Union Jacks and spiked hair. Keith Flint of the band the Prodigy fashioned his own acid-green cat ears after hers.

Soo Catwoman “was the female face of punk, the sexual opposite of Johnny Rotten,” Mark Perry wrote in his book “And God Created Punk” (1996). “Next to Vivienne Westwood she was the most influential woman in punk fashion. If she wore something, others followed.”

Susan Helene Lucas was born on Oct. 24, 1954, in London to John William Lucas, who was in the merchant navy, and Mary (Cobb) Lucas. She was the 10th of 15 children, and her parents joined two houses in the Chiswick area to make room for their large family.

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As a teenager, inspired by the flamboyance of glam rockers like David Bowie, Susan dyed a pink stripe into her pointed bangs.

At 21, after debuting her signature haircut, which she paired with jewelry made from found objects like needles and broken razor blades, she became a fixture, photographed with Billy Idol and members of the Damned. For a time in the 1970s, she shared a flat with Sid Vicious and earned the nickname Auntie Sue for her kindness toward him.

In 1979, she contributed backing vocals to the Invaders’ album “Test Card” and sang lead on their single “Backstreet Romeo.” In 1989, after a long absence from the scene, she resurfaced to record a cover of the O’Jays song “Back Stabbers” with Derwood Andrews of Generation X and Rat Scabies of the Damned.

As punk permeated the mainstream, Soo Catwoman largely withdrew from the public eye. She went from being “insulted on a daily basis,” with people avoiding her on public transportation “as if I were contagious,” to watching privileged strangers infiltrate the scene. “Those of us with holes in our jumpers didn’t actually put them there on purpose,” she said in a 2007 interview with the website Punk77.

“I had an exhibit in London a while ago, and Soo came to the opening,” Mr. Gruen said, “and she was this sweet English housewife.”

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Speaking to The Times of London after her mother’s death, Dion Lucas said, “Although she was the epitome of punk, as far as her image, she was a hippie underneath it all.”

She home-schooled her children for a while and led an effort to save a tree outside their school. In her free time, she read the Romantic poets and listened to music ranging from Neil Young to Motown.

In 2008, her daughter launched a campaign to reclaim her image. She silk-screened T-shirts and printed tote bags, which she and her mother sold online.

“My mother’s image has at times been associated with negativity, words like ‘destroy’ and ‘anarchy,’ and the mental pictures they conjure up don’t really fit with the person she is,” Dion Lucas said in 2009. “Her beliefs are more about a mental revolution — about people learning to think for themselves.”

In addition to her daughter, Soo Catwoman is survived by a son, Shem Lucas; 10 brothers, Paul, John, Tony, Steve, Joe, Jim, Dave, Robert, Roland and Adam; a sister, Linda Lucas Kenny; and four grandchildren.

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Reflecting on her legacy on her Myspace page years ago, Soo Catwoman seemed bemused by the evolution of the look she helped create.

“It still seems strange to me that what happened back then could bring about so many changes, in hair, music, fashion, etc.,” she wrote. “It seems quite funny that what started out as anti-fashion became fashion in itself.”

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Jake Paul Reveals He’s Sparring W/ Shakur Stevenson To Prep For Gervonta Davis

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Jake Paul Reveals He’s Sparring W/ Shakur Stevenson To Prep For Gervonta Davis

Jake Paul
Shakur Stevenson Is Helping Me Prep For Tank Davis!!!

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Video: The Knicks’ Josh Hart Shares His Secret to a Strong Marriage

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Video: The Knicks’ Josh Hart Shares His Secret to a Strong Marriage

new video loaded: The Knicks’ Josh Hart Shares His Secret to a Strong Marriage

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The Knicks’ Josh Hart Shares His Secret to a Strong Marriage

Josh Hart of the New York Knicks takes us beyond the court to his home. Mr. Hart and his wife, Shannon, open up about their relationship and love languages, and he shares with us a side of him you don’t see on game day.

“We’ve known each other for about 15 years, basically half of our life. And we’ve always been that consistent person in each other’s life. We always were there for each other.” “It was like consistent communication.” “We push each other to be better. We both give each other tough love. It’s never what we want to hear. But it’s always what we need to hear. We never try to sugarcoat anything.” “My love language, I would say quality time and probably physical touch.” “Definitely physical touch. That’s her love language. Back scratches is her love language. For me, my love language, I probably would say words of affirmation.” “I’m not very lovey-dovey in my words of affirmation, but I think just through my support during the season and my tough love — He doesn’t see it as affirmation, but it is.” “Do I see it as affirmation? That’s a great question. You always appreciate someone for always being real with you. I’m the super laid back, calm one. When calmness is needed, it’s a hundred percent going to be me.” “Yeah, but sometimes he’s too calm. Which is also like, What’s wrong with you?” “On the court, it’s totally different. My role on the court is to be fiery, to play with my heart on my sleeve and show that passion and that competitiveness. But me as a person is super chill, super laid back, kind of just going with the flow. Whatever happens, I’m going to figure it out.” “I’ve got to win every argument, every conversation.” “She’s super competitive. Becoming parents probably changed our relationship, for sure, for the better.” “You always hear that kids can tear you guys apart or it’s so hard, this and that. But we’ve honestly gotten closer, so it’s helped us.”

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Josh Hart of the New York Knicks takes us beyond the court to his home. Mr. Hart and his wife, Shannon, open up about their relationship and love languages, and he shares with us a side of him you don’t see on game day.

By Chevaz Clarke, Sadiba Hasan, Thomas Vollkommer and Srdjan Stojiljkovic

October 21, 2025

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