Lifestyle
Ode to a Gen-Z Situationship
I met Jacob at an overcrowded Abba-themed dance night. He was wearing a faux-fur head wrap. He seemed so young. I was 33. Still, I thought he was cute. When we locked eyes on the smoking patio, I thought the feeling was mutual.
We got to chatting. Jacob said he worked “in music,” which I took to mean he sometimes played the guitar. He asked what I did, and I brushed off the question. I didn’t feel like talking about work.
A week earlier, my ex had moved out of our apartment. After six years together, he said, “Anna, I don’t think this is working.” And just like that, we were over. There were plenty of reasons. We argued too much, had different timelines for children. And then there was the sex — or lack thereof.
Couples therapy helped with the arguing but not the intimacy. When he finally handed me his key, I sat in my half-empty apartment and cried.
Now, with Jacob, I thought about how most of my friends were starting families and buying houses. And here I was at Abba Night, drinking a vodka soda.
He asked for my number. I gave it to him, not expecting much.
The next day, he asked if I wanted to get a drink. We met for margaritas. I was early. I realized that I barely remembered his face. All I knew was that he seemed young. As I waited at the bar, I wondered just how young. Finally, he appeared, looking like he was dressed for Coachella — baggy cargo pants and chunky, layered necklaces. I could barely meet his gaze.
He was 24, almost a decade younger. I was embarrassed, but Jacob shrugged.
“Age doesn’t matter,” he said.
Which of course, wasn’t true.
He told me he was a rapper and that his tracks had done well on Spotify. I was surprised. Impressed, even. He said a manager was interested, but he’d have to fork over a huge chunk of his profits.
I started to give him advice — as a TV writer, I had experience with predatory contracts. Then I stopped myself. Did I sound like his mother? We talked more. We didn’t have much in common, but I wasn’t ready to give up. When we finished our margaritas, I suggested a second bar.
The next place was swanky. The bartender gave me a funny look. Was he judging me? Maybe nine-and-a-half years wasn’t that much, but I’d never been on this side of an age gap. In my early 20s, I had dated a handful of older men. At the time, I found their age alluring, but hindsight had made me skeptical of their attraction. I once heard that adult brains aren’t fully developed until the age of 25. Was my young self simply easier to manipulate?
Sitting with Jacob, I wondered if now I was the creepy older man. I ordered myself an orange wine and he blinked. “What’s that?” he asked.
I explained it had something to do with the grape skins. He nodded blankly, then he asked what I was working on. I told him about my horror script about a girl who loses her mind in the woods. He listened, eyes wide. He told me it sounded “like a real movie.” I knew he meant it as a compliment.
Jacob was a gentle lover, if a bit nervous. He lingered in my living room for an hour before kissing me. I didn’t mind. He was a good kisser. And when he ran his fingers along my arm, the age gap disappeared. We were just two people on a fitted sheet, trying to feel less alone. For once, sex felt effortless.
On our second date, Jacob showed me his music. It was chaotic and loud. Even his voice — deep and full of swagger — felt unfamiliar. I didn’t understand it.
On our third date, lying naked in bed, I told Jacob I wasn’t looking for anything serious. I explained that I was emotionally unavailable because of my breakup. He said that was OK. Perfect, in fact. Because he wanted to focus on his music, not love. We agreed to keep things casual.
“Casual” meant seeing each other once a week. He always offered to pay, but usually I grabbed the check. I knew my TV writer salary exceeded his Spotify profits. He lived in a cramped studio apartment and slept on a futon. I had slept there once, but my back hurt so much from the flimsy cushions that I vowed never to do it again.
Two months in, we went clubbing with his friends in a sweaty basement bar where everyone seemed younger than me. I was dressed in high-waisted Zara jeans and a tank top I’d bought in 2017. The other women wore low-slung pants with tiny crop tops, oozing the kind of confidence you feel when you’re still on your parents’ health insurance.
One vented to me about her on-again-off-again boyfriend. I suggested couples therapy. She looked at me like I had told her to eat a shoe.
The next morning, I peered into my bathroom mirror, hyper-aware of the wrinkles on my forehead. I had turned 30 in the first year of Covid. Prepandemic, I didn’t remember ever having wrinkles. Post-pandemic, my face seemed centuries older.
After three months, I found myself falling for Jacob. On Valentine’s Day, I took him to my favorite sushi restaurant. Afterward, in bed, I told him how I felt. I said I didn’t need a serious relationship, but I wanted to take things to the next level. Maybe a weekend trip?
He grew quiet. “Maybe,” he said.
During our next date, Jacob dumped me. We had just ordered our entrees when he dropped the bomb, saying, “I think we should roll things back romantically.”
I didn’t get it. Was this about the weekend trip? He said it was everything. I never understood his jokes. We had different interests. And hadn’t we agreed to keep things casual? Didn’t I notice that when I told him I was falling for him, he never said it back?
The waiter returned with our entrees — salad for me, and a big bowl of mac and cheese for Jacob. Waiting for the bill, I wanted to cry, but I refused. It was one thing to date a 24-year-old in a faux-fur head wrap; it was quite another to get dumped by one.
That night, I couldn’t sleep. At 3 a.m., I opened Spotify and clicked Jacob’s first track. I listened over and over until the music no longer confused me. What had initially sounded chaotic now seemed urgent and driving.
I searched Spotify for similar artists. It was as if dating Jacob had opened my eyes to the fact that there was a new generation of people creating art, and it was worth trying to understand. Obvious, maybe, but I’d missed it.
Jacob and I had only dated a few months and barely scratched the surface of our emotions. We were, by all accounts, a “situationship.” And I had spent most of it focused on myself. Because I paid for things, I chose what we did, what we ate. And it wasn’t just that. He seemed endlessly impressed by my writing career. He made me feel like I had things figured out. But I hadn’t considered how it all made him feel. That maybe the constant focus on my life made him feel small and unmoored.
A month later, I willed myself onto the dating apps. When I met Jacob, I was reeling from heartbreak. But things had changed, and I had to admit that sex with anyone would now, inevitably, lead to feelings.
I soon matched with a guy named Lucas. He was 45, with eye wrinkles and gray hair in his beard. On our second date, he took me to a fancy restaurant and ordered the orange wine. He had just bought a house in Encino and redone the floors. After our fourth date, he suggested a weekend trip. Maybe Santa Barbara?
I liked Lucas, but what was I doing flinging myself so far across the age spectrum? Lucas wanted something serious. Was I ready for that? I told my therapist I was thinking of breaking it off. She asked why. I said, “Because he’s old!”
She laughed. “If you like him, that’s all that matters.”
I said yes to Santa Barbara.
A year after my breakup with Jacob, he texted me. He was now 25, meaning his brain had officially finished developing. When he asked if I would like to meet up, I was shocked. Did he finally realize that he couldn’t live without me? He clarified that he still didn’t want anything serious, but would I be interested in a no-strings hookup?
I politely declined. Lucas and I had plans.
Lifestyle
What does freedom actually look like? : It’s Been a Minute
What freedom looks like today.
Getty Images/Viktoriia Miroshnikova/Photo illustration by NPR
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Getty Images/Viktoriia Miroshnikova/Photo illustration by NPR
What does freedom mean today?
Happy Juneteenth! For those not in the know, today commemorates when U.S. federal troops arrived in Galveston, Texas in 1865 to take control of the state and ensure that all enslaved people were freed – a full two and a half years after the signing of the Emancipation Proclamation. Since then, Juneteenth has been celebrated all over the country, especially in Texas and across the South, where Juneteenth parades, cookouts, festivals and pageants happen every year. Two weeks from now, the country will celebrate the Fourth of July – and its 250th anniversary. For many Black Americans, there’s always been a tension between these holidays – and their two different ideals for what it means to be free. As voting rights protections are rolled back and Black history is being scrubbed from government websites, what does freedom look like for Black Americans today?
To get into it, Brittany is joined by Dr. Kellie Carter Jackson, chair of Africana Studies at Wellesley College.
For more episodes about the quality of Black life in America, check out:
Jesse Jackson & the end of the civil rights superhero
Is the economy slowing? Ask Black women.
What to expect when you’re expecting racism
Support Public Media. Join NPR Plus.
Follow Brittany on Instagram: @bmluse
For handpicked podcast recommendations every week, subscribe to NPR’s Pod Club newsletter at npr.org/podclub.
This episode was produced by Corey Antonio Rose and Liam McBain. It was edited by Neena Pathak. We had engineering support from Josephine Nyounai. Our Supervising Producer is Cher Vincent. Our Executive Producer is Barton Girdwood. Our VP of Programming is Yolanda Sangweni.
Lifestyle
The second life of a classic: ‘Amores Perros’ is remastered and back in theaters
First released in 2000, the acclaimed film Amores perros, which was produced and directed by Alejandro González Iñárritu and written by Guillermo Arriaga, has been remastered and is returning to theaters.
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Before Amores Perros became widely regarded as a modern classic, it belonged to Mexico. The film premiered at the 53rd Cannes Film Festival in 2000, where it won The Grand Prix, launching a run of international acclaim that has never quite ended. This month, Amores Perros is back in theaters in a fully remastered format from its original Kodak film stocks.
The film’s plot centers on three strangers whose lives intersect at the scene of a car crash. Each story wrestles with overlapping issues of social class disparities, crime and familial betrayal. The release in Mexico coincided with the end of the Institutional Revolutionary Party or PRI’s 71-year hold on power. Amores Perros was followed by a period of original, contemporary films in Latin America that would prove the region’s studios could compete with Hollywood in scope and complexity.
One of the film’s lead charachters, Octavio, is played by actor Gael García Bernal.
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The film marked the directorial debut of Alejandro González Iñárritu, who would go on to win four Academy Awards including back-to-back best director awards for Birdman (2014) and The Revenant (2015). In a recent interview with NPR, Gael García Bernal, a lead actor in Amores Perros, called the film’s launch “a new geography in cinema.”
González Iñárritu and García Bernal spoke with Morning Edition’s A Martinez about their early collaboration and the film’s continued resonance with new audiences.
Listen to the interview by clicking on the blue play button above.
The broadcast version of this story was produced by Margaux Bauerlein.
Lifestyle
What — and who — will be at the Great American State Fair? Here’s a primer
Preparations underway for the Great American State Fair, as seen on Washington, D.C.’s National Mall last week.
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A lot is changing these days in Washington, D.C., with even more on the horizon: 10 city blocks of the National Mall will soon transform into a multi-week state fair spectacle, complete with a Ferris wheel, in honor of the country’s 250th birthday.
The “Great American State Fair” will run from June 25 through July 10, promising to bring state-themed pavilions, movie screenings, musical performances, military flyovers, nostalgic snacks, a daily rodeo — and potentially scores of tourists — to the nation’s capital.
It will feature more than 150 exhibits, with full participation across the United States and several U.S. territories, as well as “businesses, innovators and civic organizations,” according to Freedom250, the White House-backed campaign that is organizing the fair in addition to other semiquincentennial events.
“A master-planned celebration will unfold along the National Mall from the Capitol to the Washington Monument, featuring vibrant pavilions representing every U.S. state and territory,” says the White House website, adding that the beaux-arts style tents will also highlight national themes like agriculture, the arts, faith and family.
Workers started setting up the fair, in view of the U.S. Capitol, in late May.
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However, not all states are sending official government delegations to the fair. Officials in more than half a dozen states — including Connecticut, Hawaii, Illinois, Maine, Massachusetts, North Carolina, Oregon, Rhode Island and Washington — confirmed to NPR that they are not participating directly. Most cited financial considerations and a desire to prioritize celebrations in their own communities, though others voiced political concerns.
Rachel Reisner, a spokesperson for Freedom250, emphasized in an email that there is “a vast majority participating” among the states. Additionally, others are being represented by local businesses and organizations — such as two companies from North Carolina and a museum from Illinois.
“Whether represented by a governor’s office, a tourism board, or a beloved state company or organization, every community will be celebrated, and every American will see themselves in this once-in-a-generation event,” Reisner said.
The state fair is one in a series of patriotic anniversary events planned for D.C. this summer, including the UFC fight night outside the White House last Sunday and a fireworks-heavy July Fourth celebration that President Trump rebranded as a political rally in a Truth Social post on Monday.
In another post that day, Trump encouraged people to attend the kickoff to the fair on Wednesday — and, by extension, the “summer long Celebration of 250 years of American Independence.”
“We are going to have fun, and celebrate America!” he wrote.

That opening event was originally billed as a concert, though many of the performers originally attached to it — including Martina McBride, Bret Michaels, the Commodores and Young MC — have withdrawn in recent weeks. Organizers now say the kickoff will feature remarks by Trump and performances by Lee Greenwood and Christopher Macchio, musicians who have sung at Trump events before.
What to know about the fair
The fair is an all-day, rain-or-shine event. It is free and open to the public, though preregistration is encouraged.
Freedom250 is promising attendees an interactive experience at the state pavilions, from Michigan’s mechanical milking cow to Florida’s re-creation of a Spanish fort honoring explorer Juan Ponce de León.
There will also be activations by a wide range of companies, organizations and government agencies, from NASA and John Deere to Meta and the Washington Commanders.
Each of the fair’s 16 days has its own theme, including two “MAHA Mondays” and a military and veterans’ appreciation day. July Fourth is branded as the Independence Day Celebration, and the fair’s final day is billed as “The Next 250: Innovation.”
The extravaganza will span a wide swath of the National Mall, much of it already blocked off with fences and construction cranes. The fair may also impact air travel in the area.
In a press release this week, the Metropolitan Washington Airports Authority warned travelers at D.C.’s Reagan National Airport that their flights might be adjusted or delayed due to some of the America 250 celebrations — including the opening and closing days of the state fair.
“Many events will include downtown flyovers or other aerial displays such as fireworks or parachute jumps, which will affect flights periodically at Reagan National,” it said, adding that the most significant disruptions are expected on July 3 and 4.
Why some state governments aren’t participating
Nearly 10 states say they will not be spending funds or sending personnel to the D.C. fair. While all but one are led by Democratic governors, many told NPR the decision not to attend was a financial decision, not an overt political statement.
“The states were expected to fund and to staff a multi-week exhibit in Washington, D.C., which would entail getting staffers down to D.C., housing them, feeding them, and with the booths and everything … the estimated budget was at least $100,000,” said Cathryn Vaulman, a spokesperson for Connecticut Gov. Ned Lamont.
Vaulman said that money would have come out of the state’s budget for its own 250th celebrations — so leaders made a “resource-based decision” to focus on those instead. But she noted that plenty of other blue states, like New York, are still planning to staff the state fair.
Some other states estimated their costs as $100,000, though others were much higher: Sarah Hansen, director of the Maine Semiquincentennial Commission, told NPR that its cost estimates were “half a million dollars or more,” which she said was not feasible for the state, “given the federal government’s refusal to provide any funding.”
Washington Lt. Gov. Denny Heck’s office told NPR over email that the state opted out in large part because of confusion over costs.
The fair will span 10 city blocks on the National Mall for over two weeks.
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“We had heard participating states (whether that was state agencies, tourism authorities, etc.) were generally planning for their costs to be anywhere between $100k to nearly $1m,” Dallas Roberts, Heck’s chief of staff, said in the email.
Each state and territory gets about 600 square feet to build its exhibit, with no set dollar amount required to participate, according to Freedom250. It acknowledges that cost was a concern for many states, which is why some partnered with tourism bureaus and companies.
“Our ask was not your government entity must do this and give money; it was an invitation to the state to represent their culture, heritage, and landscape however they would like,” Reisner, the Freedom250 spokesperson, wrote in an email, adding that the event is funded by “both private and public dollars.”
Officials in a handful of states have been more outspoken in their criticism of how the event is being run.

Speaking to GBH News’ Boston Public Radio earlier this month, Massachusetts Gov. Maura Healey, who also opted out, said Trump “invited all the states to participate and wants to charge us to go down and put something on his exhibit.”
“It’s just ridiculous,” she added. “This is taxpayer money.”
Luke Harkins, a spokesperson for Oregon Gov. Tina Kotek, told Oregon Public Broadcasting that the state is not participating “due to both the cost of participating in the Fair and growing concerns that the event in Washington, D.C. is shaping up to be a more partisan affair than originally presented.”
Officials from different states told NPR they had different understandings of how representation from their state would work.
Jayette Bolinski, a spokesperson for the Illinois Department of Natural Resources, said the Peoria Riverfront Museum volunteered to represent the state with an “Illinois-centric pavilion” featuring a hologram of stories from over 50 residents — none of which was paid for by state funds, she stressed. Vaulman, of Connecticut, said she believes its booth will have photos and posters of some sort, while Hansen of Maine said their inquiries to Freedom250 about this “have gone unanswered.”
What else is on the anniversary agenda — and who’s planning it
Planning for national 250th anniversary events mainly falls to two main groups, which have become increasingly politicized.
In 2015, looking ahead, Congress created a nonpartisan commission to orchestrate anniversary celebrations, which in turn created a nonprofit called America250. It’s composed mostly of private citizens, along with several members of Congress and representatives from federal agencies.
America250 appears to focus mainly on getting Americans involved in celebrations at the local level, such as attending synchronized nationwide block parties. It has gathered — and recently sealed — a time capsule with contributions from every state and is hosting a July Fourth concert in Los Angeles, with tickets selling for $17.76, featuring the Smashing Pumpkins, Chris Stapleton and Queen Latifah.
Freedom250, on the other hand, emerged from a Trump 2025 executive order establishing a task force for celebrating the milestone. Critics — including progressive consumer advocacy group Public Citizen — see this group as Trump’s attempt to bypass America250 after trying unsuccessfully to pack it with loyalists.
Freedom250 describes itself as “the national, non-partisan organization leading the celebration of our Nation’s 250th birthday.” Another sign of its standing in the administration: The official White House webpage for the 250th links out to Freedom250, not America250.
The group has organized many other high-profile anniversary events, including the White House UFC event, the July Fourth rally on the Mall, a July Fourth tall ship event on the East Coast and the Freedom 250 Grand Prix of Washington, D.C., an Indycar event scheduled for the National Mall in August.
Trump’s executive order says the 250th task force must disband at the end of the year, unless he extends it. And many of the beautification projects his administration is undertaking in D.C. — from restoring fountains to installing statues to repainting the Lincoln Memorial Reflecting Pool — are tied to the anniversary but could shape the city far beyond it.
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