Lifestyle
Need a soundtrack for an L.A. stroll? There's a walking podcast for that
• In April, comedian Allan McLeod launched “Walkin’ About,” a podcast in which he and a guest stroll somewhere in the L.A. region.
• His walking companions have included actor Dan Stevens, Ed. Begley Jr. and comedian Jon Gabrus.
• Through his many adventures on foot, Mcleod has discovered that walking “can be really complex and profound.”
It’s hot when Allan McLeod and I meet up for a walk in Old Pasadena, but thankfully we’ve missed the early September heatwave that blanketed L.A. County with triple-digit temps. He’s no stranger to braving our county’s persistent heat. Since he began making his podcast, “Walkin’ About,” in April, his recording studio is often outdoors.
Even before he launched the series, walking was something McLeod was constantly thinking and talking about.
“I’m very annoying to friends and family,” he admits. “So I decided to put that energy into a podcast.”
Now in its second season, each episode features McLeod and a guest exploring a different L.A. location by foot, something he feels is both simple and profound.
McLeod takes a selfie with Sodaro at the disc golf course at Hahamongna Watershed Park. He uses selfies as cover art for each episode.
Most people might take the act of putting one foot in front of the other over and over again for granted. But for McLeod, walking enhances so many different aspects of life, creatively, mentally, physically.
“It’s great for problem-solving, for clearing your head,” he said. “It also makes me feel like I’m connecting with my community.”
Los Angeles as a whole is not exactly a city built for pedestrians. Our freeways and massive sprawl can sometimes act as a barrier to traveling by sidewalk. But McLeod is convinced that attitudes are slowly changing, and that if you look hard enough, there are communities of people all over who are enthusiastic about creating a pedestrian-friendly environment. And talking about it.
While our walk isn’t for the podcast, I’m excited to get a taste of what recording an episode of “Walkin’ About” might be like, having already powered through most of the 20 episodes available on walks of my own. We start outside Copa Vida Cafe on the corner of Raymond Avenue and Green Street. Old Pasadena is McLeod’s favorite area, given its preserved history and the fact that it just feels like it’s meant to be experienced on foot.
“[Walking is] great for problem-solving, for clearing your head. It also makes me feel like I’m connecting with my community.”
— Allan McLeod, comedian and host of “Walkin’ About”
McLeod, 44, dressed in a short-sleeve button-down shirt and a pair of Hoka Bondi 7s, spends most of our walk pointing out factoids about buildings gleaned from research he’s done ahead of time.
“I believe this is one of the first co-op buildings in California,” he says, stopping in front of the Moorish Colonial-style Castle Green apartment building that was once a long-term hotel for wealthy travelers who used Pasadena as a winter escape.
Across the street we pause at the old Spanish-style train station where major train lines like the Santa Fe used to unload passengers, including wealthy Castle Green guests. It’s now a Metro stop for the A Line heading downtown. The main depot room is a restaurant cleverly called The Luggage Room.
McLeod came up with the concept of “Walkin’ About” after meeting Harry Nelson, executive producer at Adam McKay’s production company, HyperObject Industries, at a party. McLeod was telling Nelson about a passion project he’d been working on, an audio tour guide of Old Pasadena. Nelson was intrigued. The two took the audio guide and reformatted it into “something that was a little broader, a little less site specific.”
Shadows are casts as McLeod walks and talks with Sodaro in Pasadena. Past guests have included Andy Richter and Dan Stevens.
The structure of the podcast is simple: Each episode, McLeod meets up with a guest for a walk through a different part of Los Angeles. While on foot the pair chat about subjects such as the history of the area, what they’re seeing around them or each guest’s personal relationship with walking. So far, McLeod has strolled through Barnsdall Park with Ed Begley, Jr., hiked the Arroyo Seco with actor Dan Stevens and traversed the Bunker Hill Pedway with comedian Jon Gabrus. If McLeod had a dream guest for the podcast, it’d be Rick Steves.
“He’s one of America’s greatest ambassadors,” McLeod says excitedly.
We head across Central Park and up Fair Oaks Avenue toward the One Colorado Shopping Center, stopping in front of the iPic movie theater. Here, McLeod points up to a painted sign advertising the old Clunes Theatre, which was a vaudeville venue in the early 1900s. It also showed an early screening of the 1915 controversial silent film “Birth of a Nation,” which might have led to the formation of the Pasadena chapter of the NAACP.
“There’s a tangential connection there, but I don’t know the exact story,” McLeod caveats. But it’s these kinds of facts and trivia that he likes to pepper into his walks. For him, that’s part of the fun.
A native of Alabama, McLeod has lived in Los Angeles for about 20 years, arriving as a fresh-eyed graduate of the University of Alabama in Tuscaloosa. In college, he’d taken an advanced production class led by the director Tom Cherones, who would later become his mentor.
McLeod and Sodaro on the Devil’s Gate Dam. McLeod enjoys including facts and trivia about the area he’s exploring in each “Walkin’ About” episode.
“Tom said to me, ‘You’re a writer, you should move to L.A.” recalls McLeod. “So that’s what I did. That’s all it took.”
Today he considers himself more of an actor-writer: “Acting is where I’ve had more success, professionally.” After years of doing improv comedy at Upright Citizens Brigade, McLeod has landed roles in shows like “You’re the Worst” and “Drunk History.” In the Hulu comedy series “Interior, Chinatown,” coming out in November, he plays Desk Sergeant Felix.
McLeod has a dry, slightly deadpan sense of humor and a gentle voice that can sometimes get lost in ambient traffic noise. If this were an episode of the “Walkin’ About,” we’d each have small DJI lapel mics — a tiny microphone that records audio remarkably well — clipped to our shirts.
“It’s a newish microphone technology that’s kind of amazing,” says McLeod. He wants each episode to feel as immersive as possible, which means including surrounding noise like buses honking, a busker singing in an alleyway or a volunteer asking if we have time for gay rights.
(As this is his first podcast, he admits it took some trial and error, and a lot of lost audio segments, to get the recording-while-walking rhythm down. He credits his team of editors at HyperObjects for helping in that department.)
Our final stop is the corner of East Colorado Boulevard and Raymond Avenue, across the street from another Spanish Colonial-style building. McLeod points out it’s one of the most haunted buildings in Pasadena. Supposedly it’s built on top of an old mission, which is never a good start.
Allan McLeod, right, with Sodaro, at Hahamongna Watershed Park.
“It was originally a bank, and there are stories of people dying in it — the bank manager’s daughter was found dead in the vault, a big robbery that went wrong, things like that.” Now it’s an AT&T store; there’s an escape room next door.
By the end of our time together, it’s clear just how much McLeod really does love walking. In the 50 minutes and roughly 1½ miles that we’ve spent together, I’ve learned more about Pasadena than I have in the last 10 years of living in L.A. And aside from my desperate need for air conditioning, I almost lament my need to get back in my car to head home.
Would our conversation have made for good tape? For McLeod, the key to a successful episode of “Walkin’ About” is finding guests who enjoy walking as much as he does.
“That’s the trick,” he says. “The goal is to have people talking about walking in different ways. Because the subject can be really complex and profound.”
Lifestyle
Cheddar bay biscuits, cheap margs and memories: Readers share their nostalgia for chain restaurants
Affordable, familiar and reassuring are the features that make American chain restaurants a near-ubiquitous presence throughout the country; it is almost as if they are baked into our roadside culture.
Despite well-documented financial struggles, a tough economy and shifting diet trends, these restaurants withstand time.
This series explores why these places have such strong staying power and how they stay afloat at a time of rapid change.
Read our first three pieces in this series, including how these restaurants leverage nostalgia to attract diners, how they attempt to keep costs affordable, and how social media has changed the advertising game – and become a vital key to restaurants’ success.
America’s chain restaurants are not the most glamorous places to eat. And yet, as we’ve reported, they hold a special place in many Americans’ hearts.
We asked readers what comes to mind when they think of restaurants like Olive Garden, Applebee’s or Texas Roadhouse — and you shared plenty of stories.
Not all of the respondees waxed poetic about the merit of these restaurants. David Horton, 62, from New York, for example, said: “The food is mostly frozen and only has flavor from the incredible amounts of sodium they use.”
But overwhelmingly, responses described vivid childhood memories shared in booths looking excitedly over laminated menus and the type of adolescent rites of passage that seem right at home in the parking lot of a suburban chain restaurant.
There’s a science behind why these sorts of memories have such a hold on us.

The feeling of nostalgia is linked closely to food and smell, and these restaurant chains are often where core memories – like graduation celebrations or first dates – are made.
Chelsea Reid is an associate professor at the College of Charleston who studies nostalgia. And she’s no more immune to nostalgic feelings than anyone else even though she has a better understanding of the chemistry behind the feeling.
“Even just saying Red Lobster, I can kind of picture the table and the things that we would do and the things we’d order, and my mom getting extra biscuits to take home,” she said.
A Red Lobster restaurant is seen in Fairview Heights, Ill., in 2005.
James A. Finley/AP
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James A. Finley/AP
Her nearest Red Lobster closed down, but a local farmers’ market sells a scone reminiscent of Red Lobster’s famed Cheddar Bay Biscuits – a scent she says immediately transports her back to those childhood family outings to the seafood chain.
“I can see my mom wrapping these up in a napkin and putting them in her purse for when we would be like, ‘hey, we’re hungry,’ and she pulls out a purse biscuit.”
Full disclosure: Your intrepid reporters are not without sentimentality. Before launching this project, when it was just a kernel of an idea, we talked frequently about the role these restaurants played in our own lives.
Jaclyn: I distinctly remember cramming into a booth at my local Chili’s in my hometown, Cromwell, Ct., for most birthday dinners until the age of 13 or so.
I’d be surrounded by my mom, dad and brother, and I got to pick whatever I wanted. Except I always chose the same thing: Chicken crispers with a side of fries, topping the night off with the molten lava chocolate cake we’d share as a family.
I can picture it so clearly, down to the booth we’d sit in. Now, my family is spread out. But my love for Chili’s runs deep, and I still get warm and fuzzy when I think about it.
These days, I’m in my 30s, and I need to worry about my health and getting in 10,000 steps a day. So, no, I don’t regularly go to Chili’s now.
But when I do? Those chicken crispers I had as a kid are still on the menu, and yes, I’m likely to order them today (even if on my adult tastebuds, the salt content quickly turns my mouth into the Sahara Desert).
And it’s not to celebrate my birthday. It’s because one of my best friends is telling me she’s getting a divorce over cheap, and sugary, margaritas.
Alana: When the pandemic struck in 2020 and much of the country went into lockdown, there I was mostly alone in my one bedroom apartment, staring at the walls.
After what seemed like a lifetime, I was finally able to expand my tiny COVID bubble.
One of my first “dining out” experiences during that time was in the parking lot of the Hyattsville, Md., Olive Garden where my friend and I sat in absolute glee to be reunited – not just with one another, but also the chain’s staple soup (zuppa toscana for me, please), salad and breadsticks (you can have all the breadsticks if I can have your share of the salad tomatoes).
Since then, that friend and many others have moved away – too far to meet up for a sit-down over a (mostly) hot meal at a reasonably priced restaurant in a city not famed for being cheap.
I recently revisited the Hyattsville Olive Garden for this story. And even though my life is now different, my friends have moved away, and the world has shifted, there it was, exactly the same.
And I liked it.
Many readers said that these restaurants were the type of place a family who could rarely afford to eat outside a home could treat themselves on rare occasions.
Like Julie Philip, 51, from Dunlap, Ill., who wrote: “Growing up in the 70’s and 80’s, Red Lobster was an Easter tradition. We would dress up, go to church, then drive close to an hour to Red Lobster.”

She continued, “It was one of only a few days a year that we could afford to eat at a ‘fancy restaurant.’ I remember my parents remarking that they had to spend $35 for our family of four. I no longer consider Red Lobster a ‘fancy restaurant,’ but as an adult, my family and I often still eat there at Easter. I remind my kids that we are keeping up a family tradition and I tell them stories of my childhood while eating.”
The original Applebee’s restaurant was called T.J. Applebee’s Rx for Edibles & Elixirs and it opened in Decatur, Ga., in 1980.
Applebee’s
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Applebee’s
For Sarah Duggan, an Applebee’s parking lot evokes a key memory from young adulthood.
Duggan, 32, from North Tonawanda, N.Y., wrote that every time she sees an Applebee’s, she remembers the time her friend, in an act of teenage rebellion, got her belly button pierced in the parking lot of a Long Island Applebee’s — inside the trunk of the piercer’s “salvage-title PT Cruiser.”
Duggan held the flashlight.
She wrote, “I can’t picture those sorts of college kid shenanigans happening in the parking lot of a regular Long Island diner or other independent restaurant, but it seems right that it was at Applebee’s.”
She continued, “It makes me think about how nobody, from riotous camp counselors to your spouse’s grandparents, looks or feels out of place at a chain restaurant.”

Lifestyle
New Video Shows Plane Carrying NASCAR’s Greg Biffle Exploding
NASCAR’s Gregg Biffle
Jet Turns Into Ball Of Flames …
Shocking Video Shows
Published
Brevin Renwick
Horrifying new video shows the precise moment a plane carrying NASCAR driver Greg Biffle and his family crashed and exploded in flames Thursday, killing everyone on board.
Security footage captured the corporate jet turning into a ball of fire as it crash-landed near a runway at Statesville Regional Airport in North Carolina. The aircraft was scheduled to fly to Florida, but not long after takeoff, it turned back to the airport before crashing.
As you can see from the clip, the plane was reduced to what looks like a burning oil slick with black smoke rising into the sky. All seven people on the plane died, including Biffle, his wife, Cristina and two children — Emma, 14, and Ryder, 5.
PEOPLE reported minutes before impact, Cristina sent her mom a chilling text, stating, “We’re in trouble.”
The Federal Aviation Administration is investigating the cause of the crash.
Lifestyle
President Trump to add his own name to the Kennedy Center
President Donald Trump stands in the presidential box as he visits the John F. Kennedy Center for the Performing Arts in Washington, D.C, on March 17, 2025.
Jim Watson/AFP via Getty Images
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Jim Watson/AFP via Getty Images
The John F. Kennedy Center for the Performing Arts will now have a new name — the “Trump-Kennedy Center.” White House press secretary Karoline Leavitt announced the news on social media Thursday, saying that the board of the center voted unanimously for the change, “Because of the unbelievable work President Trump has done over the last year in saving the building.”
Shortly after the announcement, Ohio Democrat Rep. Joyce Beatty, an ex-officio member of the board, refuted the claim that it was a unanimous vote. “Each time I tried to speak, I was muted,” she said in a video posted to social media. “Participants were not allowed to voice their concern.”
When asked about the call, Roma Daravi, vice president of public relations at the Kennedy Center, sent a statement reiterating the vote was unanimous: “The new Trump Kennedy Center reflects the unequivocal bipartisan support for America’s cultural center for generations to come.”
Other Democrats in Congress who are ex-officio members of the Kennedy Center Board, including Sen. Chuck Schumer and Rep. Hakeem Jeffries issued a statement stating that the president is renaming the institution “without legal authority.”
“Federal law established the Center as a memorial to President Kennedy and prohibits changing its name without Congressional action,” the statement reads.


Earlier this year, Trump installed himself as the chairman of the center, firing former president Deborah Rutter and ousting the previous board chair David Rubenstein, along with board members appointed by President Biden. He then appointed a new board, including second lady Usha Vance, White House Chief of Staff Susie Wiles, Fox News host Laura Ingraham and more.

Trump hinted at the name change earlier this month, when he took questions before becoming the first president to host the Kennedy Center Honors. He deferred to the board when asked directly about changing the name but said “we are saving the Kennedy Center.”

The president was mostly hands off with the Kennedy Center during his first term, as most presidents have been. But he’s taking a special interest in it in his second term, touring the center and promising to weed out programming he doesn’t approve of. His “One Big Beautiful Bill” included $257 million for the building’s repairs and maintenance.
Originally, it was called The National Cultural Center. In 1964, two months after President Kennedy was assassinated, President Lyndon Johnson signed legislation authorizing funds to build what would become the John F. Kennedy Center for the Performing Arts.
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