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Kacey Musgraves says a past boyfriend helped her become more accepting : Wild Card with Rachel Martin

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Kacey Musgraves says a past boyfriend helped her become more accepting : Wild Card with Rachel Martin

A note from Wild Card host Rachel Martin: I’ve been thinking a lot about authenticity lately. That word is thrown around so much right now that I’m afraid it’s losing some of its power. But regardless, we all seem to be craving it, right? Real interactions with people. Authentic connections. The rough, messy truth of things. It’s definitely one of the big reasons I started Wild Card, and it’s what I want in my own life. I want it in my relationships, but I also want it in the music, the films and the books I consume, all the things.

Every artist is after authenticity in some way, but the thing I love about Kacey Musgraves is that she just is it. From the beginning of her career, the songs she wrote were just about the life she was living and how she saw the world. She sang about falling in love with fellow country musician Ruston Kelly and getting married to him. And then later on, she sang about falling out of love with him and getting divorced. But she also sings about smoking pot and queer relationships. And she’s the kind of artist who will put a disco song on one of her albums and not give two hoots if you think she’s not country enough, thank you very much.

Musgraves is making her art her way and she’s making it for herself. That other people dig it, that’s some sort of major fringe benefit that has put her at the top of the charts and won her album of the year at the Grammys in 2019 (and it was only the fourth country album to ever get that honor). Musgraves’ latest album is Deeper Well and she’s on tour now.

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Kacey Musgraves — “Deeper Well” music video.

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This Wild Card interview has been edited for length and clarity. Host Rachel Martin asks guests randomly-selected questions from a deck of cards. Tap play above to listen to the full podcast, or read an excerpt below.

Question 1: What’s something about the place you grew up that you couldn’t wait to leave behind?

Kacey Musgraves: First of all, I’m going to say that I had a wonderful childhood, but I did grow up in a very conservative part of East Texas.

Rachel Martin: Tell me the name of the town.

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Musgraves: Golden. It’s really small. There is a post office, but there’s not a school. It’s not big enough for a school. So I think growing up there, it’s different than growing up in a city where there’s, like, a million different viewpoints and there’s a million different religions and a million different cultures and languages. There’s a lack of diversity where I grew up. And I just had this urge to see the world and travel – that’s when I started really understanding that everyone is the same, you know? And I wouldn’t have gotten that if I would have stayed there.

Martin: I get that. I came from a small town in Idaho. I totally felt that too. And I can’t figure out how I knew any different, you know? Because it was just my whole world and my family had been, like, from the same place for five, six generations.

Musgraves: Right.

Martin: Did you have family who lived in other places? Like, how did it come into your imagination that there was a different way to live?

Musgraves: I think it’s just a natural curiosity. And thinking that really anything is possible. And that I don’t have to do it the same way as everyone else.

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Question 2: Was there a bedrock truth in your life that you came to find out wasn’t true?

Musgraves: This also gets to where I grew up and preconceived notions about certain things. For instance, the acceptance of people in the queer community was kind of nonexistent where I grew up. I could count on one hand the amount of times I encountered an openly gay person. That’s not to say that I encountered people who weren’t closeted. But, there was a majority view of, “It’s Adam and Eve, not Adam and Steve.” That kind of mentality.

So I left Texas with this kind of idea that, “Well, people choose to be that way.” And when I moved to Nashville, I started making friends in that community. And I had a boyfriend at the time who did me a huge favor. He was from a completely different upbringing than me, a liberal family in upstate New York. He had a ton of gay friends and he just sat me down one day and we had a real hard and honest conversation about it.

Musgraves performs in Nashville in March.

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He was like, “Listen, you do not have the right perspective on this.” He just helped me completely open up my eyes and see and I was just like, “Damn, I’m so glad that I had the opportunity to get out of where I came from, and to have my eyes and my heart open to this really wonderful community, and they’ve made me way more well rounded.”

Martin: You talk about queer relationships in your art. I mean, that’s clearly intentional. Do you feel sort of an obligation to use your platform that way?

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Musgraves: Well, one of the best compliments that I’ve ever received in terms of my music and who I am in the world is that occasionally people will come up to me and say, “Hey, I grew up in a really small town like you did, and I’ve always loved country music, but I’ve never felt invited to that party.” Honestly, it really wasn’t about ever pushing buttons. It just was me observing what was happening around me and doing my job as a songwriter to put that in the form of a song.

And to me, country music is always about real people, real stories. And why wouldn’t it continue to evolve?

Question 3: Does time feel like a positive or negative force in your life right now?

Musgraves: Honestly, the passage of time is something that like, really f***s me up.

Martin: Really?

Musgraves: Yeah. There’s something so melancholy about it. Just seeing your grandparents get older, your parents get older, relationships changing. Looking in the mirror and seeing wrinkles that weren’t there before. It’s really trippy, like how it moves and bends.

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I’m just thankful. I’m thankful for it. I’m thankful for the time I have. And I do feel like life keeps getting better as I get older. That’s something that everyone that’s older than you tells you, and you’re like, “Yeah, whatever.” But, I do feel that.

I’m in a period of time where this chapter is not defined by anyone else but me. And I don’t know what’s going to come next. And that’s rare for me. I feel like I’m usually jumping to the next relationship because I love companionship and it’s just been really nice to like, slow down time and enjoy exactly where I’m at. And enjoy the not-knowing of what or who might be next, you know?

Martin: That’s such a lovely answer. Because it’ll come.

Kacey Musgraves’ acceptance speech after winning Album Of The Year at the 2019 GRAMMYs.

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Musgraves: Yeah, and it’s funny, even in terms of looks, you know, we see pictures of ourselves five years ago and we’re like, “Damn, I wish I would’ve known how great or how in shape I was then. I was so down on myself.”

Rachel: Kacey, we are the youngest we will ever be right now!

Musgraves: Right now! I know. I hate it. I’m just kidding. When I kick off my shows I’m like, “Hey, everybody, we’re existing right now at the same exact time on this crazy planet in the middle of this crazy universe. It’s a miracle that we are here at the same time. And this moment right now, who you’re with tonight, what you’re going through in your life, what I’m going through in my life, is never going to be the same as it is right now. So, let’s just be as present as possible.”

It’s just a nice reminder, like, let’s put our phones down. I mean, you know, take some cute pictures, get the good angles, tag me [laughs]. But let’s be present.

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Daniel Tosh Sells Lake Tahoe Estate for $10.75 Million

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Daniel Tosh Sells Lake Tahoe Estate for .75 Million

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What worked — and what didn’t — in the ‘Stranger Things’ finale

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What worked — and what didn’t — in the ‘Stranger Things’ finale

Sadie Sink as Max Mayfield.

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Yes, there are spoilers ahead for the final episode of Stranger Things

On New Year’s Eve, the very popular Netflix show Stranger Things came to an end after five seasons and almost 10 years. With actors who started as tweens now in their 20s, it was probably inevitable that the tale of a bunch of kids who fought monsters would wind down. In the two-plus-hour finale, there was a lot of preparation, then there was a final battle, and then there was a roughly 40-minute epilogue catching up with our heroes 18 months later. And how well did it all work? Let’s talk about it.

Worked: The final battle

The strongest part of the finale was the battle itself, set in the Abyss, in which the crew battled Vecna, who was inside the Mind Flayer, which is, roughly speaking, a giant spider. This meant that inside, Eleven could go one-on-one with Vecna (also known as Henry, or One, or Mr. Whatsit) while outside, her friends used their flamethrowers and guns and flares and slingshots and whatnot to take down the Mind Flayer. (You could tell that Nancy was going to be the badass of the fight as soon as you saw not only her big gun, but also her hair, which strongly evoked Ripley in the Alien movies.) And of course, Joyce took off Vecna’s head with an axe while everybody remembered all the people Vecna has killed who they cared about. Pretty good fight!

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Did not work: Too much talking before the fight

As the group prepared to fight Vecna, we watched one scene where the music swelled as Hopper poured out his feelings to Eleven about how she deserved to live and shouldn’t sacrifice herself. Roughly 15 minutes later, the music swelled for a very similarly blocked and shot scene in which Eleven poured out her feelings to Hopper about why she wanted to sacrifice herself. Generally, two monologues are less interesting than a conversation would be. Elsewhere, Jonathan and Steve had a talk that didn’t add much, and Will and Mike had a talk that didn’t add much (after Will’s coming-out scene in the previous episode), both while preparing to fight a giant monster. It’s not that there’s a right or wrong length for a finale like this, but telling us things we already know tends to slow down the action for no reason. Not every dynamic needed a button on it.

Worked: Dungeons & Dragons bringing the group together

It was perhaps inevitable that we would end with a game of D&D, just as we began. But now, these kids are feeling the distance between who they are now and who they were when they used to play together. The fact that they still enjoy each other’s company so much, even when there are no world-shattering stakes, is what makes them seem the most at peace, more than a celebratory graduation. And passing the game off to Holly and her friends, including the now-included Derek, was a very nice touch.

Charlie Heaton as Jonathan Byers, Natalia Dyer as Nancy Wheeler, Maya Hawke as Robin Buckley, and Joe Keery as Steve Harrington holding up drinks to toast.

Charlie Heaton as Jonathan Byers, Natalia Dyer as Nancy Wheeler, Maya Hawke as Robin Buckley, and Joe Keery as Steve Harrington.

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Did not work: Dr. Kay, played by Linda Hamilton

It seemed very exciting that Stranger Things was going to have Linda Hamilton, actual ’80s action icon, on hand this season playing Dr. Kay, the evil military scientist who wanted to capture and kill Eleven at any cost. But she got very little to do, and the resolution to her story was baffling. After the final battle, after the Upside Down is destroyed, she believes Eleven to be dead. But … then what happened? She let them all call taxis home, including Hopper, who killed a whole bunch of soldiers? Including all the kids who now know all about her and everything she did? All the kids who ventured into the Abyss are going to be left alone? Perfect logic is certainly not anybody’s expectation, but when you end a sequence with your entire group of heroes at the mercy of a band of violent goons, it would be nice to say something about how they ended up not at the mercy of said goons.

Worked: Needle drops

Listen, it’s not easy to get one Prince song for your show, let alone two: “Purple Rain” and “When Doves Cry.” When the Duffer Brothers say they needed something epic, and these songs feel epic, they are not wrong. There continues to be a heft to the Purple Rain album that helps to lend some heft to a story like this, particularly given the period setting. “Landslide” was a little cheesy as the lead-in to the epilogue, but … the epilogue was honestly pretty cheesy, so perhaps that’s appropriate.

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Did not work: The non-ending

As to whether Eleven really died or is really just backpacking in a foreign country where no one can find her, the Duffer Brothers, who created the show, have been very clear that the ending is left up to you. You can think she’s dead, or you can think she’s alive; they have intentionally not given the answer. It’s possible to write ambiguous endings that work really well, but this one felt like a cop-out, an attempt to have it both ways. There’s also a real danger in expanding characters’ supernatural powers to the point where they can make anything seem like anything, so maybe much of what you saw never happened. After all, if you don’t know that did happen, how much else might not have happened?

This piece also appears in NPR’s Pop Culture Happy Hour newsletter. Sign up for the newsletter so you don’t miss the next one, plus get weekly recommendations about what’s making us happy.

Listen to Pop Culture Happy Hour on Apple Podcasts and Spotify.

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The Best of BoF 2025: Conglomerates, Controversy and Consolidation

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The Best of BoF 2025: Conglomerates, Controversy and Consolidation
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