Lifestyle
Jon Stewart doesn't feel vindicated bringing 'The Daily Show' to a Harris-led DNC
Jon Stewart returned to The Daily Show in February, hosting once per week.
Matt Wilson/Comedy Central
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Matt Wilson/Comedy Central
The NPR Network will be reporting live from Chicago throughout the week bringing you the latest on the Democratic National Convention.
In a way, this week’s Democratic National Convention in Chicago might be the event that Jon Stewart predicted six months ago – or at least, hinted at with a wink and a few devastating one liners.
That’s when Stewart kicked off his current stint at The Daily Show, hosting once per week after nearly nine years away. During his first episode in February, he asked questions and poked fun at President Joe Biden’s persistent public flubs amid questions about his age.
Stewart joked about former president Donald Trump’s age too, noting that he and Biden “are the oldest people ever to run for president, breaking by only four years the record that THEY SET THE LAST TIME THEY RAN!” But his words about Biden brought rebukes back then from liberals like the former president’s niece Mary Trump, Keith Olbermann and hosts on The View.
Still, even though Biden now has left the presidential race to make way for younger Vice President Kamala Harris, Stewart says he’s not feeling particularly vindicated or prescient.

“The whole gig is to not allow the noise of the crowd or the pressure of what you might imagine the reaction to something, to sway that kind of internal barometer that we’ve developed at the show of what’s salient, what’s absurd, what’s jumping out at you,” Stewart said in an interview before the DNC began.
It’s a job that’s taken on even larger proportions this week, as The Daily Show presents episodes filmed before an audience of more than 800 people in Chicago at the convention — featuring a different correspondent hosting every night. It all culminates with a live show hosted by Stewart on Thursday.
Stewart and executive producer/showrunner Jennifer Flanz sat down to talk about The Daily Show at an important time for the program. The show and its offshoots earned a total seven Emmy nominations this year for a season where they welcomed a succession of guest hosts — from Leslie Jones and Sarah Silverman to Charlamagne tha God and Michelle Wolf – before settling into the current pattern of Stewart hosting once a week and the correspondents taking over the other nights.
Flanz, who started working on The Daily Show before Stewart did – starting as a production assistant in 1998 – said it was probably necessary for the show to have the experience of supporting many different hosts first, so they could make the current iteration work well.
“I do think this is the best version of the show that we could make,” added Flanz, noting it is too early to know if that means the show will delay or suspend seeking a permanent full-time host.
Jennifer Flanz at the 2018 Tribeca Film Festival.
Andrew Toth/Getty Images
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Andrew Toth/Getty Images
Stewart, who seems recovered from a bout with COVID that kept him from hosting a few weeks back, says he hasn’t yet decided if he will keep going after the presidential election in November. Right now, the comic says he’s mostly hoping to encourage correspondents like Michael Kosta, Desi Lydic, Jordan Klepper and Ronny Chieng, who have grown into their roles as hosts.
Our conversation has been edited for length and clarity.
We saw you guys decide not to bring the show [to the RNC] because of security reasons. What’s different that’s allowed you to go ahead with shows at the DNC?
Jennifer Flanz: [At the RNC] we had built a set and we were ready to go. And then the assassination attempt against Trump happened and the whole city felt like it was on lockdown. And we were like, ‘How are we supposed to get an audience?’ Getting the audience into the theater felt like it was going to be very hard. It just felt like, in order to make sure we could get shows on, we should go back to the studio … [At the DNC] we are, at least, very far from the convention center. Our theater is very far from where the security is.
I can imagine for journalists what the value is in going to the actual place … But can you talk a little bit about why it makes sense for you guys to have the whole [show] move to the DNC as opposed to just sending some of the correspondents?
Jon Stewart: A lot of it is Comedy Central just trying to burn off airline miles [laughs]. I can tell you, some of the best material that we’ve gotten over the years has been at the conventions. And Jen and I have been doing this since 2000 … getting the correspondents on the floor, interacting at the convention center … John Oliver wouldn’t even have met his wife if we had not gone there.
Flanz: He made a love connection at the convention. [Famously, Oliver’s now wife Kate Norley, met him while helping the comic hide from security at the 2008 RNC while he was working for The Daily Show.]
Stewart: It adds a level of urgency and immediacy to the comedy that you wouldn’t get standing in front of a green screen … And we’ve done that, too.
Flanz: We also have the ability to have multiple correspondents doing a piece together … So it feels like you’re in the news rather than just making fun of it.
Jon, on the nights that you’re not hosting [at the DNC], will you also be helping out?
Stewart: I think my job at some level has become like an old man [in the] corner trying to … let everybody know like, ‘Hey, don’t don’t feel the pressure of this, or don’t stress too much about that. Like, you guys know what you’re doing.’ And that’s been the most impressive thing to me, is watching … Jordan and Desi, Michael and Ronny as they kind of accelerate their growth as hosts as well.
Flanz: I think Jon gets them a lot of confidence … in believing in their own opinion and getting out there. And it’s okay to say things that you want to say, but also not say everything if you don’t feel like saying it.
Stewart: Well, that’s the biggest thing.
Flanz: You don’t have to comment on everything.
Stewart: Sometimes there’s this sense of, ‘Oh, we have to go out there with a profound commentary on there.’ And it’s like, no, actually.
That was one of the toughest things about the show, is that it had created this expectation that whenever there was tragedy or something devastating, that we were going to have to go out there and contextualize it in a way that, you know, eases the burden for people.
When you returned to the show, your first commentary was about Joe Biden and Trump and age. How do you feel now that we’ve reached this point where [Biden] had to leave the race? Do you feel at all vindicated?
Stewart: You know, I don’t know that I would ever look at it as vindicated … That’s kind of the whole gig, is to not allow the noise of the crowd … to sway that kind of internal barometer that we’ve developed at the show of what’s salient, what’s absurd, what’s jumping out at [us]. How can I articulate this, you know, elephant in the room that I’m seeing … how do we frame it and how do we present it in a way that doesn’t take it out of context, but allows people to see it clearly, laugh at its absurdity and digest it?
When we first got in there, my first thing was like, ‘Hey Jen, why don’t we do this: Israel/Palestine, first episode.’ And Jen was like…that might be kind of a very narrow swing. Why don’t we step back a bit? We’ve got our Indecision [election] coverage – why don’t we set the parameters for the race?
Flanz: We hadn’t been on the air for over two months…When we found out Jon was coming back, we just needed to set up for the audience, what are we working with here and what is this year going to look like for The Daily Show? That was [Stewart’s return episode], which set up a lot of criticism from all sides…[people] saying Jon’s more liberal, Jon’s more conservative…but we’ve always been this way…If Jon or Desi or Michael and the hosts aren’t saying exactly what the audience wants to hear and feel…they’re never going to be satisfied.
You know, I interviewed Dulce Sloan some time ago, and she said when she heard that Jon was coming to the show, she just felt like, ‘Okay, now we won’t get canceled.’ … I’m wondering if there was a sense of that, too, in what’s happened here – that the show needed a little help and Jon was able to come back.
Flanz: I wasn’t afraid we were getting canceled … [But] we were in this place where we didn’t know what was going to happen with the show. And had been pitching a bunch of concepts and ideas. So Jon walking into the studio, people were so happy …the relief of like, ‘Oh, that’s the next chapter.’
Stewart: The difficulty for the show is that they’ve been doing a point of view show … a machine built for a perspective. And they’ve been doing it through the eyes of guest hosts, different celebrities, which might be one of the hardest things to pull off. Now they get to refocus on the show’s point of view, because the [correspondent] hosts are steeped in that culture. They know the machine.
So when [your return] was announced, of course, we were told you were going to do it at least until the election. Do you know if you’re going to keep doing it after?
Stewart: I do not. But, you know, I think right now we’re just sort of in the middle of everything that we’re doing. And when we get through it, I think Jen and I’ll probably sit down and talk about next steps.
Flanz: We’re a daily show. We barely think a day or two in advance.
Stewart: [November] just seems ages away.
Are you in a situation where The Daily Show doesn’t need a permanent host?
Stewart: It’s not so much about a permanent host. It’s about, is there an organic transference to this one individual? I feel like the show’s clicking, whatever that means. There’s always a tendency to look at, ‘What’s the next iteration?’ But we’re iterating that right now.
Flanz: It’s fun and I think we’re making great shows. For people who are on social media all the time, which is a lot of our audience, seeing different faces and hearing different voices is cool for them and exciting. I know there is a standard in late night, which is one host. But we’re breaking that, and it’s working. So who knows? Let’s see if we can get through the [DNC] week.
Lifestyle
Mundane, magic, maybe both — a new book explores ‘The Writer’s Room’
There’s a three-story house in Baltimore that looks a bit imposing. You walk up the stone steps before even getting up to the porch, and then you enter the door and you’re greeted with a glass case of literary awards. It’s The Clifton House, formerly home of Lucille Clifton.
The National Book Award-winning poet lived there with her husband, Fred, starting in 1967 until the bank foreclosed on the house in 1980. Clifton’s daughter, Sidney Clifton, has since revived the house and turned it into a cultural hub, hosting artists, readings, workshops and more. But even during a February visit, in the mid-afternoon with no organized events on, the house feels full.
The corner of Lucille Clifton’s bedroom, where she would wake up and write in the mornings
Andrew Limbong/NPR
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Andrew Limbong/NPR
“There’s a presence here,” Clifton House Executive Director Joël Díaz told me. “There’s a presence here that sits at attention.”
Sometimes, rooms where famous writers worked can be places of ineffable magic. Other times, they can just be rooms.
Princeton University Press
Katie da Cunha Lewin is the author of the new book, The Writer’s Room: The Hidden Worlds That Shape the Books We Love, which explores the appeal of these rooms. Lewin is a big Virginia Woolf fan, and the very first place Lewin visited working on the book was Monk’s House — Woolf’s summer home in Sussex, England. On the way there, there were dreams of seeing Woolf’s desk, of retracing Woolf’s steps and imagining what her creative process would feel like. It turned out to be a bit of a disappointment for Lewin — everything interesting was behind glass, she said. Still, in the book Lewin writes about how she took a picture of the room and saved it on her phone, going back to check it and re-check it, “in the hope it would allow me some of its magic.”
Let’s be real, writing is a little boring. Unlike a band on fire in the recording studio, or a painter possessed in their studio, the visual image of a writer sitting at a desk click-clacking away at a keyboard or scribbling on a piece of paper isn’t particularly exciting. And yet, the myth of the writer’s room continues to enrapture us. You can head to Massachusetts to see where Louisa May Alcott wrote Little Women. Or go down to Florida to visit the home of Zora Neale Hurston. Or book a stay at the Scott & Zelda Fitzgerald Museum in Alabama, where the famous couple lived for a time. But what, exactly, is the draw?

Lewin said in an interview that whenever she was at a book event or an author reading, an audience question about the writer’s writing space came up. And yes, some of this is basic fan-driven curiosity. But also “it started to occur to me that it was a central mystery about writing, as if writing is a magic thing that just happens rather than actually labor,” she said.
In a lot of ways, the book is a debunking of the myths we’re presented about writers in their rooms. She writes about the types of writers who couldn’t lock themselves in an office for hours on end, and instead had to find moments in-between to work on their art. She covers the writers who make a big show of their rooms, as a way to seem more writerly. She writes about writers who have had their homes and rooms preserved, versus the ones whose rooms have been lost to time and new real estate developments. The central argument of the book is that there is no magic formula to writing — that there is no daily to-do list to follow, no just-right office chair to buy in order to become a writer. You just have to write.
Lifestyle
Bruce Johnston Retiring From The Beach Boys After 61 Years
Bruce Johnston
I’m Riding My Last Wave With The Beach Boys
Published
Bruce Johnston is riding off into the California sunset … at least for now.
The Beach Boys legend announced Wednesday he’s stepping away from touring after six decades with the iconic band. The 83-year-old revealed in a statement to Rolling Stone he’s hanging up his touring hat to focus on what he calls part three of his long music career.
“It’s time for Part Three of my lengthy musical career!” Johnston said. “I can write songs forever, and wait until you hear what’s coming!!! As my major talent beyond singing is songwriting, now is the time to get serious again.”
Johnston famously stepped in for co-founder Brian Wilson in 1965 for live performances, becoming a staple of the Beach Boys’ touring lineup ever since. Now, he says he’s shifting gears toward songwriting and even some speaking engagements … with occasional touring member John Stamos helping him craft what he’ll talk about onstage.
“I might even sing ‘Disney Girls’ & ‘I Write The Songs!!’” he teased.
But don’t call it a full-on farewell tour just yet. Johnston made it clear he’s not shutting the door completely, saying he’s excited to reunite with the band for special occasions, including their upcoming July 2-4 shows at the Hollywood Bowl as part of the Beach Boys’ 2026 tour. The run celebrates both the 60th anniversary of “Pet Sounds” and America’s 250th birthday.
“This isn’t goodbye, it’s see you soon,” he wrote. “I am forever grateful to be a part of the Beach Boys musical legacy.”
Lifestyle
On the brink of death, a woman is saved by a stranger and his family
In 1982, Jean Muenchrath was injured in a mountaineering accident and on the brink of death when a stranger and his family went out of their way to save her life.
Jean Muenchrath
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Jean Muenchrath
In early May 1982, Jean Muenchrath and her boyfriend set out on a mountaineering trip in the Sierra Nevada, a mountain range in California. They had done many backcountry trips in the area before, so the terrain was somewhat familiar to both of them. But after they reached one of the summits, a violent storm swept in. It began to snow heavily, and soon the pair was engulfed in a blizzard, with thunder and lightning reverberating around them.
“Getting struck and killed by lightning was a real possibility since we were the highest thing around for miles and lightning was striking all around us,” Muenchrath said.
To reach safer ground, they decided to abandon their plan of taking a trail back. Instead, using their ice axes, they climbed down the face of the mountain through steep and icy snow chutes.
They were both skilled at this type of descent, but at one particularly difficult part of the route, Muenchrath slipped and tumbled over 100 feet down the rocky mountain face. She barely survived the fall and suffered life-threatening injuries.

This was before cellular or satellite phones, so calling for help wasn’t an option. The couple was forced to hike through deep snow back to the trailhead. Once they arrived, Muenchrath collapsed in the parking lot. It had been five days since she’d fallen.
”My clothes were bloody. I had multiple fractures in my spine and pelvis, a head injury and gangrene from a deep wound,” Muenchrath said.
Not long after they reached the trailhead parking lot, a car pulled in. A man was driving, with his wife in the passenger seat and their baby in the back. As soon as the man saw Muenchrath’s condition, he ran over to help.
”He gently stroked my head, and he held my face [and] reassured me by saying something like, ‘You’re going to be OK now. I’ll be right back to get you,’” Muenchrath remembered.
For the first time in days, her panic began to lift.
“My unsung hero gave me hope that I’d reach a hospital and I’d survive. He took away my fears.”
Within a few minutes, the man had unpacked his car. His wife agreed to stay back in the parking lot with their baby in order to make room for Muenchrath, her boyfriend and their backpacks.
The man drove them to a nearby town so that the couple could get medical treatment.
“I remember looking into the eyes of my unsung hero as he carried me into the emergency room in Lone Pine, California. I was so weak, I couldn’t find the words to express the gratitude I felt in my heart.”

The gratitude she felt that day only grew. Now, nearly 45 years later, she still thinks about the man and his family.
”He gave me the gift of allowing me to live my life and my dreams,” Muenchrath said.
At some point along the way, the man gave Muenchrath his contact information. But in the chaos of the day, she lost it and has never been able to find him.
”If I knew where my unsung hero was today, I would fly across the country to meet him again. I’d hug him, buy him a meal and tell him how much he continues to mean to me by saving my life. Wherever you are, I say thank you from the depths of my being.”
My Unsung Hero is also a podcast — new episodes are released every Tuesday. To share the story of your unsung hero with the Hidden Brain team, record a voice memo on your phone and send it to myunsunghero@hiddenbrain.org.
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