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Jeff VanderMeer painted a grotesque picture of climate change. Now he’s back for more

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Jeff VanderMeer painted a grotesque picture of climate change. Now he’s back for more

You know how in the Star Wars prequels, you learn how midi-chlorians sort of explain Jedi powers? Or how The Silmarillion explained all the history and lore of the Lord of the Rings trilogy? Don’t expect those types of concrete answers from the new novel Absolution.

“I’ve never really been into the idea of ‘lore,’” said author Jeff VanderMeer in an interview.

Absolution is the follow-up to VanderMeer’s wildly popular 2014 Southern Reach trilogy. Starting with Annihilation, the books told the story of Area X — a bit of land cut off from the rest of the continent, where nature has taken over. It’s lush with vegetation and wildlife, and it’d be beautiful except that weird and bad things tend to happen to people who enter. They get sick. They die. Or, they turn into creepy crawly creatures.

The atmospheric novels got rave reviews. Annihilation was adapted into a movie by director Alex Garland. And VanderMeer became a poster child for weird horror fiction that dealt directly with climate change. The new book, Absolution, with its eerie alligator experiments and grotesque depictions of skin suits, won’t change that. But VanderMeer isn’t too keen on being labeled a “climate-fiction” writer. “It’s hard for me to see climate fiction as a speculative endeavor,” he said. “It seems useful to try to avoid that categorization to some degree so that people can see novels for the totality of what they are.”

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In the original trilogy, the Southern Reach is the government agency tasked with exploring Area X. It’s probably not a major spoiler to say that it doesn’t go well. And you find out that the Southern Reach is a bit of a mess. Actually, VanderMeer says a lot of his writing is about systems and institutions going haywire. He traces his interest in the theme back to an old day job doing software implementation, working for “a lot of companies that were like Lord of the Flies with middle management. And then dealing with government agencies, seeing just how ritualistic they were.”

It’s easy to make the allegorical jump from the Southern Reach trilogy to our institutional problems in dealing with (and causing) climate change. A bunch of critics and academics did. “It’s certainly thinking a lot about toxicity, forms of pollution, contamination and mutations,” said Alison Sperling, assistant professor of English at Florida State University. Sperling specializes in environmental fiction and has seen the field try and grapple with the utility of climate fiction. She often sees the question, “Can climate fiction save the planet?” And while she gets the motive, it’s not the right question for her.

“Weird fiction and weird eco-fiction, like [VanderMeer’s] kind of quite explicitly refuses to offer certain forms of answers or certain ways we’re supposed to respond. It serves as a refusal of that,” Sperling said.

Absolution continues to refuse to offer any answers. You obviously don’t get to the end of the book and suddenly realize the solution to climate change. You barely even get any answers to “What the heck is Area X, anyway?” But the answers aren’t the point. It’s how terrifying the questions are.

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‘How to Rule the World’ explores education and power at Stanford University

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‘How to Rule the World’ explores education and power at Stanford University

Students walk on the Stanford University campus on March 14, 2019, in Stanford, Calif.

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When Theo Baker arrived at Stanford University a few years ago, he joined the student newspaper, following the path of his journalist parents, Peter Baker, a White House correspondent for The New York Times, and Susan Glasser, a writer for The New Yorker.

Through his reporting as a student journalist, he eventually broke a story about manipulated data in Stanford President Marc Tessier-Lavigne’s neuroscience research that helped lead to the university president’s resignation.

Theo Baker’s book, How to Rule the World: An Education in Power at Stanford University was released May 19. In it, Baker describes Stanford as a place where proximity to Silicon Valley gives rise to a parallel system of influence, recruitment and money, with investors looking to identify promising students almost as soon as they arrive on campus.

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He told Morning Edition host Steve Inskeep there was “a sort of Stanford inside Stanford,” where elite students are drawn into an “alternate reality” of excess and access to cut corners.

In the interview, he discusses how Stanford is not just a university but also a pipeline where status and power can matter as much as ideas.

We reached out to Stanford University for comment and have not heard back.

Listen to the interview by clicking play on the blue box above.

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OTB Takes Full Control of Viktor & Rolf

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OTB Takes Full Control of Viktor & Rolf
The Italian fashion group behind Diesel and Maison Margiela is taking full ownership of the avant-garde haute couture house, acquiring the remaining 30 percent it didn’t already own. Founders Viktor Horsting and Rolf Snoeren remain creative directors.
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How having zero points in tennis — or ‘love’ — came to sound so sweet

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How having zero points in tennis — or ‘love’ — came to sound so sweet

The scoreboard shows the results of the women’s singles final match between Iga Swiatek of Poland and Amanda Anisimova of the U.S. at the Wimbledon Tennis Championships in London, Saturday, July 12, 2025.

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Kirsty Wigglesworth/AP

Fifteen points in tennis? Nice. Thirty, 40 — even better. Advantage — that sounds good. “Love” — that also must be great, right? Well, not quite.

As the French Open rolls on and Serena Williams has announced her return to the sport, maybe you’ve been paying a little more attention to tennis. The sport’s scoring system is notably distinct, and can sometimes be hard to grasp for newcomers. But even tennis aficionados might not know why, or how, “love” became the unmistakable callout for zero points. For this installment of NPR’s Word of the Week, we’re exploring how a word that signifies trailing behind got such a sweet name.

“Love” comes from the heart — or an egg?

It’s hard to pinpoint when the first tennis ball went over the net. Tennis is a derivative of lots of other sports, such as “jeu de paume,” a handball game played in France, said JT Buzanga, the collections manager at the International Tennis Hall of Fame museum.

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But tennis became a patented, official sport in 1874, said Steve Flink, a journalist whose tennis coverage got him inducted into the International Tennis Hall of Fame. It has retained its unique, mysterious scoring system ever since.

“By and large, the original system has held up almost entirely,” Flink said.

The use of “love” goes back to the late 18th century, said Jesse Sheidlower, a lexicographer. But it was used earlier than that in card games such as whist and bridge. Before the term made its way to tennis, the sport favored plain old “nothing,” or “nil,” he said.

Why love in the first place, though? Historians don’t really know for sure, but there are a few theories.

The French could have something to do with it. Some historians believe “love” derives from “l’oeuf,” which means “the egg” in French. Because eggs are shaped like zeros, terms such as “goose egg” and “duck’s egg” have been used in other contexts to mean zero, Sheidlower said.

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It’s also possible English speakers mispronounced l’oeuf as “love.” But Sheidlower isn’t convinced that’s the answer.

“It’s the French equivalent of an English expression. But since that expression doesn’t appear in French, the French word wouldn’t have been used,” he said.

To be sure, France has had a lot of influence on tennis culture, Buzanga said. For example, “deuce” or a game tied at 40 points, comes from the French word for “two”: “deux.” But he prefers another prominent theory: that “love” comes from the idiom “for the love of the game.” Even if a player hasn’t scored, it doesn’t matter, because their heart is in it. It’s the theory Sheidlower said is the most plausible, because the idiom was used by the English before tennis was popularized.

Another variation of the “love of the game” theory is that the word could have come from the Dutch “lof,” or “honor” — or the Latin “amare,” meaning “to love,” Flink said.

But if tennis’ “love” doesn’t come from a French word, the theory at least has a French sensibility.

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“I think the ‘for the love of the game’ is kind of romantic,” Buzanga said.

“Love” probably isn’t going anywhere

Tennis used to be a sport of leisure. The style of play has changed a lot over the years; players are more athletic and competitive, for instance, Flink said. But the rules of the sport are more steadfast, he said.

“There’s this incredible, enduring respect for tradition in tennis,” he said. “Changes are not made easily.”

There has been one major change in modern history: the tie-break. Matches can go on and on because players have to score two consecutive points to break a deuce, or by two games to break a tied set. But the onset of television meant matches would have to get shorter if the sport wanted to capture a larger audience, Flink said.

Change even came for “love.” An alternative sprouted up in the 1970s, and is still used today: “bagel,” named for its zero shape, Sheidlower said. Novices may say “zero,” and insiders will understand what they mean, but they “will needle them about it,” Flink said.

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But “love” still prevails.

“People kind of like it,” Flink said. “It’s different. Why say zero when you can say love?”

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