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Jann Wenner Wants to Reveal It All

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Jann Wenner Wants to Reveal It All

MONTAUK, N.Y. — Rock could also be useless, however Jann Wenner continues to be rolling.

The founding father of Rolling Stone journal all the time had a child face, however he was by no means timid. His personal mom instructed him he was essentially the most troublesome little one she’d ever encountered. He edited tales with a crimson pen. He gave out roach clips with subscriptions. He turned a darkroom into an in-house drug-dealing operation known as the Capri Lounge, as a perk for staffers.

“Greater than anybody I do know, he’s all the time simply accomplished what he needed,” stated his buddy Lorne Michaels, the creator of “Saturday Evening Stay.”

When it suited him, Mr. Wenner was a tyrant.

“I wasn’t raving round tearing up folks’s copy,” he stated, wanting relaxed in a blue linen shirt and black pants at his Montauk house in August. “However I simply wouldn’t take lower than your actually greatest effort. I used to be powerful, however I used to be additionally super-indulgent. I believed in writers.”

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Hunter S. Thompson as soon as wrote Mr. Wenner a letter about how working for Rolling Stone was “like being invited right into a bonfire and discovering out the fireplace is definitely your buddy.” He added, “Some folks have been fried to cinders, as I recall, and a few folks used the warmth to transmogrify themselves into heroes.”

That wild power is how, in 1967 when he was a 21-year-old enfant horrible, he created {a magazine} that chronicled a era, serving up a flambé of music, medicine, alcohol, intercourse and politics. It was, to make use of a Wenner phrase, “a king hell spectacle.”

Boomers could also be a punchline now, however again then, they have been groovy. Ralph Gleason, a founding editor of Rolling Stone, wrote that the journal was predicated on the concept nice musicians have been “the true shamans,” and that music was the glue that saved younger folks within the Sixties and Seventies from falling aside “within the face of unimaginable grownup blindness, and ignorance and evilness.”

“I’m sorry to see it go,” Mr. Wenner stated about rock ’n’ roll. “It’s not coming again. It’ll find yourself like jazz.”

Now 76, he has written a memoir (“Like a Rolling Stone,” out on Sept. 13) brimming with juicy anecdotes about friendships and feuds with the gods of the golden age of rock. He additionally dishes on the inimitable writers he nurtured on the journal, like Mr. Thompson, the avatar of gonzo journalism, and Tom Wolfe, a bespoke surprise in white among the many shaggy hippies. Mr. Wenner additionally supplies an intimate — she might imagine too intimate — take a look at Annie Leibovitz, the photographer who began her profession at Rolling Stone and who took the moody cowl shot of Mr. Wenner for the brand new autobiography.

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Credit score…Little, Brown and Firm

Mr. Wenner virtually died in 2017, after he broke his femur in a fall when he was displaying his son Noah easy methods to enhance his tennis serve and had a coronary heart assault that required open-heart surgical procedure. He had to surrender his daredevil habits of snowboarding, bike using and chain-smoking Marlboros. He stated he had stopped doing coke lengthy earlier than, labeling it the “nefarious drug.”

However even sitting quietly together with his cane at his facet, consuming a bowl of cherries, he nonetheless has one thing of the whirlwind about him. Trying a bit chagrined, he confessed that he loved a little bit of LSD a month in the past on the seashore, listening to Bruce Springsteen, U2, Dire Straits and Bob Dylan. “Unbelievable,” he stated.

“Pot is simply too troublesome on my throat to smoke, and edibles final too lengthy,” he stated. “Coke is enjoyable for events however then it’s ineffective.”

He had simply gotten again from taking his household on a safari with the household of Bette Midler, one among his favourite touring companions, who says she finds him “peculiarly optimistic, even within the darkest of his days.”

We had lunch by the ocean on the deck of Mr. Wenner’s spectacular trendy house, that includes a basketball court docket, swimming pool, tomato backyard, a sculpture of an enormous metallic head mendacity on its facet and Ralph Lauren and Invoice O’Reilly as neighbors. We ate gazpacho with caviar and roasted Montauk black sea bass, ready by his chef, and drank rosé. The music on faucet was nuevo flamenco.

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Mr. Wenner lives right here in Montauk — and generally in Manhattan and Solar Valley, Idaho — together with his husband, Matt Nye, a good-looking designer who has labored at Ralph Lauren and Calvin Klein, and their three youngsters. His ex-wife, Jane, with whom he has three grown sons — their names are engraved on a silver ID bracelet he’s carrying — has a home close by.

One of many authentic staffers at Rolling Stone, the attractive and trendy Jane was instrumental in serving to Mr. Wenner get his journal off the bottom (her mother and father gave him cash to get began). She was his muse and charmed the folks he wanted, appearing as “an ethereal housemother.” Gus Wenner, Jann and Jane’s youngest son, is now the C.E.O. of the Jann-less Rolling Stone.

Mr. Wenner determined to put in writing his personal memoir after he first labored carefully with, after which grew disenchanted with, Joe Hagan, who wrote a biography of the editor in 2017 known as “Sticky Fingers.”

The New York Instances known as it “a supple, assured, dispassionately reported and deeply well-written biography.” Mr. Wenner disagrees.

“I made a horrible selection of a author, who turned out to be a gossip reporter greater than a very cautious in-depth author,” Mr. Wenner stated. “I gave him this nice alternative to have a look at my archives, however he was too within the sensational gossip stuff.”

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Mr. Hagan responded to this in an e mail: “I nonetheless have an affection for Jann and I’m flattered that I might encourage him to put in writing his personal guide, even when he fails to credit score me. Whereas his ‘gossip’ feedback are hilarious coming from the previous writer of Us Weekly, I additionally discover it unhappy how blind he’s to the journalistic ambition of my guide, which was an homage to the fashion and spirit of Rolling Stone at its greatest — Jann’s true legacy.”

Mr. Wenner grew up within the rural suburbs of San Rafael, Calif., the son of former army officers who began a child formulation firm. He preferred to sing songs from Gilbert and Sullivan operettas.

By sixth grade, he was already the editor and writer of The Weekly Trumpet. As a freshman at Berkeley, he was ripping wire copy for Chet Huntley and David Brinkley on the 1964 Republican Nationwide Conference in San Francisco, the place Barry Goldwater turned the nominee.

Working Rolling Stone required particular abilities. Mr. Wenner needed to mould the copy into one thing readable after drug-fueled interviews, just like the one he did with Jimi Hendrix. And he needed to edit the work of Mr. Thompson, who cherished his cocaine and whose workplace provides included Wild Turkey and beer on faucet, and an air horn.

Mr. Thompson’s first dispatch from D.C., when he coated George McGovern’s 1972 marketing campaign, started like this: “I really feel the worry approaching, and the one remedy for that’s to chew up a fats black wad of blood-opium concerning the measurement of a younger meatball.”

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Cameron Crowe, the moviemaker, was 15 when he started writing for the journal. He stated Mr. Wenner’s secret was that “he saved it private,” constructing “a household out of geeky music lovers, hopeful upstarts, gunslinger professionals.”

Mr. Wenner recounts in the future early within the journal when Mick Jagger stopped by for blow and a protracted go to. On one other, Ms. Leibovitz dropped three giant rocks of coke on his desk as “a present from Keith for you.”

“Cocaine had a stranglehold on the music enterprise,” Mr. Wenner writes within the memoir. “Medicine have been the coin of the realm, enabling unhealthy habits, unhealthy relationships, and lapses of judgment throughout.”

Dinner events might need silver trays of neatly organized strains of coke handed round each half-hour. When John Belushi fell off a stage doing his samurai skit and ended up within the hospital, together with his leg in a solid suspended by wires, he mischievously pulled out a vial of coke hidden within the solid to point out his buddy Jann.

Battle-of-interest guidelines on the journal have been blurry. Mr. Wenner turned quick associates with Mick Jagger. Mr. Jagger, who, in keeping with Rolling Stone’s rely, has been on the duvet 21 instances, topped solely by Paul McCartney with 24, agreed to finance a British model of the journal, which shortly tanked.

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When Mr. Jagger put out a solo album with Wyclef Jean known as “Goddess within the Doorway” in 2001, Mr. Wenner watched them at a recording session producing what he thought-about a “bewitching” sound — “particularly after slightly pot” — after which reviewed it for the journal. When the file assessment editor put 4 stars on the assessment, Mr. Wenner added an extra star.

“There was some snickering about being on Mick’s leash,” he writes, “however so what, and what if I have been?” (Keith Richards known as the album a spicier model of “Canine Doo within the Doorway.”)

The friendship had its rocky moments. Mr. Wenner assigned a full-court press on the Stones’s lethal live performance on the Altamont Speedway in 1969 after the Hells Angels, introduced in to deal with safety, killed an 18-year-old Black man in entrance of the stage. He knew that Mr. Jagger could be offended when among the blame fell on him and the Stones’s tour supervisor, who introduced within the Hells Angels.

After the publication of the 17-page article, which known as it “rock ’n’ roll’s all-time worst day,” Mr. Jagger declined an interview request and despatched Mr. Wenner a frosty telegram, saying, “rightly or wrongly we now not belief you to cite us absolutely or in context.”

They made up and grew nearer over time.

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Mr. Wenner tells an amusingly indiscreet story about being in Barbados with Mr. Jagger and Ms. Leibovitz. One evening everybody was sipping cognac and Bianca Jagger was on the lookout for her husband. He quickly confirmed up, Mr. Wenner writes, “with sand on the knees of his white trousers. Annie adopted a couple of minutes later. Bianca walked out and not using a phrase and there was a common sigh of aid. Then she returned with a big pot of water and poured it over Mick’s head. It was hilarious. Justice!”

Two pages later, he writes that Ms. Leibovitz tried to soak up Jane Wenner’s fashion and frolicked together with her always. “Annie was additionally in love with Jane, although I didn’t know that on the time, nor would I’ve even thought of it.”(Ms. Leibovitz didn’t reply with a remark.)

After spilling a lot ink on the magic of Mick, it’s a shock when, close to the tip of his guide, Mr. Wenner reveals that he stopped going to Stones live shows as a result of they have been “an oldies” revue.

“Since I’ve to make use of a cane to get round, going to see them at a coliseum, it’s identical to, why?” he instructed me. “It’s an fascinating present, however I’ve seen it 20 instances.” (In the event that they performed at Barclays Heart in Brooklyn, he stated, he’d go.)

In a single Rolling Stone cowl story, Mr. Jagger stated he didn’t need to be singing “Satisfaction” when he was 42. He’s singing it at 79.

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“Now they’re older and Keith has actually slowed down,” Mr. Wenner stated. “Mick continues to be a miracle, however he’s so previous wanting.”

“I don’t thoughts,” Mr. Wenner added, “however they appear like folks out of ‘Lord of the Rings’ or one thing.”

Mr. Wenner stated Bob Dylan, Bono, and U2 and his pal Bruce Springsteen are nonetheless price seeing as a result of they’re nonetheless attempting to be authentic.

As soon as in Solar Valley, earlier than Mr. Wenner’s extreme well being points started, Mr. Springsteen requested his buddy how he saved snowboarding day-after-day.

“As a result of I hold champagne, pot cookies and Percocet,” Mr. Wenner replied. “Have you ever ever had Percocet, Bruce? Strive it. It’s not too late to throw your life away.”

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For his birthday, Mr. Springsteen wrote a ditty for his buddy, singing, “I’ve by no means seen a lot innocence and cynicism stroll facet by facet. Champagne, pot cookies and a Percocet hold him rolling stoned.”

Mr. Wenner additionally had an advanced, shut relationship with the Beatles. John Lennon put Rolling Stone on the map. In 1968, they did a canopy utilizing the bare image of John and Yoko holding fingers that Mr. Lennon’s file firm had banned for his or her first file collectively, “Two Virgins.”

“Nude Beatle Perils S.F.” was the headline in The San Francisco Chronicle; the problem was banned in Boston. “All of the fuss,” Mr. Wenner writes, “got here right down to an historic precept of public relations: ‘Print a well-known foreskin and the world will beat a path to your door.’”

In 1970, for Mr. Lennon’s first solo album, Mr. Wenner frolicked with the couple — “John and Yoko referred to themselves within the third particular person as Liz and Dick” — and interviewed an offended Mr. Lennon, who unleashed on “the darkish facet” of the Beatles. Mr. Lennon was offended on the approach he perceived that his bandmates have been treating Yoko, Mr. Wenner stated.

The ex-Beatle stated he wouldn’t trouble to play George Harrison’s solo album at house; he known as Paul’s solo album “garbage,” and “mild and simple”; he stated Bob Dylan was B.S., including snidely “Zimmerman is his identify”; and he accused Mr. Jagger and the Stones of mimicking the Beatles’s music, asserting, “‘Satanic Majesties’ is ‘Pepper.’

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Towards Mr. Lennon’s needs, Mr. Wenner printed “Lennon Remembers” — which Mr. Lennon had begun calling “Lennon Regrets” — as a guide. Mr. Lennon was offended. The 2 by no means noticed one another once more, and 10 years later John was shot. Mr. Wenner went to the Dakota and when he commiserated with Ms. Ono, she positioned Mr. Lennon’s glasses, with dried blood on them, in his fingers.

He turned nearer to Mr. McCartney after Mr. Lennon died. (Funnily sufficient, he writes that he gave Linda Eastman, “a comely blonde from Scarsdale,” her project to go to London and {photograph} the Beatles, which was much less pushed by aesthetics than that she needed to fulfill Mr. McCartney, whom she would later marry. “She despatched me postcards from London, detailing her pursuit of him,” Mr. Wenner writes.)

In 1977, Mr. Wenner moved the journal to New York from San Francisco. He befriended the Kennedys. He put Donna Summer time on the duvet and used stylists to make the Jefferson Starship look glamorous. He began carrying three-piece fits and removed his journal’s “hippie potpourri” design.

“I started to listen to that we had ‘bought out,’ which had been a sour-grapes gripe I used to be proof against,” he writes, including: “I suppose my very own way of life and friendships in New York legitimized quite a lot of that.”

Mr. Wenner ran an advert marketing campaign in 1985 known as “Notion vs. Actuality” to shed the journal’s hippie picture. There have been contrasting photos of pot brownies with Häagen-Dazs; cash with an American Categorical card; George McGovern with Ronald Reagan.

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Hunter Thompson lambasted the shift to the mainstream, with a rant in opposition to BMWs, pesto and gossip, saying: “Bon Jovi, , what colour he paints his fingernails is extra necessary than the truth that Ronald Reagan is president. I believe Jann, within the darkness of his non-public nights, ought to be ashamed, and is ashamed, as a result of Rolling Stone is just not extra of a weapon than a instrument.”

As Mr. Wenner obtained extra buttoned-up, his mom turned extra bohemian. She moved to Hawaii and have become a hippie, elevating pet goats and taking acid together with her astrologer/guru. And he or she turned a lesbian.

“My mom’s homosexual? I simply thought, she’s my mom, for Christ’s sake,” Mr. Wenner stated. “What’s happening?” The final straw, he stated, was when she obtained concerned in what he termed “a sex-and-scam cult.”

“Someplace alongside the road I spotted that I didn’t like being round her,” he writes, including, “No love was misplaced. Even our little canine growled and snapped when she confirmed up.”

He didn’t have a lot endurance for her very public sexual exploration. “I wasn’t disapproving or detrimental; I simply didn’t need to hear any extra intimate data,” he stated. “What son needs to listen to about his mother’s” intimate life? Mr. Nye weighed in on this, smiling: “His mother was an utter authentic.”

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Mr. Wenner knew he preferred males in addition to ladies at an early age. He rubbed up in opposition to a fellow pupil in boarding faculty. He used “gay ideation” to get out of the draft. He had a fling with a younger man from England. However he was pleased with Jane.

In 1994, although, he turned infatuated with Mr. Nye.“I didn’t need to be open about being homosexual, and by no means mentioned it with my closest associates or colleagues,” he writes. “I used to be having one of the best of each worlds and had been for years.”

He didn’t need to damage Jane or his three younger kids however he was mooning over Matt, so he poured all of it out to her. She instructed him to depart and he moved right into a lodge on Madison Avenue.(Ms. Wenner didn’t reply to a request for remark.)

“Jane stabilized at first,” he writes. “She had associates and cash, however she couldn’t let go of me. She phoned day-after-day, both appearing as if nothing had occurred or, if she was stoned, doubling down on her humiliation, rejection, and my ‘sudden determination’ that I used to be homosexual. She would unleash anger and abuse as I listened, silenced with guilt.”

It took a while, and sensitivity on Mr. Nye’s half. Mr. Wenner writes that when he and Matt revealed they have been having their very own little one, Jane “took it arduous” and he felt “guilt and distress.” A 15-year-old Gus, protecting of his mom, cried and stated he “hated” Matt. However Mr. Wenner stated they ultimately blended into a contemporary household.

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He hates the phrase “popping out of the closet” as a result of it appeared like a “shameful cliché, that darkish and stuffy closet. Debutantes got here out.”

“I used to be involved about it, however I wasn’t that involved,” he stated. “I by no means misplaced a buddy due to it.”

Moreover Rolling Stone, Mr. Wenner co-founded Exterior, which he bought in 1979, two years after it began, and based Males’s Journal, which he bought in 2017. He acquired Us Weekly, which within the early 2000s obtained so profitable that it was making greater than Rolling Stone.

Because the proprietor and C.E.O. of Us Weekly, he was aware about all of the superstar secrets and techniques.

“A photographer we labored with acquired a tip that Angelina Jolie was at a resort on the coast of Africa on a secret journey with then-married Brad Pitt,” he writes. “The tipster additional specified a time and place the place they walked day-after-day and steered we might ‘secretly’ do a photograph ambush. We obtained the photograph, we obtained the proof, we had the worldwide scoop, the debut of Brangelina. The tipster was Angelina.”

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Mr. Wenner can boast of a lot exceptional journalism except for music in Rolling Stone: tales about Patty Hearst, Karen Silkwood, Charles Manson, AIDS, local weather change. He did interviews with presidents and presidential candidates, enduring two of Invoice Clinton’s “purple matches” of rage.

With lingering misery, he talks concerning the nadir for his journal, the 2014 publication of “A Rape on Campus” about an alleged brutal gang assault on a sufferer with the pseudonym of “Jackie” in a fraternity home on the College of Virginia. However “Jackie” had made it up.

“Our funds cuts had left us understaffed,” he writes. “Nonetheless, pseudonyms, lack of corroborating sources, and our sympathy for the sufferer, which made us reluctant to problem her, have been all warning indicators.”

When Rolling Stone was born, music was a cultural and political drive on this nation. Now music is usually disconnected from social change.

“The issues have turn out to be very trivialized,” Mr. Wenner stated. “It’s quite a lot of Taylor Swift and her disagreements together with her superstar boyfriends.” When he began the journal, he writes,, the readership was 90 % male, and the star writers have been male. “It was a macho period,” he instructed me. (Later, he stated, readership evened out.)

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“The music right now is pushed by teenage women,” he stated. “In the present day’s music, hip-hop, pop music, I don’t take heed to as a lot, and I don’t suppose it’s as culturally related because it was, neither is it musically pretty much as good. However I believe a few of it, significantly hip-hop, may be very sturdy and hard.”

He thinks that know-how has modified the character of music. “Should you take heed to Bob Dylan and different stuff, it virtually sounds vintage,” he stated. “Every little thing now has obtained this contemporary sound. They’ve obtained synthesizers, they’ve obtained auto-tuning.” And, he posited, “I believe one of many causes basic rock won’t ever come again is, younger persons are being tuned to this new stage” that makes previous music appear “tame, identical to I used to think about Frank Sinatra.”

Way back to 2008 and 2009, he stated, he noticed the writing on the wall concerning the web superseding magazines.

Folks thought they needed to get into the journal sport, he stated, “however as soon as they get in and uncover it’s going to lose $10 million a yr for the subsequent three years, they’re like, ‘I don’t find out about this.’ No huge firm needed to purchase Rolling Stone. All of them knew what was occurring.”

David Pecker, the writer of the Nationwide Enquirer, purchased Mr. Wenner’s Us Weekly for over $100 million in 2017. At one lunch, Mr. Wenner recalled, Mr. Pecker stated that on the Enquirer, “he had been shopping for after which spiking tales from ladies who had been sleeping with Trump..”

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Journalism was shifting towards bullet factors, away from 10,000-word articles. Celebrities most well-liked to be interviewed by different pleasant celebrities, they usually have been asking for editorial management, proper right down to writing their very own captions.

“It’s like everyone’s Tom Cruise swiftly,” Mr. Wenner keened. “He says nothing.”

Mr. Wenner had been grooming Gus to take over, however handing over the keys was troublesome. Gus was “my usurping doppelgänger,” he writes.

“It took me some time to get used to not being in cost and that was powerful,” he admitted. “Clearly, Gus had his concepts about what he needed to do with Rolling Stone, and it was time for it to alter.”

His chief monetary officer, Tim Walsh, instructed him he must promote Rolling Stone.

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The journal that began with a zeal to tackle the Man ended up going to 2 scions. The brand new proprietor is Jay Penske, whose father was Roger Penske, the previous racecar driver turned billionaire businessman, and he elevated Gus Wenner to C.E.O.

“No extra child boomer, old-white-guy covers,” Mr. Wenner dryly famous about his closing cowl, a Bono interview.

The brand new crew rapidly started firing a few of Rolling Stone’s veteran writers and photographers.

“I needed to stay with Rolling Stone, to have some relationship with my child,” Mr. Wenner writes. “Might I be the uncle? The grandpa? The brother-in-law? Nope, I might be the ex-wife. Gus needed to take over. He listened to me with respect however impatience.”

As we ate peach sorbet with peaches, Mr. Wenner laughed ruefully. “I stated, ‘Don’t minimize me out’ and he was slicing me out. I went to him and stated ‘Geez, I’m right here.’ You uncover they don’t really want the good thing about your recommendation that a lot. Sure, it might have been useful on a few particular events however I assume it’s extra necessary they obtained out on their very own.”

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He writes: “In fact, I used to be now in my seventies, standing in the best way of progress, stubbornly locked in my workplace listening, it was assumed, to Bob Dylan and Neil Younger. I used to be not invited to conferences. What ought to have been an thrilling redesign and translation of Rolling Stone from a newsmagazine to a characteristic journal ended up garbled and lackluster.”

Mr. Wenner saved coming to the workplace, like Citizen Kane on a walker. Typically, he and Gus would disagree; generally they might go smoke “a grit” on a bench outdoors.

He instructed me he turned what he hates most: a cliché, “the grumpy previous man left behind by the forces of time and historical past.”

Lastly, Mr. Wenner writes, Gus delivered the message: “I used to be out.”

However, Mr. Wenner assured me, Gus dealt with him with T.L.C.: “Gus bought and saved the journal. He has accomplished an excellent job with it.” Mr. Wenner added that “Gus transitioned it to a brand new era and a brand new music. I might by no means have accomplished it.” In April, Axios reported that Gus Wenner stated the journal had had its most worthwhile yr “in twenty years.”

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For his half, Gus known as his father his “greatest buddy and biggest mentor,” including: “If we didn’t disagree right here and there alongside the best way, I might in all probability not be minimize out for the job.”

Does the daddy learn the son’s Rolling Stone?

“I don’t learn Rolling Stone that a lot,” Mr. Wenner replied. “I don’t learn that many magazines. It’s about folks I’m not personally desirous about. I don’t actually take care of Ok-pop. I don’t actually know who Cardi B is.”

Latest Rolling Stone covers have included the YouTube star MrBeast and JLo in a jumpsuit with a plunging neckline.

“An enormous distinction,” he stated. “John Lennon being bare on the duvet was an announcement. How would the most well-liked man on the planet be keen to exit and be bare?” He added, “It’s so destroying.”

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They have been “keen to position their fame, to place it in peril” to make the assertion: “‘Right here’s the sincere fact about folks, about intercourse, about nudity.’ Now JLo goes out and it’s like, ‘I’m doing this to promote like scorching desserts. I’m not doing this for a cause.’”

I couldn’t finish with out asking the desert island discs query. What would he deliver?

His supplied this checklist: “Don’t Let Me Be Misunderstood” by Nina Simone. “Speedway at Nazareth” by Mark Knopfler. “The Ghost of Tom Joad” by Bruce Springsteen. “Moondance” by Van Morrison. “I’ve Been Loving You Too Lengthy” by Otis Redding. “Desolation Row” by Bob Dylan. “Crying” by Roy Orbison. “Assume” by Aretha Franklin. “Stunning Day,” by U2. “Underneath My Thumb,” by the Stones. “Think about,” by John Lennon.

“Looks as if a reasonably cool cat,” he stated about himself.

Maureen Dowd: Bob Dylan shakes fingers like a useless fish.

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Jann Wenner: Sure, bizarre. Within the early days, it was a approach to set up dominance. “What are you to me? What? Huh?”

Paul Simon is a buzz kill.

(Guffawing) Sure.

You slept with Mick Jagger.

Swishful pondering, as Bette Midler would say. I by no means slept with a rock star.

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Bruce Springsteen makes use of the phrase “pope” as a verb.

Sure. We have been driving in a automotive to the airport and he says, now watch me, I’m going to pope it. Then he rolls down the window, and because the crowd goes by, he waves just like the pope.

You traded your tickets to the Beatles’s final present for 30 hits of LSD.

You couldn’t hear the Beatles for all of the screaming. I obtained the higher discount.

LSD use was a litmus take a look at for brand new Rolling Stone hires.

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Not true. However within the early days, I needed to know if they’d. Like what state of mind this particular person could be in, what was their philosophical bent?

Michael Jackson shouldn’t be the topic of a musical on Broadway that’s common with kids.

I don’t see any worth in canceling him or pretending that he wasn’t a baby molester or any worth in not listening, and I believe we lose one thing not listening to his music.

You have been ensorcelled by Jackie Kennedy Onassis.

She smiled at you and it was just like the solar got here out. You simply delight in that focus of hers and the eyes and the delight. She might give attention to you. She was actually sensible.

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You have been in a two-man guide membership with David Bowie.

He turned me on to Junot Díaz. He was actually the definition of erudite. And he additionally was dedicated to avant-garde. He was not desirous about conventional writing.

Keith Richards accused you of nicking the identify of his band.

True.

Bob Dylan was jealous that you just gave the Rolling Stones credit score for the identify of the journal. And Mick stated that with out him and Keith, your journal would’ve been known as Herman Hermits’ Weekly.

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True.

You tried to get Tom Wolfe to alter Sherman McCoy’s job in “Bonfire of the Vanities” from a bond dealer to a author since you stated nobody was desirous about Wall Road.

That’s true. I used to be actually improper.

Tom Wolfe was the primary particular person to inform you about rap and he wrote his personal rap lyrics. He preferred to go to Harlem and the Bronx to observe the crews battle it out.

Sure.

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You sniffed coke whereas being interviewed by a Columbia Journalism Evaluate reporter.

I used to be underneath his affect.

You chop the testicles off Ken Kesey’s cows.

Sure, that’s true.

You added an additional N to your identify in highschool to look cooler.

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Sure, to look cooler.

You like drill music.

What’s drill music?

Jack Nicholson introduced a transportable ashtray to the Clinton Inaugural.

It was so cool. You’re not imagined to smoke there however he had slightly brass round container with a lid on. He pulled it out of his pocket and smoked, and no person bothered him in any respect as a result of he had simply come off of doing “A Few Good Males,” so all of the Marines and safety on the inauguration wouldn’t contact him. They cherished Jack.

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You’ve appeared in a number of films. However not but within the function that Michael Douglas stated could be essentially the most pure match for you: a coldblooded hit man.

The story of my life. I might have accomplished Whitey Bulger.

To your cameo in Cameron Crowe’s “Virtually Well-known,” your credit score learn “Legend in Cab.”

Sure.

In an interview for a Rolling Stone cowl story, Madonna instructed Carrie Fisher she didn’t wish to carry out oral intercourse.

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(Laughing) I believed, that’s fairly egocentric.

The Stones track “Reminiscence Motel” was written about Annie Leibovitz.

Sure. She was protecting the Stones at the moment and he or she and Mick have been sleeping collectively.

Kurt Cobain was his era’s John Lennon.

That’s what my youthful staffers stated on the time. I didn’t need to problem them at that second however thought the concept was hyperbolic and emotional. There was one thing to be stated about their response to his loss of life being related with ours to Lennon, however to match the precise artists for his or her work is far-fetched.

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You agree with Jimmy Buffett that nothing is price saying or listening to after 1 a.m.

More true phrases have by no means been spoken.

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Magic, secrets, and urban legend: 3 new YA fantasy novels to read this spring

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Magic, secrets, and urban legend: 3 new YA fantasy novels to read this spring
Covers of three new YA fantasy releases

As the flowers bloom and the sun starts to spread more warmth this spring, we have three new YA fantasy novels for you.

All of these new releases keep one foot grounded in reality while examining what their protagonists can do if they embrace the magic within themselves. Enjoy!

A Tempest of Tea by Hafsah Faizal

Chosen-family siblings Arthie and Jin may be the proprietors of the Spindrift tea house in White Roaring, but that doesn’t make them respectable. They’ve earned a reputation for being the kind of underworld characters you don’t want to cross — and it’s not even a real secret that by night, Spindrift transforms from a tea house to an establishment that serves a different drink entirely, catering to the city’s population of vampires. When the city’s ruling power decides to shut them down, they have to assemble a motley crew to steal a well-guarded ledger book that may be the key to more than just saving their home.

Anyone who enjoys the rhythms of a heist will find a lot to love in this book. Arthie is a clever and determined leader, and the team she puts together includes unique characters like a vampire painter with ennui and a rich girl on the run from the law for her forging habit. The magic that creeps into the edges of the story is fairly subtle, and never feels like an easy answer to the problems and conflict at hand, making me genuinely worry that everyone wasn’t going to make it through to the end.

This heist also comes with a social conscience. Many historical-flavored fantasies peddle the trappings of wealthy European society without ever interrogating where the trappings of the genre come from. Characters sip their tea and wear their cotton lawn dresses, and we never have to think about who grew the tea or the cotton. A Tempest of Tea takes the opposite road, framing the lives of immigrants who are integrated into a society that exploits their homelands and who are intent on finding some way to take their power back.

The Vanishing Station by Ana Ellickson

Ever since her mother’s death, Ruby has had her hands full trying to keep things together. She and her father, who struggles with chronic pain and alcoholism, are living in the basement of her mother’s beloved house so the upper floors can be rented out to pay the bills. When she discovers that her father owes a debt to the mysterious people he works for, and that given his unreliability, they intend to call it in by taking away the house, she volunteers to take over his position and pay the debt in his place.

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It comes as a shock when she finds out that her father works for a clandestine rail delivery business and uses magic to jump from one train line to another to move illicit goods and money around the world. As she learns how to do his job, she realizes that while the magic of the trains speaks to something inside her, the people she’s working for are ruthless and cruel. But what choice does she have but to do their bidding, if she wants to save her home?

I’ve always found that subways and trains intrinsically have a special magic to them, and it’s very exciting to see that used to such good effect in a fantasy novel. The Vanishing Station really captures that feeling of entering a liminal space and being swept through to darkness, destined to emerge once more in a new place. Ruby is one of those characters who is so accustomed to shouldering too much of the burden that she doesn’t realize when she’s in over her head, and it’s easy to root for her as she comes into her power and demands that the people around her do better.

I found that the middle of the story idles a bit in the station, but then rapidly picks up speed as romance builds between Ruby and her magical train mentor, Montgomery, who himself feels trapped in a role he never wanted. By the end, I was very invested in how they could escape a domineering power that can go anywhere the rail lines run, and what they might do with their own magic if they could be free.

The Bad Ones by Melissa Albert

In one night, four people go missing in Nora’s small town, and one of them is her best friend Becca. At first, Nora wonders if it’s just another way for Becca to hurt her in the wake of a fight that has fractured their relationship. But Nora senses that there is a connection between all the people who vanished, and she begins to believe that it may have something to do with the Goddess Game – an urban legend turned sleepover dare that the whole town seems to know about. Nora follows a trail of clues in search of Becca, and eventually realizes that in order to find her friend, she will have to play the Goddess Game and break a chain of tragedy and revenge that has been passed down through the decades.

Melissa Albert is an author I’ve followed since she made her debut with her dark fairytale series (beginning with The Hazel Wood). This book continues in the vein of taking familiar mythologies and patterns and doing something original with them. A haunting, a mystery, a goddess worshipped by teenaged girls: All of these elements blend together in The Bad Ones to create a missing persons supernatural thriller that feels like it has something new to say.

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Most impressive is the complicated, deeply important depiction of the friendship between Nora and Becca. Their connection is one of adoration and ride-or-die dedication, but with all the trials that come with growing up alongside someone. Books depicting “toxic friendships” often fall into a trap of making one party the villain, but that’s not the case here. The Bad Ones shows a much more realistic version of this dynamic, where two friends love each other so much that they need space to grow into their own people, independent of who they are together. It’s only once they allow themselves to change that they come into the power they need to truly set things right.

Caitlyn Paxson is a writer and performer. She is a regular reviewer for NPR Books and Quill & Quire.

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This Storybook cottage's native plant wonderland shows how gorgeous no grass can be

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This Storybook cottage's native plant wonderland shows how gorgeous no grass can be

Water-hungry lawns are symbols of Los Angeles’ past. In this series, we spotlight yards with alternative, low-water landscaping built for the future.

Once upon a time, under Universal Studios’ watchful Minion eye, there was a Storybook house in Studio City with a steep, sagging roof, a towering, tottering chimney and a yard so boring and prone to flooding that its charm was pretty much negated.

The front yard was mostly dead grass; the driveway was cracked and broken from runoff whenever it rained; and the funnel-shaped backyard was overwhelmed by a rotting wood pergola.

Succulents in the front yard grow in an alcove built into the chimney.

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A planter under a window spills over with succulents

A planter spills over with succulents in Michael Solberg and Khoi Pham’s home garden.

No longer. Today, the yard of Khoi Pham and his fiancé, Michael Solberg, is a wonderland of native plants, water-conserving bioswales, a patio mosaic made from recycled concrete and permeable gravel paths with a delightful crunch. And throughout the garden are little riots of succulents spilling from pots, baskets and even the fanciful nook built into their chimney, dotting the garden with jolts of color like fancy embellishments on a cake.

There are lots of little signs identifying the plants too, to feed Solberg’s vision of educating passersby about the beauty, practicality and sustainability of native plant landscapes. The signs “make you feel like you should stop and pay attention,” said Solberg.

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But they’re also helpful because this yard, designed and built by landscape designer Isara Ongwiseth of FormLA Landscaping, is one of three featured gardens during the Garden Conservancy’s San Fernando Valley Open Days Garden Tour on April 28, and the only one featuring a landscape devoted to California native plants. (Tickets are $10 per garden.)

Two lands holding a green metal plaque reading "Certified Wildlife Habitat."

FormLA Landscaping provided this plaque for Michael Solberg and Khoi Pham’s native plant landscape.

(Yuri Hasegawa / For The Times)

A dog peers over the half-open Dutch door looking at her owners sitting nearby at a table outside.

Native shrubs and flowers fill the shaded backyard’s planting areas, which are edged by pots and baskets brimming over with succulents and cactus, but all Lucy the goldendoodle wants is to join her owners outside.

(Yuri Hasegawa / For The Times)

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The landscape is lush for one so young — it was installed in February 2022 — and features multiple plantings of a few varieties of native plants, such as the red-berried toyon, which Solberg is trying to espalier along one wall of his garage, dark-green ceanothus shrubs mingling with the silvery leaves of white sage (Salvia apiana), rings of Douglas iris (Iris douglasiana), earth-bound wisps of blushing coral bells, a.k.a. Wendy alumroot (Heuchera ‘Wendy’) and two Western redbud trees (Cercis occidentalis) — one in front, one in back — that bloom in deep violet clouds each spring.

For the record:

9:24 a.m. April 15, 2024An earlier version of this article incorrectly stated that the landscape was installed in February 2021. It was installed in February 2022. A photo caption incorrectly said the house is in North Hollywood. It is located in Studio City.

Out front are islands of fragrance that bloom in varying shades of purple — coyote mint (Monardella villosa), Cleveland sage (Salvia clevelandii) and bee’s bliss sage (Salvia ‘Bee’s Bliss’), along with clumps of deer grass (Muhlenbergia rigens), Oregon grape (Mahonia aquifolium) and the deep-throated flowers of Margarita BOP penstemon (Penstemon heterophyllus ‘Margarita BOP).

Basically, Solberg said, except for the creeping fig lacing the chimney and the giant camphor tree on the parkway in front, any plants in the ground of their new landscape are California native plants; others, like his succulents and dwarf lemon, are planted in pots. And he hopes their plantings encourage more of the same.

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I wanted to get the word out that native plants are a great way to have a sustainable garden that doesn’t require too much water, is good for wildlife and insects, is easy to care for and looks great too.

— Michael Solberg

“You just don’t see a bunch of California native gardens in our neighborhoods. What you see is lawn and standard shrubs, or fake turf or people who just paved everything over,” Solberg said. “I wanted something unique and different for our landscape, but also responsible with water and nature, and education was a really big part of that. I wanted to get the word out that native plants are a great way to have a sustainable garden that doesn’t require too much water, is good for wildlife and insects, is easy to care for and looks great too.”

This was Solberg and Pham’s second foray into creating a native plant landscape. Before they bought their Storybook home in late 2019, they’d taken out the lawn in front of their former home in Sherman Oaks and, inspired by gardens they’d seen on the Theodore Payne Foundation’s Native Plant Garden Tours, decided on a water-conscious landscape that relied on native plants instead of cactus and drought-tolerant plants from other countries with Mediterranean climates.

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Khoi Pham, left, and Michael Solberg relax in chairs with cups of coffee outside in their leafy backyard.

Khoi Pham, left and Michael Solberg enjoy sitting in their backyard garden most mornings, sipping coffee and admiring the leafy view.

Solberg — the gardener of the family — said he learned a lot in that DIY project: what native plants grow quickly and slowly, which he liked the best and which ones he should have placed somewhere else (such as a Matilija poppy that rapidly outgrew its location).

When it came time to finally landscape their new home in Studio City, Solberg said he wanted to continue the same theme, but he was concerned about dealing with the property’s special problems — a small, weirdly shaped backyard dominated by an aging pergola and water that ran off their Hansel-and-Gretel roof in sheets, creating runoff and flooding.

So in addition to an all-native-plant landscape, Solberg wanted permeable surfaces that would trap water in the soil instead of sending it out into the street — but he didn’t want any gutters to ruin their roof’s unusual lines. He wanted gravel walkways and drives that wouldn’t require constant maintenance. He wanted year-round color and interest, shade and privacy from the tall apartment building behind their house and plants that would attract birds and other pollinators.

Birds fly around a hanging feeder in Michael Solberg and Khoi Pham's front yard.

Birds fly around a feeder in Michael Solberg and Khoi Pham’s front yard.

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A bee noses among the pink blooms of a spray of coral bells.

A bee noses among the pink blooms of a spray of coral bells.

They also had lifestyle considerations: Both men work from home — Solberg full-time overseeing corporate retail operations for a chain of tool stores and Pham at least two days a week as a research and development scientist for medical devices such as hospital sterilization equipment — so creating a serene and cheerful work environment was crucial inside and out.

And then there were Pham’s concerns. He was happy to leave the plant decisions to Solberg, the green thumb of the family. “I do the budget, but when it comes to gardening, I’m more of a cheerleader,” Pham said. “I was thinking more about the parties I’m going to throw in the backyard, and how they have to flow a certain way.”

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A collection of small, colorful succulents in a variety of containers on a patio table.

Part of Michael Solberg’s artful cactus collection sits clustered on a circular table in the home garden.

Solberg grew up around plants and gardening, but Pham said they were never a part of his life until the two met in San Diego in 2011. “When we first met, he had a beautiful succulent garden on his tiny patio that was really impressive — I had plastic succulents I bought from Crate & Barrel,” Pham said, laughing. “I just dusted them every once in a while.”

So there were lots of things to consider in creating their new landscape, Solberg said, plus he already knew how much work it was to take out a lawn and create a new landscape. So in the end, they called FormLA Landscaping, because they had admired the firm’s native landscapes in the past, and began laying out their wish list to Ongwiseth, the lead designer.

It took a few tweaks and persuasion — and $60,000 — but in the end, Solberg and Pham said Ongwiseth made their vision better than they had dreamed.

But there were a few bumps along the way.

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One of the first decisions was removing the raised wooden deck in the backyard, Ongwiseth said. Pham and Solberg were reluctant not to rebuild, until they saw how much space the removal created. “It put everything at ground level, so you feel like you’re part of the garden instead of above it,” Solberg said.

Solberg was adamant about not wanting gutters to clutter up the roof line. Ongwiseth used French drains around the house perimeter — basically a trench filled with gravel and a perforated pipe to capture the runoff and direct it to the bioswales in the front yard. Ongwiseth finally convinced Solberg to add a small section of gutters on the south side of the house, along the driveway, where they were nearly invisible.

The two bioswales in the front are like planted indentations in the ground that fill with water after a heavy rain and hold it long enough that it sinks in. The gutters help direct rainfall into pipes that drain into the swales. Once they removed the broken concrete driveway and replaced it with ¾-inch crushed angular gravel, they found the rocks helped trap water coming off the roof as well, so that it sunk into the ground instead of pooling and flooding in spots like the old driveway. They also installed a subterranean drip irrigation system, which automatically waters two days a week for 10 minutes. The system uses sensors to skip watering days if it’s raining.

FormLA lead designer Isara Ongwiseth poses in the front yard he designed.

FormLA Landscaping lead designer Isara Ongwiseth in the front yard he designed.

An overview of Michael Solberg and Khoi Pham's backyard, with gravel paths and patio edged with broken concrete.

The backyard includes a circular gravel patio and meandering paths, edged in broken concrete.

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The swales are edged with meandering paths of smaller, 3/8-inch angular gravel, and mostly hidden by the plants. Gravel was high on Solberg’s wish list, partly for sentimental reasons. His grandmother had gravel paths, he said, and he always loved the way they crunched when he walked on them. There’s a security aspect too, Ongwiseth said: “You’ll always know if somebody has wandered into your garden.”

But creating permeable paths and drives is more challenging than you’d think, Ongwiseth said. “Gravel and decomposed granite sounds good, but then you start tracking granite into the house and scratch the floor, so what do you do with that?” And round smooth gravel may look nice from afar, but your feet sink into those rocks when you walk on them, and they tend to scatter everywhere when children or dogs scramble by. (Pham and Solberg have two rambunctious dogs — Lucy, a goldendoodle, and Teddy, a terrier mix.) Because the kind of gravel Ongwiseth chose locks together, the small rocks stay in place when you walk on them, and your feet feel supported instead of sinking.

A goldendoodle laps at a rustic fountain next to a spray of coral bell flowers.

Lucy, Michael Solberg and Khoi Pham’s goldendoodle, laps at a rustic fountain next to a pink spray of coral bells.

Preparation was important too. After they tore out the old driveway and created the paths, they removed any weeds, added another drain at the end of the driveway and laid down a geo-textile fabric that suppresses weed growth while allowing water to soak through, before topping off the areas with two inches of gravel.

“Choosing the right type of weed barrier is very important, because so many will start to degrade over time,” Ongwiseth said. “The geo-textile fabrics don’t do that. I have many gardens I’ve installed in the last 15 years where the weed barrier is still holding up.”

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Another point of concern was Ongwiseth’s plan to frame the gravel seating area outside the back door with a mosaic of broken concrete. “Broken concrete doesn’t sound very nice,” Pham said, “It felt a little too DIY, but once it was installed, I was like, ‘Oh, where else can we install it?’”

In fact, Pham said, you can still see a portion of rebar in one of his favorite pieces of concrete, “because it shows that it was reused. It truly is an art; they had to chip away at pieces of concrete to put the puzzle together to make it fit into the space.”

The finished design does look artistic, but it was all part of Ongwiseth’s practical considerations about transitioning between yard and home. He wanted a design that basically cleans your shoes of any dust or debris before you step inside. He grew up in a traditional Asian family where everyone takes off their shoes before they enter a home, “but not everyone practices that, so creating a landing or space even with concrete provides that transition.”

He also wanted to honor Solberg’s vision of having permeable surfaces throughout the garden, so instead of big concrete slabs there are spaces between all the small pieces of concrete to allow water to sink into the ground. Those spaces can create uneven places for chairs and tables, he said, so he made the main seating areas all gravel rimmed by the decorative pieces of concrete.

Broken concrete provides a walkway around planting areas and pots of succulents.

Broken concrete and gravel creates a walkway between planting areas and pots of succulents.

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Details of succulents, with a colorful statue of a bird peeking through the greenery.

Michael Solberg’s pots of succulents add jolts of color around the home’s native plant landscape.

Ongwiseth also considered the fantastic Storybook design of the house in creating his design. As visitors will see, there is a sense of mystery and exploration as you walk from the front to the back.

“I wanted to create a meandering garden experience, where the whole garden is not revealed right away,” he said. “When we first arrived, we noticed the awkwardness of the shape of the backyard, and that old shade structure [the pergola] just emphasized that awkwardness. Once we removed all that we came up with a design that was more fluid, something that makes you want to explore the richness of the foliage, and the sense of many destinations throughout.”

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There was a final and unexpected challenge, when Pham and Solberg were forced to remove a large camphor tree that provided privacy and filtered shade in their backyard. The tree had grown into their neighbor’s garage so it had to be removed, exposing their yard to the multistory apartment building behind them.

Two men and a dog sit on a step in their backyard

Khoi Pham, left, and Michael Solberg with their terrier mix, Teddy, one of their two dogs.

Ongwiseth softened the privacy issue by installing a large sail-shaped cover stretching from the house to the detached garage, which provides welcome shade during the summer but allows enough sunlight to filter through to keep the plants happy. They planted another redbud tree in the space where the camphor once stood — freeing up some additional space for their barbecue as well — and a bank of hollyleaf cherry (Prunus ilicifolia) at the very back that are already tall enough to block out a large swath of the apartments.

All in all, Pham and Solberg are still pinching themselves about how well it all came together. “There’s a healthy water table under our house now,” Solberg said, laughing. “And maintenance-wise, there’s not a lot we have to do. I have a blower to get rid of excess leaves once in a while, and sometimes, when it gets a little overgrown, I have to get out my clippers, but for the most part it tends to itself.”

These days, they can work outside at a large round table, with its small pots of colorful succulents, or drink coffee in the seating area nearby. Those places are separated by only a few steps, but they feel like a journey, admiring the tall abstract Dustin Gimbel sculptures of salvia whirls, next to real salvias blooming nearby, or the pots of blooming De La Mina verbena (Verbena lilacina ‘De La Mina’) and fragrant pitcher sage (Lepechinia fragrans).

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This lovely space is where they’ll host their wedding reception in July, for about 50 people, the wide driveway functioning as a seating area as well as a way to drive in and out of their garage. Pham has his party flow, and Solberg has his vision of a landscape both beautiful and sustainable, visited by pollinators and birds.

“My advice is, just trust the process,” Solberg said. “Normally I would want more control, but I gave up creative license and learned a lot, like the Palmer’s Indian mallow (Abutilon palmeri) — I never would have chosen that for our garden because I didn’t know about it. So I learned, if you trust in the process, you can end up with something incredible, better than if you had done it on your own.”

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Beautifully acted 'Shardlake' brings 500-year-old Tudor intrigue into the present day

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Beautifully acted 'Shardlake' brings 500-year-old Tudor intrigue into the present day

Arthur Hughes plays the title character in Hulu’s four-part series, Shardlake.

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Arthur Hughes plays the title character in Hulu’s four-part series, Shardlake.

Martin Mlaka/Hulu

We live in discordant times, which may be why the turbulent reign of King Henry VIII has enjoyed a revival over the last few years. We’ve had the gleefully trashy TV series The Tudors, the Tony-winning Broadway musical Six and – at the high end of achievement – Hilary Mantel’s trilogy about Henry’s right-hand-man Thomas Cromwell.

Now comes the new Hulu mystery series Shardlake, based on C.J. Sansom’s first novel in a series about a crime-solving lawyer in 16th-century England. As a rule, I hate historical mysteries and I feared that Shardlake would serve up the Tudor era’s usual cavalcade of castles, codpieces, clopping horses and quasi-Shakespearean lingo – “Prithee, stop, sirrah!” But to my surprise this odd, beautifully acted show pulled me in.

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Arthur Hughes stars as Matthew Shardlake, a bitingly intense London barrister known for his brains and for the curved spine that leads the world to undervalue him. One who sees his value is the king’s minister Thomas Cromwell – played by a domineering Sean Bean – a dangerous man who’s busy stripping the assets of the Catholic church and claiming them for the Crown.

As the action begins, Cromwell has just had his envoy murdered in a coastal monastery. He sends Shardlake to find the killer and, in the process, to find evidence of monkish malfeasance that will justify seizing the monastery’s holdings. To keep Shardlake on his toes, he sends along one of his henchmen, brash, impulsive Jack Barak. That’s Anthony Boyle, who plays John Wilkes Booth in the current series Manhunt.

Because the monastery is filled with Catholic monks who hate the Protestant king, things are tricky there from the get-go. Not only do Shardlake and Jack keep being lied to, but the murders are just beginning. As they investigate, they both grow smitten with a servant – played by Ruby Ashbourne Serkis – and they start to develop one of those classic detective story partnerships between a brilliant misfit and an earthier, ordinary guy.

Now, I don’t want to oversell Shardlake. As a historical show, it lacks the sweeping grandeur of Shogun, another period drama that reminds us that Protestants and Catholics were once at each other’s throats. Nor does it approach Mantel’s richly vibrant vision of Henry VIII’s England, with its divisions and hatreds and social climbing.

Yet it has a strong historical atmosphere, especially in showing how Shardlake and Jack find themselves squeezed by powerful forces around them. Both believe they’re doing the right thing in helping Cromwell seize Catholic wealth, thinking it should go to England’s countless poor people. At the same time, they come to realize that, in Cromwell, they’re working for an utterly ruthless politician, one who may have played a key role in setting up Anne Boleyn, whose beheading figures into the plot here.

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The show’s finest moments lie in the byplay between its lead actors, played by two of Britain’s rising stars. As the cocky Jack – a lad risen from the streets and terrified of sinking back – Boyle deftly straddles the line between likable and not. You see why he’s been cast to star as a charismatic IRA leader in the upcoming TV adaptation of Patrick Radden Keefe’s book Say Nothing.

Jack’s extroversion pairs nicely with the tightly wound Shardlake, whose smile is almost a wince. Hughes was the first actor with a disability to ever play Richard III for the Royal Shakespeare Company – he was born radial dysplasia affecting his right arm – and he doubtless understands Shardlake’s pride in the face of what some consider his physical imperfection. “I’m known for my gait,” Shardlake says. “It is I, and I embrace it.”

Such self-assertion is profoundly modern, and for all its Tudor trappings, Shardlake is filled with present day resonances – not least in its portrait of Cromwell who claims to speak for the people but actually works on behalf of the elite. “The truth must be what we want it to be,” Cromwell declares, and though Shardlake knows this is un-true, he also knows that saying so can get a man killed.

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