Lifestyle
‘It is time to break up Live Nation-Ticketmaster’: Justice Department sues concert ticket behemoth
Penny Harrison and her son Parker Harrison rally against the live entertainment ticket industry outside the U.S. Capitol last year.
Drew Angerer/Getty Images/Getty Images North America
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Drew Angerer/Getty Images/Getty Images North America
The Department of Justice and 30 state and district attorneys general across the country filed a federal lawsuit Thursday against Live Nation Entertainment and its wholly owned subsidiary Ticketmaster. The suit alleges that Live Nation has created a monopoly on live event ticket prices across the United States. The civil antitrust suit was filed in the Southern District of New York.
This fight has been long in coming: Music fans and other consumers, performers, independent venues and even members of Congress have argued that Ticketmaster, which merged with Live Nation in 2010, had artificially pushed ticket prices sky-high. Live Nation has long been a dominant player in the live event marketplace, with substantial holdings in venues, concert promotions, music festivals, ticketing, sponsorship, advertising and artist management – holding so much power across so many aspects of the business, the Justice Department alleges, that it is effectively able to limit its competition.
If successful, this suit could reshape the live event landscape – and the prices fans pay to see their favorite performers – across the country.
The state and district attorneys general joining the suit include several states that are home to major live event venues, including those of New York, California, Colorado, Florida and Texas.
In a lengthy statement provided to NPR on Thursday, Live Nation wrote in part: “The DOJ’s lawsuit won’t solve the issues fans care about relating to ticket prices, service fees, and access to in-demand shows. Calling Ticketmaster a monopoly may be a PR win for the DOJ in the short term, but it will lose in court because it ignores the basic economics of live entertainment, such as the fact that the bulk of service fees got to venues, and that competition has steadily eroded Ticketmaster’s market share and profit margin.”
Within the suit, the Department of Justice and the states allege that Live Nation and Ticketmaster engaged in several forms of anticompetitive conduct, including retaliating against other promotion companies and venues that worked with its rivals; locking out competitors with long-term, exclusive ticketing contracts; restricting musicians’ access to live event venues; and strategically acquiring smaller, independent companies that Live Nation allegedly perceived as threats to its dominance.
Earlier this month, in a bid to increase transparency for consumers, the House of Representatives passed the TICKET Act, which would force Live Nation and other ticket sellers to list all the costs and fees within a live event ticket price. The bill, which was introduced in the Senate by Ted Cruz of Texas, has been supported by hundreds of prominent musicians, including Billie Eilish, Dave Matthews and Nile Rodgers, who wrote in a joint statement: “We are joining together to say that the current system is broken: predatory resellers and secondary platforms engage in deceptive ticketing practices to inflate ticket prices and deprive fans of the chance to see their favorite artists at a fair price.”
According to Thursday’s filing, Live Nation Entertainment currently owns or controls over 250 concert venues across North America, and controls around 60 percent of concert promotions at major concert venues across the U.S. The company also directly manages more than 400 musical acts.
In the suit, the Department of Justice and the states asserted: “With this vast scope of power comes influence. Live Nation and its wholly owned subsidiary, Ticketmaster, have used that power and influence to insert themselves at the center and the edges of virtually every aspect of the live music ecosystem.”
“It is time to break up Live Nation-Ticketmaster,” said Attorney General Merrick Garland in a statement.
In the past, and again in its statement to NPR on Thursday, Live Nation argued that musicians — not its own company — are the ones to ultimately set their own ticket prices. Live Nation executive vice president of corporate and regulatory affairs Dan Wall said that the suit “ignores everything that is actually responsible for higher ticket prices, from increasing production costs to artist popularity, to 24/7 online ticket scalping that reveals the public’s willingness to pay far more than [what] primary tickets cost.”
“It is not surprising that Live Nation has pointed its finger at artists,” a senior Justice official said on background on Thursday morning. “In an industry in which artists have historically been squeezed for compensation for their creative work, it’s important that artists are properly compensated.”
“To us, that’s a little bit of a red herring,” the official continued, referring to Live Nation’s previous argument. “How is the system set up? How is Live Nation’s control at all levels of the system allowing for a process that’s distorted in part by Live Nation’s power?”
The DOJ is pressing for “structural relief” – that is, it is asking the federal court to break up the Live Nation-Ticketmaster combined company, which the DOJ itself had approved in the 2010 merger. Justice Department officials are now arguing that since the merger, Live Nation has created a stranglehold on the live event industry.
Thursday’s case is the latest lawsuit by the Biden administration against major corporations that it has accused of abusing monopoly power. The Justice Department and the Federal Trade Commission have sued Apple, Google and Amazon. They’ve successfully stopped the mergers of publishers Penguin Random House and Simon & Schuster and of JetBlue Airways with Spirit Airlines. They’ve also unraveled a partnership between JetBlue and American Airlines.
Last year, however, federal officials lost their bids to block the merger of Microsoft and videogame giant Activision Blizzard; of Facebook parent Meta with virtual-reality company Within Unlimited; and of insurer UnitedHealth Group with tech firm Change Healthcare.
“While we do not comment on specific enforcement matters, President Biden strongly supports fair and robust enforcement of the antitrust laws,” said White House Press Secretary Karine Jean-Pierre in a statement Thursday. “The President launched the Strike Force on Unfair and Illegal Pricing because no American should pay higher prices or lose choices because companies break the law and engage in anti-competitive practices. His Administration has taken action to fight corporate greed by banning hidden junk fees—including event tickets—that unfairly increase prices for hardworking families trying to make ends meet. As the President has said, the American people are tired of being played for suckers.”
The announcement of the federal antitrust suit against Live Nation is just a first step in what will almost certainly be a long court process, so music fans likely won’t encounter lower ticket prices any time soon.
With additional reporting by Alina Selyukh.
Lifestyle
Smoke a joint and get deep with flowers at this guided floral design workshop in DTLA
Abriana Vicioso is the host of the Flower Hour, which takes place monthly.
(Jennifer McCord / For The Times)
Each flower carries a personal history. For Abriana Vicioso, the calla lily was her parents’ wedding flower — a symbol of her mother’s beauty. “She had this big, beautiful white calla lily in her hair,” Vicioso says. “I love my parents. They’re the reason I’m here. I’ll never forget where I came from.”
The Flower Hour begins with Vicioso announcing, with a warm smile: “Today is about touching grass.” The florist-by-trade gestures behind her to hundreds of flowers contained in buckets — blue thistles, ivory anemones and calla lilies painted silver — all twisted and unfurling into the air. “Tonight is going to be so sweet and intimate,” Vicioso says, eyeing the beautiful chaos at her feet. A grin buds across her face.
Moments before the workshop, participants sit at candlelit tables exchanging horoscopes and comparing their favorite flowers. A mention of the illustrious bird-of-paradise flower elicits coos and awe from the women. Izamar Vazquez, who is from Jalisco, Mexico, reveals her fondness for roses, which make her feel connected to her Mexican roots.
Vicioso hosts her flower-themed wellness workshop near the iconic Original Los Angeles Flower Market in downtown L.A. In January, the first Flower Hour event sold out, prompting her to make it a monthly series. Vicioso describes the event as a “three-part journey” where participants are invited to drink herbal tea, smoke rose-petal-rolled cannabis joints and create a floral arrangement. “The guide is to connect with the medicine of flowers,” Vicioso says.
Rose petal joints, tea and flower arranging are all part of The Flower Hour event’s offerings.
The event is hosted at the Art Club, a membership-based co-working space. “The Flower Hour is really beautiful. Everyone gets to explore their creativity while meeting new people,” says Lindsay Williams, the co-owner of the Art Club.
The idea for Flower Hour came to Vicioso during a conversation with her mother. “We joke all the time that flowers were destined to make their way into my life,” she says. She works as a florist and models on the side, even appearing in the pages of Vogue. Vicioso grew up in a Caribbean household, where flowers and offerings were part of daily life. “In my culture and religion, a lot of my family practices — an Afro-Caribbean religion — we build altars.”
Like many cultures, flowers carry sentimental value in her religion. “I’m Caribbean, so a lot of my family practices a Yoruba religion, which comes from Africa. In the Caribbean, it’s well known as Santería.”
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After a difficult year and a breakup, Vicioso wanted to marry her love of flowers with community building. Because Vicioso uses cannabis medicinally, the workshop naturally includes a smoking component. “My family has smoked cannabis for a lot of reasons for a long time. It’s a really healing plant,” she explains.
In the workshop, even the cannabis gets the floral treatment. Vicioso presents her rose-petal-wrapped joints on a silver platter at each table. She rolled each by hand. “If you’ve never smoked a rose-petal-rolled joint, the difference with this is it’s going to have roses that have a slight tobacco effect,” she announces.
During the workshop, Vicioso stresses the importance of buying cannabis from local vendors. The cannabis provided was purchased from a Northern Californian vendor. The wellness workshop aims to reclaim the healing ritual of smoking cannabis. “This is a plant that has been commercialized,” Vicioso says. “There’s a lot of Black and Brown people who are in jail for this plant.”
The resulting workshop is what Vicioso describes as “an immersive wellness experience that is the intersection of wellness, creativity, community and an appreciation of flowers.” The workshop serves as a reminder to enjoy Earth’s innate beauty in the form of flowers — including cannabis. “It’s this gift that the universe gave us for free and that I have this deep connection with,” Vicioso says.
Conversation cards to generate discussion among participants (top, letf). The workshop serves as a “third space” for Angelenos to engage in tactile creativity and community building outside of traditional nightlife settings.
After enjoying lavender chamomile tea and smoking a joint, Vicioso introduces the flowers to the group before inviting them to pick their own. She emphasizes each flower’s personality traits, describing green dianthus as a “Dr. Seuss” plant. Then, there are calla lilies with their “main character moment.” It gets personal. “Start thinking of a flower in your life that you can discover,” she says. “If you’re feeling like you need inspiration, you can always remember that these flowers have stories.”
Vicioso infuses wisdom into her instruction on floral arrangements: There are no mistakes. Let the flowers tell you where they want to go, she urges. Intuition will be your guide — the wilder, the better.
“Hecho in Mexico” reads a sticker on a bunch of green stems. “Like me,” says Vazquez with a laugh. “They’re all doing their own thing. Like a family,” she says later, arranging stems.
The Flower Hour participants and Vicioso, center, chat as they build their own floral arrangements at the sold-out event.
Two participants — Vazquez and Rebeca Alvarado — are friends who run a floral design company together called Izza Rose. Like Vicioso, the friends have a connection to flowers through their Latin American culture. They met Vicioso in the floral industry and were overjoyed to discover her workshop.
“This is a great way to connect with other people,” says Vazquez.
Alvarado agrees, adding: “You’re getting to know people outside of going to bars. You can connect in different ways when there’s an activity.”
Vazquez uses flowers to stay connected to her Mexican heritage, adding that she prefers to support Mexican vendors. In recent months, the downtown L.A. flower market has struggled to recover from ongoing ICE raids. “Some are scared to come back,” says Vazquez.
Hand-rolled cannabis joints wrapped in rose petals are presented on a silver platter at The ArtClub (top, right). The Flower Hour aims to reclaim the healing rituals of cannabis and flowers.
Another participant, Barbara Rios, was attracted to the workshop for stress relief. “You can hang out with your friends, but it’s nice to do things with your hands,” she says. “I work a stressful job, and it’s nice to have that third space that we’re all craving.”
On this February night, the participants were predominantly women, save for one man. In the future, Vicioso hopes that more men learn to engage with flowers. “There’s a statistic about men receiving flowers for the first time at their funerals, and I think we have changed that,” she says.
To conclude the workshop, Vicioso encourages participants to build lasting friendships and incorporate flower arranging into their daily practice — even if it’s just with a small, inexpensive bouquet.
“Get some flowers together, go to the park, hang out with each other and hang out with me,” she says. Participants leave with flower arrangements in hand. In the darkness of the night air, it briefly looks as though the women carry silver calla lilies that are blooming from their palms.
Lifestyle
‘Wait Wait’ for February 28. 2026: Live in Bloomington with Lilly King!
An underwater view shows US’ Lilly King competing in a heat of the women’s 200m breaststroke swimming event during the Paris 2024 Olympic Games at the Paris La Defense Arena in Nanterre, west of Paris, on July 31, 2024. (Photo by François-Xavier MARIT / AFP) (Photo by FRANCOIS-XAVIER MARIT/AFP via Getty Images)
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This week’s show was recorded in Bloomington, Indiana with host Peter Sagal, judge and scorekeeper Bill Kurtis, Not My Job guest Lilly King and panelists Alonzo Bodden, Josh Gondelman, and Faith Salie. Click the audio link above to hear the whole show.
Who’s Bill This Time
State of the Union is Hot; The Tribal Council Convenes Again; A Glow Up In the Doll Aisle
Panel Questions
The Toot Tracker
Bluff The Listener
Our panelists tell three stories about a travel hack in the news, only one of which is true.
Not My Job: Olympic Swimmer Lilly King answers our questions about Lil’ Kings
Olympic Swimmer Lilly King plays our game called, “Lilly King meet these Lil’ Kings” Three questions about short kings.
Panel Questions
Cleaning Out The Cabinet; Bedtime Stacking
Limericks
Bill Kurtis reads three news-related limericks: Getting Cozy With Cross Country Skiing; Pickleball’s New Competition; Bees Get Freaky
Lightning Fill In The Blank
All the news we couldn’t fit anywhere else
Predictions
Our panelists predict, after American Girls, what’ll be the next toy to get an update.
Lifestyle
Zendaya and Tom Holland Are Married, Her Longtime Stylist Claims
Law Roach
Zendaya and Tom’s Wedding Already Happened …
Y’all Missed It!!!
Published
Zendaya and Tom Holland are married … so claims her longtime stylist, Law Roach.
Here’s the deal … the celebrity stylist — who started styling Zendaya way back in 2011 — spoke to Access Hollywood on the Actors Awards red carpet where he sang out “The wedding has already happened, you missed it.”
Waiting for your permission to load the Instagram Media.
The AH reporter asks in shock if that’s true … and, Law responds by saying it’s “very true” before walking off.
This isn’t the first time Tom and Zendaya’s relationship status has made headlines on a red carpet … remember at the Golden Globes in 2025, Zendaya had a ring on that finger — and, the next day, we found out the two were engaged.
TMZ.com
Zendaya and Tom met on the set of “Spider-Man: Homecoming” in 2016, started dating a couple years later and went public with their relationship in 2021.
We’ve reached out to Tom and Zendaya’s teams … so far, no word back.
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