Lifestyle
In 2024, our TV critic was grateful for fantastic shows and familiar faces
Andrew Scott starred in the Netflix series Ripley, which was the most stunningly shot show TV critic David Bianculli saw in 2024.
Stefano Cristiano Montesi/Netflix
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Stefano Cristiano Montesi/Netflix
I watch more television than anyone I know — and even I can’t pretend to have seen enough to compile a comprehensive end-of-year top 10 list. What I can do is run through a list of the best things I’ve seen, and why I like them so much. And also, to note a trend or two that seem unique to the current year. If you’re looking for great TV to binge over the holidays, consider this a quick guide.

One show that may not make many 2024 top 10 lists, because of its last-second arrival, is the return of Squid Game. Season 1 of this South Korean drama series premiered on Netflix three years ago, and was a surprise but well-deserved hit. Season 2 doesn’t drop until the day after Christmas — but I’ve previewed it, and it’s a worthy successor. It expands the focus, the perspectives, even the number of games, and is as brutal, yet as beautifully photographed and intensely acted, as the original. And speaking of beautifully photographed, let’s give a nod to another Netflix series, Ripley, the most stunningly shot TV series I saw in 2024.
The best nonfiction shows I saw all year? Beatles ’64 on Disney+, and Leonardo Da Vinci on PBS. The best talk shows? HBO’s Last Week Tonight with John Oliver and Netflix’s John Mulaney Presents: Everybody’s in L.A. The best scripted drama and comedy shows? Many were returning series with strong outings in 2024. The latest season of FX’s Fargo, with Juno Temple and Jon Hamm, was stunning, surprising and impossible to forget — my favorite series of the year.

Season 2 of Netflix’s The Diplomat, starring Keri Russell as the U.S. ambassador to Great Britain, built to a point where it was almost too tense to watch, and ended with a cliffhanger guaranteed to make Season 3 even more of a thrill ride. The latest season of Hulu’s The Bear, about workers in and around a newly launched high-end Chicago restaurant, disappointed some, but not me — I ate it all up, especially the final episode.

On the lighter side, the 2024 season of another Hulu series, Only Murders in the Building, was a comedy triumph, giving Meryl Streep an unexpectedly rich role to play, and play with, on TV. And the latest season of Max’s Hacks gave Jean Smart the same thing. She’s wonderful — and that show’s cliffhanger ending promises another great season to come there, too.
Two series ended in 2024, with noteworthy finales. HBO’s Curb Your Enthusiasm, the long-running Larry David comedy, went out with much attention and fanfare. The Paramount+ series Evil went out with very little. Both were very intelligent, entertaining shows that I watched, and looked forward to, every week until they ended. So farewell and thanks to Curb and Evil.
And hello to a lot of new shows that really made strong first impressions. If you like dramas about intrigue involving politicians or spies, 2024 was a banner year. Black Doves, on Netflix, had Keira Knightley as a very clandestine spy, and she and it were really good. The Madness, starring Colman Domingo as a TV pundit accused of murder, and on the run — a sort of updated version of The Fugitive — also is on Netflix, and is even better than Black Doves. And best of all is The Agency, a new spy series on Showtime and Paramount+ that stars Michael Fassbender, Jeffrey Wright and Richard Gere. It’s rolling out weekly at the moment, and is another of the great shows I’ve seen this year.

HBO’s The Penguin surprised me, very pleasantly, with its plot and intensity, and with its impressive leading performances by Colin Farrell and Cristin Milioti. Netflix’s Nobody Wants This, a sort of 21st-century Bridget Loves Bernie, was surprising too — funny and tender and romantic in all the right measures. Also deserving of mention, and definitely worth watching: FX’s remake of the miniseries Shōgun; Netflix’s A Man on the Inside, starring Ted Danson in yet another excellent TV series; and Agatha All Along, the imaginative, very musical Disney+ sequel to WandaVision.

Watch enough of these great shows — as I did — and you’ll notice some recurring patterns. Some of the same actors popped up in very different places. Jamie Lee Curtis returned as the unstable mother on The Bear — but she also played a ruthless hit woman in Prime Video’s The Sticky. Jodie Turner-Smith, whom I singled out for her great acting in Bad Monkey as the Dragon Queen, shows up as the female lead in The Agency — and is amazing again, in a completely different type of role. And Tracey Ullman, who was so funny as Larry David’s unwanted live-in girlfriend on Curb Your Enthusiasm, also showed up at the end of Black Doves, playing a very serious, potentially lethal adversary to Knightley’s undercover spy — and, for Ullman, a drastically, impressively different type of role.
Another trend I noticed was how many shows in 2024 featured actors of a certain age — not just in toss-away or clownish roles, but in meaty parts that these veteran performers elevate even higher. I’ve mentioned some already, from Gere to Streep, but I saw more on TV in 2024 than in any year in decades. These include some of the best performances in some of the year’s best shows: Martin Short and Steve Martin in Only Murders; Helen Hunt and Christopher Lloyd in Hacks; Sally Struthers in A Man on the Inside; and Margo Martindale in The Sticky.

I’m happy to see them all working, and thriving, even in a year when the TV terrain has been tougher to navigate — not only for those working in the medium, but those of us watching it. I’m also happy to have seen so many good and great shows in 2024, even if I know I’ve missed many more.
To sum up, I want to talk about a scene that comes up near the end of my favorite show of the year. It comes near the end of my favorite show of the year, Noah Hawley’s Fargo. A mysterious and lethal killer visits a suburban home, intending to kill the family within, but is greeted instead with disarming kindness. The father hands him a cold bottle of orange soda, then clicks it against his own. The killer replies with a short and simple phrase — but it’s a phrase that captures perfectly my overall attitude towards television in the year 2024.
“A man,’ he says, slowly but appreciatively, “is grateful.”

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L.A. Affairs: It’s hot when a man drives to me. But would this new guy make the trek from the Valley?
I met Dan on Hinge.
He lives in Woodland Hills, and I live in Venice. In Los Angeles, this is considered a long-distance relationship. In another city it might be nothing. Here, it’s a factor.
But I believe that with the right person, you can make anything work, so I stay open. I’m a native New Yorker, and if I were living in Brooklyn and a guy lived on the Upper West Side, that would be a 45-minute subway ride, which is truly nothing in New York. So with that same logic, I try to have flexibility with men in L.A.
When we started planning our first date, Dan suggested three options: a hike on mushrooms, a wine tasting or a walk on the beach.
A hike on mushrooms is something I’d only do with someone I already trust, not someone I just met online. I don’t do first-date hikes because I don’t like feeling trapped if the guy’s a dud. So I chose the wine tasting.
Then I learned the wine tasting was in West Hills.
On a Friday night, driving there from Venice would be insane. So I said I didn’t want to meet there because of the traffic. He suggested Malibu. That was also not ideal on a Friday.
I was getting annoyed — this was a pink flag because in my dating world, the guy is supposed to come to the woman’s neighborhood in the early days. I’ve gone out with plenty of men from the Valley who effortlessly suggested they come to me. It’s not rare or impossible.
I suggested he come to the Westside. I didn’t specifically say Venice, and in hindsight, I probably should have. He landed on Brentwood, which was manageable for both of us. On our first date, we met at an Irish pub on Wilshire Boulevard. He was cuter and more interesting than I had expected, and with the Guinness flowing, we had fun.
When I got home, he texted me: “Well, I like you 🙂 Less the tik tok and the lack of rock music in your life, but it’s not a deal breaker — there are other qualities 🙂 What are your thoughts?”
I noticed the slight negativity but was mostly dazzled that a man texted immediately after the date to say he liked me. In the modern dating economy, this felt rare.
The next day, both of our evening plans fell through, so we made a last-minute date. The wine tasting he originally suggested still sounded like fun, and although it meant me driving to the Valley, I was up for it now that we’d met.
We sipped flights at Malibu Wines & Beer Garden in its airy, romantic courtyard and played a flirty version of Truth or Dare. Halfway through, he dared me to kiss him.
We ended with sushi on Ventura Boulevard and a short make-out session in his car. He invited me to Thanksgiving at his uncle’s, which felt too soon, but also sweet.
After the second date, he texted and said he had his kids that week and was also hosting an event on Thursday, so his only day to meet was Wednesday. I said great.
On Tuesday night, he checked if we were still on, and I said yes.
Then he texted: “I’m flexible on time but not on location. I have a big event on Thursday, hopefully you can come to me again.”
My stomach tightened. This again?
So I texted back: “I drove to you last time, which was a bit of an exception for me especially in the early days, but the wine tasting location sounded special. Usually guys come to my area. How about we switch it up this time?”
He replied: “I appreciate the effort! Because of my event, I’d rather be close to a computer just if needed … Here is what i offer:
— I’ll come to your area anytime next week/end
— Lunch/dinner on me
I want to continue where we stopped last time 😉 No pressure of course, but let’s snuggle”
I responded: “Ok let’s meet next week. Snuggles sound nice … let’s see what happens …”
Then he wrote: “So I won’t see you tomorrow?”
I replied: “Unless you wanna come to me and bring your laptop along, let’s rain check until you have more flexibility.”
He said: “Dang, you are hard. I’ll let you know tomorrow around midday if it’s ok.”
And then — surprise — he decided to come.
He drove to Venice for a 5 p.m. date. He said his ETA was 5 p.m., and it ended up being 5:25 p.m., typical 405 Freeway.
When he showed up, he was in a cranky mood. On our way to KazuNori in Marina del Rey, I thanked him for picking me up and told him I think it’s hot when the guy comes to the girl.
“You’re just saying that because you want me to come to you more,” he said, not playfully, but aggressively.
That was basically the end for me. But there I was, in his car, heading to dinner. So I stayed pleasant and tried to make the best of it.
I shared that in the early stages of dating, I find it’s good etiquette for the guy to come to the woman’s neighborhood. He immediately disagreed and started ranting about how dating rules are ridiculous and how they swing in women’s favor. He resented paying for dates and declared he wasn’t looking to “sponsor a woman’s life.”
“If women want equality and equal rights,” he said, “then it should apply all across the board, including dating, and the man shouldn’t have to pay.”
I said women don’t actually have equal rights because we get paid less than men and often receive lower salaries than men in the same position.
I tried to change the subject and reset the mood, but he insisted we keep hashing it out.
I tried to explain masculine/feminine dynamics: providing and protecting, giving and receiving.
“What does the man get out of this arrangement?” he asked.
It was like watching someone’s personality warp into Mr. Hyde. Then he brought up another point: He’s a single dad of two kids, so he gets tired; and because I don’t have kids, that should factor into who drives where.
At this point, I was barely engaging and focused on eating my hand rolls, and I couldn’t wait to get home.
The check came, and I happily split it, wanting nothing further from him.
In the car back to my place, he remarked: “It’s obvious we’re never gonna see each other again.”
Obvious, but did it need to be stated?
Then he showed me a Spotify playlist he’d made for me of his favorite electronic music, because he knows I like EDM.
“Oh, that’s sweet,” I said.
“Yeah, that’s how I show interest. Through things like this, not who drives to who,” he replied.
When I got out of the car, we wished each other luck, and I headed inside and shut the door.
Two hours later, he sent me the playlist. I’ve yet to listen to it.
It wasn’t the distance that ruined it. It was the resentment. I’m not looking for a man who feels burdened by the effort. I’m looking for a man who sees the value of courting a woman in the first place.
The author is a writer, comedian and former psychologist who lives in Venice. She is the creator of the new vertical series “Manfari.” She’s on Instagram: @solange_neue and @manfari.show.
L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.
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