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How to tour a haunting Santa Barbara estate that's been frozen in time for half a century

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How to tour a haunting Santa Barbara estate that's been frozen in time for half a century

The house, a French palace on a Santa Barbara bluff, stands as undisturbed as a crime scene, a pair of unstrung harps in the music room, china laid out on the dinner table, waves crashing on East Beach below.

This is the mansion that heiress Huguette Clark left behind — well, one of them. For half a century, as Clark (1906-2011) paid an estimated $40,000 per month to keep it unchanged, the coveted estate known as Bellosguardo remained no livelier than the cemetery next door.

Tour group enters Bellosguardo Estate, Santa Barbara.

A tour group waits to enter Santa Barbara’s Bellosguardo Estate. (Christopher Reynolds / Los Angeles Times)

But now outsiders trickle in. For the last year and a half, the Bellosguardo Foundation has been quietly offering ground-floor tours for $100 a head, and it may soon open up more of the long-idle estate to visitors.

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For anyone fascinated by great estates, robber barons, generational wealth or just human psychology, the tour is a chance to see territory that’s been off-limits for decades. It’s also a haunting illustration of what money can buy and what it can’t.

“We used to come to the cemetery and peek over the wall,” confessed Patti Gibbs, a longtime Santa Barbara resident who was among those on hand for the 10 a.m. tour one recent Wednesday.

“I’ve been waiting for them to let me in since I read the book years ago,” said visitor Peggy Simmons of Ojai.

The book she mentioned is “Empty Mansions,” by Bill Dedman and Paul Clark Newell Jr., which lays out the history of the Clarks and their homes in California, New York and Connecticut.

But stepping into the story is different from reading it. With docents Susan Bush and Cindy McClelland leading the way, Gibbs, Simmons and a handful of other visitors entered the front door.

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The dining room, set with dinnerware.
One of many custom chanderliers in the Bellosguardo Estate, Santa Barbara.
A portrait in Santa Barbara's Bellosguardo Estate shows heiress Huguette Clark.

The dining room, set with dinnerware. One of many custom chandeliers — this one hangs in the mansion’s art studio. A portrait in the estate shows heiress Huguette Clark, who died in 2011 at age 104. (Christopher Reynolds / Los Angeles Times)

The music room of the estate.

The music room of the estate.

(Christopher Reynolds / Los Angeles Times)

They examined the telephone room to the left, then the coat room to the right (with a portrait of a French World War I hero on the wall) and the Steinway piano at the foot of the spiral staircase. And they listened closely as the docents addressed the morning’s central questions:

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Where did the money come from? And why did Huguette Clark put the mansion on pause?

The first answer is copper, mined, sold and leveraged by a slight, bearded man named William Andrews Clark.

Clark (1839-1925), born in a Pennsylvania log cabin, got rich in copper mining and built his first mansion in Butte, Mont. Later he built a railroad from Los Angeles to Salt Lake City, opened banks, mined more copper in Arizona, co-founded Las Vegas (seat of Clark County) and built another mansion, a 121-room behemoth on Fifth Avenue in Manhattan. (It has since been razed.)

Clark and daughters visit Columbia Gardens, which he built in Butte.

Clark and daughters Andrée, left, and Huguette visit Columbia Gardens, which he built in Butte, Mont. It was about 1917.

(Montana Historical Society)

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“He’s one of the richest men that nobody’s ever heard of,” McClelland told the visitors.

Along the way Clark got married, fathered seven children, lost his first wife to typhoid fever, remarried in his 60s and fathered two additional daughters. He also got caught bribing Montana state legislators, yet served a term as U.S. senator from that state. And his name does endure here and there.

His son, William Andrews Clark Jr., made the donations that started UCLA’s William Andrews Clark Memorial Library. Also, you could say the senior Clark inspired Mark Twain.

Clark, Twain wrote, “is as rotten a human being as can be found anywhere under the flag; he is a shame to the American nation, and no one has helped to send him to the Senate who did not know that his proper place was the penitentiary, with a ball and chain on his legs.”

Much of the Bellosguardo story, however, is about the next generation of Clarks. As the group advanced through the house, admiring custom chandeliers and golden bathroom fixtures, the docents pushed the narrative forward.

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A chandelier dangles in the library of the Bellosguardo Estate in Santa Barbara.

A custom-made chandelier dangles in the library of the Bellosguardo Estate in Santa Barbara.

(Christopher Reynolds / Los Angeles Times)

Bellosguardo Estate, Santa Barbara.

Bellosguardo Estate, Santa Barbara.

(Christopher Reynolds / Los Angeles Times)

By summer 1923, when Clark and his second wife, Anna, arrived as renters at this 23-acre property above East Beach, he was one of the world’s wealthiest men. But he was in his mid-80s, 39 years older than Anna. Four years earlier, the couple had lost their older daughter, 16-year-old Andrée, to meningitis. Their surviving daughter, Huguette Clark, was now 17.

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The Santa Barbara summer went well. By year’s end, the Clarks had bought the place for $300,000. But less than two years later, Clark died, leaving Anna and Huguette with a chunk of his fortune, the Santa Barbara property and the Italianiate villa that stood upon it, nicknamed Bellosguardo, or Pretty View.

So why, then, do visitors today walk through a French palace and not an Italian villa?

Because in 1933, as the country struggled with the Great Depression, Anna and Huguette Clark decided to level the villa (which had been damaged by a 1925 earthquake) and start over. Since they had lived several years in Paris and often spoke French to each other, they liked the idea of something French — a notable change from the Spanish Colonial projects popping up all over Santa Barbara.

Architect Reginald D. Johnson, designer of the Biltmore hotel in Montecito, delivered a rigorously symmetrical gray stone building (including one door that opens to nowhere) that paid minimal attention to ocean views. Two stories, 27 rooms, 13 fireplaces.

A sculpture in Santa Barbara's Bellosguardo Estate.

A sculpture in Santa Barbara’s Bellosguardo Estate shows Andrée Clark, a daughter of copper mogul William Andrews Clark who died in her teens. (Christopher Reynolds / Los Angeles Times)

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Santa Barbara's Bellosguardo Estate include an art studio full of paintings by and of heiress Huguette Clark.

Santa Barbara’s Bellosguardo Estate include an art studio full of paintings by and of heiress Huguette Clark, who is seen in the work on the easel. (Christopher Reynolds / Los Angeles Times)

Grounds, Bellosguardo Estate, Santa Barbara.

Grounds, Bellosguardo Estate, Santa Barbara.

(Christopher Reynolds / Los Angeles Times)

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It’s subdued, but not dull. As visitors see, there’s a circular women’s powder room. Carved maple panels line walls in one room, while 160 carved oak panels dominate another. The building wraps around a stately pond, much of the furniture dates to the 18th century and the walls are hung with paintings of the French countryside and, in just about every room, portraits of Andrée and Huguette as doe-eyed girls.

“Reminds me of Hearst Castle,” said visitor Cherie Visconti, eyeing the dining room.

On the library shelves, Voltaire and George Eliot are joined by Agatha Christie and Erle Stanley Gardner, the Ventura lawyer and author who created Perry Mason.

The Clarks never lived here full time. By the foundation’s estimation, the mother and daughter made 14 visits (by train) between 1936 and 1953, staying about 18 months in all.

On those stays, Huguette, known for being shy but smart, played piano and violin, collected dolls and painted, including many portraits and still lives now hanging under the high ceilings of the mansion’s art studio. Having been married and quickly divorced in her 20s, Huguette didn’t date much.

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Anna, an accomplished musician, played the harp and sponsored a string quartet (whom she outfitted with Stradivarius instruments).

Dining room, Bellosguardo Estate, Santa Barbara.

Dining room, Bellosguardo Estate, Santa Barbara. (Christopher Reynolds / Los Angeles Times)

Portraits in the Music room of Santa Barbara's Bellosguardo Estate include a piano-top photograph of heiress Huguette Clark.

Portraits in the Music room of Santa Barbara’s Bellosguardo Estate include a piano-top photograph of heiress Huguette Clark. She is also shown in the oil painting in the background. (Christopher Reynolds / Los Angeles Times)

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But by 1953, Anna Clark’s health had become too delicate for the train ride west, and Huguette stayed east as well. After Anna Clark died in 1963, Huguette, now in her 50s, continued to stay away. Later, she said that Bellosguardo held so many reminders of her absent mother that it made her sad. But not sad enough to let it go.

Now without her sister, father, mother, partner or a job, Huguette kept more to herself. She took pleasure in commissioning dolls and dollhouses, sending gifts to artisans, employees and their children. She checked photographs to make sure that staffers were keeping Bellosguardo unchanged, from the doghouse (whose occupant had died years before) to the 1933 Cadillac limousine and Chrysler convertible in the garage.

Then, one day in 1991, after a long spell without medical care, she summoned a doctor to her 42-room New York apartment (which was really three apartments combined). He arrived to find a wraith in her 80s, down to 75 pounds, suffering from multiple cancers that had disfigured her face.

Yet she survived. Once Huguette had been transported to a New York hospital, she responded well to surgeries. Choosing to remain in the hospital and rejecting all suggestions that she move home, she regained her health and lasted until her death more than 20 years, shortly before her 105th birthday.

For all those years, she not only left Bellosguardo empty but also a Connecticut mansion and the Manhattan apartment. From her hospital room, she bought more dolls, commissioned dollhouses, bid at auctions and rebuffed hospital officials when they pressed too often for donations. Meanwhile, she traded calls and letters with friends and employees, showering gifts on her favorites.

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Grounds, Bellosguardo Estate, Santa Barbara.

Grounds, Bellosguardo Estate, Santa Barbara.

(Christopher Reynolds / Los Angeles Times)

Over those last 20 years, authors Dedman and Newell write, Huguette spent an estimated $30 million on gifts (including six homes) for her day nurse, Hadassah Peri, who routinely worked seven-day weeks.

In many respects, they wrote, the Clark family saga is a classic folk tale — “except told in reverse, with the bags full of gold arriving at the beginning, the handsome prince fleeing and the king’s daughter locking herself away in the tower.”

The fighting over her estate persisted for years (she left two wills). In time, the Bellosguardo Foundation was created to operate the Santa Barbara mansion as an arts center. To some degree, this is par for the course in the neighborhood. Casa del Herrero in nearby Montecito has been hosting visitors for years, as has Lotusland, renowned for its gardens. But years passed before the first Bellosguardo tours happened, a delay that sparked complaints from some in Santa Barbara.

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Now, the foundation director and docents say, an expansion of the tours is at hand.

Foundation Executive Director Jeremy Lindaman estimated that 100 to 150 people take tours each week. Others visit as part of occasional special events, such as a flamenco dance presentation that took place on the grounds last month during Santa Barbara’s Old Spanish Days Fiesta.

Bellosguardo tours

What: 90-minute tours led by a volunteer docent. Visitors must be at least 14, and no indoor photography is allowed.
When: Usually offered Wednesdays through Sundays, two or three per day.
Where: Bellosguardo, 1407 E. Cabrillo Blvd., Santa Barbara
Cost: $100
Info: For details and to sign up to be notified of tour openings, visit the Bellosguardo Foundation website

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By late fall, Lindaman said, he’s hoping to add a second tour that covers the mansion’s more intimate quarters, including bedrooms and service areas. A coffee-table book is in the works, as well.

“Everything that was here when she died is still here,” Lindaman said.

But booking a tour is a two-step exercise. Instead of offering direct booking through the Bellosguardo website, the foundation asks would-be visitors to sign up for notification. Every two months, an email goes out and tour slots fill quickly.

Thanks in part to this process and the price, Bellosguardo remains a well-kept half-secret. For many in Santa Barbara, the family’s most visible legacy is not the mansion but the Andrée Clark Bird Refuge, a 42-area city park and lagoon just north of Bellosguardo, that Huguette Clark paid to create and maintain in her sister’s name.

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Yet among those who get inside Bellosguardo’s gates, Huguette Clark and her family are still sparking speculation.

Walking the rooms, “You just feel that family,” said Penny Simmons. “Sad things happened around here.”

“I didn’t know she was such a fine artist,” Patti Gibbs said at the end of her tour.

“We think she lived the life she wanted to live,” said her docent guide, McClelland.

“She was not crazy,” said Peter Higgins of Oxnard. “She knew what she was doing right up until the end.”

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Lifestyle

She’s the so-called Womb Witch of L.A. Here’s why her clients keep returning

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She’s the so-called Womb Witch of L.A. Here’s why her clients keep returning

Leigh McDaniel always knew she was destined to become a witch. Growing up in Hawaii, she came from a long line of “kitchen witches,” she explains — women who intuited measurements, spices and when a cake was done from the next room. “There was always a part of me that was like: Yeah, I’m a witch,” says McDaniel from her California sun-soaked studio.

Today, McDaniel — who calls herself a “womb witch”— practices a different kind of magic: pelvic care bodywork. Based in a bright studio in Glendale, McDaniel serves clients of all genders. Before each session, McDaniel invites clients to share their personal histories, and then McDaniel performs bodywork through touch as sage smoke curls in the air.

“A person who left today had their first session and was like, ‘I’m so much lighter in my body,’” McDaniel says.

McDaniel’s work is rooted in holistic pelvic health and touch therapy, which she discovered after giving birth to her second child at age 46. Before her daughter was born, McDaniel says she met her in a dream. The child introduced herself as “Luna.” The name stuck. After her birth, McDaniel theorized that her daughter had “reorganized her pelvic bowl.” When she sought out answers from her midwife and OB-GYN, they were dismissive; the experience prompted her to explore alternative care.

“It sent me down a few rabbit holes,” McDaniel says. “Previously, I had studied naturopathy with the intention of going to a naturopathic school — herbalism, Reiki and light touch therapy.”

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Leigh McDaniel says that after one session her clients often feel an immediate shift in their bodies.

(Dania Maxwell / For The Times)

While body wisdom and alternative healing are framed as part of the Goop-conscious modern wellness movement, McDaniel explains that these practices are not new. She cites Ubuntu, a South African philosophy that informs her healing approach. “Indigenous practices knew how to hold people in trauma,” she says. “We’re only just beginning to figure it out.”

After an explanation of the nervous system, consent and the pelvic floor, her sessions begin with McDaniel burning sage or mugwort while the client is on the table. She asks for consent before touching the client and offers a prayer or blessing. McDaniel explains she’s feeling for energy before moving on to the abdomen, where she applies various levels of pressure. She compares it to a guided meditation as she incorporates breathwork while asking clients to breathe into her fingers. She emphasizes that the client controls the pace and asks for consent at each step.

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“I think consent and boundaries are so critical to taking care of your body,” she says.

The intimate nature of McDaniel’s practice has garnered attention — and occasional skepticism. Comedian Ali Macofsky, for example, says with a smile, “I go in person to this womb witch,” on “The Endless Honeymoon” podcast. The hosts are baffled and intrigued. Macofsky adds, “It feels very old school the way women have to go through things.”

Macofsky discovered Leigh through actor and comedian Syd Steinberg who highly recommended her work. “I went to help with some CPTSD [complex post-traumatic stress disorder] and TMJ [temporomandibular joint] pain and she helped,” says Steinberg. “She really is a miracle worker.”

Macofsky was intrigued by the whimsical title of “Womb Witch.” “I was like, I’ll make an appointment and see what happens.” After a phone call, McDaniel explained that she helped clients with physical intimacy and sexual trauma through bodywork. The comedian was hooked.

Macofsky notes that in a culture where female pleasure is not prioritized, it’s hard to know where to seek advice. After a session with Leigh where she discussed advocating for oneself sexually, Macofsky began to see the results take hold in surprising ways. “It’s helping me in other areas where normally I’d be uncomfortable to advocate for myself or speak up about what I want.”

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Clients seek out the womb witch for a variety of reasons. Some report physical discomfort during sexual encounters, while others come after experiencing sexual assault, abuse or consent violation. At other times, clients may experience stiffness or pain that McDaniel believes may be a reaction to trauma.

Her session also focuses on sexual health. McDaniel gives her clients a tutorial on pleasure anatomy and consent, most recently teaching sexual health lessons to a gathering in Silver Lake. “I like to show a lot about the pleasure anatomy, the mobility of the uterus, and where the cervix is at different times of the month,” she explains.

McDaniel argues that pleasure is an important part of daily life. “Female pleasure is finally being noticed,” she says. “Pleasure is a birthright. There’s pleasure and there’s grief. To be full-spectrum humans, we need to be feeling pleasure.” McDaniel cites that recent studies claim the clitoris has 10,000 nerve endings.

Leigh McDaniel holds a bowl of coconut and castor oil that she often uses with clients.

Leigh McDaniel holds a bowl of coconut and castor oil that she often uses with clients.

(Dania Maxwell / For The Times)

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McDaniel says that everyday stress — including sexual harassment and misogyny — manifests in the body, often leading to chronic pain. “In patriarchy, the comments land in your body, and you find yourself bracing every time you pass them,” she says. “They can seem so small and harmless, but even those little things add up. They’re felt. It’s part of feeling unsafe in the world.”

Though many people struggle to navigate the American healthcare system, more Americans are turning to a spiritual wellness approach. The National Institutes of Health reports that holistic care methods such as meditation, acupuncture and yoga have grown significantly in recent years. Ancient Chinese medicine techniques have gone viral on TikTok, capturing the attention of Gen Z. “People are more willing to look outside the Western medicine model,” McDaniel explains. “I have people that come here to see me because of medical trauma too.”

Dr. Tanaz R. Ferzandi, director of urogynecology and reconstructive pelvic surgery at Keck Medicine of USC, believes that holistic medicine can be a potent adjunct to more traditional remedies. She has recommended acupuncture to her patients who have experienced sexual trauma. “The whole idea of acupuncture is you’re lying there, and coming to peace with yourself and your body,” she explains. “It’s a forced therapy where you can be alone with yourself and shut out the rest of the world.”

Simultaneously, Ferzandi believes a healthy amount of skepticism is good. “We have to stay scientific — what’s the evidence behind it? As long as women understand that we don’t know if there’s data to support some of the things they’re doing,” she says. “I’m very cautious about touting certain things that are somehow going to be a panacea.”

McDaniel’s explains its rare she encounters skeptics at her practice. “I never try to convince anyone to come in for a session,” she says. “There are scientific studies on the efficacy of different types of work that are adjacent to, or similar to what I do, but nothing exact.”

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She acknowledges elements of her work are difficult to quantify. “There is also a mysterious space between bodies, the client and myself, where something happens that I cannot really explain, but it feels magical,” she says. “I don’t think any of this would convince anyone who is inherently skeptical though.”

McDaniel views her daughter Luna’s birth as the inciting incident into her true calling — becoming the “Womb Witch.” “Everything that happened to my own body after her birth, it was a calling to do this,” she says. “I’ve done so many things, and this is the first time I really feel settled in what I do.”

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N.F.L. Style Will Never Beat N.B.A. Style

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N.F.L. Style Will Never Beat N.B.A. Style

You want to see some real fashion ingenuity? Watch the N.F.L. draft.

I’m not saying it’s all good, but where else are you going to see someone in a double-breasted suit made by a company better known for making yoga pants? Or an Abercrombie & Fitch suit jacket so short that it exposes the belt loops on the pants beneath?

On the whole, the style on display at the N.F.L. draft last night was very overeager senior formal: a lot of suits in colors beyond basic blue. The quarterback Ty Simpson wore a custom suit by the athleisure label Alo, which, I have to say, looked better than I would have envisioned had you said the words “Alo Yoga suit” to me.

I thought it might have been from Suitsupply, but the conspicuous “Alo” pin on his right lapel put that idea to rest. Simpson, smartly, unfastened that beacon before appearing onstage as the 13th pick to the Los Angeles Rams. He had, perhaps, satisfied his contractual obligations by that point.

Earlier in the evening, as the wide receiver Carnell Tate threw up his arms in exaltation after being picked fourth by the Tennessee Titans, his cropped Abercrombie & Fitch jacket revealed a swatch of rib cage. He looked like a mâitre d’ who had just hit the Mega Millions.

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During the N.B.A.’s extended fashion awakening, its draft has become a sandbox for luxury brands to cozy up to would-be endorsers. The Frenchman Victor Wembanyama broke a kind of cashmere ceiling when he wore Louis Vuitton to go first overall in the 2023 N.B.A. draft.

The N.F.L. draft has none of that. The brands you see are often not brands at all, but custom tailors that reach the league’s neophytes through a whisper network among players. The draft is also a platform to raise the curtain on longer-term brand deals that better suit these rookies. We may, for instance, never see Simpson in a suit again. Nearly every photo from his time at Alabama shows him in a T-shirt or hoodie. It makes sense for him to sign with Alo.

Football is the most mainstream of American cultural entities. And it’s one that still hasn’t, in spite of the league’s best efforts, taken off overseas. Few players, save some quarterbacks and a tight end who happens to be engaged to a pop star, feel bigger than the game itself. If you’re a new-to-the-league linebacker, you’ll most likely never harness the star power to grab the attention of Armani, but you might have just the right pull for Abercrombie.

The N.F.L. draft is therefore one of the few red carpets where the brands worn by the athletes may also be worn by those watching at home. How many people watching the Oscars will ever own clothes from Louis Vuitton or Chanel? People may comment online about Lady Gaga wearing Matières Fécales to the Grammys, but how many of those fans and viewers could afford to buy clothes from it?



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Yesterday, I published a deep dive into how a newish crop of Japanese designers are soaking up all the attention in men’s fashion right now. This was a piece I was writing in my head long before I sat down and finally started typing. I remember sitting at a fashion show in Paris over a year ago — I believe it was Dior — and being asked by my seatmate if I’d made it over to a showroom in the Marais to check out A.Presse. That Tokyo-based brand is now part of a vanguard of Japanese labels that, on many days, seems to be all anyone in fashion wants to talk about. I spent months talking with designers, store owners and big-time shoppers to make sense of why these brands have kicked up so much buzz and, more than that, what makes their clothes so great. You can read the story here.


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How to have the best Sunday in L.A., according to Tig Notaro

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How to have the best Sunday in L.A., according to Tig Notaro

Thirty years ago, comedian and actor Tig Notaro didn’t have a clear direction in life, so she followed some childhood friends who wanted to get into entertainment to Los Angeles. Secretly wanting to do stand-up, Notaro decided to try her luck at various outlets in town, which became the start of her successful career.

“I stayed on my friends’ couch near the Hollywood Improv on Melrose, and a couple months later, got my own studio apartment in the Miracle Mile area,” Notaro says. “I love all the options for everything in L.A. — the entertainment, the restaurants. I like to stay active. So many people love the hiking options in Los Angeles, and I’m one of them.”

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In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

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Notaro appears in Season 3 of Apple TV’s “The Morning Show” and is a series regular on Paramount+’s “Star Trek: Starfleet Academy,” as she was on “Star Trek: Discovery.” She’s also a touring stand-up comic and hosts “Handsome,” a comedy podcast, with Fortune Feimster and Mae Martin. The trio will be taping a live show May 4 at the Wiltern with the cast of Netflix’s “The Hunting Wives.” The live shows include interviews, but also “incorporate some ridiculous things,” she says. For example, upon hearing that some of the hosts always wanted to learn to tap dance, Notaro “hired a tap instructor to come to our live show in Austin and teach us how to tap dance in front of the audience.”

Notaro lives near Hollywood with her wife, actor Stephanie Allynne, their 9-year-old fraternal twin boys, Max and Finn, and three cats, Fluff, Linus and Skip. When she’s not touring, her ideal Sundays include sampling vegan restaurants, wandering through bookstores or museums, and doing something physically active with the family.

This interview has been lightly edited and condensed for length and clarity.

6 a.m.: Up with the kids

Because we have active children, we still wake up at 6 a.m. or 6:30 a.m. on Sunday, but there’s not as much of a rush to get going. Stephanie and I will often have coffee and chat in the living room together. I love that part of the day. Stephanie may cook breakfast, but Max and Finn are pretty self-sufficient and can make certain little meals for themselves. Max is really starting to take an interest in cooking, so he’d make breakfast for himself. Our family is vegan, but he eats eggs, so he makes himself an egg sandwich with avocado a lot of times.

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9 a.m.: Daily morning walk

After breakfast, we usually have a morning walk around our neighborhood. That’s a daily thing I like to do, regardless of what’s going on. Now that I’m not touring as much, tennis is back on the schedule. So I’d go to Plummer Park in West Hollywood and play for a while, then join the family for lunch.

11:30 a.m.: Hike with a side of chickpea sandwich

I love Trails, a cafe in Griffith Park, where you can eat outdoors. It serves simple food, and has good vegan options. I usually get their chickpea salad sandwich. The food there is great. Afterward, we’d visit Griffith Observatory, where there’s lots to see. There are lots of great trails in the park, so we’d go for an hour hike before leaving.

3 p.m.: Browse the shelves for rock biographies

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Bookstores are fun, so we’d head downtown for the Last Bookstore, which is in a historic building with lots of vintage books. I really love all things plant-based, and I’m a very big music fanatic. So I love to look for vegan books, nutrition books, rock biographies and autobiographies. It’s just fun to browse around the stacks.

If we didn’t go to the bookstore, we’d probably go to LACMA. Our sons are huge fans of art and want to go for each new exhibit. They love Hockney, Basquiat and Picasso, to name a few.

4 p.m.: Cuddle with cuties at a cat cafe

We’d then make a quick stop at [Crumbs & Whiskers], a kitten and cat cafe on Melrose for coffee, snacks and to pet the cats. It’s best to make reservations in advance. There’s cats all around the place that need to be adopted. You can visit and pet them, or find a new roommate. I’d love to take some home, but we already have three.

5:30 p.m. Italian or sushi, but make it vegan

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We’re an early dinner family. One restaurant we like is Pura Vita in West Hollywood. It’s the greatest vegan Italian food, and for non-vegans, nobody ever knows the difference. It’s the first 100% plant-based Italian restaurant in the United States. They make an incredible kale salad and I love the San Gennaro pizza. It’s got cashew mozzarella, tomato sauce, Italian sausage crumble and more.

Then there’s Planta in Marina del Rey. It’s right on the harbor and you can sit outside and look at the boats coming in and out. They have sushi, salads and other plant-based entrees. They’ve got a really great spicy tuna roll that’s made out of watermelon. They are magicians.

Or there’s Crossroads Kitchen in West Hollywood. They play the best classic rock, and the atmosphere is upscale, fine dining. The appetizers that we always get are called Moroccan Cigars, which are vegan meat substitutes fried in a rolled batter. I really like the grilled lion’s mane steak, their mushroom steak with truffle potatoes, or the scallopini Milanese, that has a chicken or tofu option. I get the chicken with arugula on top. I always love to have a decaf espresso with dessert, which is either a brownie sundae or banana pudding.

7:30 p.m.: Comfort watch or word games

After dinner, the kids often like to watch an episode of “Friends,” a show that all ages enjoy, sports or “The Simpsons.” Or we’d play a game where each of us will add a word to a sentence and create a weird or funny long sentence until one of our sons says period. Then they’ll try and remember the whole sentence and repeat it back.

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9:30 p.m.: Bubble bath then bed

The boys usually go to bed at 8:30 p.m. and bedtime for us is 9:30 p.m. Stephanie and I would read or chat. I like to take a bubble bath, if people must know. The best Sundays for me mean finding a good balance of relaxing and being active. I feel very lucky that my family and I can do those things together.

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